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Displaying results 1 to 25 of 120.

  1. Chinese literary forms in Heian Japan
    poetics and practice
    Author: Steininger, Brian
    Published: 2017
    Publisher:  BRILL, Leiden

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    Universitätsbibliothek Leipzig
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684175765; 9780674975156
    Other identifier:
    Series: Harvard East Asian Monographs ; 401
    Harvard University Asia Center E-Book Collection, ISBN: 9789004407077
    Subjects: Japanese literature; Japanese literature; Kanbungaku (Japanese literature); Kundoku; Literacy; Oral interpretation
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (pages 255-278) and index
  2. Shakespearean verse speaking: text and theatre practice
    Author: Rokison, Abigail
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "Using evidence from theatrical handbooks, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in... more

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2010 A 6939
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    Universitätsbibliothek Hildesheim
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    ANG 360:S32 : D137
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Vechta
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    "Using evidence from theatrical handbooks, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in the rehearsal room. In looking at theatrical interaction with early printed and modern edited texts, Rokison investigates the potential impact of editorial principles of lineation and punctuation on theatrical delivery. The book alerts editors to ways in which actors may interpret editorial emendations, and theatre practitioners to diverse authorial, editorial and compositional methods. It contains suggestions for a 'theatrical text' which makes clear the metrical structure of a scene whilst also indicating areas of ambiguous lineation. Providing a fresh perspective on Renaissance actors' parts, the book includes detailed analysis of the structural properties of the verse, in particular short lines, shared lines, end-stopping and enjambment in a range of Shakespearean texts"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780521764346
    RVK Categories: HI 3381
    Subjects: Drama; Acting; Oral interpretation
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: XIV, 234 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 215 - 224

    Dissertation, Cambridge, University,

    Machine generated contents note: Introduction -- 1. Current theatrical theories and practice regarding Shakespearean verse-speaking -- 2. Theatrical engagement with the early printed text or modern edited text and modern editorial principles of lineation -- 3. Historical evidence : documentary, anecdotal and textual -- 4. Internal evidence : a study of nine Shakespearean plays -- 5. The rehearsal room text -- Conclusion -- Appendix: Acting text of 2.4 Measure for Measure.
  3. Performing medieval narrative
    Contributor: Vitz, Evelyn Birge (Herausgeber); Regalado, Nancy Freeman (Herausgeber); Lawrence, Marilyn (Herausgeber)
    Published: 2005
    Publisher:  D.S. Brewer, Cambridge ; Cambridge University Press, Cambridge, UK

    Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance. more

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    Universität Frankfurt, Elektronische Ressourcen
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    Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.

     
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    Contributor: Vitz, Evelyn Birge (Herausgeber); Regalado, Nancy Freeman (Herausgeber); Lawrence, Marilyn (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846154201
    RVK Categories: EC 6502 ; EC 8202
    Subjects: Mündliche Literatur; Epik; Erzählen; Aufführung; Literature, Medieval; Oral interpretation
    Scope: 1 Online-Ressource (xvi, 261 pages)
  4. Cast of one
    one-person shows from the Chautauqua platform to the Broadway stage
    Author: Gentile, John S.
    Published: 1989
    Publisher:  Univ. of Illinois Pr., Urbana u.a.

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0252015843
    Subjects: Multiple role acting; One-person shows (Performing arts); Oral interpretation; Monodrama; Geschichte
    Scope: XI, 245, [52] S., Ill.
  5. The liberal art of interpretation
    Author: Long, Chester C.
    Published: 1974
    Publisher:  Harper & Row, New York

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0060440376
    RVK Categories: EC 1458
    Subjects: Oral interpretation
    Scope: XII,426 S.m.Abb.
  6. Performance of literature in historical perspectives
    Published: 1983
    Publisher:  Univ. Press of America, Lanham u.a.

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0819131466; 0819131474
    RVK Categories: EC 4150 ; EC 4720
    Subjects: Lecture publique (Littérature) - Histoire; Geschichte; Oral interpretation; Literatur; Deklamation; Geschichte
    Scope: XIV, 728 S.
  7. Récit oral et production d'identité sociale
    Author: Bres, Jacques
    Published: [1993]
    Publisher:  Groupe de Recherche en Linguistique Praxématique, Univ. Paul Valéry, Montpellier

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2905397667
    RVK Categories: ID 2510
    Series: Langue et praxis
    Subjects: Literatur; Literature and society; Literature; Oral interpretation; Gesprochene Sprache; Soziale Identität; Mündliche Erzählung; Erzählen; Soziolinguistik; Französisch
    Scope: 225 S., graph. Darst.
  8. Szenische Sprache im Spannungsfeld zwischen Mündlichkeit und Schriftlichkeit
    Oralität und Brasilianität bei Nelso Rodrigues
    Author: Sartingen, Kathrin
    Published: 2007
    Publisher:  Praesens Verl., Wien

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783706902847
    Other identifier:
    9783706902847
    RVK Categories: AP 73700
    Series: Beihefte zu Quo Vadis, Romania? ; 30
    Subjects: Drama; Oral communication in literature; Oral communication; Oral interpretation; Portuguese language; Portuguese languaged; Theater; Written communication in literature; Written communication
    Other subjects: Rodrigues, Nelson
    Scope: 427, 45 S., graph. Darst., 210 mm x 150 mm
    Notes:

    Literaturverz. S. 410 - 427
  9. "Niemand hier kann eine Stimme haben"
    postkoloniale Perspektiven auf Mündlichkeit und Schriftlichkeit in der deutschsprachigen Gegenwartsliteratur
    Author: Beck, Laura
    Published: 2017
    Publisher:  Aisthesis Verlag, Bielefeld

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783849811655; 3849811654
    Other identifier:
    9783849811655
    RVK Categories: GO 21200 ; GO 16016
    Series: Postkoloniale Studien in der Germanistik ; Band 9
    Subjects: German literature; German literature; Oral interpretation; Written communication in literature; Postcolonialism in literature
    Scope: 333 Seiten, 21 cm
    Notes:

    Literaturverzeichnis: Seite 311-333

    Dissertation, Universität Bremen, 2015
  10. The performance of reading
    an essay in the philosophy of literature
    Author: Kivy, Peter
    Published: 2006
    Publisher:  Blackwell Pub, Malden, MA

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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 047077665X; 0470777281; 9780470776650; 9780470777282
    Other identifier:
    Series: New directions in aesthetics ; 3
    Subjects: Silent reading; Readers' theater; Oral interpretation; LANGUAGE ARTS & DISCIPLINES ; Speech; Oral interpretation; Readers' theater; Silent reading; Bellettrie; LANGUAGE ARTS & DISCIPLINES ; Communication Studies
    Scope: 1 Online-Ressource (xiii, 155 pages)
    Notes:

    Includes bibliographical references (pages 138-149) and index
  11. The art of interpretation
    Author: Bacon, Wallace A.
    Published: 1972
    Publisher:  Holt, Rinehart and Winston, New York

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0030889995
    RVK Categories: EC 1610 ; HG 760
    Edition: 2.ed.
    Subjects: Oral interpretation; Englisch; Literatur; Englischunterricht; Interpretation
    Scope: XIII,514 S.
  12. (Re)Oralisierung
    Published: 1996
    Publisher:  Narr, Tübingen

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Content information
    Source: Union catalogues
    Language: German; English; French
    Media type: Book
    ISBN: 3823345745
    RVK Categories: EC 8200 ; EY 100 ; GW 5700 ; HD 135
    Series: Script-Oralia ; 84
    Subjects: Mondelinge literatuur; Teksten; Narration (Rhetoric); Oral interpretation; Oral tradition; Transmission of texts; Keltische Sprachen; Mündliche Literatur; Schriftlichkeit
    Scope: 501 S., Ill.
    Notes:

    Beitr. teilw. dt., teilw. engl., teilw. franz.
  13. Dramatizing writing
    reincorporating delivery in the classroom
    Author: Skinner-Linnenberg, Virginia
    Published: 1997
    Publisher:  Erlbaum, Mahwah, N.J. [u.a.]

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  14. Oral interpretation
    the communication of literature
    Author: Cohen, Edwin
    Published: 1977
    Publisher:  SRA, Chicago u.a.

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0574225552
    Subjects: Oral interpretation
    Scope: X, 302 S., Ill.
  15. Lesung & Vortrag
    zur Theorie und Praxis der öffentlichen Leseveranstaltung ; [ein Lesebuch mit Ratschlägen für Autoren, Referenten und Veranstalter ; mit 50 Auftrittskonzepten]
    Author: Haag, Klaus
    Published: 2001
    Publisher:  Marsilius, Speyer

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3929242230
    RVK Categories: AN 39500
    Edition: 1. Aufl.
    Subjects: Oral interpretation; Oral reading; Public speaking; Autorenlesung
    Scope: 385 S., 21 cm
  16. The elocutionists
    women, music, and the spoken word
    Author: Kimber, Marian Wilson
    Published: [2017]; © 2017
    Publisher:  University of Illinois Press, Urbana ; Chicaco ; Springfield

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre...dominated by women...achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... more

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    Universitätsbibliothek Bayreuth
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    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre...dominated by women...achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"...

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780252040719; 9780252082221
    RVK Categories: LR 57716
    Series: Music in American life
    Subjects: MUSIC / History & Criticism; SOCIAL SCIENCE / Women's Studies; Geschichte; Oral interpretation; Elocutionists; Women and literature; Women and literature; Women performance artists; Music theater; Readers' theater; Choral speaking; Oral reading; MUSIC / History & Criticism; SOCIAL SCIENCE / Women's Studies; Deklamation; Frau; Musiktheater
    Scope: xvii, 324 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index
  17. Oral interpretation
    based on the pionneering work of Charlotte I. Lee
    Author: Gura, Timothy; Powell, Benjamin
    Published: 2018
    Publisher:  Routledge, New York ; London

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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138082205; 9781138082212
    Edition: Thirteenth edition
    Subjects: Oral interpretation
    Scope: xxiv, 367 Seiten, Illustrationen
  18. The drama in the text
    Beckett's late fiction
    Author: Brater, Enoch
    Published: 1994
    Publisher:  Oxford University Press, New York

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1280527358; 1429405902; 9780195088922; 9781280527357; 9781429405904
    RVK Categories: IH 15721
    Subjects: LITERARY CRITICISM / European / French; Criticism and interpretation; Fiction / Technique; Oral interpretation; Oral interpretation; Fiction; Laut; Prosa; Mündliche Kommunikation; Klang; Roman
    Other subjects: Beckett, Samuel / 1906-1989; Beckett, Samuel / 1906-1989; Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989)
    Scope: 1 Online-Ressource (x, 233 p.)
    Notes:

    Includes bibliographical references (p. 209-233) and index

    The Drama in the Text argues that Beckett's late fiction, like his radio plays, demands to be read aloud, since much of the emotional meaning lodges in its tonality. In Beckett's haunting prose work the reader turns listener, collaborating with the sound of words to elucidate meaning from the silence of the universe. Enoch Brater ranges across all of Beckett's work, quoting from it liberally, and makes connections mainly with other writers, but also with details drawn from the entire Western cultural heritage. Brater serves as an authoritative and persuasive guide to the rich texture of such a difficult but compelling vocabulary, providing recognition, insight, and accessibility
  19. The performance of reading
    an essay in the philosophy of literature
    Author: Kivy, Peter
    Published: 2006
    Publisher:  Blackwell Pub., Malden, MA

    Location:
    Technische Hochschulbibliothek Rosenheim
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780470776650; 047077665X; 9780470777282; 0470777281
    Other identifier:
    RVK Categories: CC 6900 ; EC 1820
    Series: New directions in aesthetics ; 3
    Subjects: Lecture publique (Littérature); Lecture silencieuse; Théâtre / Lecture publique; LANGUAGE ARTS & DISCIPLINES / Communication Studies; LANGUAGE ARTS & DISCIPLINES / Speech; Oral interpretation; Readers' theater; Silent reading; Bellettrie; Oral interpretation; Silent reading; Readers' theater
    Scope: 1 Online-Ressource (xiii, 155 pages)
    Notes:

    Includes bibliographical references (pages 138-149) and index
  20. Shakespearean verse speaking
    text and theatre practice
    Author: Rokison, Abigail
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Summary: "Using evidence from theatrical hand-books, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Summary: "Using evidence from theatrical hand-books, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in the rehearsal room. In looking at theatrical interaction with early printed and modern edited texts, Rokison investigates the potential impact of editorial principles of lineation and punctuation on theatrical delivery. The book alerts editors to ways in which actors may interpret editorial emendations, and theatre practitioners to diverse authorial, editorial and compositional methods. It contains suggestions for a 'theatrical text' which makes clear the metrical structure of a scene whilst also indicating areas of ambiguous lineation. Providing a fresh perspective on Renaissance actors' parts, the book includes detailed analysis of the structural properties of the verse, in particular short lines, shared lines, end-stopping and enjambment in a range of Shakespearean texts"--Provided by publisher Summary: "This book is concerned with the analysis of contemporary responses to the Shakespearean text, as evidenced in performance practice and drama training. Through examination of published accounts and interview material from leading actors and directors, it explores current approaches to Shakespearean verse speaking in rehearsal rooms, drama schools and university drama departments. By examining assertions made in the theatrical handbooks against the findings of Renaissance scholarship, I contest some of the claims made by leading theatre practitioners and reiterated by actors and students looking for guidance in speaking Shakespearean verse"--Provided by publisher

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9780521764346
    RVK Categories: HI 3381
    Edition: 1. publ.
    Subjects: Acting; Drama - Technique; Oral interpretation; Drama; Acting; Oral interpretation; Aufführung; Sprache
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: XIV, 234 S., Ill
    Notes:

    Zugl.: Cambridge, Univ., Diss.
  21. Stimmen, Slams und Schachtel-Bücher
    eine Geschichte des Vorlesens ; von den Rhapsoden bis zum Hörbuch
    Published: 2009
    Publisher:  Aisthesis-Verl., Bielefeld

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    Hofbibliothek Aschaffenburg
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    Studienbibliothek
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783895287336
    Other identifier:
    9783895287336
    RVK Categories: AN 39100 ; EC 2120 ; EC 2130
    DDC Categories: 830; 430
    Subjects: Literatur - Vorlesen - Aufsatzsammlung; Oral interpretation; Oral reading; Oratory; Public speaking; Literatur; Vorlesen
    Scope: 155 S.
  22. Leximi dhe shkrimi
    Author: Rrahmani, Zejnullah
    Published: 2003
    Publisher:  Shtëpia Botuese Faik Konica, Prishtinë

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: Albanian
    Media type: Book
    ISBN: 9951050387; 9789951050388
    Subjects: Oral interpretation; Literature / Philosophy; Rhetoric; Literatur; Philosophie; Essay; Prosa; Kreatives Schreiben; Brief; Literaturtheorie; Lesetechnik
    Scope: 458 S., graph. Darst., 21 cm
    Notes:

    Includes bibliographical references
  23. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: 2019
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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  24. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  25. Oral literacies
    when adults read aloud
    Author: Duncan, Sam
    Published: 2021
    Publisher:  Routledge,, London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Hildesheim
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