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  1. "Am I a snob?"
    modernism and the novel
    Author: Latham, Sean
    Published: 2003
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

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  2. "Am I a snob?"
    modernism and the novel
    Author: Latham, Sean
    Published: 2003
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  3. "Who lived at Alfoxton?"
    Virginia Woolf and English romanticism
    Published: 1998
    Publisher:  Bucknell Univ. Press u.a., Lewisburg

    "This study turns the critical conversation about Virginia Woolf from its current feminist and postmodernist course. It "recanonizes" her by acknowledging her debt to English Romanticism, particularly Wordsworth, and by placing her in the cultural... more

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    "This study turns the critical conversation about Virginia Woolf from its current feminist and postmodernist course. It "recanonizes" her by acknowledging her debt to English Romanticism, particularly Wordsworth, and by placing her in the cultural landscape of the early twentieth century as an experimenter whose subjects and forms were modeled on the rich legacy of the past. Politically and aesthetically, she was in the mold of the early Western European democrats and not "a guerilla fighter in Victorian skirts." The author draws on the full range of Woolf's writing - her short stories, essays, novels, diaries, and letters - to examine her unique translation of the Romantic dyad of self and world."--BOOK JACKET.

     

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  4. "Who lived at Alfoxton?"
    Virginia Woolf and English romanticism
    Published: 1998
    Publisher:  Bucknell Univ. Press u.a., Lewisburg

    "This study turns the critical conversation about Virginia Woolf from its current feminist and postmodernist course. It "recanonizes" her by acknowledging her debt to English Romanticism, particularly Wordsworth, and by placing her in the cultural... more

    Freie Universität Berlin, Universitätsbibliothek
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    "This study turns the critical conversation about Virginia Woolf from its current feminist and postmodernist course. It "recanonizes" her by acknowledging her debt to English Romanticism, particularly Wordsworth, and by placing her in the cultural landscape of the early twentieth century as an experimenter whose subjects and forms were modeled on the rich legacy of the past. Politically and aesthetically, she was in the mold of the early Western European democrats and not "a guerilla fighter in Victorian skirts." The author draws on the full range of Woolf's writing - her short stories, essays, novels, diaries, and letters - to examine her unique translation of the Romantic dyad of self and world."--BOOK JACKET.

     

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  5. Colonial odysseys
    empire and epic in the modernist novel
    Author: Adams, David
    Published: 2003
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

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  6. Conrad at the millennium
    modernism, postmodernism, postcolonialism
    Published: 2001
    Publisher:  Social Science Monographs [u.a.], Boulder

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  7. Conrad at the millennium
    modernism, postmodernism, postcolonialism
    Published: 2001
    Publisher:  Social Science Monographs [u.a.], Boulder

    Europa-Universität Viadrina, Universitätsbibliothek
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  8. Covert relations
    James Joyce, Virginia Woolf, and Henry James
    Published: 1990
    Publisher:  Univ. Press of Virginia, Charlottesville [u.a.]

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  9. Difference in view
    women and modernism
    Published: 1994
    Publisher:  Taylor & Francis, London u.a.

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  10. Difference in view
    women and modernism
    Published: 1994
    Publisher:  Taylor & Francis, London u.a.

    Freie Universität Berlin, Universitätsbibliothek
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  11. Dostoevsky and English modernism
    1900 - 1930
    Author: Kaye, Peter
    Published: 1999
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses... more

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    "The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet, and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel."--BOOK JACKET.

     

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  12. Dostoevsky and English modernism
    1900 - 1930
    Author: Kaye, Peter
    Published: 1999
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet, and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel."--BOOK JACKET.

     

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  13. E. M. Forster's modernism
    Published: 2002
    Publisher:  Palgrave, Basingstoke [u.a.]

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  14. E. M. Forster's modernism
    Published: 2002
    Publisher:  Palgrave, Basingstoke [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  15. Einstein's wake
    relativity, metaphor, and modernist literature
    Published: 2001
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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  16. Einstein's wake
    relativity, metaphor, and modernist literature
  17. English fiction of the early modern period
    1890 - 1940
    Published: 1988
    Publisher:  Longman, London u.a.

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 058249284X; 0582492858
    RVK Categories: HM 1071 ; HM 1293 ; HM 1295
    Edition: 1. publ.
    Series: Longman literature in English series
    Subjects: Modernisme (Littérature) - Grande-Bretagne; Roman anglais; Roman anglais - 20e siècle - Histoire et critique; English fiction; Modernism (Literature); Prosa; Englisch; Literatur; Roman
    Scope: XI, 275 S.
  18. English fiction of the early modern period
    1890 - 1940
    Published: 1988
    Publisher:  Longman, London u.a.

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 058249284X; 0582492858
    RVK Categories: HM 1071 ; HM 1293 ; HM 1295
    Edition: 1. publ.
    Series: Longman literature in English series
    Subjects: Modernisme (Littérature) - Grande-Bretagne; Roman anglais; Roman anglais - 20e siècle - Histoire et critique; English fiction; Modernism (Literature); Prosa; Englisch; Literatur; Roman
    Scope: XI, 275 S.
  19. Evelyn Waugh and the modernist tradition
    Published: 2004
    Publisher:  Transaction Publ., New Brunswick [u.a.]

    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0765805553
    RVK Categories: HM 4735
    Edition: 2. print.
    Subjects: Modernisme (Littérature) - Grande-Bretagne; Modernism (Literature)
    Other subjects: Waugh, Evelyn <1903-1966> - Critique et interprétation; Waugh, Evelyn <1903-1966>
    Scope: XVIII, 191 S.
    Notes:

    1987 u.d.T.: McCartney, George: Confused roaring

  20. Evelyn Waugh and the modernist tradition
    Published: 2004
    Publisher:  Transaction Publ., New Brunswick [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0765805553
    RVK Categories: HM 4735
    Edition: 2. print.
    Subjects: Modernisme (Littérature) - Grande-Bretagne; Modernism (Literature)
    Other subjects: Waugh, Evelyn <1903-1966> - Critique et interprétation; Waugh, Evelyn <1903-1966>
    Scope: XVIII, 191 S.
    Notes:

    1987 u.d.T.: McCartney, George: Confused roaring

  21. Fiction and the law
    legal discourse in Victorian and modernist literature
    Published: 1999
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "In Fiction and the Law: Legal Discourse in Victorian and Modernist Literature Kieran Dolin examines the dialectical interplay between legal discourse and the novel in the century between Walter Scott and E. M. Forster, the period when the... more

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    "In Fiction and the Law: Legal Discourse in Victorian and Modernist Literature Kieran Dolin examines the dialectical interplay between legal discourse and the novel in the century between Walter Scott and E. M. Forster, the period when the institution of the law was undergoing radical reform and the novel was at the peak of its cultural power. Dolin's comprehensive study argues that this cultural power is attributable in part to the novel's critical engagement with the law. His study draws on legal and literary theory to trace this important convergence of disciplines in a series of canonical Victorian and Modernist texts."--BOOK JACKET.

     

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  22. Framing pieces
    designs of the gloss in Joyce, Woolf, and Pound
    Published: 1996
    Publisher:  Oxford Univ. Press, New York [u.a.]

    Framing Pieces takes as its starting point the premise that the frames of modern art - the notes, marginalia, critical essays, and longer prose pieces with which James Joyce, Virginia Woolf, and Ezra Pound surrounded their texts - perform complex... more

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    Framing Pieces takes as its starting point the premise that the frames of modern art - the notes, marginalia, critical essays, and longer prose pieces with which James Joyce, Virginia Woolf, and Ezra Pound surrounded their texts - perform complex aesthetic and socio-political work. John Whittier-Ferguson discusses a variety of texts and contexts, including Finnegan's Wake, A Room of One's Own, The Pargiters, Three Guineas, and Pound's prose and poetry from the 1930s. He argues that the study of twentieth-century apparatus is crucial to the comprehension of the text it brackets and of the self-conscious, self-promoting, and self-elucidating and obscuring nature of the moderns gathered in this book. Whittier-Ferguson introduces his inquiry with a discussion of the paradigmatic instance of the modernist apparatus, Eliot's notes to The Waste Land. From there, he leads his readers into an exploration of questions central to the study of modernism today. He considers the political inflections of Modernist texts and traces the uncertain domain of the avant-garde. Further, Whittier-Ferguson determines the means by which writers make claims to different forms of cultural authority and demonstrates the ways an author's designs are themselves ultimately framed by historical forces that resist all designing. Turning his readers' attention to the margins of canonical modernism, Whittier-Ferguson newly illuminates authors and texts central to an understanding of twentieth-century art and culture.

     

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  23. Framing pieces
    designs of the gloss in Joyce, Woolf, and Pound
    Published: 1996
    Publisher:  Oxford Univ. Press, New York [u.a.]

    Framing Pieces takes as its starting point the premise that the frames of modern art - the notes, marginalia, critical essays, and longer prose pieces with which James Joyce, Virginia Woolf, and Ezra Pound surrounded their texts - perform complex... more

    Freie Universität Berlin, Universitätsbibliothek
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    Framing Pieces takes as its starting point the premise that the frames of modern art - the notes, marginalia, critical essays, and longer prose pieces with which James Joyce, Virginia Woolf, and Ezra Pound surrounded their texts - perform complex aesthetic and socio-political work. John Whittier-Ferguson discusses a variety of texts and contexts, including Finnegan's Wake, A Room of One's Own, The Pargiters, Three Guineas, and Pound's prose and poetry from the 1930s. He argues that the study of twentieth-century apparatus is crucial to the comprehension of the text it brackets and of the self-conscious, self-promoting, and self-elucidating and obscuring nature of the moderns gathered in this book. Whittier-Ferguson introduces his inquiry with a discussion of the paradigmatic instance of the modernist apparatus, Eliot's notes to The Waste Land. From there, he leads his readers into an exploration of questions central to the study of modernism today. He considers the political inflections of Modernist texts and traces the uncertain domain of the avant-garde. Further, Whittier-Ferguson determines the means by which writers make claims to different forms of cultural authority and demonstrates the ways an author's designs are themselves ultimately framed by historical forces that resist all designing. Turning his readers' attention to the margins of canonical modernism, Whittier-Ferguson newly illuminates authors and texts central to an understanding of twentieth-century art and culture.

     

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  24. G. K. Chesterton as controversialist, essayist, novelist, and critic
    Published: 2002
    Publisher:  Mellen, Lewiston [u.a.]

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  25. Glamour in six dimensions
    modernism and the radiance of form
    Published: 2009
    Publisher:  Cornell University Press, Ithaca

    Perception : Chanel no. 5, Wallace Stevens, the sublime -- Violence : Scott Fitzgerald, fascination, Katherine Mansfield -- Photography : Virginia Woolf, grammar, desire -- Celebrity : 1910, the extinction of personality, Greta Garbo -- Primitivism :... more

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    Perception : Chanel no. 5, Wallace Stevens, the sublime -- Violence : Scott Fitzgerald, fascination, Katherine Mansfield -- Photography : Virginia Woolf, grammar, desire -- Celebrity : 1910, the extinction of personality, Greta Garbo -- Primitivism : Wallace Thurman, Nella Larsen, Josephine Baker -- Cellophane : Florine Stettheimer, Gertrude Stein, blankness. In Glamour in Six Dimensions Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour is the defining aesthetic of modernism. In the clean lines of modernism she finds the ideal conditions for glamour-blankness, polish, impenetrability, and the suspicion of emptiness behind it all. Brown focuses on several cultural products that she argues helped to shape glamour's meanings: the most significant perfume of the twentieth century, Chanel No. 5; the idea of the Jazz Age and its ubiquitous cigarette; the celebrity photograph; the staging of primitivism; and the invention of a shimmering plastic called cellophane. Alongside these artifacts, she takes up the development, refinement, and analysis of glamour in Anglo-American poetry, film, fiction, and drama of the period. Glamour in 6 Dimensions thus asks its reader to see the proximity between the vernacular and elite cultures of modernism, and particularly how glamour was animated by artists working at the crossroads of the mundane and the extraordinary: Wallace Stevens, F. Scott Fitzgerald, Virginia Woolf, Josephine Baker, D. H. Lawrence, Gertrude Stein, Nella Larsen, and others."--Publisher description

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501731242; 1501731246
    RVK Categories: HM 1091
    Subjects: American literature; English literature; Glamour in literature; Modernism (Literature); Modernism (Literature); Glamour; Glamour; Modernism (Aesthetics); Modernism (Aesthetics); Glamour; Moderne; Kultur; Bellettrie; Modernisme (cultuur); Schoonheidsideaal; Het sublieme; Esthetica; Sociale aspecten; Kultur; Litteraturvetenskap ; modernismen ; estetik ; Förenta staterna ; Storbritannien ; sekelskiftet 1900; Film; Kvinnobilden; Amerikansk litteratur ; historia ; 1900-talet; Engelsk litteratur ; historia ; 1900-talet; Modernism (litteratur) ; Förenta Staterna; Modernism (litteratur) ; Storbritannien; Modernism ; sociala aspekter ; Förenta Staterna; Modernism ; sociala aspekter ; Storbritannien; Modernism; Litteratur; American literature; English literature; Glamour in literature; Modernism (Literature); Criticism, interpretation, etc; LITERARY CRITICISM - Modern - 20th Century; Glamour dans la littérature; Modernisme (Littérature) - États-Unis; Modernisme (Littérature) - Grande-Bretagne; Glamour - Aspect social - Grande-Bretagne; Littérature américaine - 20e siècle - Histoire et critique; Littérature anglaise - 20e siècle - Histoire et critique; Modernisme (Esthétique) - Aspect social - États-Unis; Glamour - Aspect social - États-Unis; Modernisme (Esthétique) - Aspect social - Grande-Bretagne
    Scope: 1 Online-Ressource (xiv, 199 pages), illustrations
    Notes:

    Includes bibliographical references (pages 173-193) and index