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  1. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer
    Published: 2008
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262072861; 0262072866
    RVK Categories: LH 69100 ; LO 94036
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art
    Scope: XIII, 297 S., Ill., 26 cm
    Notes:

    Literaturangaben
  2. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer A.
    Published: [2011]; © 2008
    Publisher:  MIT Press, Cambridge, Massachusetts ; London, England

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780262516020
    RVK Categories: LO 94036
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art; Rasse <Motiv>; Installation <Kunst>
    Scope: xiii, 297 Seiten, Illustrationen, 26 cm
    Notes:

    Includes bibliographical references (p. [251]-277) and index
  3. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer A.
    Published: [2008]
    Publisher:  MIT Press, Cambridge, Massachusetts ; London, England

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780262072861
    RVK Categories: LO 94036
    Subjects: Installations (Art) / United States; Art, American / 20th century; Art, American / 21st century; Minority artists / United States; Race in art; Art américain - 20e siècle; Art américain - 21e siècle; Artistes issus des minorités - États-Unis; Installations (Art) - États-Unis; Race dans l'art; Art, American; Art, American; Installations (Art); Minority artists; Race in art; Rasse <Motiv>; Installation <Kunst>
    Scope: xiii, 297 Seiten, Illustrationen
    Notes:

    Includes bibliographical references (p. [251]-277) and index

    Introduction : subject to display -- James Luna : artifacts and fictions -- Fred Wilson : material museology -- Amalia Mesa-Bains : divine allegories -- Pepón Osorio : no limits -- Renée Green : genealogies of contact
  4. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer
    Published: 2008
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Universitätsbibliothek Duisburg-Essen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262072866; 9780262072861
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art
    Scope: XIII, 297 S. : farb. Ill.
    Notes:

    Introduction : subject to display -- James Luna : artifacts and fictions -- Fred Wilson : material museology -- Amalia Mesa-Bains : divine allegories -- Pepón Osorio : no limits -- Renée Green : genealogies of contact. - Includes bibliographical references (p. [251]-277) and index. - Formerly CIP
  5. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer
    Published: 2008
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Universitätsbibliothek Duisburg-Essen
    Signature:
    KDZA1211
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/NVF 755 2008 B
    Inter-library loan:
    No inter-library loan

    Location:
    Kunsthistorisches Institut, Abteilung Allgemeine Kunstgeschichte, Bibliothek
    Signature:
    428/EE187/27
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Münster, Philosophisches Seminar, Bibliothek
    Signature:
    U 5051 / 1
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0262072866; 9780262072861
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art; Rassenfrage <Motiv>; Installation <Kunst>
    Scope: XIII, 297 S., farb. Ill.
    Notes:

    Introduction : subject to display -- James Luna : artifacts and fictions -- Fred Wilson : material museology -- Amalia Mesa-Bains : divine allegories -- Pepón Osorio : no limits -- Renée Green : genealogies of contact. - Includes bibliographical references (p. [251]-277) and index. - Formerly CIP
  6. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer A.
    Published: [2008]
    Publisher:  MIT Press, Cambridge, Massachusetts ; London, England

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780262072861
    RVK Categories: LO 94036
    Subjects: Installations (Art) / United States; Art, American / 20th century; Art, American / 21st century; Minority artists / United States; Race in art; Art américain - 20e siècle; Art américain - 21e siècle; Artistes issus des minorités - États-Unis; Installations (Art) - États-Unis; Race dans l'art; Art, American; Art, American; Installations (Art); Minority artists; Race in art; Rasse <Motiv>; Installation <Kunst>
    Scope: xiii, 297 Seiten, Illustrationen
    Notes:

    Includes bibliographical references (p. [251]-277) and index

    Introduction : subject to display -- James Luna : artifacts and fictions -- Fred Wilson : material museology -- Amalia Mesa-Bains : divine allegories -- Pepón Osorio : no limits -- Renée Green : genealogies of contact
  7. La notion de mineur entre littérature, arts et politique
    Published: 2012
    Publisher:  M. Houdiard, Paris

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782356920843
    Subjects: Canon (Literature); Literature; Minority artists; Minorities; Literature and society; Discrimination
    Scope: 252 S.
  8. La notion de mineur entre littérature, arts et politique
    Published: 2012
    Publisher:  M. Houdiard, Paris

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 884635
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782356920843
    Subjects: Canon (Literature); Literature; Minority artists; Minorities; Literature and society; Discrimination
    Scope: 252 S.
  9. A comprehensive index to Artist and influence, the journal of Black American cultural history, 1981-1999
    Author: Duffy, Susan
    Published: c2000
    Publisher:  Edwin Mellen Press, Lewiston, NY [u.a.]

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2001 A 19220
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773479031
    Series: Black studies ; 8
    Subjects: Minority artists; Artists; Arts
    Scope: iii, 281 p, Ill, 24 cm