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  1. <<Die>> Darstellung der Masse im Stummfilm
    Menge, Meute, Mensch bei Sergej Eisenstein und King Vidor
    Author: Radtke, Andrea
    Published: 2008
    Publisher:  VDM, Müller, Saarbrücken

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783836471367
    Subjects: Vidor, King; Film; Masse <Motiv>; ; Ėjzenštejn, Sergej M.; Film; Masse <Motiv>; ; Stummfilm; Masse <Motiv>;
    Scope: 137 S., Ill., graph. Darst.
    Notes:

    Literaturverz. u. Filmogr. S. 132 - 137
  2. Crowd scenes
    movies and mass politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, New York

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    88.552.00
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823229017; 9780823229024
    RVK Categories: AP 51800
    Edition: 1. ed.
    Subjects: Film; Masse <Motiv>
    Scope: 161 S.
    Notes:

    Includes bibliographical references and index

    Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : The birth of a nation and intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood
  3. Die Darstellung der Masse im Stummfilm
    Menge, Meute, Mensch bei Sergej Eisenstein und King Vidor
    Author: Radtke, Andrea
    Published: 2008
    Publisher:  VDM Verlag Dr. Müller, Saarbrücken

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    Universität Mainz, Zentralbibliothek
    Signature:
    248.263
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783836471367
    RVK Categories: AP 48200
    DDC Categories: 791; 300
    Subjects: Film; Masse <Motiv>
    Other subjects: Vidor, King (1894-1982); Ėjzenštejn, Sergej M. (1898-1948)
    Scope: 137 S., Ill., 22 cm
    Notes:

    Literatur- und URL-Verz. S. 132 - 137

    Hergestellt on demand
  4. Crowd Scenes
    Movies and Mass Politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, New York ; Project MUSE, Baltimore, Md.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823229017
    RVK Categories: AP 51800
    Edition: 1st ed.
    Subjects: Film; Masse <Motiv>
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (p. 153-158) and index

    Description based on print version record
  5. Crowd scenes
    movies and mass politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, New York ; OAPEN Foundation, The Hague

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    RVK Categories: AP 51800
    DDC Categories: 070
    Subjects: Film; Masse <Motiv>
    Scope: 1 Online-Ressource (vii, 161 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 153-158
  6. Crowd scenes
    movies and mass politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, New York

    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying... more

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    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions

     
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  7. "Aber jeder bewahrte da seinen Namen"
    die Masse im Theater der zwanziger Jahre bei Asja Lacis und Bertolt Brecht
    Author: Pachner, Sophie
    Published: 2008

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    RVK Categories: GM 2660
    Subjects: Theatertheorie; Masse <Motiv>
    Other subjects: Brecht, Bertolt (1898-1956); Brecht, Bertolt (1898-1956): Leben Eduards des Zweiten von England; Lācis, Asja (1891-1979)
    Scope: II, 120 S.
    Notes:

    Wien, Univ., Dipl.-Arb., 2008
  8. James Ensor - Schrecken ohne Ende
    [dieser Katalog erscheint anlässlich der Ausstellung "James Ensor - Schrecken ohne Ende", Von-der-Heydt-Museum Wuppertal, 12. Oktober 2008 - 8. Februar 2009]
    Contributor: Ensor, James (Illustrator); Finckh, Gerhard (Herausgeber)
    Published: 2008
    Publisher:  Von-der-Heydt-Museum, Wuppertal

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Ensor, James (Illustrator); Finckh, Gerhard (Herausgeber)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783892020721
    Subjects: Ensor, James; <<Das>> Groteske; Zeitgenossen; Rezeption; Salon <Motiv>; Masse <Motiv>; Stillleben; Maske <Motiv>; Tod <Motiv>; Gespenst; Spiegel <Motiv>; Defizit; Ensor, James; Farbe; Form; Spiel <Motiv>; Ensor, James; Zeitgenossen
    Scope: 327 S. : überw. Ill.
  9. James Ensor - Schrecken ohne Ende
    [dieser Katalog erscheint anlässlich der Ausstellung "James Ensor - Schrecken ohne Ende", Von-der-Heydt-Museum Wuppertal, 12. Oktober 2008 - 8. Februar 2009]
    Contributor: Ensor, James (Ill.); Finckh, Gerhard (Hrsg.)
    Published: 2008
    Publisher:  Von-der-Heydt-Museum, Wuppertal

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Ensor, James (Ill.); Finckh, Gerhard (Hrsg.)
    Language: German
    Media type: Book
    ISBN: 9783892020721
    Subjects: Form; Das Groteske; Masse <Motiv>; Maske <Motiv>; Tod <Motiv>; Defizit; Farbe; Rezeption; Gespenst; Spiel <Motiv>; Salon <Motiv>; Stillleben; Spiegel <Motiv>; Zeitgenossen
    Other subjects: Ensor, James (1860-1949)
    Scope: 327 S., überw. Ill.
  10. Die Darstellung der Masse im Stummfilm
    Menge, Meute, Mensch bei Sergej Eisenstein und King Vidor
    Author: Radtke, Andrea
    Published: 2008
    Publisher:  VDM Verlag Dr. Müller, Saarbrücken

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783836471367
    Subjects: Film; Masse <Motiv>; Film; Masse <Motiv>
    Other subjects: Vidor, King (1894-1982); Ėjzenštejn, Sergej M. (1898-1948); (Keywords)Filmwissenschaft; (Keywords)Masse; (Keywords)Stummfilm; (Keywords)Sergej Eisenstein; (Keywords)King Vidor; (Keywords)The Big Parade; (Keywords)The Crowd; (Keywords)Streik; (Keywords)Panzerkreuzer Potemkin
    Scope: 137 S., Ill., 22 cm
    Notes:

    Literatur- und URL-Verz. S. 132 - 137. - Hergestellt on demand
  11. Crowd scenes
    movies and mass politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, New York

    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions

     
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  12. Crowd Scenes
    Movies and Mass Politics
    Author: Tratner, Michael
    Published: c2008
    Publisher:  Fordham University Press, New York

    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying... more

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    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions.

     
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  13. Die Darstellung der Masse im Stummfilm
    Menge, Meute, Mensch bei Sergej Eisenstein und King Vidor
    Author: Radtke, Andrea
    Published: 2008
    Publisher:  VDM Verlag Dr. Müller, Saarbrücken

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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783836471367
    RVK Categories: AP 48200
    Subjects: Vidor, King; Film; Masse <Motiv>; ; Ėjzenštejn, Sergej M.; Film; Masse <Motiv>;
    Scope: 137 S., Ill., 22 cm
    Notes:

    Literatur- und URL-Verz. S. 132 - 137. - Hergestellt on demand
  14. Crowd Scenes
    Movies and Mass Politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying... more

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    Universitätsbibliothek Gießen
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    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike.Michael Tratner examines the representations of masses—the crowd scenes—in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823229017
    RVK Categories: AP 51800
    Subjects: Film; Masse <Motiv>
    Scope: 1 Online-Ressource (1 Online-Ressource ( p.)
  15. Crowd scenes
    movies and mass politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, New York ; JSTOR

    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823280780; 0823280780
    RVK Categories: AP 51800
    Edition: 1st edition
    Subjects: Film; Masse <Motiv>; Crowds in motion pictures; Motion pictures; Crowds in motion pictures; Motion pictures; Masse; Film; Massenpsychologie; Film; Masse; Film; PERFORMING ARTS / Film & Video / History & Criticism
    Scope: 1 Online-Ressource (vii, 161 Seiten), Illustrations
    Notes:

    Includes bibliographical references (pages 153-158) and index
  16. Die Masse, das Individuum und die Banalität des Bösen
    Hannah Arendts politische Theorie in Zusammenhang mit der Autobiographie des Rudolf Höß
    Author: Weydt, Elisabeth
    Published: 2008
    Publisher:  GRIN Verlag, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783638030908
    Other identifier:
    9783638030908
    Edition: 1. Auflage
    Subjects: Individuum; Masse
    Other subjects: Arendt, Hannah (1906-1975); Höß, Rudolf (1901-1947); (Produktform)Electronic book text; (BISAC Subject Heading)LIT004170: LITERARY CRITICISM / European / German; Masse;Individuum;Banalität;Bösen; (VLB-WN)9563: Deutsche Sprachwissenschaft, Deutschsprachige Literaturwissenschaft
    Scope: Online-Ressource, 24 Seiten
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    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  17. Die Darstellung der Masse im Stummfilm
    Menge, Meute, Mensch bei Sergej Eisenstein und King Vidor
    Author: Radtke, Andrea
    Published: 2008
    Publisher:  VDM Verlag Dr. Müller, Saarbrücken

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783836471367
    RVK Categories: AP 48200
    Subjects: Vidor, King; Film; Masse <Motiv>; ; Ėjzenštejn, Sergej M.; Film; Masse <Motiv>;
    Scope: 137 S., Ill., 22 cm
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    Literatur- und URL-Verz. S. 132 - 137. - Hergestellt on demand
  18. Crowd scenes
    movies and mass politics
    Author: Tratner, Michael
    Published: 2008
    Publisher:  Fordham University Press, New York

    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying... more

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    The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions

     
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  19. Massenmenschen und Massenidol in den Romanen von Joseph Roth
    Author: Liu, Wei
    Published: 2008

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    Source: Online Contents Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Print
    Parent title: In: Literaturstraße; Würzburg : K & N, Königshausen & Neumann, 2000-; Band 9 (2008), Seite 249-258

    Subjects: Masse <Motiv>
    Other subjects: Roth, Joseph (1894-1939)