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  1. Perennial Decay
    On the Aesthetics and Politics of Decadance
    Published: [2015]; ©1998
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of... more

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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of gratitude to the marquis of Queensberry for destroying the high Priest of the Decadents." But reports of the death of decadence were greatly exaggerated, and today, more than one hundred years after the famous trial and at the beginning of a new millennium, the phenomenon of decadence continues to be a significant cultural force.Indeed, "decadence" in the nineteenth century, and in our own period, has been a concept whose analysis yields a broad set of associations. In Perennial Decay, Emily Apter, Charles Bernheimer, Sylvia Molloy, Michael Riffaterre, Barbara Spackman, Marc Weiner, and others extend the critical field of decadence beyond the traditional themes of morbidity, the cult of artificiality, exoticism, and sexual nonconformism. They approach the question of decadence afresh, reevaluating the continuing importance of late nineteenth-century decadence for contemporary literary and cultural studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292480
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    Series: New Cultural Studies
    Subjects: Arts, Modern; Decadence in art; Arts, Modern; Decadence (Literary movement); Arts, Modern; Arts, Modern; Decadence (Literary movement); Decadence in art; Arts, Modern.; Arts, Modern.; Decadence (Literary movement).; Decadence in art.; Literary Studies.; Literature in Diverse Languages.; Other Nations and Languages.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Introduction -- -- Defining Decadence -- -- Chapter 1. Interversions -- -- Chapter 2. Unknowing Decadence -- -- Chapter 3. Decadent Paradoxes -- -- Visualizing Decadence -- -- Chapter 4. Posing a Threat: Queensberry Wilde, and the Portrayal of Decadence -- -- Chapter 5. Decadent Critique: Constructing "History" in Peter Greenaway's The Cook, the Thief, His Wife & Her Lover -- -- Chapter 6. Opera and the Discourse of Decadence: From Wagner to AIDS -- -- Chapter 7. Spaces of the Demimonde/Subcultures of Decadence: 1890-I990 -- -- Identifications of Decadence and Decadent Identities -- -- Chapter 8. "Comment Peut-on Être Homosexuel?": Multinational (In)Corporation and the Frenchness of Salomé -- -- Chapter 9. The Politics of Posing: Translating Decadence in Fin-de-Siecle Latin America -- -- Chapter 10. Improper Names: Pseudonyms and Transvestites in Decadent Prose -- -- Chapter 11. Imperial Dependency, Addiction, and the Decadent Body -- -- Decadence, History, and the Politics of Language -- -- Chapter 12. Pale Imitations: Walter Pater's Decadent Historiography -- -- Chapter 13. "Golden Mediocrity": Pater's Marcus Aurelius and the Making of Decadence -- -- Chapter 14. Fetishizing Writing: The Politics of Fictional Form in the Work of Remy de Gourmont and Joséphin Péladan -- -- Chapter 15. Ce ″Bazar Intellectual": Maurice Barrès, Decadent Masters, and Nationalist Pupils -- -- Contributors -- -- Index
  2. The Orient of the Boulevards
    Exoticism, Empire, and Nineteenth-Century French Theater
    Author: Pao, Angela C.
    Published: [2015]; ©1998
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle... more

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    Hochschule Merseburg, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle East.As an increasingly large segment of the French population moved into contact with the Middle East and North Africa as soldiers, colonial administrators, settlers, and merchants, the balance between fantasy and immediacy in Orientalized drama shifted. The domestic melodrama gave way to elaborately staged military spectacles based on current events. Performed before working-class audiences, many of whose members were to be called up for military service, these spectacles bore explicit political and imperial agendas.Mining rich archival resources of play-texts, censorship reports, critical reviews, and contemporary writings on performance practice, this book reveals the complex processes by which the institutions of popular culture helped shape nineteenth-century notions of race, ethnicity, and nationality.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512806809
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    Series: New Cultural Studies
    Subjects: French drama; Exoticism in literature; Theater; Exoticism in literature; French drama; Theater; Exoticism in literature.; French drama.; Theater.; Literary Studies.; Literature in Diverse Languages.; Romance Literature, general.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Illustrations -- -- Introduction: From the Orient as Theater to the Orient in the Theater -- -- Part I. Domestic Exoticism -- -- Domestic Exoticism -- -- 1. Nineteenth-Century Popular Theater: Institutions and Practices -- -- 2. Exotic Tragedy: The Orient on the Ancien Régime Stage -- -- 3. Exotic Boundaries: Reading the Censors -- -- 4. Oriental Escapades: Les Ruines de Babylone, or Positioning the European Spectator -- -- Part II. Dramatic Campaigns -- -- Dramatic Campaigns -- -- 5. National Images: From La Bataille d'Aboukir to Bonaparte en Egypte, or The Evolution of National Drama -- -- 6. Fictions of War: Reading the Critics -- -- 7. Oriental Campaigns in Print and on Stage -- -- 8. Occident versus Orient: Les Massacres de Syrie and the Recasting of History -- -- Conclusion: From Stage to Screen -- -- Notes -- -- Bibliography -- -- Acknowledgments -- -- Index