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  1. Drama and the market in the age of Shakespeare
    Author: Bruster, Douglas
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world 1. Towards a material theatre -- 2. Drama and the Age -- 3. 'City comedy' and the materialist vision -- 4. Horns of plenty: cuckoldry and capital -- 5. The objects of farce: identity and commodity -- 6. The farce of objects: Othello to Bartholomew Fair -- 7. 'The alteration of men': Troilus and Cressida, Troynovant, and trade

     
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  2. Drama and the market in the age of Shakespeare
    Author: Bruster, Douglas
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He... more

    Location:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signature:
    E-Book CUP HSFK
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
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    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
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    Location:
    Peace Research Institute Frankfurt, Bibliothek
    Signature:
    E-Book CUP HSFK
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    No inter-library loan

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Cambridge
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    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world 1. Towards a material theatre -- 2. Drama and the Age -- 3. 'City comedy' and the materialist vision -- 4. Horns of plenty: cuckoldry and capital -- 5. The objects of farce: identity and commodity -- 6. The farce of objects: Othello to Bartholomew Fair -- 7. 'The alteration of men': Troilus and Cressida, Troynovant, and trade

     
    Export to reference management software   RIS file
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    Volltext (lizenzpflichtig)