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Displaying results 1 to 25 of 25.
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Adaptation and appropriation
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The making of Jane Austen
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The ovidian vogue
literary fashion and imitative practice in late Elizabethan England -
Page to stage
the craft of adaptation -
Adaptation in contemporary theatre
performing literature -
Adaptation studies and learning
new frontiers -
Uncle Tom
from martyr to traitor -
Interpreting great classics of literature as metatheatre and metafiction
Ovid, Beowulf, Corneille, Racine, Wieland, Stoppard, and Rushdie -
Jane Austen's textual lives
from Aeschylus to Bollywood -
Recreating Jane Austen
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Subversive stages
theater in pre- and post-communist Hungary, Romania, and Bulgaria -
Adaptation and appropriation
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Marketing the bard
Shakespeare in performance and print, 1660-1740 -
A Theory of Adaptation.
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Dialogues between media
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Playfulness in Shakespearean adaptations
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Woke Cinderella
twenty-first-century adaptations -
Menander's Characters in context
from the 4th Century BC to the modern Greek stage -
Playfulness in Shakespearean adaptations
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Stage appropriations of Shakespeare's major tragedies, 1980-2010
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Shakespeare
his infinite variety -
Menander's Characters in context
from the 4th Century BC to the modern Greek stage -
Woke Cinderella
twenty-first-century adaptations -
Playfulness in Shakespearean adaptations
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Adaptation and cultural appropriation
literature, film, and the arts