Results for *

Displaying results 26 to 35 of 35.

  1. Typology and iconography in Donne, Herbert, and Milton
    fashioning the self after Jeremiah
    Published: 2014
    Publisher:  Palgrave Macmillan, Basingstoke

    This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem, Sluter's sculpture of... more

    Universitätsbibliothek Freiburg
    No inter-library loan

     

    This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem, Sluter's sculpture of Jeremiah in the Well of Moses, and Michelangelo's fresco of Jeremiah in the Sistine Chapel.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
  2. Bollywood Shakespeares
    Published: 2014
    Publisher:  Palgrave Macmillan, Basingstoke

    Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite... more

    Universitätsbibliothek Freiburg
    No inter-library loan

     

    Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture. "Shakespeare came to India during the British empire on the project of the 'civilizing mission.' Bollywood Shakespeares compellingly brings to life appropriations and adaptations of Shakespeare as a window into hybrid, post-national identities emerging from a global consumer culture in India today. In a theoretically nuanced framing argument, Dionne and Kapadia explore the interface between Shakespeare's theatre and the global stage of Bollywood cinema, while the ensuing essays examine in rich detail how Bollywood "uses" Shakespeare to represent and examine modern Indian life. Bollywood Shakespeares is an important and timely study into the politics of global culture and of the place of Shakespeare within it." - Jyotsna G. Singh, Professor of English, Michigan State University, USA "This edited collection traces the historical origins of Bollywood's engagement with the Bard to Parsi theater, provides nuanced readings of well-established films (such as Shakespeare Wallah), and introduces readers to some less familiar ones (such as The Last Lear). Collectively, the essays in Bollywood Shakespeares demonstrate how both terms in the book's title are complicated and unsettled by their interaction. The volume also makes a significant contribution to theoretical discussion of the relationship between Shakespearean appropriation/adaptation and the rapidly changing field of Global Shakespeare." - Christy Desmet, Josiah Meigs Distinguished Teaching Professor of English, University of Georgia, USA.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137375568; 1137375566
    Other identifier:
    RVK Categories: AP 59465 ; HI 3341
    Series: Reproducing Shakespeare
    Subjects: Motion pictures; Film adaptations; Film theory & criticism; Shakespeare studies & criticism; Performing Arts, ukslc; Film history, theory & criticism; Literary studies: plays & playwrights; Literary studies: c 1600 to c 1800
    Scope: Online-Ressource(224 p.)
  3. The Androgyne in Early Modern France
    Contextualizing the Power of Gender
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    Based on sources in Genesis and Plato's Symposium, the androygyne during Early Modern France was a means of expressing the full potential of humans made in the image of God. This book documents and comments on the range of references to the androgyne... more

    Universitätsbibliothek Freiburg
    No inter-library loan

     

    Based on sources in Genesis and Plato's Symposium, the androygyne during Early Modern France was a means of expressing the full potential of humans made in the image of God. This book documents and comments on the range of references to the androgyne in the writings of poets, philosophers, courtiers, and women in positions of political power. "Rothstein has written a masterful pre-history of the woman sovereign who could also act as a man by tracing the enabling figure of the classical and biblical androgyne through multiple strands of Renaissance culture. A magnificent feat of sleuthing that uncovers unsuspected wealth behind a recurring motif, this work tackles a real problem and makes a much-needed intervention in the topic of early modern gender. Written in confident and elegant prose, and laced with touches of wry humor, her book beautifully demonstrates how the Greek and Christian traditions continued to pollinate each other to create a surprising potential for action in the early modern world." - George Hoffman, Professor of French, University of Michigan, USA "The Androgyne in Early Modern France is a fascinating, erudite, and engagingly written study of the hermaphrodite's more fortunate twin. Rothstein elucidates with acumen the figure's origins in Classical and Jewish sources and offers a compelling demonstration of the range and importance of the artistic, literary, and political ends to which it was deployed in the French Renaissance." - Gary Ferguson, Douglas Huntly Gordon Distinguished Professor of French, University of Virginia, USA .

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137541376; 1137541377
    Other identifier:
    Subjects: Literature: history & criticism; Feminism & feminist theory; Literary studies: c 1600 to c 1800; Literature: history & criticism
    Scope: Online-Ressource(272 p.)
  4. Manual Work and Mental Work
    Humanist Knowledge for Professions in the Siglo de Oro
  5. Gifting translation in Early Modern England
    women writers and the politics of authorship
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    Translation was a critical mode of discourse for early modern writers. <cite>Gifting Translation in Early Modern England: Women Writers and the Politics of Authorship</cite> examines the intersection of translation and the culture of gift-giving in... more

    Universitätsbibliothek Heidelberg
    2023 A 11400
    Unlimited inter-library loan, copies and loan

     

    Translation was a critical mode of discourse for early modern writers. Gifting Translation in Early Modern England: Women Writers and the Politics of Authorship examines the intersection of translation and the culture of gift-giving in early modern England, arguing that this intersection allowed women to subvert dominant modes of discourse through acts of linguistic and inter-semiotic translation and conventions of gifting. The book considers four early modern translators: Mary Bassett, Jane Lumley, Jane Seager, and Esther Inglis. These women negotiate the rhetorics of translation and gift-culture in order to articulate political and religious affiliations and beliefs in their carefully crafted manuscript gift-books. This book offers a critical lens through which to read early modern translations in relation to the materiality of early modern gift culture

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Verlag (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9463721207; 9789463721202
    Other identifier:
    Series: Gendering the Late Medieval and Early Modern world ; 21
    Subjects: Translating and interpreting; Translating and interpreting; English literature; Authorship; Authorship; Literary studies: c. 1500 to c. 1800; Early modern history: c 1450/1500 to c 1700; Gender studies: women; HISTORY / Europe / Great Britain; LITERARY CRITICISM / Renaissance; LITERARY CRITICISM / Subjects & Themes / Women *; Authorship - Political aspects; English literature - Women authors; Translating and interpreting; Literary studies: c 1600 to c 1800; Gender studies: women and girls; Criticism, interpretation, etc; History
    Scope: 215 Seiten, Illustrationen, 24 cm
    Notes:

    "Amsterdam University Press"

    List of Illustrations Acknowledgements Introduction: 'Transformance': Renaissance Women's Translation and the Performance of Gift Exchange Chapter 1: 'Thys my poore labor to present': Mary Bassett's Translation of Eusebius's Ecclesiastical History Chapter 2: 'For the comodite of my countrie': Nation, Gift, and Family in Lady Jane Lumley's Tragedie of Iphigeneia Chapter 3: 'Graced both with my pen and pencell': Prophecy and Politics in Jane Seager's Divine Prophecies of the Ten Sibills Chapter 4: 'The fruits of my pen': Esther Inglis's Translation of Georgette de Montenay's Emblemes ou Devises Chrestiennes Conclusion: 'Shall I Apologize Translation?' Bibliography Appendix 1: Table of Emblems and Dedicatees in Esther Inglis's Cinquante Emblemes Chrestiens (1624)

  6. Handarbeit und Kopfarbeit
    Humanistenwissen für Berufe im Siglo de Oro
  7. Vom „Theater des Schreckens“ zum „peinlichen Rechte nach der Vernunft“
    Literatur und Strafrecht im 17. und 18. Jahrhundert
    Contributor: Achermann, Eric (HerausgeberIn); Stiening, Gideon (HerausgeberIn)
    Published: 2022; © 2022
    Publisher:  Springer Berlin Heidelberg, Berlin, Heidelberg

  8. Hölderlins Poesie des Zorns
  9. Concordancia Calderoniana / Konkordanz zu Calderón
    Parte IV, Vol. XVIII: Comedias (E-G)
  10. Concordancia Calderoniana / Konkordanz zu Calderón
    Parte IV, Vol. XVII: Comedias (D)