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  1. The secret wound
    love-melancholy and early modern romance
    Published: 2007
    Publisher:  Stanford University Press, Stanford, Calif.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1435608798; 9781435608795
    RVK Categories: EC 5127
    Series: Figurae (Stanford, Calif.)
    Subjects: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Bellettrie; Liefdesverdriet; Melancholie; Medische aspecten; Love in literature; Lovesickness in literature; Literature, Medieval; European literature
    Scope: 1 Online-Ressource (x, 368 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [341]-351) and index

    Introduction: Love-melancholy and early modern romance -- From Amor hereos to love-melancholy: a medico-literary history -- "Vulnus caecum": the secret wound of love-melancholy -- "Solvite me": epic, romance, and the poetics of melancholy in Orlando Furioso --"Il primo error": love-melancholy in Gerusalemme Liberata -- Rewriting romance: Arthur's "secret wound" and the "lamentable lay" of elegy -- "The love-sicke hart": female love-melancholy and the romance quest -- Conclusion: La Belle Dame Sans Merci: romance and the dream of "language strange."

    Offers a reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. This book establishes a detailed historical basis for investigating the psychological structure of romance. It investigates the central critical problem of early modern subjectivity