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  1. English Rhythms in Russian Verse: On the Experiment of Joseph Brodsky
    Author: Friedberg, Nila
    Published: 2011
    Publisher:  De Gruyter Mouton, Berlin

    Nila Friedberg It is often said that the Russian poet Joseph Brodsky "sounds English" when he writes in Russian, yet, it is far from clear what this statement really means. Using evidence from an unusually wide variety of disciplines and approaches,... more

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    Nila Friedberg It is often said that the Russian poet Joseph Brodsky "sounds English" when he writes in Russian, yet, it is far from clear what this statement really means. Using evidence from an unusually wide variety of disciplines and approaches, the book investigates the form and semantic aura of Brodsky's experimental rhythm and proposes a new approach to analyzing poetic innovation

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1283429942; 9783110238082; 9781283429948
    Other identifier:
    RVK Categories: HU 9800 ; KK 3562
    Series: Trends in Linguistics. Studies and Monographs ; 232
    Subjects: Linguistics in literature; English language; Russian poetry; Language Contact
    Other subjects: Brodsky, Joseph (1940-1996)
    Scope: Online-Ressource
    Notes:

    Includes bibliographical references and indexes

    Electronic reproduction; Available via World Wide Web

    Acknowledgements; A note on copyright and transliteration; Introduction; 1. Brodsky's predecessors: Rules, violations, semantics; 1.1. Introduction; 1.2. The Monosyllable Rule; 1.3. The Stress Maximum Principle; 1.4. The Monosyllable Rule: Brodsky's English sources; 1.5. The Monosyllable Rule: Brodsky's Russian sources; 1.6. Unstressed syllables in W positions: Regressive Dissimilation (RD); 1.7. Counting methods; 1.8. Anti-RD rhythm: Brodsky's English predecessors; 1.9. Anti-RD rhythm: Brodsky's Russian sources; 1.10. Elision and redundant syllables: Brodsky's English sources

    1.11. Elision and redundant syllables: Brodsky's Russian predecessors1.12. Conclusion; 2. Redundant syllables: Elision in Brodsky's verse; 2.1. Introduction; 2.2. Brodsky's redundant syllables: A description; 2.3. English elision; 2.4. Phonological regularities in Brodsky; 2.5. Brodsky's rule and recitation; 2.6. Brodsky and Slutsky; 2.7. Semantic associations of disrupted meter and elision; 2.8. Conclusion; 3. Brodsky's anti-RD rhythm: semantics and sources; 3.1. Introduction; 3.2. The "English" uses of Brodsky's anti-RD; 3.3. The rhythm of exile

    3.4. The form of Brodsky's anti-RD: English or Russian?3.5. Brodsky's Russian predecessors: Bely, Khodasevich, Tsvetaeva; 3.6. Conclusion; Conclusion; Appendices; I. Changes from Brodsky's drafts to final versions; II. 100 randomly-selected words with the shape -Xxx- in the prose of Brodsky, Slutsky, and Donne; III. Words with the shape -Xxx- in elision positions in the verse of Donne, Brodsky, and Slutsky; IV. Statistical tests of words with the shape -Xxx- in poetry and prose; V. Anti-RD rhythm in Brodsky's iambic poems; VI. Anti-RD rhythm in Tsvetaeva's iambic poems

    VII. Anti-RD rhythm in Brodsky, Tsvetaeva, and DonneReferences; Author index; Subject index;
  2. English Rhythms in Russian Verse: On the Experiment of Joseph Brodsky
    Author: Friedberg, Nila
    Published: [2011]; ©2011
    Publisher:  De Gruyter Mouton, Berlin ; Boston

    Readers of poetry make aesthetic judgements about verse. It is quite common to hear intuitive statements about poets' rhythms. It is said, for example, that Joseph Brodsky, the Russian poet and 1987 Nobel Prize laureate, "sounds English" when he... more

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    Readers of poetry make aesthetic judgements about verse. It is quite common to hear intuitive statements about poets' rhythms. It is said, for example, that Joseph Brodsky, the Russian poet and 1987 Nobel Prize laureate, "sounds English" when he writes in Russian. Yet, it is far from clear what this statement means from a linguistic point of view. What is English about Brodsky's Russian poetry? And in what way are his "English" rhythms different from the verse of his Russian predecessors? The book provides an analysis of Brodsky's experiment bringing evidence from an unusually wide variety of disciplines and theories rarely combined in a single study, including the generative approach to meter; the Russian quantitative approach, analysis of readers' intuitions about poetic rhythm, analysis of the poet's source readings, as well as acoustic phonetics, statistics, and archival research. The distinct analytic approaches applied in this book to the same phenomenon complement one another each providing insight alternate approaches do not, and showing that only a combination of theories and methods allows us to fully appreciate what Brodsky's "English accent" really was, and what any poetic innovation means

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110238099
    Other identifier:
    RVK Categories: HU 9800
    Series: Trends in Linguistics. Studies and Monographs [TiLSM] ; 232
    Subjects: English language / Influence on foreign languages; Linguistics in literature; Russian poetry / 20th century / History and criticism; Language Contact; Language and Literature; Phonologie; Phonology; Sprache und Literatur; Sprachkontakt; Lyrik; Russisch; Rezeption; Metrik; Rhythmus; Englisch; LANGUAGE ARTS & DISCIPLINES / Linguistics / General
    Scope: 1 online resource (221 p.)
  3. Postcolonial Linguistic Voices
    Identity Choices and Representations
    Published: [2011]; ©2011
    Publisher:  De Gruyter Mouton, Berlin ; Boston

    This volume investigates sociolinguistic discourses, identity choices and their representations in postcolonial national and social life, and traces them to the impact of colonial contact. The chapters stitch together current voices and identities... more

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    This volume investigates sociolinguistic discourses, identity choices and their representations in postcolonial national and social life, and traces them to the impact of colonial contact. The chapters stitch together current voices and identities emerging within both ex-colonized and ex-colonizer communities as each copes with the social, lingual, cultural, and religious mixes triggered by colonialism. These mixes, reflected in the five thematic parts of the book - 'postcolonial identities', 'nationhood discourses', 'translating the postcolonial', 'living the postcolonial', and 'colonizing the colonizer' - call for deeper investigations of postcolonial communities using emic approaches

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
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    ISBN: 9783110260694
    Other identifier:
    RVK Categories: EC 1878
    Series: Contributions to the Sociology of Language [CSL] ; 100
    Subjects: Anthropological linguistics; Multilingual persons / Social conditions; Postcolonialism; Sociolinguistics; African Studies; Identität; Language Contact; Multilingualism; Postcolonial Linguistics; Postkolonialismus; Social Anthropology; Soziolinguistik; Mehrsprachigkeit; LANGUAGE ARTS & DISCIPLINES / Linguistics / General
    Scope: 1 online resource (378 p.)