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  1. Die Farbe Purpur im frühen Griechentum
    beobachtet in der Literatur und in der bildenden Kunst
    Published: [1990]
    Publisher:  De Gruyter, Berlin ; Boston

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  2. Die Farbe Purpur im frühen Griechentum
    beobachtet in der Literatur und in der bildenden Kunst
    Published: [1990]
    Publisher:  De Gruyter, Berlin ; Boston

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  3. Color for science, art and technology
    Published: 1998
    Publisher:  Elsevier, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780444898463; 0444898468; 9780080529370; 0080529372
    Series: Azimuth (Amsterdam, Netherlands) ; v. 1
    Subjects: Kleuren; Kleurtheorie; SCIENCE / Physics / Optics & Light; Color; Color; Ästhetik; Farbenlehre; Farbe; Physik; Farbstoff
    Scope: 1 Online-Ressource (xvii, 491 p.)
    Notes:

    The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: & bull; the measurement of color still has unresolved complexities (Chapter 2) & bull; many of the fine details of color vision remain unknown (Chapter 3) & bull; every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5) & bull; the philosophical approach to color has not yet crystallized (Chapter 7) & bull; new pigments and dyes continue to be discovered (Chapters 10 and 11) & bull; the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge

    Includes bibliographical references and index