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  1. The Making of Accessible Audiovisual Translation
    Contributor: Díaz Cintas, Jorge (Herausgeber); Pena-Díaz, Carmen (Herausgeber)
    Published: 2023
    Publisher:  Peter Lang Ltd, Oxford ; Peter Lang International Academic Publishers, Bern

    Accessibility, understood as social integration, has been studied from many perspectives yet, due to our constantly changing environment, the concept is still in flux and needs to be reexamined. Within Translation Studies, audiovisual translation... more

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    Accessibility, understood as social integration, has been studied from many perspectives yet, due to our constantly changing environment, the concept is still in flux and needs to be reexamined. Within Translation Studies, audiovisual translation (AVT) has expanded the concept of translation activity and its growth has been exponential. In recent decades, AVT and accessibility studies have developed side by side, and the intersection of both fields has been at the heart of academic research as well as of professional practice. This collective volume showcases nine chapters written by specialists who approach the topic from different, yet complementary perspectives. All of them analyse the production of accessible translated material that requires adaptation to meet the needs and expectations of a multifarious audience, including older people, persons with sensory and cognitive disabilities, and those with limited digital knowledge.

     
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    Source: Union catalogues
    Contributor: Díaz Cintas, Jorge (Herausgeber); Pena-Díaz, Carmen (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781800796782
    Other identifier:
    RVK Categories: ES 710
    DDC Categories: 620; 791; 400
    Edition: 1st, New ed.
    Series: New Trends in Translation Studies ; 36
    Subjects: Audiovisuelle Medien; Übersetzung; Barrierefreiheit; Accessibility; Accessible; Audiovisual; Audiovisual Translation; Carmen; Carmen Pena-Díaz; Cintas; Díaz; Jorge; Laurel; Making; Pena; Plapp; The Making of Accessible Audiovisual Translation; Translation; Translation Studies
    Scope: 1 Online-Ressource (202 Seiten), Illustrationen
  2. An eclipse of the screen : Jorge Semprún's scripts for Alain Resnais
    Author: Coelen, Marcus
    Published: 2017

    Marcus Coelen's essay 'An Eclipse of the Screen: Jorge Semprún's Scripts for Alain Resnais' starts from the assumption that the peculiar status of film scripts (not written to be read as such) can be illustrated by the figure of their eclipse. For... more

     

    Marcus Coelen's essay 'An Eclipse of the Screen: Jorge Semprún's Scripts for Alain Resnais' starts from the assumption that the peculiar status of film scripts (not written to be read as such) can be illustrated by the figure of their eclipse. For they are, in inverting the very logic of the figure they invite, eclipsed for the sake of and by the fractured light on the screen they help to produce. Yet just as the sun, obscured by the 'black writing' of the moon, leaves an ephemeral contour in the skies - a spectacle to many when happening - so too can the script that is made to disappear by the screen be assumed to draw its own particular and even more vanishing traits into the movie that is given not only to sight but also to thought. The analyses and critical constructions proposed by Coelen try to detect such traits in the work of Jorge Semprún the screen writer. Writing not only for movies by Alain Resnais - most notably "La guerre est finie" (1966) and "Stavisky" (1974) - but also publishing versions of them after their release and calling those versions 'scénarios' despite various divergences and subtly violent inversions of the movies' images, the screenwriter's figure describes yet another twist of the eclipse. It can be assumed not only that Semprún strongly resisted the influence of the constellation formed by writing and cinematographic shooting, as well as projecting, but furthermore that this writing was almost imperceptibly yet essentially directed against the eclipse it was drawn into. No minor forces are conjured up in this enterprise. Driven by the desire to re-appropriate cinema's a-personal and anti-psychological movement, to domesticate the images of scribbling lights drifting away from the mental and into thought - as well as into a history not mastered -, Semprún attempted to shape mastery itself and most traditional forms of authorship, along with memory and agency, in order to cloud the eclipse of script - that is, we might add, to conjure up a ghost recovering the trace of what has been ...

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 791; 800
    Subjects: Semprún; Jorge; Resnais; Alain; Drehbuch; Szenarium; Film; Ganzheit
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess