Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 25 of 32.

  1. <<Der>> Blick ins Innere des Bildes
    ästhetische Illusion bei Gerhard Richter
    Author: Krüger, Klaus
    Published: 2017

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    Parent title: Enthalten in: Zur Eigensinnlichkeit der Bilder / Klaus Krüger ; ausgewählt von Matthias Weiß, Britta Dümpelmann, Wolf-Dietrich Löhr und Friederike Wille; Paderborn, [2017]; Seite 154-202
    Subjects: Richter, Gerhard; Rezeptionsästhetik; Malerei; Illusion <Motiv>; Blick <Motiv>; Geschichte
    Scope: Porträts, Illustrationen
  2. <<The>> aesthetic illusion in literature and the arts
    Contributor: Koblížek, Tomáš (Publisher)
    Published: 2017
    Publisher:  Bloomsbury Academic, London

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Koblížek, Tomáš (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350032583; 9781350032590; 9781350032606
    Subjects: Ästhetik; Illusion <Motiv>; Literatur; Künste;
    Scope: x, 305 Seiten, Illustrationen
    Notes:

    Enthält Literaturangaben
  3. Das Tagebuch der Cornelia Goethe
    Die Illusion vom Großen Paar. Band 2
    Author: Prokop, Ulrike
    Published: 2017
    Publisher:  FISCHER Digital, Frankfurt am Main

  4. Identity Trouble
    Fragmentation and Disillusionment in the Works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: [2017]
    Publisher:  Peter Lang, New York

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781433121470; 1433121476
    Other identifier:
    9781433121470
    Series: Currents in Comparative Romance Languages and Literatures ; vol. 213
    Subjects: Illusion <Motiv>; Identität <Motiv>; Suizid <Motiv>
    Other subjects: Maupassant, Guy de (1850-1893)
    Scope: XII, 127 Seiten
  5. Identity Trouble
    Fragmentation and Disillusionment in the Works of Guy de Maupassant
    Contributor: Paulson, Michael G. (Publisher); Alvarez-Detrell, Tamara (Publisher)
    Published: 2017
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Paulson, Michael G. (Publisher); Alvarez-Detrell, Tamara (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453917794
    Other identifier:
    9781453917794
    Edition: 1st, New ed
    Subjects: Suizid <Motiv>; Illusion <Motiv>; Identität <Motiv>
    Other subjects: Maupassant, Guy de (1850-1893)
    Scope: 1 Online-Ressource (142 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 10, 2019)

    In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims. Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters' notion of self is what drives the narrative.

    Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters' disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks.

    These transformations and developments are pervasive and, in many cases, explicit in Maupassant's work, influences that have aided and nourished the literary analysis of his texts
  6. Identity Trouble
    Fragmentation and Disillusionment in the Works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: [2017]
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

    In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

     

    In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims.Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters’ notion of self is what drives the narrative. Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters’ disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks. These transformations and developments are pervasive and, in many cases, explicit in Maupassant’s work, influences that have aided and nourished the literary analysis of his texts

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453917794; 9781433138577; 9781433138584
    Other identifier:
    9781453917794
    Series: Currents in Comparative Romance Languages and Literatures ; 213
    Subjects: Maupassant, Guy de; Identität <Motiv>; Illusion <Motiv>; Suizid <Motiv>; ; Maupassant, Guy de; Illusion <Motiv>; Suizid <Motiv>; Identität <Motiv>;
    Scope: 1 Online-Ressource (xi, 127 pages)
  7. Identity Trouble
    Fragmentation and Disillusionment in the Works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: [2017]
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

    In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims.Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters’ notion of self is what drives the narrative. Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters’ disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks. These transformations and developments are pervasive and, in many cases, explicit in Maupassant’s work, influences that have aided and nourished the literary analysis of his texts

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453917794; 9781433138577; 9781433138584
    Other identifier:
    9781453917794
    Series: Currents in Comparative Romance Languages and Literatures ; 213
    Subjects: Maupassant, Guy de; Identität <Motiv>; Illusion <Motiv>; Suizid <Motiv>; ; Maupassant, Guy de; Illusion <Motiv>; Suizid <Motiv>; Identität <Motiv>;
    Scope: 1 Online-Ressource (xi, 127 pages)
  8. Identity Trouble
    Fragmentation and Disillusionment in the Works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: 2017
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

    Export to reference management software   RIS file
      BibTeX file
  9. Identity trouble
    fragmentation and disillusionment in the works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: [2017]
    Publisher:  Peter Lang, New York ; Peter Lang International Academic Publishers, Bern

    In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments... more

    Access:

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

     

    In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims.Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters’ notion of self is what drives the narrative. Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters’ disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks. These transformations and developments are pervasive and, in many cases, explicit in Maupassant’s work, influences that have aided and nourished the literary analysis of his texts.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453917794; 9781433138577; 9781433138584
    Other identifier:
    DDC Categories: 840
    Series: Currents in comparative romance languages and literatures ; vol. 213
    Subjects: Identität <Motiv>; Illusion <Motiv>; Suizid <Motiv>
    Other subjects: Maupassant, Guy de (1850-1893)
    Scope: 1 Online-Ressource (XI, 127 Seiten)
  10. Identity trouble
    fragmentation and disillusionment in the works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: [2017]
    Publisher:  Peter Lang, New York

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433121470; 1433121476
    Series: Currents in comparative Romance languages and literatures ; vol. 213
    Subjects: Maupassant, Guy <<de>>; Identität <Motiv>; Illusion <Motiv>; Suizid <Motiv>
    Other subjects: Disillusionment; Fragmentation; Identity; Maupassant; Trouble; Works; Yampolsky
    Scope: XI, 127 Seiten, 22.5 cm x 15 cm
  11. Identity trouble
    fragmentation and disillusionment in the works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: [2017]
    Publisher:  Peter Lang, New York

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    2017/2744
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universität Köln, Romanisches Seminar, Bibliothek
    Signature:
    412/F2559YAM/1
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
  12. Identity trouble
    fragmentation and disillusionment in the works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: 2017
    Publisher:  Peter Lang, New York

    Export to reference management software   RIS file
      BibTeX file
  13. Identity trouble
    fragmentation and disillusionment in the works of Guy de Maupassant
    Author: Yampolsky, Eva
    Published: 2017
    Publisher:  Peter Lang, New York

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433121470; 1433121476
    Other identifier:
    9781433121470
    DDC Categories: 840
    Series: Currents in comparative Romance languages and literatures ; vol. 213
    Subjects: Maupassant, Guy <<de>>; Identität <Motiv>; Illusion <Motiv>; Suizid <Motiv>;
    Other subjects: LITERARY CRITICISM / European / General; LITERARY CRITICISM / European / French; LITERARY CRITICISM / European / German; LITERARY CRITICISM / Women Authors; history & criticism; Disillusionment; Fragmentation; Identity; Maupassant; Trouble; Works; Yampolsky; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Scope: XI, 127 Seiten, 23 cm
    Notes:

    Literatur: Seite [123]-127
  14. Indirections
    Shakespeare and the Art of illusion
    Author: Dawson, Anthony
    Published: [2017]; © 1978
    Publisher:  University of Toronto Press, Toronto

    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial.... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial. The plays constantly remind the audience of the complex fictiveness of their experience yet they also project a reality specifically through illusion. Indirections is a study of twelve plays in which Shakespeare sets up situations and relationships between the characters analogous to the relationship established between audience and play. This book examines the varied uses of illusion, deceit, disguise, and manipulation in the plays, both comedies and tragedies, and traces Shakespeare's use of illusion through his career — from the buoyant optimism of the great comedies and the ambiguity of the middle years to the new richness and power in the romances. Dawson suggests that the way characters respond to illusory situations sets up a model for the way audiences are meant to respond to the play themselves. Such action at least initially establishes a basis for the movement of characters from self-delusion to self-knowledge. This process of self-realization enables the characters to distinguish truth from appearance, love from infatuation; and significantly, it is a direct result of involvement with illusion and role-playing. It is as if the characters must arrive, within the movement of the plot, at an understanding of, and response to, the nature of drama itself parallel to the audience's experience of the play as a whole. This subtle interplay between audience and characters, where each in a sense represents the other, depends for its life on the physical and psychic distances created by the theatre

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653580
    Other identifier:
    Series: Heritage
    Subjects: DISCOUNT-B.; Disguise in literature; Illusion in literature; Illusion <Motiv>; Drama
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)
  15. Indirections
    Shakespeare and the Art of illusion
    Author: Dawson, Anthony
    Published: [2017]; © 1978
    Publisher:  University of Toronto Press, Toronto

    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial.... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial. The plays constantly remind the audience of the complex fictiveness of their experience yet they also project a reality specifically through illusion. Indirections is a study of twelve plays in which Shakespeare sets up situations and relationships between the characters analogous to the relationship established between audience and play. This book examines the varied uses of illusion, deceit, disguise, and manipulation in the plays, both comedies and tragedies, and traces Shakespeare's use of illusion through his career — from the buoyant optimism of the great comedies and the ambiguity of the middle years to the new richness and power in the romances. Dawson suggests that the way characters respond to illusory situations sets up a model for the way audiences are meant to respond to the play themselves. Such action at least initially establishes a basis for the movement of characters from self-delusion to self-knowledge. This process of self-realization enables the characters to distinguish truth from appearance, love from infatuation; and significantly, it is a direct result of involvement with illusion and role-playing. It is as if the characters must arrive, within the movement of the plot, at an understanding of, and response to, the nature of drama itself parallel to the audience's experience of the play as a whole. This subtle interplay between audience and characters, where each in a sense represents the other, depends for its life on the physical and psychic distances created by the theatre

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653580
    Other identifier:
    Series: Heritage
    Subjects: DISCOUNT-B.; Disguise in literature; Illusion in literature; Illusion <Motiv>; Drama
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)
  16. Kunstkraftwerk Leipzig
    frei von starrem, schablonenhaften Denken : Jahresausstellung 2017 bis zum 12. November 2017 in Leipzig
    Published: 2017

    Location:
    Sächsische Bibliografie
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Format: Print
    Parent title: Enthalten in: ArtProfil; Mannheim : Syntax, 1995; 23(2017), 121, Seite 18-19

    RVK Categories: AK 88490
    Subjects: Leipzig; Kunstausstellung; Geschichte 2017; ; Kunst; Illusion <Motiv>; Ausstellung; Leipzig;
    Scope: Illustrationen
    Notes:

    Betrifft: "Illusion - Moving Space" im Kunstkraftwerk Leipzig

    Abweichender Titel: Illusion - Moving Space : Mixtur zwischen Kunst und Wissenschaft
  17. Mimesis als Bildlichkeit des Scheins
    zur Fiktionalität religiöser Bildkunst im Trecento
    Author: Krüger, Klaus
    Published: [2017]

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export to reference management software   RIS file
      BibTeX file
  18. Seeing whales
    Ariel Cabrera Montejo, Hugo López Ayuso, Rafael Megall, Maria Pääkkönen, Xue Ruozhe
    Contributor: Ianeselli, Chiara (HerausgeberIn)
    Published: [2017]
    Publisher:  Galleria Mazzoli editore, Modena

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Ianeselli, Chiara (HerausgeberIn)
    Language: English; Italian
    Media type: Book
    Format: Print
    RVK Categories: LH 65880 ; LH 65020
    Subjects: Malerei; Zeichnung; Illusion <Motiv>; Mimikry; Geschichte 2010-2017;
    Scope: 125 Seiten, 30 cm
    Notes:

    Catalog of an exhibition held at the Galleria Mazzoli, Modena, Italy, November 18, 2017-January 30, 2018. - 500 numbered copies printed. - Bound
  19. Tableau oder Handlung?
    zur Dramaturgie Diderots und Lessings
    Author: Brüggemann, Susanne
    Published: [2017]
    Publisher:  Königshausen & Neumann, Würzburg

    Location:
    Ruhr-Universität Bochum, Fakultät für Philologie, Germanistisches Institut, Bibliothek
    Signature:
    Eb 2017/9
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Bonn, Institut für Germanistik, Vergleichende Literatur- und Kulturwissenschaft, Bibliothek
    Signature:
    GI 6103 B889
    Inter-library loan:
    No inter-library loan
    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    U 2018/31
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    gerw61604.b889
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    44A5305
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 74951
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Signature:
    FBAR1058
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Trier
    Signature:
    nc60918
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783826062452; 3826062450
    DDC Categories: 400
    Series: Saarbrücker Beiträge zur vergleichenden Literatur- und Kulturwissenschaft ; Band 83 (2017)
    Subjects: Dramaturgie; Illusion; Begriff
    Other subjects: Lessing, Gotthold Ephraim (1729-1781); Diderot, Denis (1713-1784); (Produktform)Paperback / softback; Tableau oder Handlung?; Dramaturgie Diderots; Dramaturgie Lessings; Diderot; Lessing; (VLB-WN)1561: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Allgemeine und Vergleichende Sprachwissenschaft
    Scope: 393 Seiten, 1 Illustration, 23.5 cm x 15.5 cm
    Notes:

    Dissertation, Rheinische Friedrich-Wilhelms-Universität Bonn, 2013
  20. Tableau oder Handlung?
    zur Dramaturgie Diderots und Lessings
    Author: Brüggemann, Susanne
    Published: [2017]
    Publisher:  Königshausen & Neumann, Würzburg

    Location:
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Frz MK 5078
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Mainz, Zentralbibliothek
    Signature:
    286.804
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783826062452; 3826062450
    Other identifier:
    9783826062452
    RVK Categories: IG 2255 ; GI 6103 ; AP 64800
    DDC Categories: 830; 840
    Edition: Aktualisierte Fassung
    Series: Saarbrücker Beiträge zur vergleichenden Literatur- und Kulturwissenschaft ; Band 83
    Subjects: Dramaturgie; Illusion; Begriff
    Other subjects: Diderot, Denis (1713-1784); Lessing, Gotthold Ephraim (1729-1781)
    Scope: 393 Seiten, 1 Illustration, 24 cm
    Notes:

    Aktualisierte Fassung der Dissertation

    Dissertation, Universität Bonn und Paris IV Sorbonne, 2013
  21. Tableau oder Handlung?
    zur Dramaturgie Diderots und Lessings
    Author: Brüggemann, Susanne
    Published: [2017]
    Publisher:  Königshausen & Neumann, Würzburg

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783826062452; 3826062450
    Other identifier:
    9783826062452
    Edition: Aktualisierte Fassung
    Series: Saarbrücker Beiträge zur vergleichenden Literatur- und Kulturwissenschaft ; Band 83
    Subjects: Dramaturgie; Illusion; Begriff
    Other subjects: Diderot, Denis (1713-1784); Lessing, Gotthold Ephraim (1729-1781); (Produktform)Paperback / softback; Tableau oder Handlung?; Dramaturgie Diderots; Dramaturgie Lessings; Diderot; Lessing; (VLB-WN)1561: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Allgemeine und Vergleichende Sprachwissenschaft
    Scope: 493 Seiten, 1 Illustration, 24 cm
    Notes:

    Dissertation, Universität Bonn und Paris IV Sorbonne, 2017
  22. The aesthetic illusion in literature and the arts
    Contributor: Koblížek, Tomáš (Herausgeber)
    Published: 2017
    Publisher:  Bloomsbury Academic, London

    Location:
    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    Signature:
    EC 1850 kob 2017
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    90.870.07
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Koblížek, Tomáš (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350032583; 1350032581
    Subjects: Ästhetik; Illusion <Motiv>; Literatur; Künste
    Scope: X, 305 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  23. The aesthetic illusion in literature and the arts
    Contributor: Koblížek, Tomáš (Publisher)
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Koblížek, Tomáš (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350032590; 9781350032675; 9781350032606
    Other identifier:
    RVK Categories: CC 6900 ; EC 1975
    Subjects: Illusion in literature; Aesthetics, Modern; Aesthetics in literature; Arts; Illusionismus; Literatur; Ästhetische Wahrnehmung; Täuschung; Visuelle Wahrnehmung; Kunst; Ästhetik; Illusion
    Scope: 1 Online-Ressource (x, 305 Seiten), Illustrationen
  24. The aesthetic illusion in literature and the arts
    Contributor: Koblížek, Tomáš (Publisher)
    Published: 2017
    Publisher:  Bloomsbury Academic, London

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Koblížek, Tomáš (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9781350032583; 9781350105201
    RVK Categories: CC 6900 ; EC 1975
    Corporations / Congresses: The Aesthetic Illusion in Literature and the Arts (Veranstaltung) (2015, Prag)
    Subjects: Illusion in literature; Aesthetics, Modern; Aesthetics in literature; Arts; Ästhetische Wahrnehmung; Täuschung; Kunst; Illusionismus; Literatur; Ästhetik; Illusion; Visuelle Wahrnehmung
    Scope: x, 305 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index. - Angaben zur Konferenz teilweise der Danksagung entnommen, teilweise ermittelt. - "The Aesthetic Illusion in Literature and the Arts" ist das zehnte Prague Interpretation Colloquium
  25. The aesthetic illusion in literature and the arts
    Contributor: Koblížek, Tomáš (Publisher)
    Published: 2017
    Publisher:  Bloomsbury Academic, London

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Koblížek, Tomáš (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9781350032583; 9781350105201
    RVK Categories: CC 6900 ; EC 1975
    Corporations / Congresses: The Aesthetic Illusion in Literature and the Arts (Veranstaltung) (2015, Prag)
    Subjects: Illusion in literature; Aesthetics, Modern; Aesthetics in literature; Arts; Ästhetische Wahrnehmung; Täuschung; Kunst; Illusionismus; Literatur; Ästhetik; Illusion; Visuelle Wahrnehmung
    Scope: x, 305 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index. - Angaben zur Konferenz teilweise der Danksagung entnommen, teilweise ermittelt. - "The Aesthetic Illusion in Literature and the Arts" ist das zehnte Prague Interpretation Colloquium