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  1. As she likes it
    Shakespeare's unruly women
    Published: 2002
    Publisher:  Routledge, London

    "As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender... more

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    "As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre" --EBSCO

     
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  2. Ben Jonson and the Language of Prose Comedy
    Author: Barish, Jonas A.
    Published: [1967]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674280601
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    Subjects: English drama (Comedy) / History and criticism; Englische Literatur; Komödie; Sprache; Humorous plays; Sprache; Komödie
    Other subjects: Jonson, Ben (1572-1637)
    Scope: 1 Online-Ressource (viii,335p.)
  3. Ben Jonson and the Language of Prose Comedy
    Author: Barish, Jonas A.
    Published: [1967]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
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    ISBN: 9780674280601
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    Subjects: English drama (Comedy) / History and criticism; Englische Literatur; Komödie; Sprache; Humorous plays; Sprache; Komödie
    Other subjects: Jonson, Ben (1572-1637)
    Scope: 1 Online-Ressource (viii,335p.)
  4. Ben Jonson and the Language of Prose Comedy
    Author: Barish, Jonas A.
    Published: 1967; ©1967
    Publisher:  Harvard University Press, s.l.

    Frontmatter -- Acknowledgments -- CONTENTS -- I. Antecedents -- II. Prose as Prose -- III. Rhetoric's Tinkling Bell -- IV. Things of Sense -- V. Flesh and Blood -- VI. Painting, Carpentry, and Prose -- VII. Jonson and the Language of Prose Comedy --... more

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    Frontmatter -- Acknowledgments -- CONTENTS -- I. Antecedents -- II. Prose as Prose -- III. Rhetoric's Tinkling Bell -- IV. Things of Sense -- V. Flesh and Blood -- VI. Painting, Carpentry, and Prose -- VII. Jonson and the Language of Prose Comedy -- Notes -- Index

     
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    Source: Union catalogues
    Language: English
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    Format: Online
    ISBN: 9780674280601
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    Subjects: Komödie; Englische Literatur; Humorous plays; Sprache; LITERARY CRITICISM / General
    Scope: Online-Ressource (VIII, 335 S.)
  5. Ben Jonson's Parodic Strategy
    Literary Imperialism in the Comedies
    Author: Watson, Robert N.
    Published: [1987]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Source: Union catalogues
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    Media type: Ebook
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    ISBN: 9780674366510; 9780674366503
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    Subjects: English drama (Comedy) / History and criticism; Englisch; Literatur; Theater; Englische Literatur; Parody; Parodie; Humorous plays; Engels; Letterkunde; Toneel; Parodieën; Parodie; Komödie
    Other subjects: Jonson, Ben (1572-1637)
    Scope: 1 Online-Ressource (269p.)
  6. Ben Jonson's Parodic Strategy
    Literary Imperialism in the Comedies
    Author: Watson, Robert N.
    Published: [1987]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Subjects: English drama (Comedy) / History and criticism; Englisch; Literatur; Theater; Englische Literatur; Parody; Parodie; Humorous plays; Engels; Letterkunde; Toneel; Parodieën; Parodie; Komödie
    Other subjects: Jonson, Ben (1572-1637)
    Scope: 1 Online-Ressource (269p.)
  7. Ben Jonson's Parodic Strategy
    Literary Imperialism in the Comedies
    Author: Watson, Robert N.
    Published: 1987; ©1987
    Publisher:  Harvard University Press, s.l.

    Frontmatter -- Acknowledgments -- Contents -- A Note on Texts -- INTRODUCTION -- CHAPTER ONE. Every Man In His Humor -- CHAPTER TWO. Every Man Out of His Humor -- CHAPTER THREE. Volpone -- CHAPTER FOUR. Epicoene -- CHAPTER FIVE. The Alćhemist --... more

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    Frontmatter -- Acknowledgments -- Contents -- A Note on Texts -- INTRODUCTION -- CHAPTER ONE. Every Man In His Humor -- CHAPTER TWO. Every Man Out of His Humor -- CHAPTER THREE. Volpone -- CHAPTER FOUR. Epicoene -- CHAPTER FIVE. The Alćhemist -- CHAPTER SIX. Bartholomew Fair -- CHAPTER SEVEN. The Devil Is an Ass -- CHAPTER EIGHT. The New Inn -- NOTES -- INDEX

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674366510
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    Subjects: Parody; Parodieën; Letterkunde; Englische Literatur; Engels; Parodie; Humorous plays; Toneel; LITERARY CRITICISM / General
    Scope: Online-Ressource (269 S.)
  8. Beyond a common joy
    an introduction to Shakespearean comedy
    Author: Olson, Paul A.
    Published: ©2008
    Publisher:  University of Nebraska Press, Lincoln

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0803219474; 9780803219472
    RVK Categories: HI 3391
    Subjects: Shakespeare, William; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Comedy; Humorous plays; Comedy; Komödie
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiv, 347 pages)
    Notes:

    Includes bibliographical references (pages 271-332) and index

    On historical understandings of Shakespeare's works -- Shakespeare and the invention of grand comic form -- Shakespearean comedic myths -- Biblical story and festival enter Shakespearean comedy -- Empire and conquest in the comedies -- Measure for measure as form, myth, and Scripture

    "Soul of the age!" Ben Jonson eulogized Shakespeare, and in the next breath, "He was not of an age but for all time." That he was both "of the age" and "for all time" is, this book suggests, the key to Shakespeare's comic genius. In this engaging introduction to the First Folio comedies, Paul A. Olson gives a persuasive and thoroughly engrossing account of the playwright's comic transcendence, showing how Shakespeare, by taking on the great themes of his time, elevated comedy from a mere mid-level literary form to its own form of greatness--on par with epic and tragedy
  9. Beyond a common joy
    an introduction to Shakespearean comedy
    Published: c2008
    Publisher:  University of Nebraska Press, Lincoln

    "Soul of the age!" Ben Jonson eulogized Shakespeare, and in the next breath, "He was not of an age but for all time." That he was both "of the age" and "for all time" is, this book suggests, the key to Shakespeare's comic genius. In this engaging... more

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    "Soul of the age!" Ben Jonson eulogized Shakespeare, and in the next breath, "He was not of an age but for all time." That he was both "of the age" and "for all time" is, this book suggests, the key to Shakespeare's comic genius. In this engaging introduction to the First Folio comedies, Paul A. Olson gives a persuasive and thoroughly engrossing account of the playwright's comic transcendence, showing how Shakespeare, by taking on the great themes of his time, elevated comedy from a mere mid-level literary form to its own form of greatness--on par with epic and tragedy

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780803219472; 0803219474
    Subjects: Comedy; Shakespeare, William; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Comedy; Humorous plays; Humor
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: Online Ressource (xiv, 347 p.), ill., maps.
    Notes:

    Includes bibliographical references (p. 271-332) and index. - Description based on print version record
  10. Gender and performance in Shakespeare's problem comedies
    Author: McCandless, David Foley
    Published: ©1997
    Publisher:  Indiana University Press, Bloomington, Ind.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585161666; 9780585161662
    RVK Categories: HI 3391
    Series: Drama and performance studies
    Subjects: Féminisme et littérature / Angleterre / Histoire / 16e siècle; Féminisme et littérature / Angleterre / Histoire / 17e siècle; Relations entre hommes et femmes dans la littérature; Rôle selon le sexe dans la littérature; Comédie; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Sekseverschillen; All's well that ends well (Shakespeare); Measure for measure (Shakespeare); Troilus and Cressida (Shakespeare); All's well that ends well (Shakespeare, William); Measure for measure (Shakespeare, William); Troilus and Cressida (Shakespeare, William); Comedy; Feminism and literature; Humorous plays; Man-woman relationships in literature; Sex role in literature; Geschichte; Geschlechtsunterschied; Feminism and literature; Feminism and literature; Man-woman relationships in literature; Sex role in literature; Comedy; Geschlechterrolle; Sexualität; Komödie
    Other subjects: Shakespeare, William / 1564-1616 / Comédies; Shakespeare, William / 1564-1616 / All's well that ends well; Shakespeare, William / 1564-1616 / Troilus and Cressida; Shakespeare, William / 1564-1616 / Measure for measure; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): All's well that ends well; Shakespeare, William (1564-1616): Troilus and Cressida; Shakespeare, William (1564-1616): Measure for measure; Shakespeare, William (1564-1616): Troilus and Cressida; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): All's well that ends well; Shakespeare, William (1564-1616): Measure for measure
    Scope: 1 Online-Ressource (viii, 205 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes

    "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket
  11. Iskola és színház
    Csokonai vígjátékai és a magyar iskolai komédia
    Author: Nagy, Imre
    Published: 2007
    Publisher:  Balassi, Budapest

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2008 A 8603
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    Source: Union catalogues
    Language: Hungarian
    Media type: Book
    Format: Print
    ISBN: 9789635067138
    Subjects: Hungarian drama; College and school drama, Hungarian; Humorous plays
    Other subjects: Csokonai Vitéz, Mihály (1773-1805)
    Scope: 342 p.
    Notes:

    Bibliogr
  12. Names as metaphors in Shakespeare's comedies
    Author: Smith, Grant W.
    Published: [2021]
    Publisher:  Vernon Press, Wilmington, Delaware

    The Tempest --The Two Gentlemen of Verona --The Merry Wives of Windsor --Measure for Measure --The Comedy of Errors --Much Ado About Nothing --Love's Labour's Lost --The Merchant of Venice --A Midsummer Night's Dream --As You Like It --The Taming of... more

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    The Tempest --The Two Gentlemen of Verona --The Merry Wives of Windsor --Measure for Measure --The Comedy of Errors --Much Ado About Nothing --Love's Labour's Lost --The Merchant of Venice --A Midsummer Night's Dream --As You Like It --The Taming of the Shrew --All's Well That Ends Well --Twelfth Night, or What You Will --The Winter's Tale. Names as Metaphors in Shakespeare's Comedies presents a comprehensive study of names in Shakespeare's comedies. Although names are used in daily speech as simple designators, often with minimal regard for semantic or phonological suggestiveness, their coinage is always based on analogy. They are words (i.e. signs) borrowed from previous referents and contexts, and applied to new referents. Thus, in the literary use of language, names are figurative inventions and have measurable thematic significance: they evoke an association of attributes between two or more referents, contextualize each work of literature within its time, and reflect the artistic development of the writer. In the introduction, Smith describes the literary use of names as creative choices that show the indebtedness of authors to previous literature, as well as their imaginative descriptions (etymologically and phonologically) of memorable character types, and their references to cultural phenomena that make their names meaningful to their contemporary readers and audience. This book presents fourteen essays demonstrating the analytical models explained in the introduction. These essays focus on Shakespeare's comedies as presented in the First Folio. They do not follow the chronological order of their composition; instead, the individual essays give special attention to differences between the plays that suggest Shakespeare's artistic development, including the varied sources of his borrowings, the differences between his etymological and phonological coinages, the frequency and types of his topical references, and his use of epithets and generics. This book will appeal to Shakespeare students and scholars at all levels, particularly those who are keen on studying his comedies. This study will also be relevant for researchers and graduate students interested in onomastics

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781648892707; 1648892701
    Series: Series in literary studies
    Subjects: Onomastics in literature; Characters and characteristics; Humorous plays; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 Online-Ressource (xxiv, 347 pages)
    Notes:

    Includes bibliographical references (pages 305-313) and index
  13. Reason and the passions in the comedias of Calderón
    Author: Hildner, David Jonathan
    Published: 1982
    Publisher:  J. Benjamins, Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9027217211; 9027280568; 9789027217219; 9789027280565
    Series: Purdue University monographs in Romance languages ; v. 11
    Subjects: Raison dans la littérature; Passions dans la littérature; DRAMA / Continental European; Théâtre espagnol / 1500-1700 (période classique); Raison / Dans la littérature; Passions / Dans la littérature; Comedia; Komödie; Ethik; Humorous plays; Komödie; Comedia; Ethik
    Other subjects: Calderon de la Barca, Pedro / 1600-1681 / Comedies; Calderon de la Barca, Pedro / 1600-1681 / Criticism and interpretation; Calderón de la Barca, Pedro / 1600-1681 / Philosophie; Calderón de la Barca, Pedro / 1600-1681 / Religion et morale; Calderón de la Barca, Pedro / 1600-1681 / Critique et interprétation; Calderón de la Barca, Pedro / (1600-1681) / Contribution à la comédie; Calderón de la Barca, Pedro; Calderón de la Barca, Pedro / 1600-1681; Calderón de la Barca, Pedro (1600-1681); Calderón de la Barca, Pedro (1600-1681); Calderón de la Barca, Pedro (1600-1681)
    Scope: 1 Online-Ressource (119 pages)
    Notes:

    Originally presented as the author's thesis (Ph. D.)--University of Minnesota, 1979, under the title: The role of reason and the passions in the comedias of Calderón. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [115]-119)
  14. Reason and the passions in the comedias of Calderón
    Published: 2011
    Publisher:  J. Benjamins, Amsterdam

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027280565; 9027280568
    Other identifier:
    9789027217219
    Series: Purdue University monographs in Romance languages 0165-8743 ; v. 11
    Purdue University monographs in Romance languages ; v. 11
    Subjects: Raison dans la littérature; Passions dans la littérature; Passions dans la littérature; Raison dans la littérature; Comedia; Ethik; Théâtre espagnol ; 1500-1700 (période classique); Komödie; Criticism, interpretation, etc; DRAMA ; Continental European; Humorous plays
    Other subjects: Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro (1600-1681); Calderón de la Barca, Pedro (1600-1681); Calderon de la Barca, Pedro 1600-1681; Calderon de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro 1600-1681; Calderón de la Barca, Pedro ; Contribution à la comédie; Calderón de la Barca, Pedro; Calderón de la Barca, Pedro
    Scope: Online Ressource (119 pages)
    Notes:

    Originally presented as the author's thesis (Ph. D.)--University of Minnesota, 1979, under the title: The role of reason and the passions in the comedias of Calderón. - Includes bibliographical references (p. [115]-119)

    Includes bibliographical references (p. [115]-119)

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  15. Shakespeare
    the dark comedies to the last plays : from satire to celebration
    Published: 2005-1971
    Publisher:  Routledge, London

    First published in 1971. This volume explains and analyses the last plays of Shakespeare as dramatic structures. Beginning from the dark comedies, the author describes the ways in which Shakespeare was affected by the new techniques and possibilities... more

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    First published in 1971. This volume explains and analyses the last plays of Shakespeare as dramatic structures. Beginning from the dark comedies, the author describes the ways in which Shakespeare was affected by the new techniques and possibilities for drama opened up by the innovations of the years after 1600, notably by the rise in children's companies. The main line of development of Shakespeare's dramatic skills is shown as leading from the dark comedies, through the late tragedies, to the last plays. A major part of the book is devoted to analyses of Cymbeline, The Winter's

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781136560972; 1136560971
    RVK Categories: HI 3391 ; HI 3390
    Series: Routledge library editions. Shakespeare. Critical studies ; 16
    Subjects: DRAMA ; English, Irish, Scottish, Welsh; LITERARY CRITICISM ; Shakespeare; Criticism and interpretation; Humorous plays; Drama; Tragicomedies
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William; Shakespeare, William
    Scope: Online Ressource (vii, 186 pages)
    Notes:

    Title from PDF title page (viewed on Nov. 5, 2013). - Added title page--Originally published: London: Routledge & Kegan Paul, 1971. - Includes bibliographical references and index

    Includes bibliographical references and index

    Title from PDF title page (viewed on Nov. 5, 2013)
  16. Shakespeare and his comedies
    Author: Brown, John Russell
    Published: 2004-1962
    Publisher:  Routledge, London

    First published in 1957. This edition reprints the second edition of 1962. The originality, vitality and variety of Shakespeare's comedies do not suggest a writer at ease with a formula which works to his own satisfaction and the pleasure of his... more

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    First published in 1957. This edition reprints the second edition of 1962. The originality, vitality and variety of Shakespeare's comedies do not suggest a writer at ease with a formula which works to his own satisfaction and the pleasure of his audience; against first impressions they suggest an artist seeking to express an idea which is always eluding a completely developed presentation. The second edition of this book contains an extensive new chapter on Pericles, Cymbeline, The Winter's Tale and The Tempest

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315018201; 1315018209; 9781136555930; 1136555935
    Series: Routledge library editions. Shakespeare. Comedies ; 1
    Subjects: DRAMA ; English, Irish, Scottish, Welsh; Humorous plays
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Scope: Online Ressource (256 pages)
    Notes:

    This ed. originally published: London: Methuen, 1962. - Includes bibliographical references and index. - Print version record
  17. Shakespeare and the comedy of enchantment
    Author: Cartwright, Kent
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    "Shakespeare and the Comedy of Enchantment argues that enchantment constitutes a key emotional and intellectual dimension of Shakespeare's comedies. It thus makes a new claim about the rejuvenating value of comedy for individuals and society.... more

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    "Shakespeare and the Comedy of Enchantment argues that enchantment constitutes a key emotional and intellectual dimension of Shakespeare's comedies. It thus makes a new claim about the rejuvenating value of comedy for individuals and society. Shakespeare's comedies orchestrate ongoing encounters between the rational and the mysterious, between doubt and fascination, with feelings moved by elements of enchantment that also seem a little ridiculous. In such a drama, lines of causality become complex, and even satisfying endings leave certain matters incomplete and contingent--openings for scrutiny and thought. In addressing enchantment, the book takes exception to the modernist vision of a deterministic 'disenchanted' world. As Shakespeare's action advances, comic mysteries accrue--uncanny coincidences; magical sympathies; inexplicable repetitions; psychic influences; and puzzlements about the meaning of events--all of whose numinous effects linger ambiguously after reason has apparently answered the play's questions. Separate chapters explore the devices, tropes, and motifs of enchantment: magical clowns who alter the action through stop-time interludes; structural repetitions that suggest mysteriously converging, even opaquely providential destinies; locales that oppose magical and protean forces to regulatory and quotidian values; desires, thoughts, and utterances that 'manifest' comically monstrous events; characters who return from the dead, facilitated by the desires of the living; play-endings crossed by harmony and dissonance, with moments of wonder that make possible the mysterious action of forgiveness. Wonder and wondering in Shakespeare's and other comedies, it emerges, become the conditions for new possibilities. Chapters refer extensively to early modern history, Renaissance and modern theories of comedy, treatises on magical science, and contemporaneous Italian and Tudor comedy."--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198868897
    Other identifier:
    9780198868897
    RVK Categories: HI 3385 ; HI 3391
    Edition: First edition
    Subjects: Magic in literature; Komödie; Staunen <Motiv>; Verzauberung <Motiv>; Humorous plays; Magic in literature; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Scope: xii, 247 Seiten, 24 cm
    Notes:

    Includes bibliographical references (pages 215-235) and index
  18. Shakespeare and the comedy of enchantment
    Author: Cartwright, Kent
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    This volume explores the extent to which Shakespeare's comedies resist empirical rationalism and resolution, despite that rationalism seeming to be the wished-for ending in plays that turn around magical, mystical, and inexplicable events. more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This volume explores the extent to which Shakespeare's comedies resist empirical rationalism and resolution, despite that rationalism seeming to be the wished-for ending in plays that turn around magical, mystical, and inexplicable events.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191905346
    Other identifier:
    RVK Categories: HI 3385 ; HI 3391
    Edition: First edition.
    Series: Oxford scholarship online
    Subjects: Magic in literature; Comedy; Humorous plays; Magic in literature; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 online resource (272 pages).
    Notes:

    This edition also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on October 6, 2021)
  19. Shakespeare and the comedy of enchantment
    Author: Cartwright, Kent
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    "Shakespeare and the Comedy of Enchantment argues that enchantment constitutes a key emotional and intellectual dimension of Shakespeare's comedies. It thus makes a new claim about the rejuvenating value of comedy for individuals and society.... more

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    "Shakespeare and the Comedy of Enchantment argues that enchantment constitutes a key emotional and intellectual dimension of Shakespeare's comedies. It thus makes a new claim about the rejuvenating value of comedy for individuals and society. Shakespeare's comedies orchestrate ongoing encounters between the rational and the mysterious, between doubt and fascination, with feelings moved by elements of enchantment that also seem a little ridiculous. In such a drama, lines of causality become complex, and even satisfying endings leave certain matters incomplete and contingent--openings for scrutiny and thought. In addressing enchantment, the book takes exception to the modernist vision of a deterministic 'disenchanted' world. As Shakespeare's action advances, comic mysteries accrue--uncanny coincidences; magical sympathies; inexplicable repetitions; psychic influences; and puzzlements about the meaning of events--all of whose numinous effects linger ambiguously after reason has apparently answered the play's questions. Separate chapters explore the devices, tropes, and motifs of enchantment: magical clowns who alter the action through stop-time interludes; structural repetitions that suggest mysteriously converging, even opaquely providential destinies; locales that oppose magical and protean forces to regulatory and quotidian values; desires, thoughts, and utterances that 'manifest' comically monstrous events; characters who return from the dead, facilitated by the desires of the living; play-endings crossed by harmony and dissonance, with moments of wonder that make possible the mysterious action of forgiveness. Wonder and wondering in Shakespeare's and other comedies, it emerges, become the conditions for new possibilities. Chapters refer extensively to early modern history, Renaissance and modern theories of comedy, treatises on magical science, and contemporaneous Italian and Tudor comedy."--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198868897
    Other identifier:
    9780198868897
    RVK Categories: HI 3385 ; HI 3391
    Edition: First edition
    Subjects: Magic in literature; Komödie; Staunen <Motiv>; Verzauberung <Motiv>; Humorous plays; Magic in literature; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Scope: xii, 247 Seiten, 24 cm
    Notes:

    Includes bibliographical references (pages 215-235) and index
  20. Shakespeare and the comedy of enchantment
    Author: Cartwright, Kent
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    This volume explores the extent to which Shakespeare's comedies resist empirical rationalism and resolution, despite that rationalism seeming to be the wished-for ending in plays that turn around magical, mystical, and inexplicable events. more

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    This volume explores the extent to which Shakespeare's comedies resist empirical rationalism and resolution, despite that rationalism seeming to be the wished-for ending in plays that turn around magical, mystical, and inexplicable events.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191905346
    Other identifier:
    RVK Categories: HI 3385 ; HI 3391
    Edition: First edition.
    Series: Oxford scholarship online
    Subjects: Magic in literature; Comedy; Humorous plays; Magic in literature; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 online resource (272 pages).
    Notes:

    This edition also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on October 6, 2021)
  21. Shakespeare and the ends of comedy
    Author: Jensen, Ejner J.
    Published: ©1991
    Publisher:  Indiana University Press, Bloomington, Ind.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585225753; 9780585225753
    RVK Categories: HI 3391
    Series: Drama and performance studies
    Subjects: Comédie; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Komödie; Dramenschluss; Schluss; Komödienschluss; Comedy; Humorous plays; Comedy; Komödienschluss; Schluss; Dramenschluss; Komödie
    Other subjects: Shakespeare, William / 1564-1616 / Comédies; Shakespeare, William; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 158 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 139-153) and index
  22. Shakespeare and the uses of comedy
    Author: Bryant, J. A.
    Published: c1986
    Publisher:  University Press of Kentucky, Lexington

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813161488; 0813161487; 0813115957; 9780813115955
    Subjects: DRAMA / English, Irish, Scottish, Welsh; Humorous plays; LITERARY CRITICISM / Drama; Komödie
    Other subjects: Shakespeare, William / (1564-1616) / Contribution à la comédie; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Shakespeare's exploration of the human comedy -- The comedy of errors -- The two gentlemen of Verona -- Love's labor's lost -- A midsummer night's dream -- The merchant of Venice -- The taming of the shrew -- The merry wives of Windsor -- Much ado about nothing -- As you like it -- Twelfth night -- Troilus and Cressida -- All's well that ends well and Measure for measure -- Cymbeline and The winter's tale -- The tempest
  23. Shakespeare's Rhetoric of Comic Character
    Published: 2013
    Publisher:  Taylor and Francis, Hoboken

    First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781136557330; 1136557334
    Subjects: Comedy; DRAMA ; English, Irish, Scottish, Welsh; Comedy; Humorous plays
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William
    Scope: Online Ressource (243 pages)
    Notes:

    General index. - Print version record
  24. Shakespeare's comedies
    Published: 2004
    Publisher:  Blackwell Pub, Malden, MA

    The development of criticism of Shakespeare's comedies -- Genre -- Marriage as comic closure / Lisa Hopkins -- False immortality in Measure for measure / Robert N. Watson -- Language -- Here follows prose / Russ McDonald -- Transfer of title in... more

    Access:

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The development of criticism of Shakespeare's comedies -- Genre -- Marriage as comic closure / Lisa Hopkins -- False immortality in Measure for measure / Robert N. Watson -- Language -- Here follows prose / Russ McDonald -- Transfer of title in Love's labour's lost / Katharine Eisaman Maus -- Gender and sexuality -- Helena's bed-trick / David McCandless -- The homoerotics of Shakespearian comedy / Valerie Traub -- History and politics -- Guess who's coming to dinner? / Kim F. Hall -- Bottom's up / Annabel Patterson -- Performance -- Kate: interpreting the silence / Carol Rutter -- As you like it / Penny Gay.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0470775785; 0470776919; 9780470775783; 9780470776919
    Other identifier:
    Series: Blackwell guides to criticism
    Subjects: Comedy; Shakespeare, William; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Comedy; Humorous plays; Komedies; Komödie; Shakespeare, William
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (ix, 310 pages)
    Notes:

    Includes bibliographical references and index
  25. Shakespeare's comedies
    Published: 2004
    Publisher:  Blackwell Pub, Malden, MA

    The development of criticism of Shakespeare's comedies -- Genre -- Marriage as comic closure / Lisa Hopkins -- False immortality in Measure for measure / Robert N. Watson -- Language -- Here follows prose / Russ McDonald -- Transfer of title in... more

    Access:

    Location:
    Universitätsbibliothek Hildesheim
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

     

    The development of criticism of Shakespeare's comedies -- Genre -- Marriage as comic closure / Lisa Hopkins -- False immortality in Measure for measure / Robert N. Watson -- Language -- Here follows prose / Russ McDonald -- Transfer of title in Love's labour's lost / Katharine Eisaman Maus -- Gender and sexuality -- Helena's bed-trick / David McCandless -- The homoerotics of Shakespearian comedy / Valerie Traub -- History and politics -- Guess who's coming to dinner? / Kim F. Hall -- Bottom's up / Annabel Patterson -- Performance -- Kate: interpreting the silence / Carol Rutter -- As you like it / Penny Gay.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0470775785; 0470776919; 9780470775783; 9780470776919
    Other identifier:
    Series: Blackwell guides to criticism
    Subjects: Comedy; Shakespeare, William; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Comedy; Humorous plays; Komedies; Komödie; Shakespeare, William
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (ix, 310 pages)
    Notes:

    Includes bibliographical references and index