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  1. Tours de force - Die Ästhetik des Grotesken in der französischen Pantomime des 19. Jahrhunderts
    Author: Brincken, Jörg von
    Published: 2012; ©2007
    Publisher:  De Gruyter, Berlin

    19th century French pantomime was notable for its affinities with motifs centering around violence and horror. This double-bind between comical entertainment and more sinister features makes it a cardinal instance of a modern aesthetic that upgraded... more

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    19th century French pantomime was notable for its affinities with motifs centering around violence and horror. This double-bind between comical entertainment and more sinister features makes it a cardinal instance of a modern aesthetic that upgraded ugliness in the form of grotesquerie to the status of a guarantor of aesthetic pleasure. Accordingly, this analysis of the theatrical qualities of mute body-play is closely bound up with the contemplation of coeval European discourse on the transcendence of aesthetic frontiers. This applies both to the problems posed by this phenomenon and above all to its potential performative effect. Die französische Pantomime des 19. Jahrhunderts zeichnete sich durch ihre Affinität zu den Motiven der Gewalt und des Schrecklichen aus. Der Doublebind von komischer Unterhaltung und Prekärem machte sie zum Paradefall einer modernen Ästhetik, die - unter dem Signum des Grotesken - das Hässliche zum Garanten ästhetischer Lust aufwertete. Die Analyse der theatralen Qualitäten des stummen Körperspiels verschränkt sich entsprechend eng mit der Lektüre eines zeitgenössischen europäischen Diskurses um ästhetische Entgrenzung, sowohl im Hinblick auf ihre Problematik als auch - und vor allem - bezüglich ihrer performativen Wirkungsmöglichkeiten.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110917895
    Other identifier:
    RVK Categories: NP 5620
    Series: Theatron ; 51
    Subjects: Grotesque; Pantomime; Grotesque.; Pantomime.; Das Schreckliche.; Frankreich.; Geschichte 1820-1903.; Grausamkeit ‹Motiv›.; Pantomime.; LITERARY CRITICISM / General
    Scope: Online-Ressource (X, 402 S.)
  2. The Monster in the Garden
    Reframing Renaissance Landscape Design
    Author: Morgan, Luke
    Published: 2015; ©2016.
    Publisher:  University of Pennsylvania Press, Philadelphia

    Frontmatter -- Contents -- Introduction. Reframing the Renaissance Garden -- Chapter 1. The Legibility of Landscape: From Fascism to Foucault -- Chapter 2. The Grotesque and the Monstrous -- Chapter 3. A Monstruary: The Excessive, the Deficient, and... more

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    Frontmatter -- Contents -- Introduction. Reframing the Renaissance Garden -- Chapter 1. The Legibility of Landscape: From Fascism to Foucault -- Chapter 2. The Grotesque and the Monstrous -- Chapter 3. A Monstruary: The Excessive, the Deficient, and the Hybrid -- Chapter 4. “Rare and Enormous Bones of Huge Animals”: The Colossal Mode -- Chapter 5. “Pietra Morta, in Pietra Viva”: The Sacro Bosco -- Conclusion: Toward the Sublime -- Notes -- Bibliography -- Index -- Acknowledgments Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812291872
    Other identifier:
    RVK Categories: LN 81390
    Series: PENN studies in landscape architecture
    De Gruyter eBook-Paket Kunst, Architektur und Design
    Subjects: Grotesque; Monsters; Gardens; Garden ornaments and furniture; Landscape design; Gardens, Renaissance; Garden ornaments and furniture; Gardens.; Grotesque.; Monsters.; Gardens, Landscapes.; various.; ARCHITECTURE / Landscape
    Scope: 1 Online-Ressource (246 Seiten)
  3. Tours de force - Die Ästhetik des Grotesken in der französischen Pantomime des 19. Jahrhunderts
    Author: Brincken, Jörg von
    Published: 2012; ©2007
    Publisher:  De Gruyter, Berlin

    19th century French pantomime was notable for its affinities with motifs centering around violence and horror. This double-bind between comical entertainment and more sinister features makes it a cardinal instance of a modern aesthetic that upgraded... more

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    19th century French pantomime was notable for its affinities with motifs centering around violence and horror. This double-bind between comical entertainment and more sinister features makes it a cardinal instance of a modern aesthetic that upgraded ugliness in the form of grotesquerie to the status of a guarantor of aesthetic pleasure. Accordingly, this analysis of the theatrical qualities of mute body-play is closely bound up with the contemplation of coeval European discourse on the transcendence of aesthetic frontiers. This applies both to the problems posed by this phenomenon and above all to its potential performative effect. Die französische Pantomime des 19. Jahrhunderts zeichnete sich durch ihre Affinität zu den Motiven der Gewalt und des Schrecklichen aus. Der Doublebind von komischer Unterhaltung und Prekärem machte sie zum Paradefall einer modernen Ästhetik, die - unter dem Signum des Grotesken - das Hässliche zum Garanten ästhetischer Lust aufwertete. Die Analyse der theatralen Qualitäten des stummen Körperspiels verschränkt sich entsprechend eng mit der Lektüre eines zeitgenössischen europäischen Diskurses um ästhetische Entgrenzung, sowohl im Hinblick auf ihre Problematik als auch - und vor allem - bezüglich ihrer performativen Wirkungsmöglichkeiten.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110917895
    Other identifier:
    RVK Categories: NP 5620
    Series: Theatron ; 51
    Subjects: Grotesque; Pantomime; Grotesque.; Pantomime.; Das Schreckliche.; Frankreich.; Geschichte 1820-1903.; Grausamkeit ‹Motiv›.; Pantomime.; LITERARY CRITICISM / General
    Scope: Online-Ressource (X, 402 S.)