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Displaying results 1 to 5 of 5.

  1. Die Göttinnen der Anmut in Wielands Werk
    ein Beitrag zur Rhetorik der Aufklärung
    Author: Sandstede, Jutta

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    DDC Categories: 430; 830
    Subjects: Wieland, Christoph Martin; Grazien;
    Other subjects: Wieland, Christoph Martin (1733-1813); Grazien
    Scope: 366 Bl., 30 cm
    Notes:

    Oldenburg, Univ., Diss., 2000 (Nicht für den Austausch)
  2. O tema das gracas na poesia classica
    Author: Rosado Fernandes, Raul Miguel
    Published: 1962
    Publisher:  Ramos, Afonso & Moita, Lisboa

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    Source: Union catalogues
    Language: Portuguese
    Media type: Dissertation
    Format: Print
    Subjects: Antike; Lyrik; Grazien; ; Antike; Literatur; Grazien; ; Grazien; Lyrik; klassische;
    Scope: XI, 415 S., 8°
    Notes:

    Lisboa, phil. Diss.
  3. Die Göttinnen der Anmut in Wielands Werk
    ein Beitrag zur Rhetorik der Aufklärung
    Author: Sandstede, Jutta

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    DDC Categories: 430; 830
    Subjects: Wieland, Christoph Martin; Grazien; Online-Publikation;
    Other subjects: Wieland, Christoph Martin (1733-1813); Grazien
    Notes:

    Dateiformat: zip, Dateien in unterschiedlichen Formaten

    Oldenburg, Univ., Diss., 2000
  4. Die Göttinnen der Anmut in Wielands Werk
    ein Beitrag zur Rhetorik der Aufklärung
    Author: Sandstede, Ilse-Jutta
    Published: 1999

    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    GQ/900/wie 7/1421
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    Subjects: Wieland, Christoph Martin; Grazien;
    Scope: 366 Bl, 30 cm
    Notes:

    Auch als elektronisches Dokument vorh

    Oldenburg, Univ., Diss, 2000 (Nicht für den Austausch)
  5. Die Göttinnen der Anmut in Wielands Werk
    ein Beitrag zur Rhetorik der Aufklärung
    Published: 1999

    Classical rhetoric has shaped literary theory and practice in Europe. Even during the Enlightenment period, it remained a force in education. Its fundamental significance for bourgeois literature and its theory is now uncontested. In his exploration... more

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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Clausthal
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Classical rhetoric has shaped literary theory and practice in Europe. Even during the Enlightenment period, it remained a force in education. Its fundamental significance for bourgeois literature and its theory is now uncontested. In his exploration of the image of the Graces, the criteria of classical rethoric were taken as a starting point, for alongside the questions raised in the content of the work Wieland's creative intentions merit special attention, since these are mainly focussed on creating an impressive speech. As well as looking at the development of the image of the Graces in Wieland, the study uses selected texts to examine the way in which rhetorical theory was taken up into poetic practice, for the influence of rhetoric on the practice and form of his texts cannot be underestimated. If the emphasis of his early work "Theages" (1757) was on the spiritual and moral values embodied in the Graces, in his more mature work the goddesses develop to become representatives of sensualism, before in "Musarion" (1768) and "Die Grazien" (1770) they come to symbolise a balance between sensualism and reason, and stand for the idea of moderation and harmony: Wieland's poem in three books, "Philosophie der Grazien", was born. In the charming and harmonious philosophy of the Graces, Wieland finds a balance between extremes, which is wholly in keeping with the bourgeois ethos. "Musarion" sees the image of the Graces achieve its definitive form.

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Edition: [Elektronische Ressource]
    Subjects: Wieland; Grazien;
    Notes:

    Dateiformat: zip, Dateien in unterschiedlichen Formaten

    Oldenburg, Univ., Diss, 2000