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  1. Women through the lens
    gender and nation in a century of Chinese cinema
    Author: Cui, Shuqin
    Published: c2003
    Publisher:  University of Hawaiʻi Press, Honolulu

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0824825322; 9780824832964
    Subjects: Film; Geschichte; Motion pictures; Women in motion pictures; Sex role in motion pictures; Film; Geschlechterrolle <Motiv>; Nation <Motiv>; Geschlechterverhältnis
    Scope: xxvi, 304 p.
    Notes:

    Includes bibliographical references (p. [287]-297) and index

    Filmography: p. [249]-267

    pt. 1. Early production -- pt. 2. Socialist cinema -- pt. 3. The new wave -- pt. 4. Women's films
  2. Women through the lens
    gender and nation in a century of Chinese cinema
    Author: Cui, Shuqin
    Published: 2003
    Publisher:  University of Hawaiʿi Press, Honolulu

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585479143
    RVK Categories: AP 59662
    Subjects: Motion pictures - History - China; Sex role in motion pictures; Women in motion pictures; Film; Geschichte; Motion pictures; Sex role in motion pictures; Women in motion pictures; Nation <Motiv>; Film; Geschlechterverhältnis; Geschlechterrolle <Motiv>
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xxvi, 304 Seiten), Illustrationen
    Notes:

    Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267

    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
  3. Women through the lens
    gender and nation in a century of Chinese cinema
    Author: Cui, Shuqin
    Published: 2003
    Publisher:  University of Hawaiʿi Press, Honolulu

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    Content information
    Full text (Click to View (Currently Only Available on Campus))
    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585479143
    RVK Categories: AP 59662
    Subjects: Motion pictures - History - China; Sex role in motion pictures; Women in motion pictures; Film; Geschichte; Motion pictures; Sex role in motion pictures; Women in motion pictures; Nation <Motiv>; Film; Geschlechterverhältnis; Geschlechterrolle <Motiv>
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xxvi, 304 Seiten), Illustrationen
    Notes:

    Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267

    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon