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  1. City of Darkness, City of Light
    Emigre Filmmakers in Paris, 1929-1939
    Published: [2003]; © 2004
    Publisher:  Amsterdam University Press, Amsterdam

    The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German èmigrè filmmakers, many of whom fled there as a refuge from Hitler. In coming to Paris-a privileged site in terms of production,... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German èmigrè filmmakers, many of whom fled there as a refuge from Hitler. In coming to Paris-a privileged site in terms of production, exhibition, and film culture-these experienced professionals also encountered resistance: hostility toward Germans, anti-Semitism, and boycotts from a French industry afraid of losing jobs to foreigners. Phillips juxtaposes the cinematic portrayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak, and others with the wider social and cultural debates about the city in cinema

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505258
    Other identifier:
    Series: Film Culture in Transition
    Subjects: PERFORMING ARTS / General; Germans; Motion picture producers and directors; Filmschaffender; Paris <Motiv>; Deutsche; Film; Filmregisseur; Exil
    Scope: 1 online resource, 10 black and white illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)

  2. Mapping Movie Magazines
    Digitization, Periodicals and Cinema History
    Published: 2020; ©2020
    Publisher:  Springer International Publishing AG, Cham

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030332778
    RVK Categories: AP 57700
    Series: Global Cinema Ser
    Subjects: Motion pictures-Periodicals; Dänisch; Verbreitung; Französisch; Filmstar <Motiv>; Cineastik; Publikum <Motiv>; Englisch; Filmzeitschrift; Filmschaffender <Motiv>; Digitalisierung; Spanisch
    Scope: 1 Online-Ressource (343 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Images -- List of Graphs -- List of Tables -- Chapter 1: Introduction: Movie Magazines, Digitization and New Cinema History -- Magazines, Digitization and Cinema Historiography -- Magazines, the Film Industry and the Cultural Economy -- Authors, Stars and Fans -- Part I: Magazines, Digitization and Cinema Historiography -- Chapter 2: Variety's Transformations: Digitizing and Analyzing the First 35 Years of the Canonical Trade Paper -- The Digitization Process: Post-Production Labor as Philology -- Computational Analysis: Using Scaled Entity Search -- Distant Reading with Quantitative Content Analysis -- Synthesizing Methods and Understanding Variety's Shifts Toward Film and Radio -- Conclusion -- Chapter 3: Who Knew? Using Digital Trade Papers to Explore Ethnic Programming in American Picture Palaces -- A New Jewish Patronage -- Before Broadway -- Broadway Discovers the Jewish Passover Crowds -- Vaudeville Stars and Sacred Songs for the High Holidays -- Competition for the High Holiday Public -- Methodological Reflection: The Needle and the Haystack -- Chapter 4: Periodical Studies, Intermediality, and Cinema: Film in The Listener -- Intermedial Periodical Studies -- The Listener -- Film Criticism in The Listener -- Conclusion -- Part II: Magazines, the Film Industry and the Cultural Economy -- Chapter 5: Gross "Inaccuracies, Misrepresentations, and Exaggerations": The Motion Picture Industry's Clean-up of Movie Fan Magazines in 1934 -- The Association of Motion Picture Producers, Studio Publicity Directors and Fan Magazines in the 1930s -- Hollywood Discourses: Mainstream Journalism vs. Fan Magazines -- "Inaccuracies, Misrepresentations, and Exaggerations": Fan Magazines in 1933-1934 -- Conclusion

    Chapter 6: "The Great and Important Thing in Her Life": Depicting Female Labor and Ambition in 1920s and 1930s US Movie Magazines -- "Boadiceas of Big Business": The Hollywood Women's Press Club and Female Wage Labor -- "Her Consuming Ambition and Burning Desire": Joan Crawford and Gender Identity in the Movie Magazines -- Chapter 7: "The Girl Friend in Canada": Ray Lewis and Canadian Moving Picture Digest (1915-1957) -- Women Editors of Movie Magazines -- Ray Lewis: Genesis of a Character -- Canadian Moving Picture Digest -- The White Commission -- Ray Lewis Versus the World -- Tireless Advocate for a Domestic Industry -- Industry Honors Lewis as Pioneer -- Chapter 8: Drumming up Readers: Zonk! African People's Pictorial and Films for African Audiences in South Africa in 1949 and the Early 1950s -- Access, Archives and Cinema History in the "Global South" -- Zonk! African People's Pictorial and African Jim -- The Magazine, and the Film Zonk! -- Zonk! African People's Pictorial and The Magic Garden (1951) -- "Two Famous Films" -- African Film Production's Film Song of Africa (1951) -- Drum Arrives on the Scene -- Conclusions -- Chapter 9: Mapping the Dutch Film Magazine Market, 1920-1960 -- Pre-War Era: Westerbaan as a Key Figure -- The Cinephile Niche -- Movie Magazines During Occupation -- After the War: A Challenging Market -- Conclusions -- Part III: Authors, Stars, and Fans -- Chapter 10: Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years -- Dreaming of Being a Star: Pictures Sent in a 'Search for a Star' Contest -- Being a Member of a Cinephilic Society: Pictures in the Mail Section of Pour Vous -- Pictures of Stars Side by Side with Spectators: The Movie Family Gathered -- Conclusion: They Had Faces Too

    Chapter 11: Between Hollywood and Babelsberg: Popular Cinephilia in a Dutch Movie Magazine of the 1920s -- Running a Movie Magazine in an Underdeveloped Market -- Modes of Interactive Fandom -- Engaging Dutch Movie Fans -- "Do You Want to Go to Berlin?" -- The Dutch Clara Bow -- Chapter 12: Hollywood Imaginaries at the End of the World: Ecran and the Construction of the International Industry from the Periphery -- Chilean Film Magazines -- Ecran Magazine -- Ecran as a Mediator Between Hollywood and Chile -- Hollywood Between Modernity and Mistrust -- Ecran and Hollywood es así (1944) -- Conclusion -- Chapter 13: "How's Your Sense of Direction?" Using Movie Magazines to Study Audiences' Perception of Classical Hollywood Directors, 1934-1943 -- "Pantheon Directors" -- "The Far Side of Paradise" -- Other Directors -- Conclusion -- Chapter 14: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Histories of the Tijuana Bible -- Tijuana Bibles as Bridging Episode -- Tijuana Bibles as an Object and Generic Category -- Tijuana Bibles Go to Hollywood -- Tijuana Bibles and Moral Panic -- Conclusion -- Correction to: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Index

  3. City of darkness, city of light
    émigré filmmakers in Paris 1929 - 1939
    Published: 2004
    Publisher:  Univ. Press, Amsterdam

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780585498188 (Sekundärausgabe)
    RVK Categories: AP 44911
    DDC Categories: 791
    Series: Film culture in transition
    Subjects: Filmschaffender; Paris <Motiv>; Deutsche; Film; Exil
    Scope: 253 S., Ill., 24 cm
    Notes:

    Online-Ausg.:

  4. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Published: 2004
    Publisher:  Amsterdam University Press, Amsterdam

    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany. more

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    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585498180; 9780585498188; 9789048505258; 9048505259
    RVK Categories: AP 44911
    Series: Film culture in transition
    Subjects: Deutsche; Filmschaffender; Exil; Film; Paris <Motiv>; Motion picture producers and directors; Germans; PERFORMING ARTS; The arts; Film, TV and radio; Germans; Motion picture producers and directors; Filmschaffender; Exil
    Other subjects: Multi-User
    Scope: 1 Online-Ressource (253 Seiten), Illustrations, portraits
    Notes:

    Includes bibliographical references (pages 221-241) and index

  5. Women in Chinese Martial Arts Films of the New Millennium
    Narrative Analyses and Gender Politics
    Published: 2012
    Publisher:  Lexington Books, Lanham

    Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, examines underexposed gender issues in more recent films, focusing on the contradictory feminism in the film narratives. Through the lens of Chinese martial arts... more

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, examines underexposed gender issues in more recent films, focusing on the contradictory feminism in the film narratives. Through the lens of Chinese martial arts films, Chen delves into ""Chinese cinematic martial arts feminism,"" highlighting the glass ceiling which marks the maximal exercise of feminism which the patriarchal order is willing to accept.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780739139080; 9780739139103 (Sekundärausgabe)
    Subjects: Film; Martial-Arts-Film; Frau <Motiv>; Geschlechterrolle <Motiv>; Filmschaffender
    Scope: 313 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:

  6. City of Darkness, City of Light
    Emigré Filmmakers in Paris 1929-1939
    Published: 2003
    Publisher:  Amsterdam University Press, [Erscheinungsort nicht ermittelbar] ; [OAPEN FOUNDATION], [The Hague]

    This title is the first ever book-length study of the cinematic representation of Paris in the films of German emigré filmmakers, who found there a first refuge from Hitler. In coming to Paris - the privileged site in terms of production, exhibition... more

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    This title is the first ever book-length study of the cinematic representation of Paris in the films of German emigré filmmakers, who found there a first refuge from Hitler. In coming to Paris - the privileged site in terms of production, exhibition as well as the cinematic imaginary of French film culture - these experienced film professionals encountered also a darker side: hostility toward Germans, anti-Semitism, as well as boycotts from French industry personnel, afraid of losing their jobs to foreigners. The book juxtaposes the cinematic portrayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak and others with the wider social and cultural debates about the city in the cinema.

    City of Darkness, City of Light is de eerste monografie over de representatie van Parijs in de films van uitgeweken Duitse filmmakers die tijdens Hitlers bewind hun toevlucht zochten in de 'Lichtstad'. Met hun komst naar Parijs - de plaats bij uitstek voor de productie, vertoning en de verbeelding van de Franse filmcultuur - leerden deze ervaren filmprofessionals ook de keerzijde van de stad kennen: een vijandige houding jegens Duitsers, anti-semitisme en boycots van Fransen die werkzaam waren in de filmindustrie en bang waren hun baan te verliezen aan de buitenlanders. City of Darkness, City of Light vergelijkt de cinematografische verbeelding van Parijs in de films van Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak en vele anderen met de bredere sociale en culturele debatten over de stad in de cinema.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053566336
    RVK Categories: AP 44911
    DDC Categories: 300
    Subjects: Deutsche; Filmschaffender; Exil; Film; Paris <Motiv>
    Scope: 1 electronic resource (256 p.)
  7. City of darkness, city of light
    émigré filmmakers in Paris, 1929 - 1939
    Published: 2004
    Publisher:  Amsterdam Univ. Press, Amsterdam

    This title is the first ever book-length study of the cinematic representation of Paris in the films of German emigré filmmakers, who found there a first refuge from Hitler. In coming to Paris - the privileged site in terms of production, exhibition... more

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    This title is the first ever book-length study of the cinematic representation of Paris in the films of German emigré filmmakers, who found there a first refuge from Hitler. In coming to Paris - the privileged site in terms of production, exhibition as well as the cinematic imaginary of French film culture - these experienced film professionals encountered also a darker side: hostility toward Germans, anti-Semitism, as well as boycotts from French industry personnel, afraid of losing their jobs to foreigners. The book juxtaposes the cinematic portrayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak and others with the wider social and cultural debates about the city in the cinema.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9053566333; 9789053566336
    RVK Categories: AP 44911 ; AP 44911
    DDC Categories: 791; 940; 943
    Series: Film culture in transition
    Subjects: Deutsche; Filmschaffender; Exil; Film; Paris <Motiv>
    Scope: 253 S.
    Notes:

    Online-Ausg.:

  8. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
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    Volltext (URL des Erstveröffentlichers)
  9. City of darkness, city of light
    émigré filmmakers in Paris, 1929-1939
    Published: 2004
    Publisher:  Amsterdam University Press, Amsterdam

    The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German émigré filmmakers more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German émigré filmmakers

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505258
    Other identifier:
    RVK Categories: AP 44911
    Series: Film culture in transition
    Subjects: Motion picture industry / France / Paris / History; Motion picture producers and directors / Germany / Biography; Motion picture producers and directors / Austria / Biography; Germans / France / Paris; Austrians / France / Paris; Exil; Deutsche; Filmschaffender; Film; Filmregisseur; Paris <Motiv>
    Scope: 1 Online-Ressource (253 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Feb 2021)

  10. Ideas for the animated short
    finding and building stories
    Published: ©2008
    Publisher:  Focal Press, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780240808604; 0240808606; 9780080560885; 0080560881
    Subjects: PERFORMING ARTS / Film & Video / Screenwriting; Animated films; Short films; Animators; Filmschaffender; Animationsfilm; Erzähltechnik; Kurzfilm
    Scope: xiv, 265 pages
    Notes:

    Build your skills in the development of story ideas that will command an audience for your 2-5 minute animated short. Packed with illustrated examples of idea generation, character and story development, acting, dialogue and storyboarding practice this is your conceptual toolkit proven to meet the challenges of this unique art form. The companion DVD includes in-depth interviews with industry insiders, 18 short animations (many with accompanying animatics, character designs and environment designs) and an acting workshop to get your animated short off to a flying start! With Ideas for the Animated Short you'll learn about: Story Background and Theory * Building Better Content * Acting: Exploring the Human Condition * Building Character and Location * Building Story * Dialogue * Storyboarding * Staging * This unique creative toolkit for idea generation and refinement is short and to the point, focused on the basic principles you need to know * The companion DVD contains professional and student animations (including preparatory sketches and storyboards) to demonstrate effective techniques and imaginative results * Packed with inspirational interviews and behind-the-scenes work from top professionals from Sony, Pixar and Disney

    Includes bibliographical references and index

  11. Radical innocence
    a critical study of the Hollywood Ten
    Published: 2009; © 1989
    Publisher:  The University Press of Kentucky, Lexington, Kentucky

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813116600; 9780813147710
    Subjects: Screenwriters; Motion picture producers and directors; Motion picture plays, American; American literature; Motion picture industry; Blacklisting of authors; Filmschaffender; Vernehmung
    Scope: 1 online resource (281 pages), illustrations
    Notes:

    Includes index

    Description based on print version record

  12. City of Darkness, City of Light
    Emigre Filmmakers in Paris, 1929-1939
    Published: [2003]; © 2004
    Publisher:  Amsterdam University Press, Amsterdam

    The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German èmigrè filmmakers, many of whom fled there as a refuge from Hitler. In coming to Paris-a privileged site in terms of production,... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German èmigrè filmmakers, many of whom fled there as a refuge from Hitler. In coming to Paris-a privileged site in terms of production, exhibition, and film culture-these experienced professionals also encountered resistance: hostility toward Germans, anti-Semitism, and boycotts from a French industry afraid of losing jobs to foreigners. Phillips juxtaposes the cinematic portrayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak, and others with the wider social and cultural debates about the city in cinema

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505258
    Other identifier:
    Series: Film Culture in Transition
    Subjects: PERFORMING ARTS / General; Germans; Motion picture producers and directors; Filmschaffender; Paris <Motiv>; Deutsche; Film; Filmregisseur; Exil
    Scope: 1 online resource, 10 black and white illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)

  13. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Published: c2004
    Publisher:  Amsterdam University Press, Amsterdam

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9053566333
    Series: Film culture in transition
    Subjects: Motion picture producers and directors; Germans; Filmschaffender; Paris <Motiv>; Deutsche; Film; Filmregisseur; Exil
    Scope: i, 256 p.
    Notes:

    Includes bibliographical references (p. [221]-241) and index

  14. The dark mirror
    German cinema between Hitler and Hollywood
    Published: c2002
    Publisher:  University of California Press, Berkeley

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    RVK Categories: AP 44910 ; AP 59704
    Series: Weimar and now ; 32
    Subjects: Film; Geschichte; Motion pictures; Motion picture producers and directors; Germans; Filmschaffender; Rezeption; Film; Nationalsozialismus; Deutsche; Nationalsozialismus <Motiv>; Exil
    Scope: xii, 322 p.
    Notes:

    Includes bibliographical references and index

  15. City of Darkness, City of Light : Emigré Filmmakers in Paris 1929-1939
    Published: 2003
    Publisher:  Amsterdam University Press, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505258
    Other identifier:
    RVK Categories: AP 44911
    Subjects: Motion pictures; Film; Communication. Mass media; Germans - France; Motion picture producers and directors - France; Paris; Film; Germans; Motion picture producers and directors; Filmregisseur; Film; Exil; Filmschaffender; Paris <Motiv>; Deutsche
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (256 S.)
    Notes:

    Erscheint als Open Access bei De Gruyter

  16. The dark mirror
    German cinema between Hitler and Hollywood
    Published: c2002
    Publisher:  University of California Press, Berkeley

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  17. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Published: c2004
    Publisher:  Amsterdam University Press, Amsterdam

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    Source: Union catalogues
    Language: English
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    ISBN: 0585498180
    RVK Categories: AP 44911
    Series: Film culture in transition
    Subjects: Germans - France; Motion picture producers and directors - France; Paris; Germans; Motion picture producers and directors; Paris <Motiv>; Filmregisseur; Filmschaffender; Film; Deutsche; Exil
    Other subjects: Electronic books
    Scope: 253 p., ill., ports, 24 cm
    Notes:

    Includes bibliographical references (p. [221]-241) and index

  18. City of Darkness, City of Light : Emigré Filmmakers in Paris 1929-1939
    Published: 2003
    Publisher:  Amsterdam University Press, Amsterdam

    Alice Salomon Hochschule Berlin, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505258
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    RVK Categories: AP 44911
    Subjects: Motion pictures; Film; Communication. Mass media; Germans - France; Motion picture producers and directors - France; Paris; Film; Germans; Motion picture producers and directors; Filmregisseur; Film; Exil; Filmschaffender; Paris <Motiv>; Deutsche
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (256 S.)
    Notes:

    Erscheint als Open Access bei De Gruyter

  19. The dark mirror
    German cinema between Hitler and Hollywood
    Published: c2002
    Publisher:  University of California Press, Berkeley

    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Volltext (Deutschlandweit zugänglich)
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  20. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Published: c2004
    Publisher:  Amsterdam University Press, Amsterdam

    Berlin International University of Applied Sciences, Hans-Dieter Klingemann Library
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585498180
    RVK Categories: AP 44911
    Series: Film culture in transition
    Subjects: Germans - France; Motion picture producers and directors - France; Paris; Germans; Motion picture producers and directors; Paris <Motiv>; Filmregisseur; Filmschaffender; Film; Deutsche; Exil
    Other subjects: Electronic books
    Scope: 253 p., ill., ports, 24 cm
    Notes:

    Includes bibliographical references (p. [221]-241) and index

  21. Deutsch-türkisches Kino zwischen Filmproduktion und Filmkonsum
    Gespräche und Analysen zu den Spielräumen filmischen Denkens
  22. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Freie Universität Berlin, Universitätsbibliothek
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  23. Mapping Movie Magazines
    Digitization, Periodicals and Cinema History
    Published: 2020; ©2020
    Publisher:  Springer International Publishing AG, Cham

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030332778
    RVK Categories: AP 57700
    Series: Global Cinema Ser
    Subjects: Motion pictures-Periodicals; Dänisch; Verbreitung; Französisch; Filmstar <Motiv>; Cineastik; Publikum <Motiv>; Englisch; Filmzeitschrift; Filmschaffender <Motiv>; Digitalisierung; Spanisch
    Scope: 1 Online-Ressource (343 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Images -- List of Graphs -- List of Tables -- Chapter 1: Introduction: Movie Magazines, Digitization and New Cinema History -- Magazines, Digitization and Cinema Historiography -- Magazines, the Film Industry and the Cultural Economy -- Authors, Stars and Fans -- Part I: Magazines, Digitization and Cinema Historiography -- Chapter 2: Variety's Transformations: Digitizing and Analyzing the First 35 Years of the Canonical Trade Paper -- The Digitization Process: Post-Production Labor as Philology -- Computational Analysis: Using Scaled Entity Search -- Distant Reading with Quantitative Content Analysis -- Synthesizing Methods and Understanding Variety's Shifts Toward Film and Radio -- Conclusion -- Chapter 3: Who Knew? Using Digital Trade Papers to Explore Ethnic Programming in American Picture Palaces -- A New Jewish Patronage -- Before Broadway -- Broadway Discovers the Jewish Passover Crowds -- Vaudeville Stars and Sacred Songs for the High Holidays -- Competition for the High Holiday Public -- Methodological Reflection: The Needle and the Haystack -- Chapter 4: Periodical Studies, Intermediality, and Cinema: Film in The Listener -- Intermedial Periodical Studies -- The Listener -- Film Criticism in The Listener -- Conclusion -- Part II: Magazines, the Film Industry and the Cultural Economy -- Chapter 5: Gross "Inaccuracies, Misrepresentations, and Exaggerations": The Motion Picture Industry's Clean-up of Movie Fan Magazines in 1934 -- The Association of Motion Picture Producers, Studio Publicity Directors and Fan Magazines in the 1930s -- Hollywood Discourses: Mainstream Journalism vs. Fan Magazines -- "Inaccuracies, Misrepresentations, and Exaggerations": Fan Magazines in 1933-1934 -- Conclusion

    Chapter 6: "The Great and Important Thing in Her Life": Depicting Female Labor and Ambition in 1920s and 1930s US Movie Magazines -- "Boadiceas of Big Business": The Hollywood Women's Press Club and Female Wage Labor -- "Her Consuming Ambition and Burning Desire": Joan Crawford and Gender Identity in the Movie Magazines -- Chapter 7: "The Girl Friend in Canada": Ray Lewis and Canadian Moving Picture Digest (1915-1957) -- Women Editors of Movie Magazines -- Ray Lewis: Genesis of a Character -- Canadian Moving Picture Digest -- The White Commission -- Ray Lewis Versus the World -- Tireless Advocate for a Domestic Industry -- Industry Honors Lewis as Pioneer -- Chapter 8: Drumming up Readers: Zonk! African People's Pictorial and Films for African Audiences in South Africa in 1949 and the Early 1950s -- Access, Archives and Cinema History in the "Global South" -- Zonk! African People's Pictorial and African Jim -- The Magazine, and the Film Zonk! -- Zonk! African People's Pictorial and The Magic Garden (1951) -- "Two Famous Films" -- African Film Production's Film Song of Africa (1951) -- Drum Arrives on the Scene -- Conclusions -- Chapter 9: Mapping the Dutch Film Magazine Market, 1920-1960 -- Pre-War Era: Westerbaan as a Key Figure -- The Cinephile Niche -- Movie Magazines During Occupation -- After the War: A Challenging Market -- Conclusions -- Part III: Authors, Stars, and Fans -- Chapter 10: Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years -- Dreaming of Being a Star: Pictures Sent in a 'Search for a Star' Contest -- Being a Member of a Cinephilic Society: Pictures in the Mail Section of Pour Vous -- Pictures of Stars Side by Side with Spectators: The Movie Family Gathered -- Conclusion: They Had Faces Too

    Chapter 11: Between Hollywood and Babelsberg: Popular Cinephilia in a Dutch Movie Magazine of the 1920s -- Running a Movie Magazine in an Underdeveloped Market -- Modes of Interactive Fandom -- Engaging Dutch Movie Fans -- "Do You Want to Go to Berlin?" -- The Dutch Clara Bow -- Chapter 12: Hollywood Imaginaries at the End of the World: Ecran and the Construction of the International Industry from the Periphery -- Chilean Film Magazines -- Ecran Magazine -- Ecran as a Mediator Between Hollywood and Chile -- Hollywood Between Modernity and Mistrust -- Ecran and Hollywood es así (1944) -- Conclusion -- Chapter 13: "How's Your Sense of Direction?" Using Movie Magazines to Study Audiences' Perception of Classical Hollywood Directors, 1934-1943 -- "Pantheon Directors" -- "The Far Side of Paradise" -- Other Directors -- Conclusion -- Chapter 14: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Histories of the Tijuana Bible -- Tijuana Bibles as Bridging Episode -- Tijuana Bibles as an Object and Generic Category -- Tijuana Bibles Go to Hollywood -- Tijuana Bibles and Moral Panic -- Conclusion -- Correction to: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Index

  24. The cinematic streetscape in Potsdam
    palimpsest - cultural arena - performative space
    Published: [2023]
    Publisher:  AVINUS Verlag, Hamburg

    Access:
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Source: Union catalogues
    Contributor: Pibert, Johann (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783869381718
    Subjects: Potsdam; Film; Filmproduktion; Straßenname; Filmschaffender <Motiv>; Geschichte;
    Scope: 1 Online-Ressource (287 Seiten), Illustrationen
  25. Die filmische Straßenlandschaft in Potsdam
    Palimpsest – kulturelle Arena – performativer Raum
    Published: [2022]; © 2022
    Publisher:  AVINUS Verlag, Hamburg

    In der Filmstadt Potsdam gibt es 42 Straßen, die nach Filmschaffenden benannt sind. Das Buch erzählt die Geschichte dieser filmischen Straßenlandschaft und präsentiert die Filmpersönlichkeiten mit Kurzbiografien. Es verbindet Bürger_innen-Forschung,... more

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    Verlag (kostenfrei)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    No inter-library loan

     

    In der Filmstadt Potsdam gibt es 42 Straßen, die nach Filmschaffenden benannt sind. Das Buch erzählt die Geschichte dieser filmischen Straßenlandschaft und präsentiert die Filmpersönlichkeiten mit Kurzbiografien. Es verbindet Bürger_innen-Forschung, filmhistorische, d. h. geisteswissenschaftliche Forschung, sozialwissenschaftliche Methoden, ein wissenschaftlich-künstlerisches Schreibkonzept und eine revisionistische Perspektive miteinander. Dabei wird die stadtbezogene Filmwissenschaft mit der kritischen Straßennamenforschung verknüpft. Zahlreiche Abbildungen sowie Stadtteil-Karten weisen den Weg zu den filmischen Straßen, Grafiken machen die entwickelten wissenschaftlichen Modelle verständlich. Eine Hyperlink-Struktur in der E-Publikation verknüpft den Haupttext mit den Kurzbiografien der Filmschaffenden und erlaubt einen Zugriff auf verlinkte Institutionen und Quellen - eine filmwissenschaftliche und zugleich eine experimentelle Public-Interest-Publikation.

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Pibert, Johann (MitwirkendeR)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783869381701
    Other identifier:
    hdl: 19016
    Subjects: Potsdam; Film; Filmproduktion; Straßenname; Filmschaffender <Motiv>; Geschichte;
    Scope: 1 Online-Ressource (286 Seiten), Illustrationen, Diagramme, Karten
    Notes:

    Enthält Literaturangaben und ein Personenregister und ein Titelregister