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Displaying results 1 to 4 of 4.

  1. Shakespeare, from stage to screen
    Author: Hatchuel, Sarah
    Published: 2004
    Publisher:  Cambridge Univ. Pr., Cambridge [u.a.]

    "Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies providing a clear and logical apparatus with which to examine shakespearean screen adaptations."--BOOK JACKET.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521836247; 9780511483615; 9780521078986; 9780521836241
    Other identifier:
    RVK Categories: HI 3330
    Edition: 1. publ.
    Subjects: Adaptations cinématographiques; Bewerkingen; Cinéma et théâtre; Films; Théâtre anglais - Adaptations cinématographiques et télévisées; Toneelstukken; Drama; Film; English drama; Film adaptations; Drama; Verfilmung
    Other subjects: Shakespeare, William <1564-1616> - Adaptations cinématographiques et télévisées; Shakespeare, William <1564-1616> - Adaptations cinématographiques; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (IX, 190 S.)
    Notes:

    Shakespeare, from stage to screen: a historical and aesthetic approach -- From theatre showing to cinema telling -- Masking film construction: towards a "real" world -- Reflexive constructions: from meta-theatre to meta-cinema? -- Screenplay, narration and subtext: the example of Hamlet -- Case studies
  2. Shakespeare
    from stage to screen
    Author: Hatchuel, Sarah
    Published: 2004
    Publisher:  Cambridge University Press, Cambridge, UK

    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; CHAPTER 1 Shakespeare, from stage to screen: a historical and aesthetic approach; CHAPTER 2 From theatre showing to cinema telling; CHAPTER 3 Masking film construction:... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; CHAPTER 1 Shakespeare, from stage to screen: a historical and aesthetic approach; CHAPTER 2 From theatre showing to cinema telling; CHAPTER 3 Masking film construction: towards a 'real' world; CHAPTER 4 Reflexive constructions: from meta-theatre to meta-cinema?; CHAPTER 5 Screenplay, narration and subtext: the example of Hamlet; CHAPTER 6 Case studies; Bibliography; Index. How is a Shakespearean play transformed when it is directed for the screen? This book identifies distinct strategies chosen by film directors to appropriate the plays. It makes film and literary concepts accessible before applying them to practical cases, suggesting guidelines for the study of sequences in Shakespearean adaptations

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511214839; 0511216629; 9780511214837; 9780511216626
    Subjects: English drama; Film adaptations; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; English drama; Film adaptations; Toneelstukken; Films; Bewerkingen; Film adaptations; Film adaptations
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 Online-Ressource (ix, 190 pages)
    Notes:

    Includes bibliographical references (pages 177-185) and index
  3. Shakespeare, from stage to screen
    Author: Hatchuel, Sarah
    Published: 2004
    Publisher:  Cambridge Univ. Pr., Cambridge [u.a.]

    "Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies providing a clear and logical apparatus with which to examine shakespearean screen adaptations."--BOOK JACKET.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521836247
    RVK Categories: HI 3330
    Edition: 1. publ.
    Subjects: Adaptations cinématographiques; Bewerkingen; Cinéma et théâtre; Films; Théâtre anglais - Adaptations cinématographiques et télévisées; Toneelstukken; Drama; Film; English drama; Film adaptations; Verfilmung; Drama
    Other subjects: Shakespeare, William <1564-1616> - Adaptations cinématographiques et télévisées; Shakespeare, William <1564-1616> - Adaptations cinématographiques; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: IX, 190 S.
    Notes:

    Shakespeare, from stage to screen: a historical and aesthetic approach -- From theatre showing to cinema telling -- Masking film construction: towards a "real" world -- Reflexive constructions: from meta-theatre to meta-cinema? -- Screenplay, narration and subtext: the example of Hamlet -- Case studies
  4. Shakespeare, from stage to screen
    Author: Hatchuel, Sarah
    Published: 2004
    Publisher:  Cambridge Univ. Pr., Cambridge [u.a.]

    "Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies providing a clear and logical apparatus with which to examine shakespearean screen adaptations."--BOOK JACKET.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521836247
    RVK Categories: HI 3330
    Edition: 1. publ.
    Subjects: Adaptations cinématographiques; Bewerkingen; Cinéma et théâtre; Films; Théâtre anglais - Adaptations cinématographiques et télévisées; Toneelstukken; Drama; Film; English drama; Film adaptations; Verfilmung; Drama
    Other subjects: Shakespeare, William <1564-1616> - Adaptations cinématographiques et télévisées; Shakespeare, William <1564-1616> - Adaptations cinématographiques; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: IX, 190 S.
    Notes:

    Shakespeare, from stage to screen: a historical and aesthetic approach -- From theatre showing to cinema telling -- Masking film construction: towards a "real" world -- Reflexive constructions: from meta-theatre to meta-cinema? -- Screenplay, narration and subtext: the example of Hamlet -- Case studies