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Upper limit music
the writing of Louis Zukofsky -
The American avant-garde tradition
William Carlos Williams, postmodern poetry, and the politics of cultural memory -
Paradise & method
poetics & praxis -
Career moves
Olson, Creeley, Zukofsky, Berrigan, and the American avant-garde -
Poetic epistemologies
gender and knowing in women's language-oriented writing -
Poetic investigations
singing the holes in history -
The last avant-garde
the making of the New York School of Poets -
Wallace Stevens' experimental language
the lion in the lute -
Wallace Stevens' experimental language
the lion in the lute -
Gender and the poetics of excess
moments of brocade -
Poetry on & off the page
essays for emergent occasions -
The last avant-garde
the making of the New York School of Poets -
Leaving lines of gender
a feminist genealogy of language writing -
In the process of poetry
the New York school and the avant-garde -
What is poetry
conversations with the American avant-garde -
Paratextual communities
American avant-garde poetry since 1950 -
The feminist avant-garde in American poetry
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Nobody’s Business
Twenty-First Century Avant-Garde Poetics -
Time in time
short poems, long poems, and the rhetoric of North American avant-gardism, 1963-2008 -
The poem electric
technology and the American lyric -
Legend
the complete facsimile in context -
The transmutation of love and avant-garde poetics
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The lyric in the age of the brain
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Poetic obligation
ethics in experimental American poetry after 1945 -
Nobody's business
twenty-first century avant-garde poetics