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Displaying results 126 to 150 of 152.

  1. We saw the light
    conversations between the new American cinema and poetry
    Author: Kane, Daniel
    Published: c 2009
    Publisher:  Univ. of Iowa Press, Iowa City, Iowa

    Some early conversations -- The conversation between Kenneth Anger and Robert Duncan -- The conversation between Stan Brakhage and Robert Creeley -- The conversation between Frank O'Hara and Alfred Leslie -- The conversations between Allen Ginsberg,... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Braunschweig
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    2012 A 15291
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    Some early conversations -- The conversation between Kenneth Anger and Robert Duncan -- The conversation between Stan Brakhage and Robert Creeley -- The conversation between Frank O'Hara and Alfred Leslie -- The conversations between Allen Ginsberg, Charlie Chaplin, and Robert Frank -- The conversations between Andy Warhol, Gerard Malanga, Allen Ginsberg, John Ashbery, and Frank O'Hara -- The conversation between John Ashbery and Rudy Burckhardt -- Conclusion : Lisa Jarnot and Jennifer Reeves in conversation

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1587297884; 9781587297885
    Other identifier:
    2008041109
    RVK Categories: AP 47600
    Series: Contemporary North American poetry series
    Subjects: Experimental films; Experimental poetry, American; American poetry; Motion pictures and literature; Experimental films; Experimental poetry, American; American poetry; Motion pictures and literature
    Scope: VIII, 270 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [239]-255) and index. - Includes filmography: p. [233]-238

    Some early conversations -- The conversation between Kenneth Anger and Robert Duncan -- The conversation between Stan Brakhage and Robert Creeley -- The conversation between Frank O'Hara and Alfred Leslie -- The conversations between Allen Ginsberg, Charlie Chaplin, and Robert Frank -- The conversations between Andy Warhol, Gerard Malanga, Allen Ginsberg, John Ashbery, and Frank O'Hara -- The conversation between John Ashbery and Rudy Burckhardt -- Conclusion : Lisa Jarnot and Jennifer Reeves in conversation.
  2. Cinematic architecture
    Contributor: Schöning, Pascal (Hrsg.); Löffler, Julian (Hrsg.)
    Published: 2009
    Publisher:  AA Publ., London

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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Source: Union catalogues
    Contributor: Schöning, Pascal (Hrsg.); Löffler, Julian (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781902902777
    Other identifier:
    9781902902777
    RVK Categories: ZH 3100
    Subjects: Architecture and photography; Video art; Experimental films
    Scope: 192 S., zahlr. Ill., graph. Darst.
    Notes:

    Selection of projects from 17 years of AA's Diploma Unit 3
  3. Zwischen Realität und Fiktion
    Dogma 95 als postmoderner Wirklichkeits-Remix?
    Author: Schulte-Eversum, Kristina M.
    Published: c 2007
    Publisher:  UVK Verl.-Ges., Konstanz

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3867640246; 9783867640244
    Other identifier:
    9783867640244
    RVK Categories: AP 44923 ; AP 45100
    Series: Filmwissenschaft
    Subjects: Documentary films; Experimental films; Film adaptations; Motion pictures and literature
    Scope: 216 S., graph. Darst., 220 mm x 145 mm
    Notes:

    Zugl.: Münster, Univ., Diss., 2006
  4. Reel Asian
    Asian Canada on screen
    Published: 2007
    Publisher:  Coach House Books, Toronto

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781552451922
    RVK Categories: AP 44982
    Edition: 1. ed.
    Subjects: Motion pictures; Asians in motion pictures; Independent films; Experimental films
    Scope: 351 S., Ill.
  5. Loop, print, fade + flicker
    David Rimmer's moving images
    Published: c2009
    Publisher:  Anvil Press, Vancouver

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    Staats- und Universitätsbibliothek Bremen
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    02.A.7006
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781895636987; 1895636981
    Series: Pacific cinémathèque monograph series ; 1
    Subjects: Experimental films; Films expérimentaux; Film
    Other subjects: Rimmer, David (1942-); Rimmer, David (1942-); Rimmer, David
    Scope: 106 S, Ill, 18 cm
    Notes:

    Preface, introduction, and editing by Brian Ganter

    Includes bibliographical references
  6. Film-Träume - Traum-Filme
    Hans Richters Film "Dreams that money can buy" (1947) als poetologische Reflexion der historischen Avantgarde
    Author: Sander, Julia Catherine
    Published: c 2010
    Publisher:  Meidenbauer, München

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    6.2.DRE 7/1
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783899752069
    Other identifier:
    9783899752069
    RVK Categories: AP 50300 ; LI 72315 ; AP 59800
    Series: LiteraturFilm ; 3
    Subjects: Dreams in motion pictures; Experimental films
    Other subjects: Richter, Hans (1888-1976)
    Scope: 159 S., Ill., 21 cm
    Notes:

    Literaturangaben
  7. Auflösung
    [Katalog zur gleichnamigen Ausstellungsreihe des RealismusStudio in der NGBK, Berlin ; Auflösung I (14. Januar - 12. Februar 2006); Auflösung II (25. Februar - 26. März 2006); Auflösung III ( 22. Juli - 27. August 2006)
    Published: 2006
    Publisher:  NGBK, Berlin

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    Stadtbibliothek Baden-Baden
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    06 BER-NGBK 95
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Hamburger Bahnhof - Museum für Gegenwart, Bibliothek
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    documenta archiv, Bibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3938515007
    RVK Categories: LH 40790 ; LH 65829
    Subjects: Video art; Experimental films; Art and technology
    Scope: 126 S, zahlr. Ill, 24 cm
  8. Silence ; [in conjunction with the exhibition Silence. Organized by The Menil Collection, Houston, and the University of California, Berkeley Art Museum and Pacific Film Archive]
    Author: Kamps, Toby
    Published: 2012
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    "Explores silence in 20th and 21st century art and films, including works by Joseph Beuys, Maya Deren, Christian Marclay, Bruce Nauman, Robert Rauschenberg, and Doris Salcedo"-- more

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    Staats- und Universitätsbibliothek Bremen
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    "Explores silence in 20th and 21st century art and films, including works by Joseph Beuys, Maya Deren, Christian Marclay, Bruce Nauman, Robert Rauschenberg, and Doris Salcedo"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300179644; 0300179642
    Other identifier:
    9780300179644
    RVK Categories: LH 65020
    Edition: 1. ed.
    Subjects: Silence in art; Art, Modern; Art, Modern; Experimental films
    Scope: 110 S., Ill., 29 cm
    Notes:

    Includes bibliographical references

    Published in conjunction with the exhibition Silence. Organized by The Menil Collection, Houston, and the University of California, Berkeley Art Museum and Pacific Film Archive
  9. Looking for Langston
    Contributor: Julien, Isaac (DrehbuchautorIn, FilmregisseurIn); Ellisson, Ben (SchauspielerIn); Baidoo, Matthew (SchauspielerIn); Wilson, John (SchauspielerIn)
    Published: 2006
    Publisher:  Salzgeber, Berlin

    A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance. (www.imdb.com) more

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    A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance. (www.imdb.com)

     
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    Source: Union catalogues
    Contributor: Julien, Isaac (DrehbuchautorIn, FilmregisseurIn); Ellisson, Ben (SchauspielerIn); Baidoo, Matthew (SchauspielerIn); Wilson, John (SchauspielerIn)
    Language: English
    Media type: Book
    Other identifier:
    4040592002514
    RVK Categories: HU 3929 ; AP 51400
    Series: Salzgeber Edition ; 107
    Subjects: African American authors; African Americans; Authors, American; Biographical films; Documentary films; Experimental films; Homosexuality; Literature
    Other subjects: Hughes, Langston, 1902-1967
    Scope: 1 DVD-Video (ca. 45 Min.), s/w, Bildformat 4:3, Dolby Digital, Ländercode 2, PAL, 12 cm
    Notes:

    Extras: Booklet mit Hintergrundinformationen, Audiokommentar von Regisseur und Kamerafrau, Kurzfilm "The attendant", Galerien, Vorschau, Trailer

    GB 1988
  10. Im Zwischenraum der Bilder
    der Film als Experimentalfeld der Pop Art
    Author: Stallschus, Stefanie
    Published: 2016
    Publisher:  Wilhelm Fink, Paderborn

    In den sechziger Jahren wird der Film für viele bildende Künstler zur Ausdrucksform der Gegenwart. In welchem Verhältnis stehen die Filmexperimente zum künstlerischen Gesamtwerk, welchen Bedingungen unterliegt die Arbeit zwischen den Institutionen... more

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    bestellt
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    In den sechziger Jahren wird der Film für viele bildende Künstler zur Ausdrucksform der Gegenwart. In welchem Verhältnis stehen die Filmexperimente zum künstlerischen Gesamtwerk, welchen Bedingungen unterliegt die Arbeit zwischen den Institutionen Kunst und Kino? In einer exemplarischen Auswahl werden Filme von europäischen und amerikanischen bildenden Künstlern vorgestellt, die im weiteren Umfeld der Pop Art verortet werden können. Untersucht werden neben den Filmen und den Umständen ihrer Produktion und Aufführung auch die Wechselbeziehungen zwischen filmischen und künstlerischen Praktiken. Diese gegenstandsbezogene historische Darstellung ist eingebettet in grundlegendere theoretische Fragestellungen hinsichtlich der intermedialen Verfasstheit der popkulturellen Wende in der Kunst und ihrer bildwissenschaftlichen Konsequenzen

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783770555390
    Other identifier:
    9783770555390
    RVK Categories: AP 54000 ; AP 45400 ; AP 47500 ; LH 65828
    Series: Berliner Schriften zur Kunst
    Subjects: Art and motion pictures; Experimental films; Pop art
    Scope: 264 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 249-262

    Überarbeitete Fassung der Dissertation

    Dissertation, Freie Universität Berlin, 2010
  11. Mad to be saved
    the Beats, the '50s, and film
    Author: Sterritt, David
    Published: c1998
    Publisher:  Southern Illinois University Press, Carbondale

    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining... more

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    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585029733; 9780585029733
    Subjects: Experimental films; Motion pictures; Beat generation; American literature; Literature and society; Motion pictures and literature
    Scope: Online-Ressource (xii, 258 p)
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    Includes bibliographical references (p. 223-249) and index

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  12. Extreme cinema
    the transgressive rhetoric of today's art film culture
    Author: Frey, Mattias
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick

    Transgression and distinction: filmmaker discourses -- The aesthetic embrace and the cynicism criticism: reception discourses -- The rhetoric and role of film festivals -- Discourses and modes of distribution -- The interpretations of regulation --... more

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    Transgression and distinction: filmmaker discourses -- The aesthetic embrace and the cynicism criticism: reception discourses -- The rhetoric and role of film festivals -- Discourses and modes of distribution -- The interpretations of regulation -- The added value of international distribution -- Sex, violence, and self-exoticization -- Aesthetic innovation and the real: academic debate over sexually graphic art films -- A discursive approach to hardcore art cinema -- Afterword

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813576497; 9780813576503
    RVK Categories: AP 54200
    Subjects: Motion pictures; Art in motion pictures; Experimental films; Motion picture industry
    Scope: viii, 285 Seiten, Illustrationen, Diagramme
    Notes:

    Literaturverzeichnis: Seite 255-263

    Transgression and distinction: filmmaker discoursesThe aesthetic embrace and the cynicism criticism: reception discourses -- The rhetoric and role of film festivals -- Discourses and modes of distribution -- The interpretations of regulation -- The added value of international distribution -- Sex, violence, and self-exoticization -- Aesthetic innovation and the real: academic debate over sexually graphic art films -- A discursive approach to hardcore art cinema -- Afterword.
  13. Mobility and migration in film and moving image art
    cinema beyond Europe
    Author: Bayraktar, Nilgün
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, New York, NY

    Introduction: cinematic and artistic takes on migration and mobility in contemporary Europe -- Transnational flows in cinema. Cross-border mobility and confinement in Turkish German cinema: Countess Sophia Hatun and The edge of heaven -- Performative... more

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    Introduction: cinematic and artistic takes on migration and mobility in contemporary Europe -- Transnational flows in cinema. Cross-border mobility and confinement in Turkish German cinema: Countess Sophia Hatun and The edge of heaven -- Performative encounters and mediated memories in Maghrebi French cinema: Exiles and Hidden -- Fragmented journeys in moving image art. Location and urban marginality in the site-specific video installation Kaba -- Tourism and undocumented migration in Southern Europe: the video essay Sudeuropa -- Social infrastructures of undocumented mobility in the multiscreen video installation Sahara chronicle -- Afterword: points of departure

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138858831
    RVK Categories: AP 50300
    Series: Routledge advances in film studies ; 45
    Subjects: Emigration and immigration in motion pictures; Identity (Psychology) in motion pictures; Experimental films; Video art; Emigration and immigration in motion pictures; Identity (Psychology) in motion pictures; Experimental films; Video art
    Scope: xvii, 213 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: S. 195-206 und Index: Seite 207-213

    Introduction: cinematic and artistic takes on migration and mobility in contemporary EuropeTransnational flows in cinema. Cross-border mobility and confinement in Turkish German cinema: Countess Sophia Hatun and The edge of heaven -- Performative encounters and mediated memories in Maghrebi French cinema: Exiles and Hidden -- Fragmented journeys in moving image art. Location and urban marginality in the site-specific video installation Kaba -- Tourism and undocumented migration in Southern Europe: the video essay Sudeuropa -- Social infrastructures of undocumented mobility in the multiscreen video installation Sahara chronicle -- Afterword: points of departure.
  14. Vertov, Snow, Farocki
    machine vision and the posthuman
    Author: Tomas, David
    Published: 2015
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York

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    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501307294
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    RVK Categories: AP 54200
    Edition: First published in paperback
    Subjects: Experimental films; Video installations (Art); Film installations (Art)
    Other subjects: Vertov, Dziga (1896-1954); Snow, Michael (1929-); Farocki, Harun
    Scope: 293 Seiten, Illustrationen, Diagramme
    Notes:

    Literaturverzeichnis: Seiten 281-286

    IntroductionThreshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance.
  15. The cinema of poetry
    Author: Sitney, P. Adams
    Published: [2015]
    Publisher:  Oxford Univ. Press, New York

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199337026; 9780199337033
    RVK Categories: EC 4350
    Subjects: Experimental films; Experimental films; Poetry in motion pictures; Motion pictures
    Scope: XII, 276 p, Ill., 25 cm
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    Includes bibliographical references (pages 257-270) and index

    Introduction: An autobiography of enthusiasmsPart 1. Poetry and the narrative cinema in Europe -- Pier Paolo Pasolini and "the cinema of 'poetry'" -- Dimitri Kirsanoff's Ménilmontant -- Ingmar Bergman's Primal scene -- Andrey Tarkovsky's concept of poetry -- Part 2. Poetry and the American avant-garde cinema -- The dialectic of experience in Joseph Cornell's films -- Lawrence Jordan's Magical instructions -- Stan Brakhage's poetics -- 8 Nathaniel Dorsky, Jerome Hiler, and the polyvalent film -- Gregory J. Markopoulos and the Temenos.
  16. Motion(less) pictures
    the cinema of stasis
    Author: Remes, Justin
    Published: 2014
    Publisher:  Columbia University Press, New York, NY

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231169639; 9780231169622
    RVK Categories: AP 54000
    Series: Film and culture
    Subjects: Experimental films; Avant-garde (Aesthetics)
    Scope: VIII, 202 S, Ill
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    Includes bibliographical references and index

    Introduction: The filmicSerious immobilities: Andy Warhol, Erik Satie, and the furniture film -- Stasis in fluxus: disappearing music for face and protracted cinema -- Boundless ontologies: Michael Snow, Wittgenstein, and the textual film -- Colored blindness: Derek Jarman's blue and the monochrome film -- Conclusion: Static cinema in the digital age -- Appendix 1. The cinema of stasis -- Appendix 2. Films relevant to understanding the cinema of stasis.
  17. Movement as meaning in experimental cinema
    the musical poetry of motion pictures revisited
    Author: Barnett, Daniel
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501329845
    RVK Categories: AP 54000 ; AP 53800
    Subjects: Experimental films; Motion pictures; Motion pictures
    Scope: xiv, 324 pages, Illustrationen
    Notes:

    First published January 2008 with Brill | Rodopi

    Includes bibliographical references and index -- Includes filmography
  18. Motion(less) Pictures
    The Cinema of Stasis
    Author: Remeselnik, Justin,
    Published: [2015]; ©2015.
    Publisher:  Columbia University Press, New York, NY

    Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's... more

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    Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow's So Is This (1982), and Derek Jarman's Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature. Analyzing four categories of static film--furniture films, designed to be viewed partially or distractedly protracted films, which use extremely slow motion to impress stasis textual films, which foreground the static display of letters and written words and monochrome films, which display a field of monochrome color as their image--Remes maps the interrelations between movement, stillness, and duration and their complication of cinema's conventional function and effects. Arguing all films unfold in time, he suggests duration is more fundamental to cinema than motion, initiating fresh inquiries into film's manipulation of temporality, from rigidly structured works to those with more ambiguous and open-ended frameworks. Remes's discussion integrates the writings of Roland Barthes, Gilles Deleuze, Tom Gunning, Rudolf Arnheim, Raymond Bellour, and Noel Carroll and will appeal to students of film theory, experimental cinema, intermedia studies, and aesthetics Ira Jaffe, author of Slow Movies: Countering the Cinema of Action:Justin Remes' Motion(less) Pictures is written and argued so well that one can enjoy it and learn from it without much liking the cinema of stasis. Early on, the book grants us leave to view Warhol's Empire or Sleep in a state of high distraction, perhaps while munching panini and conversing with friends. We can even exit and take a stroll. Remes rightly links both films to Erik Satie's 'furniture music'--'music to which,' John Cage said, 'one did not have to listen' (Satie himself said that 'a man who has not heard Furniture music does not know happiness"). Other types of stasis cinema--"protracted cinema," "the textual film," and "the monochrome film'--invite more sustained attention. In every type, though, duration is more palpable than motion, and Remes recommends that duration rather than motion be considered the 'indispensable component' of all cinema. Yet mindful that cinema is richly diverse and ever changing, he resists reducing it to a single essence. He calls instead for 'a theory of film... as flexible and expansive as cinema itself,' and cites, as supporters as well as foils, multiple artists, theorists, and philosophers. Among them are Michael Snow, Bill Viola, Nam June Paik, Tom Gunning, Steve Shaviro, Noel Carroll, Plato, Aristotle, Bergson, Wittgenstein, Barthes, and Deleuze. The result is a broad survey of aesthetic thought and practice that, while illuminating all of cinema, deftly transposes stillness from the margins of our attention to the center. Michael Snow:Remes's concise writing eloquently recounts his sensitive attenti

     
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  19. Cinema expanded
    avant-garde film in the age of intermedia
    Author: Walley, Jonathan
    Published: [2020]
    Publisher:  Oxford University Press, New York, NY

    Introduction: The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema. "Cinema Expanded:... more

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    Universitätsbibliothek Leipzig
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    Introduction: The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema. "Cinema Expanded: Avant-Garde Film in the Age of Intermedia a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that, while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190938642; 9780190938635
    RVK Categories: AP 53800
    Subjects: Experimental films; Intermediality; New media art
    Scope: viii, 561 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  20. The city symphony phenomenon
    cinema, art, and urban modernity between the wars
    Contributor: Jacobs, Steven (HerausgeberIn); Kinik, Anthony (HerausgeberIn); Hielscher, Eva (HerausgeberIn)
    Published: 2019
    Publisher:  Routledge,Taylor & Francis Group, New York

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    4.10.CIT
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 62138
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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
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    Film 2452
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    Source: Staatsbibliothek zu Berlin
    Contributor: Jacobs, Steven (HerausgeberIn); Kinik, Anthony (HerausgeberIn); Hielscher, Eva (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138665279
    Series: AFI film readers series
    Subjects: Cities and towns in motion pictures; Experimental films
    Scope: 341 Seiten, Illustrationen, 23 cm
  21. Eyes upside down
    visionary filmmakers and the heritage of Emerson
    Author: Sitney, P. Adams
    Published: 2008
    Publisher:  Oxford Univ. Press, Oxford

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    3.2.10.SIT
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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
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    C 10/109
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    Location:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signature:
    06.70.12.04.02 2008
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    Universitätsbibliothek Heidelberg
    Signature:
    2008 A 10561
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    Thüringer Universitäts- und Landesbibliothek
    Signature:
    AMK:Y::E53/6:Sit:2008
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    Hochschulbibliothek Karlsruhe (PH)
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    T 3.8 SIT
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    Württembergische Landesbibliothek
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    58/6263
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    UB Weimar
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    246 948
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780195331141; 9780195331158; 0195331141; 019533115X
    RVK Categories: AP 44983 ; AP 53800 ; AP 54200 ; HT 5055
    Subjects: Experimental films
    Other subjects: Emerson, Ralph Waldo (1803-1882); Emerson
    Scope: XIV, 417, 30 ungezählte Seiten, Illustrationen, 25 cm
    Notes:

    Literaturangaben
  22. The cinema of discomfort
    disquieting, awkward and uncomfortable experiences in contemporary art and indie film
    Author: King, Geoff
    Published: 2022
    Publisher:  Bloomsbury Academic, New York

    Into the discomfort zone -- 'Uncomfortably great': Todd Solondz and Palindromes -- Ulrich Seidl: far from paradise -- Weirdly discomforting: Dogtooth and the Greek new wave -- Forces majeure and minor: from existential alienation to personal... more

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    E
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 2022/313
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    Into the discomfort zone -- 'Uncomfortably great': Todd Solondz and Palindromes -- Ulrich Seidl: far from paradise -- Weirdly discomforting: Dogtooth and the Greek new wave -- Forces majeure and minor: from existential alienation to personal obligation in the films of Roy Andersson and Ruben Östlund -- A very English discomfort: Joanna Hogg -- The comedy of discomfort: Towards a conclusion. "How do we understand types of cinema that offer experiences of discomfort, awkwardness or disquieting uncertainty? This book examines a number of examples of such work at the heart of contemporary art and indie film. While the commercial mainstream tends to offer comforting viewing experiences - or moments of discomfort that exist largely to be overcome - The Cinema of Discomfort analyses films in which discomfort is offered in a sustained manner. Cinema of this kind confronts us with material such as distinctly uncomfortable sexual encounters. It invites us into uncertain relationships with awkward and sometimes unlikable characters. It presents us with challenging behaviour or what are presented as uncomfortable realities. It often refuses information on which to base judgments. More discomfortingly, cinema of this kind tends to provoke uncertainty at the level of what emotional responses were are encouraged to have towards difficult, sometimes controversial, characters or events. The Cinema of Discomfort examines a number of case-studies, including Palindromes by Todd Solondz (US) and Dogtooth from Yorgos Lanthimos (Greece). Offering close textual analysis of the manner in which discomfort is generated, it also asks how we should understand the appeal of such work to certain viewers and how the existence of films of this kind can be explained, as products of both their socio-cultural context and the more particular institutional realms of art and indie film"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501359309; 9781501359279
    Subjects: Discomfort in motion pictures; Independent films; Experimental films; Motion picture audiences; Motion pictures
    Scope: viii, 289 Seiten
  23. Magic realism, world cinema and the avant-garde
    Author: Gee, Felicity
    Published: 2021
    Publisher:  Routledge, London

    Introduction: part 1. Pioneers: Roh, Carpentier, Jameson -- part 2. Methodologies -- Magischer Realismsus and the 'demon fantastic', painting, photography, film -- Ethno-magic-realist documentary: ecstatic practice -- Lo real maravillosa americano,... more

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    Verlag (lizenzpflichtig)

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    2024/133
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Introduction: part 1. Pioneers: Roh, Carpentier, Jameson -- part 2. Methodologies -- Magischer Realismsus and the 'demon fantastic', painting, photography, film -- Ethno-magic-realist documentary: ecstatic practice -- Lo real maravillosa americano, prismatic reality and the screen -- Magic realism: the prehensile toe, Jameson, Magritte and affect -- 'Soviet magic realism' and world cinema -- Hyperreality, understatement and ambivalence -- Coda.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315312811; 1315312816; 9781315312798; 1315312794; 9781315312781; 1315312786; 9781315312804; 1315312808
    RVK Categories: AP 54200
    Series: Remapping world cinema ; 5
    Subjects: Experimental films; Magic realism (Art); Magic realism (Literature); Arts, Modern; SOCIAL SCIENCE / Media Studies
    Scope: 1 Online-Ressource (xii, 229 pages)
  24. Magic realism, world cinema and the avant-garde
    Author: Gee, Felicity
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, London

    "This book follows the hybrid and contradictory history of magic realism through the writings of three key figures - art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson - drawing links between their political,... more

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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
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    Film 2231
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    Universitätsbibliothek Freiburg
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    GE 2021/3683
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    "This book follows the hybrid and contradictory history of magic realism through the writings of three key figures - art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson - drawing links between their political, aesthetic, and philosophical ideas on art's relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema - moving from Europe, through Latin America, and the former Soviet Union, to Thailand, that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium, is of interest to scholars working across the visual arts, literature, critical theory and film-philosophy"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138232273; 9781138232297
    RVK Categories: AP 54200
    Edition: First published
    Series: Remapping world cinema ; 5
    Subjects: Experimental films; Magic realism (Art); Magic realism (Literature); Arts, Modern
    Scope: xii, 229 Seiten
    Notes:

    Includes bibliographical references and index
  25. Mad to be saved
    the Beats, the '50s, and film
    Author: Sterritt, David
    Published: 1998
    Publisher:  Southern Illinois Univ. Press, Carbondale, Ill. [u.a.]

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    HU 1724 S839
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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
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    B 4.1/229
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    Universitätsbibliothek Freiburg
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    GE 98/11781
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    99 A 11154
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    Thüringer Universitäts- und Landesbibliothek
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    KMW:BL:8000:Ster::1998
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    IV | 778 | STE | Mad
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    Universitätsbibliothek Leipzig
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    Brechtbau-Bibliothek
    Signature:
    PZ 370.127
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0809321807
    RVK Categories: HU 1724 ; HU 1745 ; AP 47600
    Subjects: Beats (Persons); Motion pictures and literature; Literature and society; American literature; Experimental films; Motion pictures
    Scope: XII, 258 S
    Notes:

    Literaturverz. S. 223 - 249