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Displaying results 101 to 125 of 152.

  1. Maya Deren
    incomplete control
    Author: Keller, Sarah
    Published: [2014]; © 2014
    Publisher:  Columbia University Press, New York, NY

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231538473
    Other identifier:
    RVK Categories: AP 54200
    Series: Film and Culture Series
    Subjects: Experimental films; Independent filmmakers; Öffentliche Darbietungen, Film, Rundfunk; PHILOSOPHY / Aesthetics; Ästhetik; Experimental films; Independent filmmakers; PERFORMING ARTS; Film
    Other subjects: Deren, Maya (1917-1961)
    Scope: 1 Online-Ressource, Illustrationen
  2. Motion(less) pictures
    the cinema of stasis
    Author: Remeselnik, Justin
    Published: [2015]; © 2015
    Publisher:  Columbia University Press, New York, NY

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231538909
    Other identifier:
    RVK Categories: AP 54000 ; AP 54200
    Series: Film and culture series
    Subjects: Avant-garde (Aesthetics); Experimental films; Öffentliche Darbietungen, Film, Rundfunk; Experimental films; PERFORMING ARTS; Bewegung <Motiv>; Experimentalfilm
    Scope: 1 Online-Ressource, Illustrationen
  3. Vertov, Snow, Farocki
    machine vision and the posthuman
    Author: Tomas, David
    Published: 2013
    Publisher:  Bloomsbury, New York

    Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La Region Centrale and De La extend and/or develops important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies will also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781628929157; 9781441163936; 9781441172273
    Other identifier:
    RVK Categories: AP 54200
    Subjects: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Chelovek s kinoapparatom (Motion picture); Experimental films; Film installations (Art); Video installations (Art); Experimental films; Video installations (Art); Film installations (Art); Experimentalfilm; Medientheorie; Videokunst
    Other subjects: Snow, Michael / 1929-; Vertov, Dziga / 1896-1954; Vertov, Dziga (1896-1954); Snow, Michael (1929-); Snow, Michael (1928-2023); Farocki, Harun (1944-2014); Vertov, Dziga (1896-1954)
    Scope: 1 Online-Ressource (293 Seiten), Illustrationen
    Notes:

    Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance
  4. The cinema of poetry
    Author: Sitney, P. Adams
    Published: 2015
    Publisher:  Oxford Univ. Press, New York, NY

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek der LMU München
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  5. Cinema expanded
    avant-garde film in the age of intermedia
    Author: Walley, Jonathan
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    Introduction: The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema "Cinema Expanded:... more

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    Universitätsbibliothek Paderborn
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    Introduction: The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema "Cinema Expanded: Avant-Garde Film in the Age of Intermedia a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that, while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190938642; 9780190938635
    RVK Categories: AP 53800
    Subjects: Experimental films; Intermediality; New media art
    Scope: viii, 561 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  6. Mobility and migration in film and moving-image art
    cinema beyond Europe
    Author: Bayraktar, Nilgün
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

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    Universitätsbibliothek Wuppertal
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138575721
    RVK Categories: AP 50300
    Edition: First issued in paperback
    Series: Routledge advances in film studies ; 45
    Subjects: Emigration and immigration in motion pictures; Identity (Psychology) in motion pictures; Experimental films; Video art
    Scope: xvii, 213 Seiten, Illustrationen
  7. The cinema of discomfort
    disquieting, awkward and uncomfortable experiences in contemporary art and indie film
    Author: King, Geoff
    Published: 2021
    Publisher:  Zed Books, London, England ; Bloomsbury Publishing, London

    "How do we understand types of cinema that offer experiences of discomfort, awkwardness or disquieting uncertainty? This book examines a number of examples of such work at the heart of contemporary art and indie film. While the commercial mainstream... more

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    Universitätsbibliothek Bayreuth
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    "How do we understand types of cinema that offer experiences of discomfort, awkwardness or disquieting uncertainty? This book examines a number of examples of such work at the heart of contemporary art and indie film. While the commercial mainstream tends to offer comforting viewing experiences - or moments of discomfort that exist largely to be overcome - The Cinema of Discomfort analyses films in which discomfort is offered in a sustained manner. Cinema of this kind confronts us with material such as distinctly uncomfortable sexual encounters. It invites us into uncertain relationships with awkward and sometimes unlikable characters. It presents us with challenging behaviour or what are presented as uncomfortable realities. It often refuses information on which to base judgments. More discomfortingly, cinema of this kind tends to provoke uncertainty at the level of what emotional responses were are encouraged to have towards difficult, sometimes controversial, characters or events. The Cinema of Discomfort examines a number of case-studies, including Palindromes by Todd Solondz (US) and Dogtooth from Yorgos Lanthimos (Greece). Offering close textual analysis of the manner in which discomfort is generated, it also asks how we should understand the appeal of such work to certain viewers and how the existence of films of this kind can be explained, as products of both their socio-cultural context and the more particular institutional realms of art and indie film"--

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501359279; 9781501359286; 9781501359293
    Other identifier:
    RVK Categories: AP 53800
    Edition: First edition
    Subjects: Film theory & criticism,Film: styles & genres,Psychology: emotions / bicssc; Independent films; Experimental films; Unbehagen <Motiv>; Unabhängiger Film
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (304 Seiten), Illustrationen
    Notes:

    Into the discomfort zone -- 'Uncomfortably great': Todd Solondz and Palindromes -- Ulrich Seidl: far from paradise -- Weirdly discomforting: Dogtooth and the Greek new wave -- Forces majeure and minor: from existential alienation to personal obligation in the films of Roy Andersson and Ruben Östlund -- A very English discomfort: Joanna Hogg -- The comedy of discomfort: -- Towards a conclusion
  8. Offenes Erzählen
    Experimente im zeitgenössischen indischen Dokumentarfilm
    Author: Mothes, Ulrike
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

    Der Dokumentarfilm gilt in Indien als kommerziell schwer auswertbares Genre - und stellt dennoch ein Feld dar, in welchem Experimente entstehen können. Angesichts der gegenwärtigen gesellschaftlichen Umbrüche untersucht Ulrike Mothes den aktuellen... more

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    Der Dokumentarfilm gilt in Indien als kommerziell schwer auswertbares Genre - und stellt dennoch ein Feld dar, in welchem Experimente entstehen können. Angesichts der gegenwärtigen gesellschaftlichen Umbrüche untersucht Ulrike Mothes den aktuellen indischen Dokumentarfilm hinsichtlich seiner filmästhetischen Form und betrachtet seine Positionierung zwischen lokalen und globalen Bezugnahmen, politischem Diskurs und kulturellem Ausdruck. Ihr besonderes Augenmerk liegt dabei auf der Beschreibung offener Erzählstrategien, welche die Annahme von Wahrheit als solcher hinterfragen und mehrere Deutungen eines Themas zulassen The artistic documentary film in India - encompassing local and global references, political discourses, and cultural expression

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839437872
    Other identifier:
    RVK Categories: AP 59565
    Series: Film
    De Gruyter eBook-Paket Kunst
    Subjects: Ambiguität; Ästhetik; Deutung; Dramaturgie; Erzählstrategien; Film; Gesellschaftliche Umbrüche; India,Postcolonialism,Dramaturgy,Ambiguity,Aesthetics,Interpretation,Film,Media,Media Aesth; Indien; Medien; Medienästhetik; Medienwissenschaft; Postkolonialismus; Wahrheit; SOCIAL SCIENCE / Media Studies; Documentary films; Experimental films
    Scope: 1 Online-Ressource (204 Seiten)
    Notes:

    Dissertation, Bauhaus-Universität Weimar,
  9. Movement as meaning in experimental cinema
    the musical poetry of motion pictures revisited
    Author: Barnett, Daniel
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781501329845
    RVK Categories: AP 53800 ; AP 54000
    Subjects: Film; Psychologie; Ästhetik; Experimental films; Motion pictures; Motion pictures; Ästhetik; Bewegung; Bedeutung; Experimentalfilm
    Scope: xiv, 323 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 291-295
  10. Mobility and migration in film and moving-image art
    cinema beyond Europe
    Author: Bayraktar, Nilgün
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

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    Freie Universität Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781138858831; 9781138575721
    RVK Categories: AP 50300
    Series: Routledge advances in film studies ; 45
    Subjects: Emigration and immigration in motion pictures; Identity (Psychology) in motion pictures; Experimental films; Video art; Migration <Motiv>; Videokunst; Europa <Motiv>; Film
    Scope: xvii, 213 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  11. Motion(less) pictures
    the cinema of stasis
    Author: Remes, Justin
    Published: 2015
    Publisher:  Columbia University Press, New York, NY

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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Universitätsbibliothek Leipzig
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    UB Weimar
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    Lf 6500/39
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780231538909; 9780231169622; 9780231169639
    RVK Categories: AP 54000
    Series: Film and culture
    Subjects: Experimental films; Avant-garde (Aesthetics)
    Scope: VIII, 202 S.
    Notes:

    Includes bibliographical references and index

    Zugl.: Diss.

    Includes bibliographical references, filmography and index

    Introduction: The filmicSerious immobilities: Andy Warhol, Erik Satie, and the furniture film -- Stasis in fluxus: disappearing music for face and protracted cinema -- Boundless ontologies: Michael Snow, Wittgenstein, and the textual film -- Colored blindness: Derek Jarman's blue and the monochrome film -- Conclusion: Static cinema in the digital age -- Appendix 1. The cinema of stasis -- Appendix 2. Films relevant to understanding the cinema of stasis.
  12. Ludus
    cine, arte y deporte en la literatura española de vanguardia
    Contributor: Alarcón Sierra, Rafael (Publisher)
    Published: 2000
    Publisher:  Pre-Textos, Valencia

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    Source: Union catalogues
    Contributor: Alarcón Sierra, Rafael (Publisher)
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 8481912859
    RVK Categories: IP 2000
    Series: Pre-Textos ; 433
    Subjects: Spanish literature; Motion pictures in literature; Sports in literature; Games in literature; Play in literature; Experimental films; Literature, Experimental
    Scope: 488 S., Ill.
  13. Light moving in time
    studies in the visual aesthetics of avant-garde film
    Author: Wees, William C.
    Published: 1992
    Publisher:  Univ. of California Pr., Berkeley, Calif. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520073673; 0520073681
    RVK Categories: AP 54000
    Subjects: Array; Array
    Scope: XII, 199 S., Ill.
    Notes:

    Literaturverz. S. 191 - 194
  14. Mad to be saved
    the Beats, the '50s, and film
    Author: Sterritt, David
    Published: 1998
    Publisher:  Southern Illinois Univ. Press, Carbondale, Ill. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0809321807
    RVK Categories: HU 1724
    Edition: 1. print.
    Subjects: Beat generation; Motion pictures and literature; Literature and society; American literature; Experimental films; Motion pictures
    Scope: XII, 258 S.
    Notes:

    Literaturverz. S. 241 - 249
  15. Modernist montage
    the obscurity of vision in cinema and literature
    Author: Sitney, P. Adams
    Published: 1990
    Publisher:  Columbia Univ. Press, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0231071833; 0231071825
    RVK Categories: AP 53800 ; AP 54200 ; EC 2440
    Subjects: Literature, Experimental; Modernism (Literature); Experimental films
    Scope: X, 250 S., Ill.
    Notes:

    Literaturverz. S. 239 - 246
  16. This is called moving
    a critical poetics of film
    Author: Child, Abigail
    Published: 2005
    Publisher:  Univ. of Alabama Press, Tuscaloosa, Ala.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 081731444X; 0817351604
    RVK Categories: AP 45200 ; AP 45400 ; AP 53800 ; AP 54200
    Series: Modern and contemporary poetics
    Subjects: Experimental films; Motion pictures; Motion pictures
    Other subjects: Child
    Scope: XXV, 290 S., Ill., 24 cm
    Notes:

    Literaturverz. S. [265] - 282
  17. Turbulent screen
    die strukturelle Bewegung in Film und Video ; [Edith-Ruß-Haus für Medienkunst, Oldenburg, 29. August - 9. November 2003]
    Contributor: Altstatt, Rosanne (Publisher)
    Published: 2003
    Publisher:  Revolver, Archiv für Aktuelle Kunst, Frankfurt am Main

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    Source: Union catalogues
    Contributor: Altstatt, Rosanne (Publisher)
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 3936919666; 3936919631
    Other identifier:
    9783936919639
    RVK Categories: AP 45000 ; AP 48750 ; AP 53800 ; AP 54200 ; CI 1125 ; LH 65829
    DDC Categories: 770
    Subjects: Array
    Scope: [128] S., Ill., 24 cm, 400 gr.
    Notes:

    Text dt. und engl.
  18. Eine Pfütze in bezug aufs Mehr
    Avantgarde
    Author: Spielmann, Yvonne
    Published: 1991
    Publisher:  Lang, Frankfurt am Main ; Bern ; New York ; Paris

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    Archiv der Akademie der Künste, Bibliothek
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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 3631436521
    RVK Categories: LH 65820
    Series: Studien zum Theater, Film und Fernsehen ; 12
    Subjects: Avant-garde (Aesthetics); Experimental films; Avantgarde; Experimentalfilm; Frau; Kunst; Avantgardeliteratur; Feministischer Film; Künste
    Scope: II, 203 S.
    Notes:

    Zugl.: Hannover, Univ., Diss., 1989
  19. Modernist Montage
    the obscurity of vision in cinema and literature
    Author: Sitney, P. Adams
    Published: 1990
    Publisher:  Columbia Univ. Pr., New York

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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  20. The Brechtian aspect of radical cinema
    Author: Walsh, Martin
    Published: 1981
    Publisher:  BFI Publ., London

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    TU Berlin, Universitätsbibliothek
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  21. Light moving in time
    studies in the visual aesthetics of avant-garde film
    Author: Wees, William C.
    Published: 1992
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Location:
    TU Berlin, Universitätsbibliothek
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0520073673; 0520073681
    RVK Categories: AP 54000
    Subjects: Avant-garde; Cinéma - Esthétique; Filmkunst; Films expérimentaux - Histoire et critique; Film; Ästhetik; Experimental films; Motion pictures; Filmästhetik; Experimentalfilm; Ästhetik
    Scope: XII, 199 S., Ill.
  22. <<The>> cinema of poetry
    Author: Sitney, P. Adams
    Published: [2015]
    Publisher:  Oxford University Press, Ofrord

  23. Film art phenomena
    Author: Hamlyn, Nicky
    Published: 2003
    Publisher:  bfi, London

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0851709729; 0851709710
    RVK Categories: AP 45400 ; AP 54200
    Edition: 1. publ.
    Subjects: Digitale technieken; Esthetica; Experimentele filmkunst; Filmkunst; Filosofische aspecten; Mediakunst; Videokunst; Film; Philosophie; Ästhetik; Experimental films; Experimentalfilm
    Scope: VIII, 200 S., Ill.
  24. Reel Asian
    Asian Canada on screen
    Published: 2007
    Publisher:  Coach House Books, Toronto

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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  25. Avant-garde film
    Published: 2007
    Publisher:  Rodopi, Amsterdam [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Location:
    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9789042023055
    RVK Categories: AP 44400 ; AP 53800 ; AP 54200
    Series: Avant-garde critical studies ; 23
    Subjects: Avant-garde; Filmkunst; Film; Avant-garde (Aesthetics); Experimental films; Ästhetik; Film; Experimentalfilm; Avantgarde
    Scope: XI, 405 S., Ill.