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Displaying results 1 to 14 of 14.

  1. Vanguardia española e intermedialidad
    artes escénicas, cine y radio
    Published: 2005
    Publisher:  Iberoamericana [u.a.], Madrid

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    Freie Universität Berlin, Universitätsbibliothek
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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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  2. Deutschlandfilme
    Godard, Hitchcock, Pasolini ; Filmdenken & Gewalt
    Author: Theweleit, Klaus
    Published: 2003
    Publisher:  Stroemfeld/Roter Stern, Frankfurt am Main ; Basel

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    Archiv der Akademie der Künste, Bibliothek
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    Berliner Hochschule für Technik, Hochschulbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
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    Zentrum Informationsarbeit Bundeswehr, Bibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 3878778279
    RVK Categories: AP 41850 ; AP 50300 ; AP 50900 ; AP 51150 ; AP 51170 ; AP 51265
    Subjects: Film; Ästhetik; Experimental films; Motion pictures; Film; Gewalt
    Scope: 295 S., Ill.
  3. Allegories of cinema
    American film in the sixties
    Author: James, David E.
    Published: 1989
    Publisher:  Princeton Univ. Pr., Princeton, NJ

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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  4. Looking for Langston
    Contributor: Julien, Isaac; Kellgren, Nina; Blackberri; Jones, Wayson; Brown, Derek; Worley, Robert; Ellison, Ben; Baidoo, Matthew; Wilson, John
    Published: [2006]; © 2006
    Publisher:  Salzgeber, Berlin

    "Momentaufnahmen aus dem Harlem der 30er und 40er Jahre, die das Leben des homosexuellen schwarzen Schriftstellers Langston Hughes beleuchten. Kein Plädoyer für die Rechte der Homosexuellen, sondern ein Dokument ihrer Andersartigkeit. [...]"... more

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    "Momentaufnahmen aus dem Harlem der 30er und 40er Jahre, die das Leben des homosexuellen schwarzen Schriftstellers Langston Hughes beleuchten. Kein Plädoyer für die Rechte der Homosexuellen, sondern ein Dokument ihrer Andersartigkeit. [...]" [filmdienst.de]

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Julien, Isaac; Kellgren, Nina; Blackberri; Jones, Wayson; Brown, Derek; Worley, Robert; Ellison, Ben; Baidoo, Matthew; Wilson, John
    Language: English
    Media type: Book
    Other identifier:
    4040592002514
    RVK Categories: HU 3929 ; AP 51400
    Series: Edition Salzgeber ; D107
    Subjects: Experimental films; Homosexuality; African Americans; African American authors; Literature; Authors, American; Biographical films; Documentary films; Schwarze; Schriftsteller; Experimentalfilm; Homosexualität; Dokumentarfilm
    Other subjects: Hughes, Langston (1902-1967); Hughes, Langston (1902-1967)
    Scope: 1 DVD-Video (45 min), schwarz-weiß, 12 cm
    Notes:

    Original: Großbritannien 1989

    Extras: Booklet mit Hintergrundinformationen ; Audiokommentar von Regisseur und Kamerafrau ; Kurzfilm "The attendant" ; Galerien ; Vorschau ; Trailer

    Bildformat 4:3

    Isaac Julien: <<The>> attendant
  5. Mad to be saved
    the Beats, the '50s, and film
    Author: Sterritt, David
    Published: 1998
    Publisher:  Southern Illinois Univ. Press, Carbondale [u.a.]

    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining... more

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    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--BOOK JACKET

     
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  6. Memory and Intermediality in Artists' Moving Image
    Author: Durcan, Sarah
    Published: 2021
    Publisher:  Springer International Publishing, Cham

    This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030473969
    Other identifier:
    RVK Categories: LH 65829
    Edition: 1st edition
    Series: Experimental Film and Artists' Moving Image
    Subjects: Experimental films; Historiography; Digitalisierung; Intermedialität; Installation <Kunst>; Gedächtnis
    Scope: 1 Online-Ressource (x, 250 Seiten), Illustrationen
    Notes:

    Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword
  7. Mobility and migration in film and moving-image art
    cinema beyond Europe
    Author: Bayraktar, Nilgün
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781138858831; 9781138575721
    RVK Categories: AP 50300
    Series: Routledge advances in film studies ; 45
    Subjects: Emigration and immigration in motion pictures; Identity (Psychology) in motion pictures; Experimental films; Video art; Migration <Motiv>; Videokunst; Europa <Motiv>; Film
    Scope: xvii, 213 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  8. Eine Pfütze in bezug aufs Mehr
    Avantgarde
    Author: Spielmann, Yvonne
    Published: 1991
    Publisher:  Lang, Frankfurt am Main ; Bern ; New York ; Paris

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    Archiv der Akademie der Künste, Bibliothek
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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 3631436521
    RVK Categories: LH 65820
    Series: Studien zum Theater, Film und Fernsehen ; 12
    Subjects: Avant-garde (Aesthetics); Experimental films; Avantgarde; Experimentalfilm; Frau; Kunst; Avantgardeliteratur; Feministischer Film; Künste
    Scope: II, 203 S.
    Notes:

    Zugl.: Hannover, Univ., Diss., 1989
  9. Modernist Montage
    the obscurity of vision in cinema and literature
    Author: Sitney, P. Adams
    Published: 1990
    Publisher:  Columbia Univ. Pr., New York

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  10. The Brechtian aspect of radical cinema
    Author: Walsh, Martin
    Published: 1981
    Publisher:  BFI Publ., London

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    Archiv der Akademie der Künste, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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  11. Light moving in time
    studies in the visual aesthetics of avant-garde film
    Author: Wees, William C.
    Published: 1992
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0520073673; 0520073681
    RVK Categories: AP 54000
    Subjects: Avant-garde; Cinéma - Esthétique; Filmkunst; Films expérimentaux - Histoire et critique; Film; Ästhetik; Experimental films; Motion pictures; Filmästhetik; Experimentalfilm; Ästhetik
    Scope: XII, 199 S., Ill.
  12. Film art phenomena
    Author: Hamlyn, Nicky
    Published: 2003
    Publisher:  bfi, London

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0851709729; 0851709710
    RVK Categories: AP 45400 ; AP 54200
    Edition: 1. publ.
    Subjects: Digitale technieken; Esthetica; Experimentele filmkunst; Filmkunst; Filosofische aspecten; Mediakunst; Videokunst; Film; Philosophie; Ästhetik; Experimental films; Experimentalfilm
    Scope: VIII, 200 S., Ill.
  13. Reel Asian
    Asian Canada on screen
    Published: 2007
    Publisher:  Coach House Books, Toronto

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    Freie Universität Berlin, Universitätsbibliothek
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  14. Avant-garde film
    Published: 2007
    Publisher:  Rodopi, Amsterdam [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9789042023055
    RVK Categories: AP 44400 ; AP 53800 ; AP 54200
    Series: Avant-garde critical studies ; 23
    Subjects: Avant-garde; Filmkunst; Film; Avant-garde (Aesthetics); Experimental films; Ästhetik; Film; Experimentalfilm; Avantgarde
    Scope: XI, 405 S., Ill.