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  1. The Smile of Truth
    The French Satirical Eulogy and Its Antecedents
    Author: Tomarken, Annette H.
    Published: [1990]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400860975
    Other identifier:
    Subjects: Französische Literatur; French literature / 16th century / History and criticism; Satire, French / History and criticism; Eulogies / History and criticism; Satire, Latin (Medieval and modern) / History and criticism; Renaissance / France; LITERARY CRITICISM / European / French; Eulogies; French literature; Renaissance; Satire, French; Griechisch; Französisch; Satire; Literatur; Spottgedicht; Renaissance; Satura; Preisgedicht; Panegyrikus
    Scope: 1 Online-Ressource (368p.)
    Notes:

    To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  2. The Smile of Truth
    The French Satirical Eulogy and Its Antecedents
    Author: Tomarken, Annette H.
    Published: 1990; ©1990
    Publisher:  Princeton University Press, Princeton, N.J.

    To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer... more

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    To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400860975
    Other identifier:
    Subjects: Satire, Latin (Medieval and modern); French literature; Satire, French; Eulogies
    Scope: Online-Ressource (368 S.)
  3. The Smile of Truth
    The French Satirical Eulogy and Its Antecedents
    Author: Tomarken, Annette H.
    Published: 1990
    Publisher:  Princeton University Press, Princeton, N.J.

    Main description: To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in... more

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    No inter-library loan

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    Universitätsbibliothek Hildesheim
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    Hochschule Merseburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Main description: To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    9781400860975
    Series: Princeton Legacy Library
    Subjects: French literature; Renaissance; Satire, French; Eulogies; Satire, Latin (Medieval and modern)
    Scope: Online-Ressource (368 S.)
    Notes:

    Cover; Contents

    FrontmatterContentsPrefaceAcknowledgmentsONE. The Satirical Eulogy in AntiquityTWO. Erasmus and the Moriae EncomiumTHREE. Other Writers of Neo-Latin Satirical EulogiesFOUR. The Satirical Eulogy in ItalyFIVE. The Vice Eulogy in FranceSIX. The Disease Eulogy in FranceSEVEN. The Animal Eulogy in FranceConclusionNotesBibliographyIndex.
  4. The smile of truth
    the French satirical eulogy and its antecedents
    Author: Tomarken, Annette H.
    Published: 1990
    Publisher:  Princeton Univ. Press, Princeton, N.J

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691067910
    Subjects: French literature; Satire, French; Eulogies; Satire, Latin (Medieval and modern); French literature; Renaissance
    Scope: xiv, 354 S, 25 cm
    Notes:

    Includes bibliographical references (p. 314 - 340) and index
  5. The smile of truth
    the French satirical eulogy and its antecedents
    Author: Tomarken, Annette H.
    Published: 1990
    Publisher:  Princeton Univ. Press, Princeton, N.J

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691067910
    RVK Categories: IF 3050
    Subjects: French literature; Satire, French; Eulogies; Satire, Latin (Medieval and modern); French literature; Renaissance
    Scope: XIV, 354 S., Ill.
    Notes:

    Includes bibliographical references (p. 314 - 340) and index