Narrow Search
Last searches

Results for *

Displaying results 1 to 25 of 114.

  1. Changing Perspectives in Literature and the Visual Arts, 1650-1820
    Published: [1992]
    Publisher:  Princeton University Press, Princeton, N.J.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400860913
    Other identifier:
    Subjects: Englische Literatur; English literature / Early modern, 1500-1700 / History and criticism; English literature / 18th century / History and criticism; Visual perception in literature; Art and literature / Europe; Renaissance; Perspective; ART / History / General; Art and literature; English literature; English literature / Early modern; Geschichte; Darstellende Kunst; Perspektive; Literatur; Kunstbetrachtung; Englisch; Kunst
    Scope: 1 Online-Ressource (472p.)
    Notes:

    Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts, Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--ChoiceOriginally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  2. Imagining a Self
    Autobiography and Novel in Eighteenth-Century England
  3. English Romanticism and the French Tradition
  4. Bloodhounds of Heaven
    The Detective in English Fiction from Godwin to Doyle
    Author: Ousby, Ian
    Published: [1976]
    Publisher:  Harvard University Press, Cambridge, Mass.

  5. Writing in Limbo
    Modernism and Caribbean Literature
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by... more

    Access:
    Verlag (kostenfrei)
    Verlag (Array)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722936
    Other identifier:
    RVK Categories: HQ 7023 ; IJ 50045
    Subjects: Englisch; Literatur
    Other subjects: Carpentier, Alejo (1904-1980): El siglo de las luces
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)

  6. Fictions of Authority
    Women Writers and Narrative Voice
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice"... more

    Access:
    Verlag (kostenfrei)
    Verlag (Array)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"—including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig—she finds innovative strategies that challenge the conventions of Western narrative

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501723087
    Other identifier:
    Subjects: Erzähltechnik; Erzähler; Englisch; Frauenliteratur
    Other subjects: Riccoboni, Marie Jeanne de Heurles Laboras de Mezières (1713-1792)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)

  7. The Other Side of the Story
    Structures and Strategies of Contemporary Feminist Narratives
    Author: Hite, Molly
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction... more

    Access:
    Verlag (Array)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One’s Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins’s work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf’s modernist novels. In Woolf’s Ambiguities, she argues that the greatest formal innovation in Woolf’s fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf’s narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501726316
    Other identifier:
    Subjects: Frauenliteratur; Roman; Frauenprosa; Englisch
    Other subjects: Atwood, Margaret (1939-): Lady Oracle; Lessing, Doris (1919-2013): The golden notebook; Walker, Alice (1944-): The color purple; Rhys, Jean (1890-1979)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)

  8. Delicate Subjects
    Romanticism, Gender, and the Ethics of Understanding
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501721281
    Other identifier:
    Subjects: English literature; Ethics in literature; Feminism and literature; Sex role in literature; Literatur; Romantik; Ethik; Englisch; Frau
    Other subjects: Fuller, Margaret (1810-1850); Schleiermacher, Friedrich (1768-1834); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)

  9. The Bounds of Race
    Perspectives on Hegemony and Resistance
    Contributor: LaCapra, Dominick (Publisher)
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    The concept of race is central to one of the most powerful ideological formations in history, Dominick LaCapra argues in his introduction to this volume, and understanding the effects of that ideology and its intricate relations with issues of class... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The concept of race is central to one of the most powerful ideological formations in history, Dominick LaCapra argues in his introduction to this volume, and understanding the effects of that ideology and its intricate relations with issues of class and gender is one of the most pressing challenges to contemporary modes of thought. The eleven essays comprising The Bounds of Race confront this challenge with insight, rigor, and imagination.The authors take on questions of language, genre, and politics with reference to African-American, Anglo-American, African, South African, Francophone North African, British, and Afro-Hispanic texts. Individual chapters discuss writings from an array of genres including homily, autobiography, the novel, children's literature, and political and scientific discourse. Taken together, the essays argue persuasively that the existing canon must be expanded, that the protocols of interpretation must be transformed to make a prominent place for such issues as race, and that the problem of interpretation cannot be posed in the absence of theoretically informed modes of historical investigation.The Bounds of Race provides a subtle analysis of the variable role of racial ideologies and traces the interplay between hegemonic constraints and the strategies of resistance to them

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: LaCapra, Dominick (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727481
    Other identifier:
    Subjects: HISTORY / Historiography; African Americans in literature; Blacks in literature; Blacks; Race in literature; Rasse; Ethnische Identität; Englisch; Schwarze; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)

  10. Monarchy and Incest in Renaissance England
    Literature, Culture, Kinship, and Kingship
    Published: [2015]; © 1992
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    In Monarchy and Incest in Renaissance England, Bruce Thomas Boehrer argues that a preoccupation with incest is built not the dominant social and cultural concerns of early modern England. Proceeding from a study of Henry III's divorce and succession... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In Monarchy and Incest in Renaissance England, Bruce Thomas Boehrer argues that a preoccupation with incest is built not the dominant social and cultural concerns of early modern England. Proceeding from a study of Henry III's divorce and succession legislation, through the reigns of Elizabeth I, James I, and Charles I, this work examines the interrelation between family politics and literary expression in and around the English royal court

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512800883
    Other identifier:
    Series: New Cultural Studies
    Subjects: General European History; History; Regional History; Geschichte; English literature; Kings and rulers in literature; Politics and literature; Politics and literature; Inzest <Motiv>; Literatur; Monarchie; Englisch; Monarchie <Motiv>; Inzest; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

  11. Romantic Potency
    The Paradox of Desire
    Published: [2019]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In this spirited and eloquent book, Laura Claridge maintains that the extraordinary power of the male Romantic imagination stems in large part from the paradox that Romantic poets grounded their desire in the vicissitudes of language, a medium... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In this spirited and eloquent book, Laura Claridge maintains that the extraordinary power of the male Romantic imagination stems in large part from the paradox that Romantic poets grounded their desire in the vicissitudes of language, a medium guaranteed to thwart their yearnings. Focusing on both canonical and less familiar poetry of Wordsworth, Shelley, and Byron, Claridge draws on Lacanian theory to explore Romantic desire in relationship to the infant's radical yearning for an Eden before the advent of language. The Romantics, she asserts, attempt the impossible: to transcend the medium of words and reattain that original paradise of silence, but with their poetic voices intact.Claridge perceives textual desire as a discursive strategy for staving off consummation and death. She suggests the ways in which Wordsworth, Shelley, and Byron made use of the philosophically marginalized position of women to support their attempt to locate an "essential" subjectivity. In spite of the highly personal linguistic models that each poet developed, Claridge finds a pervasive similarity of psychological contours: in every case, the poet writes of a freedom outside of language, even as he insists on the enduring need to write yet again.Romantic Potency will be challenging reading for literary theorists, scholars and students of English Romanticism and of eighteenth-century literature, and others interested in psychoanalytic approaches to literature

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501733727
    Other identifier:
    Subjects: Europe; LITERARY CRITICISM / Gothic & Romance; Sehnsucht <Motiv>; Literatur; Romantik; Sehnsucht; Englisch; Sprache
    Other subjects: Byron, George Gordon Byron Baron (1788-1824); Wordsworth, William (1770-1850); Shelley, Percy Bysshe (1792-1822)
    Scope: 1 online resource (288 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)

  12. The development of the sonnet
    an introduction
    Published: 1992
    Publisher:  Routledge, London ; Taylor & Francis Group, New York

    Traces the development of the sonnet from its invention in the early Italian Renaissance to the time of John Milton, showing how the form has developed and acquired the capacity to express lyrically the nature of the desiring self more

    Access:
    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    Traces the development of the sonnet from its invention in the early Italian Renaissance to the time of John Milton, showing how the form has developed and acquired the capacity to express lyrically the nature of the desiring self

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203401507
    RVK Categories: EC 6180 ; HG 544
    Subjects: Englisch; Italienisch; Sonett
    Scope: 1 Online-Ressource
    Notes:

    Impressum: "This edition published in the Taylor & Francis e-Library, 2005"

  13. In other words
    a coursebook on translation
    Author: Baker, Mona
    Published: 1992
    Publisher:  Routledge, Abingdon, Oxon. [u.a.]

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780415467537; 0415467535; 9780415467544; 0415467543; 9780203832929 (Sekundärausgabe); 0203832922 (Sekundärausgabe); 9781283127004 (Sekundärausgabe)
    RVK Categories: ES 700 ; HD 228
    Edition: 2. ed.
    Subjects: Übersetzung; Englisch; Theorie
    Scope: XVIII, 332 S., Ill.
    Notes:

    Literaturverz. S. [305] - 322

    Online-Ausg.:

  14. The land's lord
    Published: 1976
    Publisher:  [S.n.], [S.l.]

    Access:
    Bibliothek der Frankfurt University of Applied Sciences
    No inter-library loan
    Hessisches BibliotheksInformationsSystem hebis
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Leibniz-Institut für Europäische Geschichte, Bibliothek
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0435901680
    RVK Categories: HP 3740
    Subjects: Englisch; Erzählung
    Notes:

    Preliminaries omitted

    Transcribed from Echewa, T. Obinkaram The land's lord London: Heinemann, 1976 145 p

    Online-Ausg.:

  15. Hill of fools
    Published: 1976
    Publisher:  [S.n.], [S.l.]

    Access:
    Bibliothek der Frankfurt University of Applied Sciences
    No inter-library loan
    Hessisches BibliotheksInformationsSystem hebis
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Leibniz-Institut für Europäische Geschichte, Bibliothek
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0435901788
    RVK Categories: HP 9999
    Subjects: Erzählung; Englisch
    Notes:

    Preliminaries page

    Transcribed from Peteni, R. L., 1915- Hill of fools Oxford: Heinemann, 1976 151 p

    Online-Ausg.:

  16. Drama and the market in the age of Shakespeare
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He... more

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553080
    RVK Categories: HI 1250 ; HI 3385
    Series: Cambridge studies in Renaissance literature and culture ; 1
    Subjects: Drama; Englisch; Wirtschaft <Motiv>; Wirtschaft; Theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xv, 164 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  17. The modernist short story
    a study in theory and practice
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    The modernist period saw a revolution in fictional practice, most famously in the work of novelists such as Joyce and Woolf. Dominic Head shows that the short story, with its particular stress on literary artifice, was a central site for modernist... more

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    The modernist period saw a revolution in fictional practice, most famously in the work of novelists such as Joyce and Woolf. Dominic Head shows that the short story, with its particular stress on literary artifice, was a central site for modernist innovation. Working against a conventional approach and towards a more rigourous and sophisticated theory of the genre, using a framework drawn from Althusser and Bakhtin, he examines the short story's range of formal effects, such as the disunifying function of ellipsis and ambiguity. Separate chapters on Joyce, Woolf and Katherine Mansfield highlight their strategies of formal dissonance, involving a conflict of voices within the narrative. Finally, Dominic Head's challenging conclusion takes the implications of his study into the age of postmodernism.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511735356
    RVK Categories: HG 690 ; HM 1360 ; HN 1360
    Subjects: Englisch; Modernismus; Kurzgeschichte
    Other subjects: Woolf, Virginia (1882-1941); Joyce, James (1882-1941); Lewis, Wyndham (1882-1957)
    Scope: 1 Online-Ressource (xii, 241 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 24 Feb 2016)

  18. The rhetoric of courtship in Elizabethan language and literature
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    In the sixteenth century the modern meaning of courtship - 'wooing someone' - developed from an older sense - 'being at court'. The Rhetoric of Courtship takes this semantic shift as the starting point for an incisive account of the practice and... more

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    In the sixteenth century the modern meaning of courtship - 'wooing someone' - developed from an older sense - 'being at court'. The Rhetoric of Courtship takes this semantic shift as the starting point for an incisive account of the practice and meanings of courtship at the court of Elizabeth I, where 'being at court' pre-eminently came to mean the same as 'wooing' the Queen. Exploring the wider context of social anthropology, philology, cultural and literary history, Catherine Bates presents courtship as a judicious, sensitive and rhetorically conscious understanding of public and private relations. Gascoigne, Lyly, Sidney, Leicester, Essex, and Spenser are shown to reflect in the fictional courtships of their poetry and prose the vulnerabilities of court life that were created by the system of patronage. The Rhetoric of Courtship thus makes an important contribution to Renaissance cultural history, using the court of Elizabeth I as a test case for representations of the courtier's role and power in the literature of the period.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511518843
    RVK Categories: HI 1140 ; HI 1161
    Subjects: Liebeswerben; Rhetorik; Englisch; Hof <Motiv>; Höfling; Hof; Höfische Kultur; Höfische Literatur; Literatur
    Scope: 1 Online-Ressource (xi, 236 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  19. Modern romance and transformations of the novel
    the Gothic, Scott, Dickens
    Author: Duncan, Ian
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    Modern Romance examines the relationship between the revival of romance form and the ascendancy of the novel in British literary culture, from 1760 to 1850. The revival of romance as the literary embodiment of a national cultural identity provided a... more

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    Modern Romance examines the relationship between the revival of romance form and the ascendancy of the novel in British literary culture, from 1760 to 1850. The revival of romance as the literary embodiment of a national cultural identity provided a metaphor for the 'authenticity' of the novel itself, set against the changing formations of modern life. The material conditions, cultural status and formal repertoire of prose fiction were given a canonical transformation, leading to the form's nineteenth-century heyday, in Scott's Waverley novels. Ian Duncan's illuminating and innovative study begins with the first identification of modern prose fiction with romance form in the late eighteenth-century Gothic novel, and moves through Scott's highly influential dialectical blend of romance and history, to his relations with his successor in the role of national author, Charles Dickens.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511627514
    RVK Categories: HL 1331 ; HL 1301
    Subjects: Englisch; Roman; Romanze
    Other subjects: Dickens, Charles (1812-1870); Scott, Walter (1771-1832)
    Scope: 1 Online-Ressource (xii, 295 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  20. The problem of consciousness in modern poetry
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study of the problem of consciousness in modern poetry examines the struggle towards that ideal... more

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study of the problem of consciousness in modern poetry examines the struggle towards that ideal of 'unitary' experience, through close readings of British and Irish poets from Hardy and the Georgian poets, through Lawrence, Edward Thomas, Yeats, Eliot, MacNiece and Auden, to Ted Hughes. Underhill argues that while their poetry is both a critique and an expression of crisis, its tendency to emphasize inner states and subjective experience has drawn attention away from the socio-historical dimensions of the problem. Poetry, as contemporary theories of consciousness remind us, is itself a socio-cultural institution and is answerable to outer as well as inner forces. Underhill examines these problems and paradoxes, showing how the impossibility of any stable notion of the unitary in our century can in fact be seen as an opportunity for creative choice and freedom.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511519253
    RVK Categories: HM 1191 ; HN 1191
    Subjects: Englisch; Lyrik; Bewusstsein <Motiv>
    Scope: 1 Online-Ressource (xi, 341 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  21. Living by the pen
    women writers in the eighteenth century
    Published: 1992
    Publisher:  Routledge, London [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Based on a substantial listing of novels, authors and publication details from 1696 to 1796, Living by the Pen traces the pattern of growth of women's fiction and offers a persuasive explanation for the remarkable rise of women writers during this... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "Based on a substantial listing of novels, authors and publication details from 1696 to 1796, Living by the Pen traces the pattern of growth of women's fiction and offers a persuasive explanation for the remarkable rise of women writers during this period. Professional novelists are identified and the book breaks new ground by exploring this aspect of women's writing in relation to the world of publishing. The coverage is broad, taking into account seventeenth-century antecedents, the occupation structure for women, the writers' relationship with their publishers, methods and levels of payment, the readership, access to women's fiction through libraries and magazines, and the writers' use of other genres to support their literary careers"--Jacket.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0203160142; 9780203160145
    RVK Categories: HK 1071 ; HK 1020
    Subjects: Englisch; Soziale Situation; Schriftstellerin
    Scope: 1 Online-Ressource (ix, 261 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 236-250) and index

  22. Negative poetics
    Published: 1992
    Publisher:  University of Iowa Press, Iowa City, Iowa ; EBSCO Industries, Inc., Birmingham, AL, USA

    Edward Jayne takes on the literary academy with his startling new theory based on the deceptively simple premise that intentional misrepresentation is the primary function of narrative form--the lie is fiction's single most important ingredient.... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Edward Jayne takes on the literary academy with his startling new theory based on the deceptively simple premise that intentional misrepresentation is the primary function of narrative form--the lie is fiction's single most important ingredient. Unless the truth is meaningfully warped, distorted, or reorganized, fiction cannot by definition be fiction. Here is a new hyperreductionist model of literary form as cognitive evasiveness, as a homeostatic tension-reduction strategy, as paranoid fantasy that plots self-justification, and, most fundamentally, as the pursuit of affirmative alternatives to deny (or designify) unacceptable experience. Jayne convincingly demonstrates how the static declaration of falsehoods featured by most theories of literary deception is less important than the vital enactment of a lie that takes place when a story's closure reverses its origins. Literary truths are needed to give credibility to untruths, but a text's primary appeal depends on making these untruths come true. Jayne illustrates the dynamics of literary misrepresentation by exploring homophobic evasiveness in such texts as Heart of Darkness, Hamlet, "The Rime of the Ancient Mariner," "Mending Wall," "Young Goodman Brown," and even "a rose is a rose is a rose is a rose." In Hamlet, for example, he explains tragic denouement as the denial of androgynous tendencies expressed by metaphor, while in "Mending Wall" he shows how these tendencies oblige continuing vigilance to avoid transgressing heterosexual barriers. At the level of metatheory. Jayne maintains that literary criticism is no less deceptive than the fiction it interprets; the central role of literary deception demands modifications in most current approaches to literary criticism, including Marxism, response theory, deconstructionism, and new historicism. In general he takes issue with poststructuralists by explaining plot as a centered context of narrative denial that creates sufficient determinate structure for effective communication to occur between authors and readers. Jayne also explores narrative denial in the overall career of a particular critic--Barthes--and in the advancement of literary criticism from its emphasis on authenticity during the sixties to the pursuit of indeterminate cognitive alternatives over the subsequent two decades. Provocative, insightful, and ultimately controversial, Negative Poetics will be of interest to everybody who seeks to escape the current impasse in literary criticism.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1587291185; 9781587291180
    RVK Categories: EC 3000 ; HG 431
    Subjects: Täuschung <Motiv>; Lüge <Motiv>; Englisch; Täuschung; Verfremdung; Literatur
    Scope: 1 Online-Ressource (331 pages)
    Notes:

    Includes bibliographical references (pages 277-311) and index

  23. Modern drama and the rhetoric of theater
    Published: 1992
    Publisher:  University of California Press, Berkeley ; EBSCO Industries, Inc., Birmingham, AL, USA

    In Modern Drama and the Rhetoric of Theater, W.B. Worthen examines how the dynamic interplay between dramatic text and stage production shapes the audience's experience in the modern theater. Dividing the "rhetoric" of theatrical performance into... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    In Modern Drama and the Rhetoric of Theater, W.B. Worthen examines how the dynamic interplay between dramatic text and stage production shapes the audience's experience in the modern theater. Dividing the "rhetoric" of theatrical performance into three modes--realistic, poetic, and political--Worthen traces the course of British and American drama from the 1880s through the 1980s, showing how textual conventions and performance practices direct the interpretive performance of the theater audience. The realistic theater translates the objectivity associated with science into a vehicle for treating social class. Worthen examines realism's onstage representation of social "others" for an invisible, privileged offstage audience; he discusses the problem drama of the turn of the century (Robins, Shaw, Galsworthy, Glaspell), the experiments of O'Neill, Rice, and the American Method, and the contemporary realism of Pinter, Shepard and Bond. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. The plays of Yeats, Auden, Eliot, and Beckett explore the kinds of authority--over actors and audiences--that poetic theater can achieve. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period (Barnes, Brenton, Churchill, Fornes, Nichols, Osborne, Soyinka) is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Treating a wide variety of plays and drawing extensively on performance history, Modern Drama and the Rhetoric of Theater outlines the strategies that have produced both the modern drama onstage and the modern audience in the theater.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585280983; 9780585280981; 9780520074682; 0520074688; 9780520963047; 0520963040
    RVK Categories: HM 1220 ; HN 1220 ; HU 1770
    Subjects: Drama; Englisch; Publikum; Dramentheorie; Theater
    Scope: 1 Online-Ressource (x, 230 pages)
    Notes:

    Includes bibliographical references (pages 205-219) and index

  24. English women's voices, 1540-1700
    Contributor: Otten, Charlotte F.
    Published: 1992
    Publisher:  Florida International University Press, Miami ; EBSCO Industries, Inc., Birmingham, AL, USA

    "This collection resurrects an extraordinary array of women's writings from the mid-sixteenth through the seventeenth centuries. The focus of English Women Voices is not on females writing "literature" but on the actual lives of women, as described... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "This collection resurrects an extraordinary array of women's writings from the mid-sixteenth through the seventeenth centuries. The focus of English Women Voices is not on females writing "literature" but on the actual lives of women, as described in their own words. The work is organized around such themes as health care, religion, politics, marriage, and education, an approach that cuts across genre and chronology and shows the significant contributions of women to their culture. Recorded in diaries, letters, sermons, pamphlets, formal petitions, health manuals, trial records, biographies, and autobiographies, the words escape from the past, as vital as current events. The opening section, "Women Testifying to Abuse," candidly describes aspects of female life that even today often remain secret. The final section, which records the voices of women preaching, will touch a nerve in women who still struggle for the right to be heard from the pulpit. Each section begins with an introduction that situates the writing in its historical context; each introduction has a suggested-readings list that opens the subject to further research." "Burdened by what were perceived as the metaphysical, moral, and physiological limitations of women, the authors of these writings were enjoined to silence. Though sometimes published in their own day, the works were subsequently interred in research libraries or on microfilm. Vibrant with personal concerns, these voices will pierce the consciousness of twentieth-century readers and contribute to scholarship in literature and history courses and in all aspects of gender studies."--Jacket.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Otten, Charlotte F.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813020107; 9780813020105
    RVK Categories: HK 1436
    Subjects: Englisch; Frauenliteratur; Kultur
    Scope: 1 Online-Ressource (xv, 421 pages), Illustrations, map
    Notes:

    Includes bibliographical references and index

  25. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Published: 1992
    Publisher:  University of Massachusetts Press, Amherst, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 058518674X; 9780585186740
    RVK Categories: HU 1761
    Subjects: Englisch; Prosagedicht
    Other subjects: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons
    Scope: 1 Online-Ressource (ix, 246 pages)
    Notes:

    Includes bibliographical references (pages 233-240) and index