Preliminary Material -- Introducing Cyberpunk -- Learning from Architecture -- Culture Wars: The Postmodern and Popular Culture -- William Gibson’s Construction of Cyberspace -- Pat Cadigan’s Virtual Mindscapes -- Neal Stephenson’s Metaspace --...
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Preliminary Material -- Introducing Cyberpunk -- Learning from Architecture -- Culture Wars: The Postmodern and Popular Culture -- William Gibson’s Construction of Cyberspace -- Pat Cadigan’s Virtual Mindscapes -- Neal Stephenson’s Metaspace -- Consanguinities of Cyberspace -- Virtual Reality as Plot Device: Cyberspace to Metaverse -- The Virtual Sublime -- Posthuman Encounters -- Dominant Networks: Postmodern Science -- Appendix: A Cyberpunk Time Line -- Works Cited. Virtual Geographies is the first detailed study to offer a working definition of cyberpunk within the postmodern force field. Cyberpunk emerges as a new generic cluster within science fiction, one that has spawned many offspring in such domains as film, music, and feminism. Its central features are its adherence to a version of virtual space and a deconstructivist, punk attitude towards (high) culture, modernity, the human body and technology, from computers to prosthetics. The main proponents of cyberpunk are analyzed in depth along with the virtual landscapes they have created - William Gibson’s Cyberspace, Pat Cadigan’s Mindscapes and Neal Stephenson’s Metaverse. Virtual reality is examined closely in all its aspects, from the characteristic narrative constructions employed to the esthetic implications of the ‘virtual sublime’ and its postmodern potential as a discursive mode. With its interdisciplinary approach Virtual Geographies opens up fresh perspectives for scholars interested in the interaction between popular culture and mainstream literature. At the same time, the science fiction fan will be taken beyond the conventional boundaries of the genre into such revitalizing domains as postmodern architecture and literature, and into cutting-edge aspects of science and social thought
