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  1. The Official World
    Published: [2016]; © 2016
    Publisher:  Duke University Press, Durham

    In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for reality that it cannot stop describing itself, and that makes for a world that continuously establishes itself by staging its own conditions. Employing the social theories of Georg Simmel, Erving Goffman, Niklas Luhmann, and Peter Sloterdijk, Seltzer shows how suspense novels, films, and performance art by Patricia Highsmith, Tom McCarthy, Cormac McCarthy, J. G. Ballard, Karl Ove Knausgaard, and others outline how we currently live and reveal the stress-points and mood-systems of the modern epoch. In its focus on social games, depictions of violent and explosive persons, along with its cast of artists, reporters, detectives, and others who observe and report and reenact, the suspense mode creates and recreates modern systems of action and autonomy, and defines the self-turned world's practices and aesthetics. By epitomizing a reflexive, self-legislating, and autonomous world, a suspense art with humans in the systems epoch provides the models and sets the rules for our modern, official world

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822374459
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    Subjects: LITERARY CRITICISM / Semiotics & Theory; Crime in mass media; Crime in popular culture; Literature and society; Suspense fiction
    Scope: 1 online resource (288 pages), 14 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)

  2. Under a bad sign
    criminal self-representation in African American popular culture
    Published: 2011
    Publisher:  University of Chicago Press, Chicago, Ill. ; Oxford University Press, Oxford

    In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226550374
    Other identifier:
    Subjects: Schwarze; Literatur; Massenkultur; Selbstdarstellung; Krimineller <Motiv>; African Americans in popular culture; African American arts; Crime in popular culture; Popular culture
    Scope: 1 Online-Ressource (ix, 216 p.)
  3. The Official World
    Published: [2016]; © 2016
    Publisher:  Duke University Press, Durham

    In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for reality that it cannot stop describing itself, and that makes for a world that continuously establishes itself by staging its own conditions. Employing the social theories of Georg Simmel, Erving Goffman, Niklas Luhmann, and Peter Sloterdijk, Seltzer shows how suspense novels, films, and performance art by Patricia Highsmith, Tom McCarthy, Cormac McCarthy, J. G. Ballard, Karl Ove Knausgaard, and others outline how we currently live and reveal the stress-points and mood-systems of the modern epoch. In its focus on social games, depictions of violent and explosive persons, along with its cast of artists, reporters, detectives, and others who observe and report and reenact, the suspense mode creates and recreates modern systems of action and autonomy, and defines the self-turned world's practices and aesthetics. By epitomizing a reflexive, self-legislating, and autonomous world, a suspense art with humans in the systems epoch provides the models and sets the rules for our modern, official world

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822374459
    Other identifier:
    Subjects: LITERARY CRITICISM / Semiotics & Theory; Crime in mass media; Crime in popular culture; Literature and society; Suspense fiction
    Scope: 1 online resource (288 pages), 14 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)

  4. Under a bad sign
    criminal self-representation in African American popular culture
    Published: 2011
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226550374
    RVK Categories: HU 1728
    Subjects: African Americans in popular culture; African American arts; Crime in popular culture; Popular culture; Schwarze; Selbstdarstellung; Massenkultur; Krimineller <Motiv>; Literatur
    Scope: 1 Online-Ressource (IX, 216 S.)
  5. The doctor dissected
    a cultural autopsy of the Burke and Hare murders
    Published: c2012
    Publisher:  Oxford University Press, Oxford

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  6. Mafia and outlaw stories from Italian life and literature
    Published: c2007
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442685611; 9781442685611
    Series: Toronto Italian studies
    Subjects: FICTION / General; SOCIAL SCIENCE / Criminology; Crime; Italian fiction; Literature; Mafia; Outlaws; Popular culture; Women; Women and the mafia; Frau; Geschichte; Literatur; Mafia in literature; Outlaws in literature; Mafia; Women and the mafia; Italian fiction; Italian fiction; Women; Crime in popular culture
    Scope: 1 Online-Ressource (viii, 180 p.)
    Notes:

    Introduction: Not the Sopranos-- viewing the Mafia and outlaws through Italian eyes -- The Gold key / Giovanni Verga -- An episode of brigandage (1855) / Carolina Invernizio -- The blessed Paulists (1909-10) / Luigi Natoli (William Galt) -- Testagrossa agrees (1911) / Giuseppe Ernesto Nuccio -- The hired killer (1928) / Grazia Deledda -- The carob tree (1993) / Maria Occhipinti -- Montelepre (1955) / Anna Maria Ortese -- Searching for Palermo (1990) / Amelia Crisantino -- The truvatura (1992) / Silvana La Spina -- The Mafia at my back (1991) / Livia De Stefani -- Testimonies: Maria Saladino, Felicia Impastato, Letizia Battaglia, Rita Atria

    Includes bibliographical references (p. [175]-180)

  7. The official world
    Published: 2016
    Publisher:  Duke University Press, Durham, [North Carolina]

    Technische Universität Chemnitz, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822374459
    RVK Categories: EC 2410
    Subjects: Crime in popular culture; Suspense fiction; Crime in mass media; Electronic books
    Scope: 1 online resource (289 pages)
  8. Mafia and Outlaw Stories from Italian Life and Literature
    Contributor: Crisantino, Amelia (MitwirkendeR); Deledda, Grazia (MitwirkendeR); Invernizio, Carolina (MitwirkendeR); Natoli, Luigi (MitwirkendeR); Nuccio, Giuseppe Ernesto (MitwirkendeR); Occhipinti, Maria (MitwirkendeR); Ortese, Anna Maria (MitwirkendeR); Spina, Silvana la (MitwirkendeR); Stefani, Livia de (MitwirkendeR); Verga, Giovanni (MitwirkendeR)
    Published: [2022]; ©2008
    Publisher:  University of Toronto Press, Toronto

    The first of its kind in English, Mafia and Outlaw Stories from Italian Life and Literature is a selection of readings from Italian fiction and non-fiction writers on the subject of the Mafia. Among the renowned writers featured are Giovanni Verga,... more

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    The first of its kind in English, Mafia and Outlaw Stories from Italian Life and Literature is a selection of readings from Italian fiction and non-fiction writers on the subject of the Mafia. Among the renowned writers featured are Giovanni Verga, Grazia Deledda, Anna Maria Ortese, Livia De Stefani, and Silvana La Spina, as well as famous witnesses such as Felicia Impastato, Letizia Battaglia, and Rita Atria who provide personal, often terrifying testimonies about their experiences with the Mafia. It is a historically diverse examination of criminal and outlaw institutions by some of the most significant figures in Italian literature.These newly translated writings show the ways in which Italians perceived and wrote about the Mafia and crime from the 1880s to the 1990s. Among them are stories dealing with the important legends used by the Mafia as sources for their image and ideology, legends such as the brigand and the Blessed Paulists. Some of the fascinating themes discussed are connections between the Mafia, the State, and the Catholic Church; the Mafia and children; women and the Mafia; the Black Hand; and relations between the Mafia and the Allied Forces during the Second World War. Robin Pickering-Iazzi incorporates an invaluable introduction that charts key periods in the history of Italy and the Mafia, and profiles each of the authors in the collection, noting their major works in Italian as well as those available in English. These and other features make this text especially appropriate for courses in Italian studies.Mafia and Outlaw Stories from Italian Life and Literature takes a unique and intriguing approach to the subject of the Mafia, and offers informed judgements about its historical impact on Italian society and culture

     

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    Source: Union catalogues
    Contributor: Crisantino, Amelia (MitwirkendeR); Deledda, Grazia (MitwirkendeR); Invernizio, Carolina (MitwirkendeR); Natoli, Luigi (MitwirkendeR); Nuccio, Giuseppe Ernesto (MitwirkendeR); Occhipinti, Maria (MitwirkendeR); Ortese, Anna Maria (MitwirkendeR); Spina, Silvana la (MitwirkendeR); Stefani, Livia de (MitwirkendeR); Verga, Giovanni (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442685611
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Crime in popular culture; Criminalité dans la culture populaire; Italian fiction; Italian fiction; Mafia in literature; Mafia; Outlaws in literature; Women and the mafia; Women; SOCIAL SCIENCE / Criminology
    Scope: 1 Online-Ressource (208 p.)
  9. The Official World
    Published: [2016]; ©2016
    Publisher:  Duke University Press, Durham

    In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for... more

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    In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for reality that it cannot stop describing itself, and that makes for a world that continuously establishes itself by staging its own conditions. Employing the social theories of Georg Simmel, Erving Goffman, Niklas Luhmann, and Peter Sloterdijk, Seltzer shows how suspense novels, films, and performance art by Patricia Highsmith, Tom McCarthy, Cormac McCarthy, J. G. Ballard, Karl Ove Knausgaard, and others outline how we currently live and reveal the stress-points and mood-systems of the modern epoch. In its focus on social games, depictions of violent and explosive persons, along with its cast of artists, reporters, detectives, and others who observe and report and reenact, the suspense mode creates and recreates modern systems of action and autonomy, and defines the self-turned world's practices and aesthetics. By epitomizing a reflexive, self-legislating, and autonomous world, a suspense art with humans in the systems epoch provides the models and sets the rules for our modern, official world

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822374459
    Other identifier:
    RVK Categories: EC 2410 ; EC 2410
    Subjects: Crime in mass media; Crime in popular culture; Literature and society; Suspense fiction / History and criticism; LITERARY CRITICISM / Semiotics & Theory
    Scope: 1 online resource (288 p.), 14 illustrations
  10. The nineteenth century periodical press and the development of detective fiction
    Published: 2021
    Publisher:  Routledge, London ; Taylor & Francis Group

    This book re-imagines nineteenth-century detective fiction as a literary genre that was connected to, and nurtured by, contemporary periodical journalism. Whilst detective fiction' is almost universally-accepted to have originated in the nineteenth... more

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    This book re-imagines nineteenth-century detective fiction as a literary genre that was connected to, and nurtured by, contemporary periodical journalism. Whilst detective fiction' is almost universally-accepted to have originated in the nineteenth century, a variety of widely-accepted scholarly narratives of the genre's evolution neglect to connect it with the development of a free press. The volume traces how police officers, detectives, criminals, and the criminal justice system were discussed in the pages of a variety of magazines and journals, and argues that this affected how the wider nineteenth-century society perceived organised law enforcement and detection. This, in turn, helped to shape detective fiction into the genre that we recognise today. The book also explores how periodicals and newspapers contained forgotten, non-canonical examples of detective fiction', and that these texts can help complicate the narrative of the genre's evolution across the mid- to late nineteenth century.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429671029; 0429671024; 9780429672514; 0429672519; 9780429019784; 0429019785; 9780429669538; 0429669534
    Other identifier:
    Edition: 1st
    Series: Routledge studies in nineteenth-century literature
    Subjects: Detective and mystery stories, English; Crime in literature; British periodicals; Crime in popular culture; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource, illustrations (black and white)
    Notes:

    List of Figures

    Acknowledgements

    Introduction: Victorian Policing and Victorian Periodicals

    Part 1: Policing and Crime in Periodicals

    Chapter 1: Periodical Discourse on Policing: c. 1850-1875

    Chapter 2: 'A Condemned Cell with a View': Crime Journalism c. 1750-1880

    Part 2: Memoirs and Sensations

    Chapter 3: '"Detective" literature, if it may be so called': The Police Officer and the Police Memoir

    Chapter 4: 'The Romance of the Detective': Police Memoir Fiction and Sensation Fiction

    Part 3: From Scandal to the Strand Magazine

    Chapter 5: '...people are naturally distrustful of its future working': The 1877 Detective Scandal in the Victorian Mass Media

    Chapter 6: From 'Handsaw' to Holmes: Police Officers and Detectives in Late-Victorian Journalism

    Conclusion

    Index

  11. The doctor dissected
    a cultural autopsy of the Burke and Hare murders
    Published: ©2012
    Publisher:  Oxford University Press, New York

    A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with terror. When the perpetrators were finally apprehended in 1828, their motive roiled the nation: William Burke and William Hare had murdered for profit.... more

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    A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with terror. When the perpetrators were finally apprehended in 1828, their motive roiled the nation: William Burke and William Hare had murdered for profit. The cadavers supplied a ready payout, courtesy of Dr. Robert Knox, who was desperate for anatomical subjects. Nearly two hundred years later, these scandalous murders continue to fire imagination in Scotland and beyond. From the start, the sensational events provoked artists and writers. While Sir Walter Scott resisted public comment, his correspond

     

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  12. Constructing Crime
    Discourse and Cultural Representations of Crime and 'Deviance'
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke

    Cover; Contents; Tables, Figures and Illustrations; Preface; Notes on Contributors; 1 Constructing Criminal Facts; 1.0 Introduction and Rationale; 1.1 The Devil Drives a Lada: The Social Construction of Hackers as Cybercriminals; 1.2 Scanning Bodies,... more

    Universitätsbibliothek Leipzig
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    Cover; Contents; Tables, Figures and Illustrations; Preface; Notes on Contributors; 1 Constructing Criminal Facts; 1.0 Introduction and Rationale; 1.1 The Devil Drives a Lada: The Social Construction of Hackers as Cybercriminals; 1.2 Scanning Bodies, Stripping Rights? How Do UK Media Discourses Portray Airport Security Measures?; 1.3 Narrative and Historical Truth in Delayed Civil Actions for Child Abuse; 1.4 The Edgier Waters of the Era: Gordon Burn's Somebody's Husband, Somebody's Son; 2 Constructing Criminal Fictions; 2.0 Introduction and Rationale 2.1 Cogito ergo sum: Criminal Logic and Mad Discourse in Shutter Island2.2 'Armageddon Was Yesterday - Today We Have A Serious Problem': Pre- and Postmillennial Tropes for Crime and Criminality in Fiction by David Peace and Stieg Larsson; 2.3 'It's a sin […] using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music': The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal; 2.4 Criminal Publication and Victorian Prefaces: Suspending Disbelief in Sensation Fiction; 3 Constructing Social Identities and Wrongdoings 3.0 Introduction and Rationale3.1 Crime through a Corpus: The Linguistic Construction of Offenders in the British Press; 3.2 Popular Faces of Crime in Spain; 3.3 Reinventing the Badman in Jamaican Fiction and Film; 3.4 Neurotecs: Detectives, Disability and Cognitive Exceptionality in Contemporary Fiction; 4 Constructing Gendered Crime; 4.0 Introduction and Rationale; 4.1 Engendering Violence: Textual and Sexual Torture in Val McDermid's The Mermaids Singing 4.2 Life of Crime: Feminist Crime/Life Writing in Sara Paretsky, Writing in an Age of Silence, P. D. James, Time to Be in Earnest: A Fragment of Autobiography and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes4.3 Understanding Aileen Wuornos: Pushing the Limits of Empathy; Index Crime and criminals are a pervasive theme in all areas of our culture, including media, journalism, film and literature. This book explores how crime is constructed and culturally represented through a range of areas including Spanish, English Language and Literature, Music, Criminology, Gender, Law, Cultural and Criminal Justice Studies

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230392083
    Edition: Online-Ausg.
    Series: EBL-Schweitzer
    Subjects: Crime in literature; Crime in popular culture; Criminals in literature
    Scope: Online-Ressource (1 online resource (262 p.))
    Notes:

    Description based upon print version of record

  13. The nineteenth century periodical press and the development of detective fiction
    Published: 2021
    Publisher:  Routledge, London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429671029; 9780429672514; 9780429019784; 9780429669538
    Series: Routledge studies in nineteenth-century literature
    Subjects: Detective and mystery stories, English; Crime in literature; British periodicals; Crime in popular culture; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (viii, 245 Seiten), Illustrationen
  14. Under a bad sign
    criminal self-representation in African American popular culture
    Published: 2011
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226550374
    RVK Categories: HU 1728
    Subjects: African Americans in popular culture; African American arts; Crime in popular culture; Popular culture; Schwarze; Selbstdarstellung; Massenkultur; Krimineller <Motiv>; Literatur
    Scope: 1 Online-Ressource (IX, 216 S.)
  15. Constructing crime
    discourse and cultural representations of crime and 'deviance'
    Contributor: Gregoriou, Christiana (Publisher)
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Gregoriou, Christiana (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230392083
    RVK Categories: LB 80195 ; MR 5700
    Edition: 1. publ.
    Subjects: Crime in popular culture; Crime in literature; Criminals in literature; Berichterstattung; Geschlechtsunterschied; Massenmedien; Unterhaltungsliteratur; Verbrechen <Motiv>; Kriminalität
    Scope: 1 Online-Ressource (xi, 249 Seiten), Illustrationen
  16. The poetics of crime
    understanding and researching crime and deviance through creative sources
    Published: ©2014
    Publisher:  Ashgate Publishing Ltd, Farnham

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781409469964; 1409469964; 9781409469957; 1409469956
    Series: Classical and contemporary social theory
    Subjects: Crime / Sociological aspects; Crime in popular culture; Criminology / Research; Criminology / Social aspects; SOCIAL SCIENCE / Criminology; Crime in popular culture; Crime / Sociological aspects; Criminology / Research; Criminology / Social aspects; Gesellschaft; Criminology; Criminology; Crime in popular culture; Crime; Kreativität; Massenkultur; Kriminologie; Literatur
    Scope: xii, 317 pages
    Notes:

    Includes bibliographical references and index

    Cover; Contents; List of Figures; List of Contributors; Acknowledgements; Introduction: Towards the Poetics of Crime; Part I: Poetics in Crime -- Poetics of Crime; 1 The Phenomenology of Arrest: A Case Study in the Poetics of Police-Citizen Encounters; 2 In the Garden with 'Creative Crime': Kudzu and the Third Branch; 3 Crime Caught in Time: The Poetics of Police Photography; Part II: Crime in Fiction; 4 Measure for Measure: Justice in the Society of Censure; 5 Mark Twain and the Corruption of a Town; 6 Historical Crime Novels and Meta-Reflective Aesthetics

    7 The Mafia and Palermo in the Postmodern Urban Imaginary: Cercando PalermoPart III: Crime and Contemporary Popular Culture; 8 Media Myths Regarding Serial Killers: A Gothic Criminology; 9 Imaginaries of Crime, Fantasies of Justice: Popular Criminology and the Figure of the Superhero; 10 The Poetics of Prisonization: Creative Criminology Through the Projector; Part IV: Creative Criminologies; 11 When Prison Blossoms into Art: Dance in Prison; 12 Trauma, Visual Victimology and the Poetics of Justice; 13 Manifesto for a Criminology Beyond Method; Index

    The Poetics of Crime is an invitation to reconsider and reimagine how criminological knowledge may be creatively and poetically constructed, obtained, corroborated and applied. Departing from the conventional understanding of criminology as a discipline concerned with refined statistical analyses, survey methods and quantitative measurements, this book shows that criminology can - and indeed should - move beyond such confines to seek sources of insight, information and knowledge in the unexplored corners of poetically and creatively inspired approaches and methodologies

  17. Mafia and Outlaw Stories from Italian Life and Literature
    Published: [2022]; © 2008
    Publisher:  University of Toronto Press, Toronto

    The first of its kind in English, Mafia and Outlaw Stories from Italian Life and Literature is a selection of readings from Italian fiction and non-fiction writers on the subject of the Mafia. Among the renowned writers featured are Giovanni Verga,... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The first of its kind in English, Mafia and Outlaw Stories from Italian Life and Literature is a selection of readings from Italian fiction and non-fiction writers on the subject of the Mafia. Among the renowned writers featured are Giovanni Verga, Grazia Deledda, Anna Maria Ortese, Livia De Stefani, and Silvana La Spina, as well as famous witnesses such as Felicia Impastato, Letizia Battaglia, and Rita Atria who provide personal, often terrifying testimonies about their experiences with the Mafia. It is a historically diverse examination of criminal and outlaw institutions by some of the most significant figures in Italian literature.These newly translated writings show the ways in which Italians perceived and wrote about the Mafia and crime from the 1880s to the 1990s. Among them are stories dealing with the important legends used by the Mafia as sources for their image and ideology, legends such as the brigand and the Blessed Paulists. Some of the fascinating themes discussed are connections between the Mafia, the State, and the Catholic Church; the Mafia and children; women and the Mafia; the Black Hand; and relations between the Mafia and the Allied Forces during the Second World War. Robin Pickering-Iazzi incorporates an invaluable introduction that charts key periods in the history of Italy and the Mafia, and profiles each of the authors in the collection, noting their major works in Italian as well as those available in English. These and other features make this text especially appropriate for courses in Italian studies.Mafia and Outlaw Stories from Italian Life and Literature takes a unique and intriguing approach to the subject of the Mafia, and offers informed judgements about its historical impact on Italian society and culture

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442685611
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: SOCIAL SCIENCE / Criminology; Crime in popular culture; Criminalité dans la culture populaire; Italian fiction; Italian fiction; Mafia in literature; Mafia; Outlaws in literature; Women and the mafia; Women
    Scope: 1 online resource (208 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

  18. The official world
    Published: 2016
    Publisher:  Duke University Press, Durham

    Introduction to the official world: The premises of the official world; Suspendedness; The human pyramid; Disinhibition training; Self-boosterism as worldview : paperback science; Isotopias; Highsmith's pathographies -- Brecht's rabbit : the... more

     

    Introduction to the official world: The premises of the official world; Suspendedness; The human pyramid; Disinhibition training; Self-boosterism as worldview : paperback science; Isotopias; Highsmith's pathographies -- Brecht's rabbit : the anthropotechnics of suspense: The posthuman pyramid; INS; IRS; The uncanny valley; Coda: the loyalty card -- "The proper study of interaction": Vicarious life; Vicarious crime -- Chain letters: Official time; The autotropic mode : dictaphone, answering machine, Twitter; Wrecking our nursery : "to devise new means of destroying the world we inhabit"; The train, the carousel, and the movies -- Parlor games: The office and the laboratory; Parlor games; The rules of irrelevance; The switchboard of the social; The systems turn : art and anthropotechnics -- The natural history of artificial life: Life during wartime; Secluded education; "Sex in the outside world" : art with humans in Never let me go -- The wall of the world: "A socialized trance" : the practical joke; The crystal world on wheels : murder on the Orient Express; The pear-shaped man -- Marching in files: Repeated repeating : appointment with death; Repeating repeating : remainder -- The turn turn: Away; The incrementalist turn; Playing society; Playing dead; Officialism -- A postscript on the official world: The autonomization of everything; Outside the official world; Outside of everything; "The provocation of the outside" : "the vanished age of space"; The anatomy and the atlas : Knausgaard's Mein Kampf

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822374459; 0822374455
    Other identifier:
    RVK Categories: EC 2410 ; HG 670 ; MS 1290
    Subjects: Suspense fiction / History and criticism; Crime in popular culture; Crime in mass media; Literature and society; Moderne; Gesellschaft <Motiv>; Kriminalliteratur
    Scope: 1 Online-Ressource (vi, 281 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record

  19. Mafia and outlaw stories from Italian life and literature
    Published: c2007
    Publisher:  University of Toronto Press, Toronto [Ont.]

    Mafia and Outlaw Stories from Italian Life and Literature takes a unique and intriguing approach to the subject of the Mafia, and offers informed judgements about its historical impact on Italian society and culture more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Mafia and Outlaw Stories from Italian Life and Literature takes a unique and intriguing approach to the subject of the Mafia, and offers informed judgements about its historical impact on Italian society and culture

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780802095619; 9780802098344
    Series: Toronto Italian studies
    Subjects: Women and the mafia; Mafia; Outlaws in literature; Criminalité dans la culture populaire; Mafia in literature; Crime in popular culture; Italian fiction; Women; Italian fiction
    Scope: Online-Ressource (viii, 180 p), 24 cm
    Notes:

    Includes bibliographical references

    Electronic document; Available by subscription via World Wide Web

    Introduction: Not the Sopranos-- viewing the Mafia and outlaws throught Italian eyesThe Gold key / Giovanni Verga -- An episode of brigandage (1855) / Carolina Invernizio -- The blessed Paulists (1909-10) / Luigi Natoli (William Galt) -- Testagrossa agrees (1911) / Giuseppe Ernesto Nuccio -- The hired killer (1928) / Grazia Deledda -- The carob tree (1993) / Maria Occhipinti -- Montelepre (1955) / Anna Maria Ortese -- Searching for Palermo (1990) / Amelia Crisantino -- The truvatura (1992) / Silvana La Spina -- The Mafia at my back (1991) / Livia De Stefani -- Testimonies: Maria Saladino, Felicia Impastato, Letizia Battaglia, Rita Atria.

  20. The doctor dissected
    a cultural autopsy of the Burke and Hare murders
    Published: c2012
    Publisher:  Oxford University Press, Oxford

    A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with terror. When the perpetrators were finally apprehended in 1828, their motive roiled the nation: William Burke and William Hare had murdered for profit.... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with terror. When the perpetrators were finally apprehended in 1828, their motive roiled the nation: William Burke and William Hare had murdered for profit. The cadavers supplied a ready payout, courtesy of Dr. Robert Knox, who was desperate for anatomical subjects. Nearly two hundred years later, these scandalous murders continue to fire imagination in Scotland and beyond. From the start, the sensational events provoked artists and writers. While Sir Walter Scott resisted public comment, his correspond

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199766826; 9781283427975
    Subjects: Literature and history; Crime in popular culture; English literature; Murder in mass media; National characteristics, Scottish, in literature
    Other subjects: Burke, William (1792-1829); Hare, William (1792?-1870?)
    Scope: Online-Ressource (xiv, 272 p.), ill
    Notes:

    Includes Internet Web addresses

    Includes bibliographical references (p. [243]-262) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Acknowledgments; Abbreviations; 1. Medicine, Murder, and Scottish Story: Doctor Knox and Burke and Hare; 2. The Story Begins: The Law versus the Press, and the Doctor versus Walter Scott; 3. Enlightened System versus Religious Sympathy: The Sensational Tales of Alexander Leighton and David Pae; 4. Dissecting the Doctor: Mr. Jekyll, Dr. Hyde, and Robert Knox; 5. Anatomizing the Audience: James Bridie , Melodrama, and the Movies; 6. Bringing Out the Dead: Silent Victims Speak in Alasdair Gray 's Poor Things

    7. Resting in Pieces? Present Comforts or Restless Futures in Ian Rankin 's ScotlandNotes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y

  21. Crime and culture in early modern Germany
    Published: c2012
    Publisher:  University of Virginia Press, Charlottesville, N.C

    List of illustrations -- Acknowledgments -- Introduction -- Crime and society : patterns in deed and word -- Law and the rational hero -- Crime into text -- Crime and Christianity -- Family murders -- Training the imagination : crime and the inner... more

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    Saarländische Universitäts- und Landesbibliothek
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    List of illustrations -- Acknowledgments -- Introduction -- Crime and society : patterns in deed and word -- Law and the rational hero -- Crime into text -- Crime and Christianity -- Family murders -- Training the imagination : crime and the inner life -- Staging the lamentable theater : crime, reason, and emotion in the seventeenth century -- Conclusion -- Notes -- Bibliography -- Index

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 081393303X; 9780813933030
    RVK Categories: NT 6010 ; NW 8290 ; PH 8200 ; NT 3020
    Series: Studies in early modern German history
    Subjects: Criminology; Crime; Crime in popular culture; Crime in popular culture; Crime; Criminology; Criminology; Crime in popular culture; Crime; HISTORY ; Europe ; General; Crime in popular culture; Crime ; Sociological aspects; Criminology; SOCIAL SCIENCE ; Criminology; History
    Scope: Online Ressource (p. cm.)
    Notes:

    Includes bibliographical references and index. - Description based on print version record

    List of illustrationsAcknowledgments -- Introduction -- Crime and society : patterns in deed and word -- Law and the rational hero -- Crime into text -- Crime and Christianity -- Family murders -- Training the imagination : crime and the inner life -- Staging the lamentable theater : crime, reason, and emotion in the seventeenth century -- Conclusion -- Notes -- Bibliography -- Index.

  22. Bloody murder
    the homicide tradition in children's literature
    Published: 2013
    Publisher:  Johns Hopkins University Press, Baltimore

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan
    Universitätsbibliothek Osnabrück
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1421408406; 9781421408408
    Subjects: Crime in popular culture; Literature and society; Social values in literature; Murder in literature; Children's literature, American; Homicide in literature; Children's literature, English
    Scope: Online-Ressource (x, 266 p)
    Notes:

    Includes bibliographical references (p. [227]-250) and index

    Recurso electronico; Disponible via World Wide Web

  23. True crime
    observations on violence and modernity
    Published: [2007]; 2007
    Publisher:  Routledge, London

    Using crime as his canvas, this work offers an analysis of how cultural fantasies, fears, and desires have blurred the distinction between fiction and real event, from Edgar Allan Poe's detective stories up to Patricia Highsmith's ambiguous "Ripley"... more

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    Using crime as his canvas, this work offers an analysis of how cultural fantasies, fears, and desires have blurred the distinction between fiction and real event, from Edgar Allan Poe's detective stories up to Patricia Highsmith's ambiguous "Ripley" and the rash of reality TV shows. In his widely read "Serial Killers", American studies scholar Mark Seltzer analyzed the American obsession with violent accident--vehicular homicide, serial murders, and other spectacularly awful events. "True Crime" carries the argument of "Serial Killers" into a broader arena. Browse a bookstore, writes Mark Seltzer, and you will find a healthy shelf labeled "Crime." Besides it may be a smaller, seedier shelf labeled "True Crime." The first is popular crime fiction, the second crime fact. Fictional crime has taken over, and the culture. Using crime as his canvas, Mark Seltzer offers a dazzling analysis of how our cultural fantasies, fears, and desires have blurred the distinction between fiction and real event. From Edgar Allan Poe's detective stories up to Patricia Highsmith's ambiguous Ripley and the rash of reality TV shows.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203944202
    Other identifier:
    RVK Categories: AP 14000 ; PH 8560 ; EC 6690
    Subjects: Crime in popular culture; Violence in popular culture; Crime in mass media; Violence in mass media
    Scope: 1 Online-Ressource (viii, 185 Seiten), Illustrationen
    Notes:

    Murder/Media/ModernityThe Media AprioriSynthetic WitnessingTrue and False CrimeLiteracy TestsCrimes against HumanityThe Known WorldThe Conventions of True CrimeSin CityNormal ViolenceThe National ConversationCrime and TogethernessThe Crime SystemMurder by NumbersHalf-Credences; or, The Public MindTrue LiesTrue RomanceMedium: Crime, Risk, Counterfactual LifeThe Tremor of ForgeryPrecrimeSecond Thoughts; or, "Is It Now?"Vicarious CrimeVicarious LifeMedia DoublingThe Train, the Dictaphone, the Merry-Go-Round, and the MoviesBerlin 2000: "The Image of an Empty Place"WoundscapesThe Love ParadeDemocratic Social SpaceThe Mimesis of PublicnessPostscript on the Violence-Media Complex (and Other Games)NotesIndex

  24. Under a bad sign
    criminal self-representation in African American popular culture
    Published: 2011
    Publisher:  University of Chicago Press, Chicago

    Introduction: "Cruel Stack O'Lee": trickster badness and the fight against subordination in African American vernacular culture -- Original gangsta culture: fortune economy and the criminal mediation of Black entry into urban modernity -- Sin city... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction: "Cruel Stack O'Lee": trickster badness and the fight against subordination in African American vernacular culture -- Original gangsta culture: fortune economy and the criminal mediation of Black entry into urban modernity -- Sin city cinema: the underworld race films of Oscar Micheaux and Ralph Cooper -- Hustlers in the house of literature: Julian Mayfield, Chester Himes, and the Black literary ghetto -- From Up tight! to Dolemite: the changing politics of baadasssss cinema -- Keeping it reel: from Goines to gangsta -- Epilogue: global gangsta: life in death. What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts

     

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  25. Crime, fear and the law in true crime stories
    Published: 2001
    Publisher:  Palgrave, Basingstoke [u.a.]

    Why do true crime stories exert such popular fascination? What do they have to say about the fear of crime in the present moment? This book examines the historical origins and development of true crime and its evolution into distinctive contemporary... more

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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
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    Why do true crime stories exert such popular fascination? What do they have to say about the fear of crime in the present moment? This book examines the historical origins and development of true crime and its evolution into distinctive contemporary forms. Embracing a range of non-fiction accounts - true crime book and magazines, law and order television, popular journalism - it traces how they harness and explore current concerns about law and order, crime and punishment and personal vulnerability.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781403913593
    Other identifier:
    RVK Categories: HN 1310
    Series: Crime files series
    Subjects: Crime in popular culture; Crime in mass media; Crime in literature; Crime writing; Fear of crime; Crime in literature; Law in literature; Fiction.; Criminology.; Literature; Culture
    Other subjects: Array; Array; Array; Array
    Scope: 1 Online-Ressource (XII, 238 Seiten)
    Notes:

    Includes bibliographical references p. 213 - 234 and index