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  1. Theaters of pardoning
    Published: [2019]; © 2019
    Publisher:  Cornell University Press, Ithaca ; London

    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice

     

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  2. Theaters of pardoning
    Published: 2019
    Publisher:  Cornell University Press, Ithaca [New York]

    Introduction : theaters of pardoning -- Dramatic judgments : Measure for Measure, revenge, and the institution of the law -- Emplotting politics : James I and the "Powder Treason" -- The Laws of Candy : non-sovereign forgiveness and the generalizing... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Introduction : theaters of pardoning -- Dramatic judgments : Measure for Measure, revenge, and the institution of the law -- Emplotting politics : James I and the "Powder Treason" -- The Laws of Candy : non-sovereign forgiveness and the generalizing of revenge -- From sovereignty to the state : the tragicomic clemency of Massinger's The Bondman -- Between royal pardons and acts of oblivion : the transitional justice of Cosmo Manuche and James Compton, Earl of Northampton -- Pardoning revolution : the 1660 Act of Oblivion and Hobbes's recentering of sovereignty -- Postlude : pardoning and liberal constitutionalism. "This book aims to address the roots of pardoning's treatment in contemporary politics and uncover what new formulations of pardoning might contribute by examining what it calls "theaters of pardoning"--a form of tragicomedy--in the drama and politics of seventeenth-century England"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501739347; 9781501739330
    Series: Corpus juris : the humanities in politics and law
    Subjects: Theater; Clemency in literature; Pardon; Pardon; English drama (Tragicomedy); Politics and literature; Law and literature; Political plays, English; Politics in literature
    Scope: x, 308 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  3. Theaters of pardoning
    Published: [2019]; © 2019
    Publisher:  Cornell University Press, Ithaca ; London

    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice

     

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  4. Theaters of pardoning
    Published: 2019
    Publisher:  Cornell University Press, Ithaca [New York]

    "This book aims to address the roots of pardoning's treatment in contemporary politics and uncover what new formulations of pardoning might contribute by examining what it calls "theaters of pardoning"--A form of tragicomedy--in the drama and... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "This book aims to address the roots of pardoning's treatment in contemporary politics and uncover what new formulations of pardoning might contribute by examining what it calls "theaters of pardoning"--A form of tragicomedy--in the drama and politics of seventeenth-century England"-- Introduction : theaters of pardoning -- Dramatic judgments : Measure for Measure, revenge, and the institution of the law -- Emplotting politics : James I and the "Powder Treason" -- The Laws of Candy : non-sovereign forgiveness and the generalizing of revenge -- From sovereignty to the state : the tragicomic clemency of Massinger's The Bondman -- Between royal pardons and acts of oblivion : the transitional justice of Cosmo Manuche and James Compton, Earl of Northampton -- Pardoning revolution : the 1660 Act of Oblivion and Hobbes's recentering of sovereignty -- Postlude : pardoning and liberal constitutionalism.

     

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  5. Theaters of pardoning
    Published: 2019
    Publisher:  Cornell University Press, Ithaca [New York]

    Introduction : theaters of pardoning -- Dramatic judgments : Measure for Measure, revenge, and the institution of the law -- Emplotting politics : James I and the "Powder Treason" -- The Laws of Candy : non-sovereign forgiveness and the generalizing... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 77718
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2019 A 10709
    Unlimited inter-library loan, copies and loan

     

    Introduction : theaters of pardoning -- Dramatic judgments : Measure for Measure, revenge, and the institution of the law -- Emplotting politics : James I and the "Powder Treason" -- The Laws of Candy : non-sovereign forgiveness and the generalizing of revenge -- From sovereignty to the state : the tragicomic clemency of Massinger's The Bondman -- Between royal pardons and acts of oblivion : the transitional justice of Cosmo Manuche and James Compton, Earl of Northampton -- Pardoning revolution : the 1660 Act of Oblivion and Hobbes's recentering of sovereignty -- Postlude : pardoning and liberal constitutionalism. "This book aims to address the roots of pardoning's treatment in contemporary politics and uncover what new formulations of pardoning might contribute by examining what it calls "theaters of pardoning"--a form of tragicomedy--in the drama and politics of seventeenth-century England"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501739347; 9781501739330
    Series: Corpus juris : the humanities in politics and law
    Subjects: Theater; Clemency in literature; Pardon; Pardon; English drama (Tragicomedy); Politics and literature; Law and literature; Political plays, English; Politics in literature
    Scope: x, 308 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  6. Theaters of pardoning
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca

    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural... more

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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Theaters of Pardoning -- ONE. Dramatic Judgments: Measure for Measure, Revenge, and the Institution of the Law -- TWO. Emplotting Politics: James I and the “Powder Treason” -- THREE. Non-Sovereign Forgiveness: Mercy among Equals in The Laws of Candy -- FOUR. From Sovereignty to the State: The Tragicomic Clemency of Massinger’s The Bondman -- FIVE. Between Royal Pardons and Acts of Oblivion: The Transitional Justice of Cosmo Manuche and James Compton, Earl of Northampton -- SIX. Pardoning Revolution: The 1660 Act of Oblivion and Hobbes’s Recentering of Sovereignty -- Postlude: Pardoning and Liberal Constitutionalism -- Appendix A -- Appendix B -- Bibliography -- Index

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739392; 9781501739408
    Other identifier:
    Series: Corpus juris : the humanities in politics and law
    Subjects: Clemency in literature; Law and literature; English drama (Tragicomedy); Pardon; Politics and literature; Politics in literature; Theater; Political plays, English; Pardon; LITERARY CRITICISM / Shakespeare
    Scope: 1 Online-Ressource (x, 308 Seiten), Illustrationen
    Notes:

    restricted access online access with authorization star

    Includes bibliographical references and index

  7. Theaters of pardoning
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca

    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural... more

    Access:
    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Theaters of Pardoning -- ONE. Dramatic Judgments: Measure for Measure, Revenge, and the Institution of the Law -- TWO. Emplotting Politics: James I and the “Powder Treason” -- THREE. Non-Sovereign Forgiveness: Mercy among Equals in The Laws of Candy -- FOUR. From Sovereignty to the State: The Tragicomic Clemency of Massinger’s The Bondman -- FIVE. Between Royal Pardons and Acts of Oblivion: The Transitional Justice of Cosmo Manuche and James Compton, Earl of Northampton -- SIX. Pardoning Revolution: The 1660 Act of Oblivion and Hobbes’s Recentering of Sovereignty -- Postlude: Pardoning and Liberal Constitutionalism -- Appendix A -- Appendix B -- Bibliography -- Index

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739392; 9781501739408
    Other identifier:
    Series: Corpus juris : the humanities in politics and law
    Subjects: Clemency in literature; Law and literature; English drama (Tragicomedy); Pardon; Politics and literature; Politics in literature; Theater; Political plays, English; Pardon; LITERARY CRITICISM / Shakespeare
    Scope: 1 Online-Ressource (x, 308 Seiten), Illustrationen
    Notes:

    restricted access online access with authorization star

    Includes bibliographical references and index

  8. Theaters of Pardoning
    Published: [2019]; © 2019
    Publisher:  Cornell University Press, Ithaca, NY

    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739392
    Other identifier:
    Series: Corpus Juris: The Humanities in Politics and Law
    Subjects: England; Legal History & Studies; Performing Arts & Drama; LITERARY CRITICISM / Shakespeare; Clemency in literature; English drama (Tragicomedy); Law and literature; Pardon; Pardon; Political plays, English; Politics and literature; Politics in literature; Theater
    Scope: 1 online resource (324 pages), 1 b&w halftone
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)