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  1. Modernist goods
    primitivism, the market and the gift
    Published: c2008
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802097693; 1442688645; 9780802097699; 9781442688643
    Subjects: Littérature anglaise / Histoire et critique; Primitivisme; Modernisme (Littérature); Capitalisme et littérature; Économie politique et littérature; Politique et littérature; LITERARY CRITICISM / General; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Capitalism and literature; Economics and literature; English literature; Literature and anthropology; Modernism (Literature); Politics and literature; Primitivism; English literature; Modernism (Literature); Primitivism; Literature and anthropology; Capitalism and literature; Economics and literature; Politics and literature; Politische Philosophie; Modernismus; Primitivismus; Wirtschaftsphilosophie; Literaturwissenschaft
    Scope: 1 Online-Ressource (viii, 330 p.)
    Notes:

    Includes bibliographical references (p. [311]-323) and index

    Introduction. Beyond Primitivism -- Imperialist and Aboriginal Modernities -- Commodities, Gifts, and Goods -- Stoker's Abject Kin -- pt. 1. After Strange Goods: The Economic Unconscious of Imperialist Modernity -- Yeats's Proper Dark -- Lawrence's Profane Work -- Lovecraft's Doubles -- Conrad's Desertions -- Structure and Style -- pt. 2. Multiplying the Public: Abject Modernism and Its Institutions -- pt. 3. Parodic Shaman: Imperialist Modernity and the Blackened Gift -- Eliot's Savage Possessions -- Woolf's Fugitive Rites -- Beckett's Unnamable Magic -- pt. 4. Impure House: Re-imagining Aboriginal Modernity -- Amatory Modernisms -- Joyce's People -- H.D.'s Heritages -- Conclusion: Modernism and Utopia

  2. Cultural capital
    the problem of literary canon formation
    Published: c1993
    Publisher:  University of Chicago Press, Chicago

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226310019; 0226310434; 0226310442; 9780226310015; 9780226310435; 9780226310442
    Subjects: Littérature anglaise / Histoire et critique / Théorie, etc; Littérature anglaise / Étude et enseignement / Cas, Études de; Capitalisme et littérature; Littérature et société; Chefs-d'œuvre (Littérature); Letterkunde; Canon; Engels; Littérature anglaise / Étude et enseignement / Cas, Études de; Littérature anglaise / Histoire et critique / Théorie, etc; Canons littéraires; Capitalisme et littérature; Littérature et société; Ästhetik; Kanon; Literatur; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Englisch; Literatur; English literature; English literature; Capitalism and literature; Literature and society; Canon (Literature); Ideologie; Gesellschaft; Englisch; Kanon; Kultur; Kapital; Literatur; Literaturunterricht
    Scope: 1 Online-Ressource (xv, 392 p.)
    Notes:

    Includes bibliographical references (p. 341-383) and index

    pt. 1. Critique. 1. Canonical and Noncanonical: The Current Debate -- pt. 2. Case Studies. 2. Mute Inglorious Miltons: Gray, Wordsworth, and the Vernacular Canon. 3. Ideology and Canonical Form: The New Critical Canon. 4. Literature after Theory: The Lesson of Paul de Man -- pt. 3. Aesthetics. 5. The Discourse of Value: From Adam Smith to Barbara Herrnstein Smith

    In Cultural Capital, John Guillory challenges the most fundamental premises of the canon debate by resituating the problem of canon formation in an entirely new theoretical framework. The result is a book that promises to recast not only the debate about the literary curriculum but also the controversy over "multiculturalism" and the current "crisis of the humanities."

    Guillory argues that canon formation must be understood less as a question of representing social groups in the canon than of distributing "cultural capital" in the schools, which regulate access to literacy, the practices of reading and writing. He declines to reduce the history of canon formation to one of individual reputations or the ideological contents of particular works, arguing that a critique of the canon fixated on the concept of authorial identity overlooks historical transformations in the forms of cultural capital that have underwritten judgments of individual authors. The most important of these transformations is the emergence of "literature" in the later eighteenth century as the name of the cultural capital of the bourgeoisie

    In three case studies, Guillory charts the rise and decline of the category of "literature" as the organizing principle of canon formation in the modern period. He considers the institutionalization of the English vernacular canon in eighteenth-century primary schools; the polemic on behalf of a New Critical modernist canon in the university; and the appearance of a "canon of theory" supplementing the literary curriculum in the graduate schools and marking the onset of a terminal crisis of literature as the dominant form of cultural capital in the schools

    The final chapter of Cultural Capital examines recent theories of value judgment, which have strongly reaffirmed cultural relativism as the necessary implication of canon critique. Contrasting the relativist position with Pierre Bourdieu's very different sociology of judgment, Guillory concludes that the object of a revisionary critique of aesthetic evaluation should not be to discredit judgment, but to reform the conditions of its practice in the schools by universalizing access to the means of literary production and consumption

  3. Paper empire
    William Gaddis and the world system
    Published: 2010
    Publisher:  University of Alabama Press, Tuscaloosa

    Gaddis (1922-1998) is often cited as the link between literary modernism and postmodernism in the United States. This work includes essays which address subjects as diverse as cybernetics, the law, media theory, race and class, music, and the perils... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Gaddis (1922-1998) is often cited as the link between literary modernism and postmodernism in the United States. This work includes essays which address subjects as diverse as cybernetics, the law, media theory, race and class, music, and the perils and benefits of globalization. It also contains an interview with Gaddis

     

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  4. Modernist goods
    primitivism, the market and the gift
    Published: c2008
    Publisher:  University of Toronto Press, Toronto

    Introduction. Beyond Primitivism -- Imperialist and Aboriginal Modernities -- Commodities, Gifts, and Goods -- Stoker's Abject Kin -- pt. 1. After Strange Goods: The Economic Unconscious of Imperialist Modernity -- Yeats's Proper Dark -- Lawrence's... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Introduction. Beyond Primitivism -- Imperialist and Aboriginal Modernities -- Commodities, Gifts, and Goods -- Stoker's Abject Kin -- pt. 1. After Strange Goods: The Economic Unconscious of Imperialist Modernity -- Yeats's Proper Dark -- Lawrence's Profane Work -- Lovecraft's Doubles -- Conrad's Desertions -- Structure and Style -- pt. 2. Multiplying the Public: Abject Modernism and Its Institutions -- pt. 3. Parodic Shaman: Imperialist Modernity and the Blackened Gift -- Eliot's Savage Possessions -- Woolf's Fugitive Rites -- Beckett's Unnamable Magic -- pt. 4. Impure House: Re-imagining Aboriginal Modernity -- Amatory Modernisms -- Joyce's People -- H.D.'s Heritages -- Conclusion: Modernism and Utopia.

     

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  5. Financial Gothic
    monsterized capitalism in American Gothic fiction
    Author: Bride, Amy
    Published: 2023
    Publisher:  University of Wales Press, Cardiff

    Financial Gothic explores the persistent concern of American Gothic literature with finance - and finance as having always been a gothic phenomenon - from 1880 to the present day. The study reads Frankensteinian monsters, haunted houses, vampires and... more

    Access:
    Aggregator (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Financial Gothic explores the persistent concern of American Gothic literature with finance - and finance as having always been a gothic phenomenon - from 1880 to the present day. The study reads Frankensteinian monsters, haunted houses, vampires and zombies in American literature and film as cultural responses to such twentieth and twenty-first century financial phenomena as the 1929 Wall Street Crash, post-war housing debt, financial deregulation, and the 2008 Credit Crunch. Consideration is also given to the pre-existing consensus on racial readings of American gothic, and how these interpretations of the slave trade can be expanded upon in conversation with their financial contexts. Drawing on contemporary insights into financialised understandings of economics within the humanities, new analysis of finance as an inherently gothic phenomenon, and archival work completed on the Library of Congress's Black History Collection, Financial Gothic highlights an as-yet-unrecognised dimension of haunting and monstrosity within American gothic fiction

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781837720651; 9781837720644
    Series: Gothic literary studies
    Subjects: Gothic fiction (Literary genre), American; Capitalism and literature; Capitalisme et littérature
    Scope: 1 Online-Ressource (284 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  6. Paper empire
    William Gaddis and the world system
    Published: ©2007
    Publisher:  University of Alabama Press, Tuscaloosa

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0817315489; 0817354069; 081738152X; 9780817315481; 9780817354060; 9780817381523
    Subjects: Gaddis, William; Literature and technology; Littérature et technologie / États-Unis; Globalisation dans la littérature; Médias dans la littérature; Capitalisme dans la littérature; LITERARY CRITICISM / American / General; Capitalism in literature; Globalization in literature; Literature and technology; Mass media in literature; Capitalisme et littérature; Médias et littérature; Mondialisation / Dans la littérature; Literature and technology; Globalization in literature; Mass media in literature; Capitalism in literature
    Other subjects: Gaddis, William / 1922- / Critique et interprétation; Gaddis, William / 1922-1998; Gaddis, William / (1922-1998) / Critique et interprétation; Gaddis, William; Gaddis, William (1922-1998); Gaddis, William (1922-1998)
    Scope: 1 Online-Ressource (vi, 291 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 267-276) and index

    Introduction / Joseph Tabbi -- An interview with William Gaddis, circa 1980 / Tom LeClair -- In the diaspora of words : Gaddis, Kierkegaard, and the art of recognition(s) / Klaus Benesch -- The collapse of everything : William Gaddis and the encyclopedic novel / Stephen J. Burn -- Gaddis dialogue questioned / Joseph McElroy -- The aesthetics of first- and second-order cybernetics in William Gaddis's J R / Stephen Schryer -- William Gaddis and the autopoiesis of American literature / Joseph Tabbi -- Cognitive gothic : relevance theory, iteration, and style / Jeff Bursey and Anne Furlong -- Critical mimesis : J R's transition to postmodernity / Nicholas Spencer -- Cognitive map, aesthetic object, or national allegory? : Carpenter's gothic / Nicholas Brown -- The end of Agapē : on the debates around Gaddis / Rone Shavers -- Writing from between the gaps : Agapē Agape and twentieth-century media culture / Michael Wutz -- Mark the music : J R and Agapē Agape / Anja Ziedler -- Valuable dregs : William Gaddis, the life of an artist / Crystal Alberts -- The secret history of Agapē Agape / Steven Moore

    Gaddis (1922-1998) is often cited as the link between literary modernism and postmodernism in the United States. This work includes essays which address subjects as diverse as cybernetics, the law, media theory, race and class, music, and the perils and benefits of globalization. It also contains an interview with Gaddis

  7. Cultural capital
    the problem of literary canon formation
    Published: c1993
    Publisher:  University of Chicago Press, Chicago

    Guillory argues that canon formation must be understood less as a question of representing social groups in the canon than of distributing "cultural capital" in the schools, which regulate access to literacy, the practices of reading and writing. He... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Guillory argues that canon formation must be understood less as a question of representing social groups in the canon than of distributing "cultural capital" in the schools, which regulate access to literacy, the practices of reading and writing. He declines to reduce the history of canon formation to one of individual reputations or the ideological contents of particular works, arguing that a critique of the canon fixated on the concept of authorial identity overlooks historical transformations in the forms of cultural capital that have underwritten judgments of individual authors. The most important of these transformations is the emergence of "literature" in the later eighteenth century as the name of the cultural capital of the bourgeoisie In three case studies, Guillory charts the rise and decline of the category of "literature" as the organizing principle of canon formation in the modern period. He considers the institutionalization of the English vernacular canon in eighteenth-century primary schools; the polemic on behalf of a New Critical modernist canon in the university; and the appearance of a "canon of theory" supplementing the literary curriculum in the graduate schools and marking the onset of a terminal crisis of literature as the dominant form of cultural capital in the schools The final chapter of Cultural Capital examines recent theories of value judgment, which have strongly reaffirmed cultural relativism as the necessary implication of canon critique. Contrasting the relativist position with Pierre Bourdieu's very different sociology of judgment, Guillory concludes that the object of a revisionary critique of aesthetic evaluation should not be to discredit judgment, but to reform the conditions of its practice in the schools by universalizing access to the means of literary production and consumption

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226310015; 0226310019
    Subjects: English literature; English literature; Littérature anglaise; Littérature anglaise; Capitalisme et littérature; Littérature et société; Chefs-d'œuvre (Littérature); Capitalism and literature; Literature and society; Canon (Literature); English literature; English literature; Capitalism and literature; Literature and society; Canon (Literature); English literature; English literature; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Canon (Literature); Capitalism and literature; English literature ; Study and teaching; English literature ; Theory, etc; Literature and society; Letterkunde; Canon; Engels; Ästhetik; Kanon; Literatur; Littérature anglaise ; Étude et enseignement ; Cas, Études de; Littérature anglaise ; Histoire et critique ; Théorie, etc; Canons littéraires; Capitalisme et littérature; Littérature et société; Case studies; Criticism, interpretation, etc
    Scope: Online Ressource (xv, 392 p.)
    Notes:

    Includes bibliographical references (p. 341-383) and index. - Description based on print version record

    pt. 1. Critique. 1. Canonical and Noncanonical: The Current Debatept. 2. Case Studies. 2. Mute Inglorious Miltons: Gray, Wordsworth, and the Vernacular Canon. 3. Ideology and Canonical Form: The New Critical Canon. 4. Literature after Theory: The Lesson of Paul de Man -- pt. 3. Aesthetics. 5. The Discourse of Value: From Adam Smith to Barbara Herrnstein Smith.

  8. Writing at the origin of capitalism
    literary circulation and social change in early modern England
    Published: 2021; © 2021
    Publisher:  Oxford University Press, New York

    Explores the relationship between the transition to capitalism in early modern England and the many literary innovations that emerged within the period. more

    Access:
    Aggregator (lizenzpflichtig)
    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Explores the relationship between the transition to capitalism in early modern England and the many literary innovations that emerged within the period.

     

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  9. Financial Gothic
    monsterized capitalism in American Gothic fiction
    Author: Bride, Amy
    Published: 2023
    Publisher:  University of Wales Press, Cardiff

    Financial Gothic explores the persistent concern of American Gothic literature with finance - and finance as having always been a gothic phenomenon - from 1880 to the present day. The study reads Frankensteinian monsters, haunted houses, vampires and... more

    Access:
    Aggregator (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan

     

    Financial Gothic explores the persistent concern of American Gothic literature with finance - and finance as having always been a gothic phenomenon - from 1880 to the present day. The study reads Frankensteinian monsters, haunted houses, vampires and zombies in American literature and film as cultural responses to such twentieth and twenty-first century financial phenomena as the 1929 Wall Street Crash, post-war housing debt, financial deregulation, and the 2008 Credit Crunch. Consideration is also given to the pre-existing consensus on racial readings of American gothic, and how these interpretations of the slave trade can be expanded upon in conversation with their financial contexts. Drawing on contemporary insights into financialised understandings of economics within the humanities, new analysis of finance as an inherently gothic phenomenon, and archival work completed on the Library of Congress's Black History Collection, Financial Gothic highlights an as-yet-unrecognised dimension of haunting and monstrosity within American gothic fiction

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781837720651; 9781837720644
    RVK Categories: HR 1712
    Series: Gothic literary studies
    Subjects: Gothic fiction (Literary genre), American; Capitalism and literature; Capitalisme et littérature
    Scope: 1 Online-Ressource (284 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index