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  1. The limits of illusion
    a critical study of Calderón
    Author: Cascardi, Anthony J.
    Published: 1984
    Publisher:  Cambridge University Press, Cambridge

    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511659416
    Other identifier:
    Series: Cambridge Iberian and Latin American studies
    Subjects: Illusion in literature; Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation; Illusion in literature
    Other subjects: Calderón de la Barca, Pedro (1600-1681)
    Scope: 1 Online-Ressource (xvii, 181 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. The mind and art of Calderón
    essays on the Comedias
    Author: Parker, Alexander Augustine
    Published: 1988
    Publisher:  Cambridge University Press, Cambridge

    Don Pedro Calderón de la Barca (1600–81) was, with Lope de Vega, the greatest exponent of Spanish Golden Age drama. Professor Parker's essays are the fruits of a highly distinguished career spanning forty-five years. They provide a wide-ranging... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Don Pedro Calderón de la Barca (1600–81) was, with Lope de Vega, the greatest exponent of Spanish Golden Age drama. Professor Parker's essays are the fruits of a highly distinguished career spanning forty-five years. They provide a wide-ranging survey of Calderón's secular, three-act plays (comedias) through detailed analyses of individual works. The themes found in the plays are studied in relation to the background of ideas in seventeenth-century Spain and to the development of Calderón's own view of the intellectual life and the social, ethical and moral problems of this age. From the tensions of Calderón's early family life and his intellectual struggle with the associated problems, the book passes to the wider tensions in the social and political life of his time, and concludes with a demonstration of how Calderón raises all these human problems onto a wide 'philosophical' level through his use of myths and symbols

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Kong, Deborah (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511897917
    Other identifier:
    Series: Major European authors
    Subjects: Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation
    Other subjects: Calderón de la Barca, Pedro (1600-1681)
    Scope: 1 Online-Ressource (xiv, 417 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Calderón y el Barroco
    Exaltación y engaño de los sentidos
    Author: Amadei-Pulice, María Alicia
    Published: 1990
    Publisher:  John Benjamins Publishing Company, Amsterdam/Philadelphia

    Amadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Amadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish baroque theater within the wider context of a revolution in the theory of representation, signs, and meanings that took place at the beginning of the seventeenth century and marked the appearance of a new dramatic style: the stile rappresentativo. Special attention is given to the techniques and applications of perspectival scenery, stagecraft, optics

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027217479
    Series: Purdue University monographs in Romance languages ; v. 31
    Subjects: Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation; Spanish drama ; Classical period, 1500-1700 ; History and criticism; Spanish drama ; Italian influences; Baroque literature ; History and criticism; Theater ; Spain ; History; Electronic books
    Scope: Online-Ressource (271 p.)
    Notes:

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    CALDERÓN Y EL BARROCO Exaltación y engaño de los sentidos; Editorial page; Title page; Copyright page; Dedication; Table of contents; Lista de ilustraciones; Testimonios de gratitud; 1. Comedia y comedia de teatro; 2. Efectos sonoros del stile rappresentativo; 3. El valor de la perspectiva, sus orígenes y aplicación al teatro barroco; Conclusiones; Notas; Bibliografía; Ilustraciones;
  4. Calderón
    The Secular Plays
    Author: ter Horst, Robert
    Published: 2015
    Publisher:  The University Press of Kentucky, Lexington

    Although Pedro Calderón de la Barca was one of the greatest and most prolific playwrights of Spain's Golden Age, most of his nonallegorical comedias -- 118 in all -- have remained unknown. Robert ter Horst presents here the first full-length study... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    e-Book Academic Complete
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    Location:
    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    eBook ProQuest
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    E-Books ProQuest Academic
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Although Pedro Calderón de la Barca was one of the greatest and most prolific playwrights of Spain's Golden Age, most of his nonallegorical comedias -- 118 in all -- have remained unknown. Robert ter Horst presents here the first full-length study of these works, a sustained, meditative analysis dealing with more than 80 plays, conveying a sense of the whole of Calderón's secular theater.To approach so vast a body of literature, Mr. ter Horst examines the meaning and function in Calderón of three broad subjects -- myth, honor, and history -- the warp threads across which the playwright weaves

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813114408
    Subjects: Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation; Electronic books
    Scope: Online-Ressource (266 p)
    Notes:

    Description based upon print version of record

    Cover; Half-title; Title; Copyright; Contents; ACKNOWLEDGMENTS; INTRODUCTION; I. ""AMORESGUERRA"": La estatua de Prometeo as the Model of Calderonian Dramaturgy; II. THE IDIOMS OF SILENCECE: Cervantes, Honor, and No hay cosa como collar; III. POETIC PRINCIPALITIES: The Private and the Public Person in Calderón; NOTES; INDEX
  5. The mind and art of Calderón
    essays on the Comedias
    Author: Parker, Alexander Augustine
    Published: 1988
    Publisher:  Cambridge University Press, Cambridge

    Don Pedro Calderón de la Barca (1600–81) was, with Lope de Vega, the greatest exponent of Spanish Golden Age drama. Professor Parker's essays are the fruits of a highly distinguished career spanning forty-five years. They provide a wide-ranging... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Don Pedro Calderón de la Barca (1600–81) was, with Lope de Vega, the greatest exponent of Spanish Golden Age drama. Professor Parker's essays are the fruits of a highly distinguished career spanning forty-five years. They provide a wide-ranging survey of Calderón's secular, three-act plays (comedias) through detailed analyses of individual works. The themes found in the plays are studied in relation to the background of ideas in seventeenth-century Spain and to the development of Calderón's own view of the intellectual life and the social, ethical and moral problems of this age. From the tensions of Calderón's early family life and his intellectual struggle with the associated problems, the book passes to the wider tensions in the social and political life of his time, and concludes with a demonstration of how Calderón raises all these human problems onto a wide 'philosophical' level through his use of myths and symbols

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Kong, Deborah (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511897917
    Other identifier:
    Series: Major European authors
    Subjects: Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation
    Other subjects: Calderón de la Barca, Pedro (1600-1681)
    Scope: 1 Online-Ressource (xiv, 417 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. The limits of illusion
    a critical study of Calderón
    Author: Cascardi, Anthony J.
    Published: 1984
    Publisher:  Cambridge University Press, Cambridge

    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's... more

    Location:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signature:
    E-Book CUP HSFK
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
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    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
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    No inter-library loan

    Location:
    Peace Research Institute Frankfurt, Bibliothek
    Signature:
    E-Book CUP HSFK
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511659416
    Other identifier:
    Series: Cambridge Iberian and Latin American studies
    Subjects: Illusion in literature; Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation; Illusion in literature
    Other subjects: Calderón de la Barca, Pedro (1600-1681)
    Scope: 1 Online-Ressource (xvii, 181 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)