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  1. The body at stake
    experiments in Chinese contemporary art and theatre
    Contributor: Huber, Jörg (Publisher); Zhao, Chuan (Publisher)
    Published: [2013]; © 2013
    Publisher:  Transcript, Bielefeld

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    Source: Union catalogues
    Contributor: Huber, Jörg (Publisher); Zhao, Chuan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783837623093; 9783839423097
    Series: Image ; volume 49
    Subjects: Geschichte; Arts, Chinese; Human figure in art; Theater; Body art; Moderne; Theater; Körper <Motiv>; Körper; Mensch <Motiv>; Kunst
    Scope: 1 online resource (279 pages), illustrations (some color)
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed February 12, 2015)
  2. The scar of visibility
    medical performances and contemporary art
    Author: Kuppers, Petra
    Published: c2007
    Publisher:  University of Minnesota Press, Minneapolis

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0816646538; 9780816646531; 081664652X; 9780816646524
    Subjects: Kunst; Psychologie; Body art; Performance art; Medicine and art; Art; Performance <Künste>; Kunst; Medizin <Motiv>
    Scope: ix, 259 p.
    Notes:

    Includes bibliographical references (p. 239-254) and index

    Introduction: bodily fantasies -- Visions of anatomy: space, exhibitions, and dense bodies -- Living bodies: staging knowledge, fantasy, and temporality -- The collaborative arts: pain and performance -- Intersections: blood, laughter, and the space-off -- Monsters, cyborgs, animals: crashes, cuttings, and migraines -- Medical museums and art display: the discourses of AIDS -- Reaching out: outsider art, specialists, and positions in between -- Epilogue: fantasies in the sand
  3. The Body at Stake
    Experiments in Chinese Contemporary Art and Theatre
    Published: 2013; ©2013.
    Publisher:  transcript, Bielefeld

    Biographical note: Jörg Huber is Professor for Cultural Theory and Aesthetics at the Zurich University of the Arts and Head of the Institute for Critical Theory (ith). His research areas include aesthetics and the theory of the political in a... more

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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Biographical note: Jörg Huber is Professor for Cultural Theory and Aesthetics at the Zurich University of the Arts and Head of the Institute for Critical Theory (ith). His research areas include aesthetics and the theory of the political in a transcultural context. He has been travelling to China for more than 20 years. Zhao Chuan is a writer, theatre worker and art critic. His publications include fiction, non-fiction and works on contemporary art history. He is the founder and director of Grass Stage, a leading Chinese theatre company. This publication enquires into the role and treatment of the body in the visual culture of contemporary China. What meanings are assigned to the body in artistic practice, what does it represent and what (hi)stories does it refer to? Considerable importance is ascribed to the body as a means of orientation and placement; as an arena and medium of social experience. 19 Chinese artists, theatre practitioners and theorists describe their personal experiences, put their thoughts and views up for discussion and explore how art can shed light on the individual and collective experiences that emerge in the wake of historical change and the anticipation of a newly won freedom.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839423097
    Other identifier:
    RVK Categories: AP 78862 ; LO 89470 ; LH 65830
    Series: Image ; 49
    Subjects: Architecture and Design; Arts, Chinese; Body art; Human figure in art; Theater; Arts, Chinese; Body art; Theater; Architecture and Design.; Architektur.; ART / Asian / General; Art, Theatre, China, Culture, Body, Visual Culture, Arts, Image, Asian Art, Theatre Studies, Fine Arts
    Scope: Online-Ressource (278 S.)
    Notes:

    Description based upon print version of record

    Cover The Body at Stake; Content; Preface; The Genealogy of the Politics of the Body in Contemporary Chinese Culture; Fragments of the Body in Chinese Contemporary Art; The Politics and Poetics of the Body; A Talk with Xiang Jing; Portrayal, Definition and Reconstruction of "The Body" in Contemporary Chinese Photography; Caught in Art's Haze; Physical Odyssey; The Physical Body on the Grass Stage; Physical Rebels; Female Memory Begins with the Body; Theatre: Memory in Progress

    The Body as Strategy for Action in the Taiwanese Cultural Field Three Stages of Practice and Progress, from Martial Law, Abrogation, to the Post Martial Law PeriodEdges of the Modernist Framework and Beyond The Lifework of Hsieh Tehching, Hsieh Ying-Chun, Wu-Chong-Wei,Graffitist Huang, Dino and Tsai-Show-Zoo; Picture Essay; Twelve Flower Months; A Talk with Jin Feng; Discussing the Works of Xi Ya Die and Yan Xing; My Art and the World; An Interview; A Concept of Beauty; The Authors
  4. Carnal art
    Orlan's refacing
    Author: O'Bryan, Jill
    Published: [2005]; © 2005
    Publisher:  University of Minnesota Press, Minneapolis

    The French artist Orlan is infamous for performances during which her body is surgically altered. Responding to Orlan's definition of her performance surgeries as "carnal art," C. Jill O'Bryan considers how the artist's ever-fluctuating face... more

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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    The French artist Orlan is infamous for performances during which her body is surgically altered. Responding to Orlan's definition of her performance surgeries as "carnal art," C. Jill O'Bryan considers how the artist's ever-fluctuating face questions idealized beauty and female identity, and complicates the notion of identity-and its relation to the body-at the boundary dividing art from identity

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816695805
    RVK Categories: LI 99999 ; LH 84370
    Subjects: Surgery in art; Performance art; Body art; Body art ; France; Orlan ; Criticism and interpretation; Performance art ; France; Surgery in art; Electronic books
    Other subjects: Orlan
    Scope: Online-Ressource (xviii, 199, [16] Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction: Shape-Shifting; 1. Orlan's Body of Work; 2. Looking inside the Human Body; 3. Between Self and Other; 4. Interior/Exterior; 5. Beauty / The Monstrous Feminine; 6. Penetrating Layers of Flesh: Carving in/out the Body of Orlan; 7. A Few Comments on Self-hybridations; EXTRActions: A Performative Dialogue "with" Orlan; Notes; Index
  5. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Author: Stevens, Andrea Ria
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... more

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    Hochschulbibliothek Friedensau
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1299735800; 9781299735804; 9780748670505
    Series: Edinburgh Critical Studies in Renaissance Culture
    Subjects: English drama; English drama; English drama; Theatrical makeup; English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; Body art; Electronic books
    Scope: Online-Ressource (xi, 176 pages)
    Notes:

    Description based upon print version of record

    ""Cover""; ""Title Page""; ""Copyright""; ""Contents ""; ""Acknowledgments ""; ""Bibliographical Note ""; ""Series Editor�s Preface ""; ""Introduction ""; ""Chapter 1 Light: Staging Divinity in the York Cycle ""; ""Chapter 2 Blood: Enter Martius, Painted ""; ""Chapter 3 Black: Mastering Masques of Blackness ""; ""Chapter 4 Stone: Lost Ladies ""; ""Epilogue ""; ""Bibliography ""; ""Index ""