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  1. The black arts enterprise and the production of African American poetry
    Author: Rambsy, Howard
    Published: 2013
    Publisher:  Univ. of Michigan Press, Ann Arbor, Mich.

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    42A2562
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780472035687; 9780472117338
    RVK Categories: HU 1728 ; HU 1769
    Edition: 1. pbk ed.
    Subjects: American poetry; Poetry; African Americans; African Americans in literature; Literaturproduktion; Schwarze; Literatur; Literarisches Leben; Black arts movement
    Scope: VIII, 188 S.
    Notes:

    Includes bibliographical references and index
  2. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Location:
    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
    Signature:
    A20 AAA Z05002
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    Universitäts- und Landesbibliothek Bonn
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    2005/3975
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    Universitäts- und Landesbibliothek Düsseldorf
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    angm910.s638
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    Universitätsbibliothek Duisburg-Essen
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    EGW1583
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    35A9233
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    Universitätsbibliothek Wuppertal
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0807855987; 080782934X
    Series: The John Hope Franklin series in African American history and culture
    Subjects: Nationalismus; Literatur; Kultur; Schwarze; Black arts movement
    Scope: XV, 471 S., Ill.
  3. The black arts enterprise and the production of African American poetry
    Author: Rambsy, Howard
    Published: 2013
    Publisher:  University of Michigan Press, Ann Arbor

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitätsbibliothek der RPTU in Kaiserslautern
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472120055
    Subjects: American poetry; Poetry; African Americans; African Americans in literature; Literaturproduktion; Black arts movement; Schwarze; Literatur; Literarisches Leben
    Scope: 1 Online-Ressource (viii, 188 Seiten)
    Notes:

    Der Titel ist Teil des Projekts Knowledge Unlatched

    Includes bibliographical references and index
  4. Black post-blackness
    the Black Arts Movement and twenty-first-century aesthetics
    Author: Crawford, Margo Natalie
    Published: 2017; © 2017
    Publisher:  University of Illinois Press, Urbana ; Chicago, and Springfield

    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford... more

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    Universitätsbibliothek Duisburg-Essen
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    KBLC2053
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    Kunsthistorisches Institut, Abteilung Allgemeine Kunstgeschichte, Bibliothek
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    428/D137/61
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    Universitätsbibliothek Paderborn
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    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780252041006; 9780252082498
    RVK Categories: HU 1728
    Series: The new black studies series
    Subjects: Schwarze; Literatur; Black arts movement
    Scope: xi, 264 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
  5. The Nation of Islam and black consciousness
    the works of Amiri Baraka, Sonia Sanchez, and other writers
    Author: Aqeeli, Ammar Abduh
    Published: [2019]
    Publisher:  Peter Lang, New York

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Signature:
    /HU 1728 A655
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433165306; 1433165309
    Other identifier:
    9781433165306
    RVK Categories: HU 1728
    DDC Categories: 810; 300
    Series: Modern American literature ; vol. 73
    Subjects: Islam <Motiv>; Schwarze <Motiv>; Ethnische Identität <Motiv>; Nation of Islam; Rezeption; Black arts movement
    Other subjects: Baraka, Amiri (1934-2014); Sanchez, Sonia (1934-)
    Scope: 170 Seiten, 23 cm, 336 g
  6. African American literature of the twenty-first century and the Black Arts
    the case of John Edgar Wideman
    Author: Casmier, Stephen
    Published: [2021]; © 2021
    Publisher:  Lexington Books, Lanham, Maryland

    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    813.54 CAS
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781793614605
    RVK Categories: HU 9417
    Subjects: Black arts movement; Roman; Rezeption
    Other subjects: Wideman, John Edgar (1941-)
    Scope: xxvii, 201 Seiten
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverzeichnis Seite 165-173
  7. Black post-blackness
    the black arts movement and twenty-first-century aesthetics
    Author: Crawford, Margo Natalie
    Published: 2018
    Publisher:  University of Illinois Press, Urbana ; Oxford University Press, Oxford

    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the 'new black' and 'post-black.' 'Black Post-Blackness' compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of 21st century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of 21st century black aesthetics.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252099557
    Other identifier:
    RVK Categories: LO 94030 ; HD 370
    Series: The new black studies series
    Subjects: Schwarze; Black arts movement; Kunst; Ästhetik; Black Arts movement; African American arts; African American aesthetics; Arts
    Scope: 1 Online-Ressource, Illustrations (black and white).
    Notes:

    Previously issued in print: 2017

    Includes bibliographical references and index
  8. Black post-blackness
    the black arts movement and twenty-first-century aesthetics
    Author: Crawford, Margo Natalie
    Published: [2017]; © 2017
    Publisher:  University of Illinois Press, Urbana

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    13/HD 370.190 C899
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    700.8996073 CRA
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    Universität Marburg, Universitätsbibliothek
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    001 LO 94030 C899
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780252082498; 9780252041006
    RVK Categories: LO 94030 ; HD 370
    Series: The new black studies series
    Subjects: Schwarze; Black arts movement; Kunst; Ästhetik
    Scope: xi, 264 Seiten, Illustrationen
  9. Black Post-Blackness
    The Black Arts Movement and Twenty-First-Century Aesthetics
    Author: Crawford, Margo Natalie
    Published: 2017
    Publisher:  University of Illinois Press, Baltimore ; ProQuest, Ann Arbor, Michigan

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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252099557
    RVK Categories: LO 94030 ; HD 370
    Series: New Black Studies Ser.
    Subjects: Schwarze; Black arts movement; Kunst; Ästhetik
    Scope: 1 Online-Ressource (224 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  10. The Nation of Islam and Black consciousness
    the works of Amiri Baraka, Sonia Sanchez, and other writers
    Author: Aqeeli, Ammar Abduh
    Published: [2019]; © 2019
    Publisher:  Peter Lang, New York ; Bern ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  11. When black experimentalism became black power
    the Black Arts Movement and its legacies
    Author: Crawford, Margo Natalie
    Published: 2020

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    The Routledge companion to African American art history / edited by Eddie Chambers; New York ; London, 2020; Seite 104-115
    Subjects: Kunst; Bildprogramm; Abstrakte Kunst; Schwarze; Abstrakte Malerei; Ästhetik; Black arts movement; Wandmalerei
    Scope: Illustrationen
  12. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  University of North Carolina Press, Chapel Hill

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Universitätsbibliothek Würzburg
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  13. Behold the land
    the Black Arts movement in the South
    Author: Smethurst, James Edward
    Published: [2021]
    Publisher:  The University of North Carolina Press, Chapel Hill

    "In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Würzburg
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    "In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s"--

     
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  14. Black post-blackness
    the Black Arts Movement and twenty-first-century aesthetics
    Author: Crawford, Margo Natalie
    Published: [2017]
    Publisher:  University of Illinois Press, Urbana ; Chicago ; Springfield

    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780252041006; 9780252082498
    RVK Categories: HU 1728
    Series: The new black studies series
    Subjects: Black arts movement; Schwarze; Literatur
    Other subjects: African-American literature and culture / 21st century; Black Arts movement / 21st century; Black nationalism
    Scope: xi, 264 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
  15. The Black Arts Enterprise and the Production of African American Poetry
    Author: Rambsy, Howard
    Published: 2013; © 2011
    Publisher:  University of Michigan Press, Ann Arbor

    A closer look at the poets and publishers who made the Black Arts Movement such an enduring cultural enterprise more

     

    A closer look at the poets and publishers who made the Black Arts Movement such an enduring cultural enterprise

     
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  16. SOS-Calling All Black People
    a Black Arts Movement Reader
    Contributor: Bracey, John H. (Publisher); Sanchez, Sonia (Publisher); Smethurst, James Edward (Publisher)
    Published: 2014; © 2014
    Publisher:  University of Massachusetts Press, Amherst, [Massachusetts] ; Boston, [Massachusetts]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Bracey, John H. (Publisher); Sanchez, Sonia (Publisher); Smethurst, James Edward (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781625340306; 9781625340313; 9781613762769
    Subjects: Geschichte; Schwarze. USA; American literature; African Americans; Black Arts movement; Black nationalism; African Americans in literature; Black arts movement
    Scope: 1 online resource (722 pages)
    Notes:

    Description based on print version record
  17. Radical aesthetics and modern Black nationalism
    Author: Avilez, GerShun
    Published: [2016]
    Publisher:  University of Illinois Press, Urbana ; Chicago ; Springfield

    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher

     
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  18. The muse is music
    jazz poetry from the Harlem Renaissance to spoken word
    Author: Jones, Meta DuEwa
    Published: 2011
    Publisher:  Univ. of Illinois Press, Urbana [u.a.]

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780252036217; 0252036212; 9780252079269
    RVK Categories: HU 1769
    Series: The new black studies series
    Subjects: Englisch; Geschichte; Schwarze. USA; American poetry; Jazz in literature; American poetry; African Americans; Music and literature; African American musicians in literature; African Americans in literature; Jazz musicians in literature; English language; Jazz <Motiv>; Jazzmusiker <Motiv>; Rasse <Motiv>; Black arts movement; Jazz; Lyrik; Erotik <Motiv>; Performancekünstler; Geschlechterrolle; Slam Poetry; Schwarze
    Scope: XIV, 285 S., Ill., Notenbeisp.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references and index
  19. The black arts enterprise and the production of African American poetry
    Author: Rambsy, Howard
    Published: 2011
    Publisher:  Univ. of Michigan Press, Ann Arbor, Mich.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschulbibliothek Ansbach
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Hochschule Weihenstephan-Triesdorf, Zentralbibliothek
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780472117338
    RVK Categories: HU 1728 ; HU 1769
    Subjects: Geschichte; Schwarze. USA; American poetry; Poetry; African Americans; African Americans in literature; Literatur; Literaturproduktion; Literarisches Leben; Black arts movement; Schwarze
    Scope: VIII, 188 S.
    Notes:

    Includes bibliographical references and index
  20. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.

     
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  21. <<The>> Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0807855987; 080782934X
    Series: <<The>> John Hope Franklin series in African American history and culture
    Subjects: USA; Literatur; Schwarze; Nationalismus; Geschichte 1960-1980; USA; Kultur; Schwarze; Geschichte 1960-1980; Black arts movement; Geschichte 1960-1980
    Scope: XV, 471 S. : Ill.
  22. Black post-blackness
    the Black Arts Movement and twenty-first-century aesthetics
    Author: Crawford, Margo Natalie
    Published: 2017; © 2017
    Publisher:  University of Illinois Press, Urbana

    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford... more

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    Universitätsbibliothek Duisburg-Essen
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780252041006; 9780252082498
    RVK Categories: HU 1728
    Series: <<The>> new black studies series
    Subjects: USA; Black arts movement; Literatur; Visuelle Kunst; Schwarze; Geschichte 2000-2016
    Scope: xi, 264 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
  23. Revolutionary poetics
    the rhetoric of the Black Arts Movement
    Author: RudeWalker, Sarah
    Published: [2023]; © 2023
    Publisher:  University of Georgia Press, Athens

    "In Revolutionary Poetics, Sarah RudeWalker details the specific ways that the Black Arts Movement (BAM) achieved its revolutionary goals through rhetorical poetics—in what forms, to what audiences, and to what effect. BAM has had far-reaching... more

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    "In Revolutionary Poetics, Sarah RudeWalker details the specific ways that the Black Arts Movement (BAM) achieved its revolutionary goals through rhetorical poetics—in what forms, to what audiences, and to what effect. BAM has had far-reaching influence, particularly in developments in positive conceptions of Blackness, in the valorization of Black language practices and its subsequent effects on educational policy, in establishing a legacy of populist dissemination of African American vernacular culture, and in setting the groundwork for important considerations of the aesthetic intersections of race with gender and sexuality. These legacies stand as the movement’s primary—and largely unacknowledged—successes, and they provide significant lessons for navigating our current political moment. RudeWalker presents rhetorical readings of the work of BAM poets (including, among others, Amiri Baraka, Gwendolyn Brooks, Margaret Burroughs, Sarah Webster Fabio, Nikki Giovanni, Etheridge Knight, Audre Lorde, Haki Madhubuti, Carolyn Rodgers, Sonia Sanchez, and the Last Poets) in order to demonstrate the various strands of rhetorical influence that contributed to the Black Arts project and the significant legacies these writers left behind. Her investigation of the rhetorical impact of Black Arts poetry allows her to deal realistically with the movement’s problematic aspects, while still devoting thoughtful scholarly attention to the successful legacy of BAM writers and the ways their work can continue to shape contemporary rhetorical activism."

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780820362007; 9780820363967
    RVK Categories: HU 1728
    Subjects: Black arts movement; Rhetorik
    Scope: ix, 239 Seiten, Breite 152 mm, Hoehe 229 mm
  24. The Nation of Islam and Black Consciousness
    Author: Hakutani, Yoshinobu
    Published: 2019
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    The Nation of Islam and Black Consciousness: The Works of Amiri Baraka, Sonia Sanchez, and Other Writers engages in the scholarly discussions about the origins and formation of the Black Arts Movement of the 1960s and 1970s, which rarely give credit... more

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    The Nation of Islam and Black Consciousness: The Works of Amiri Baraka, Sonia Sanchez, and Other Writers engages in the scholarly discussions about the origins and formation of the Black Arts Movement of the 1960s and 1970s, which rarely give credit to the role of the Nation of Islam’s (NOI) teachings in the emergence of the movement and in shaping the subjects and themes of its literary works. This book reevaluates the common belief that Malcolm X is the most appealing black historical figure in the movement’s literature and demonstrates how the NOI’s perception of black consciousness shaped the aesthetic sensibilities of the movement’s poets and playwrights in their fights against anti-black racism. The Nation of Islam and Black Consciousness can be used in African American literature courses as it provides a thorough analysis of hidden literary texts written by black writers in the 1960s and 1970s. Reading this book today will help readers reflect on how a narrow understanding of "Americanness" is threatening to the American ideals of diversity and inclusiveness on which America was founded. Moreover, this book is useful for those who are interested in studying how identity politics functions to achieve certain social and cultural goals.

     
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    Source: Union catalogues
    Contributor: Aqeeli, Ammar Abduh
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433165313
    Other identifier:
    RVK Categories: HU 1728
    DDC Categories: 300; 810
    Edition: 1st, New ed.
    Series: Modern American Literature ; 73
    Subjects: Islam <Motiv>; Schwarze <Motiv>; Ethnische Identität <Motiv>; Nation of Islam; Rezeption; Black arts movement
    Other subjects: Baraka, Amiri (1934-2014); Sanchez, Sonia (1934-)
    Scope: 1 Online-Ressource
  25. The black arts enterprise and the production of African American poetry
    Author: Rambsy, Howard
    Published: 2011
    Publisher:  Univ. of Michigan Press, Ann Arbor, Mich.

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780472117338
    RVK Categories: HU 1728 ; HU 1769
    Subjects: Geschichte; Schwarze. USA; American poetry; Poetry; African Americans; African Americans in literature; Literatur; Literaturproduktion; Literarisches Leben; Black arts movement; Schwarze
    Scope: VIII, 188 S.
    Notes:

    Includes bibliographical references and index