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  1. Romantic art in practice
    cultural work and the sister arts, 1760-1820
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

    Exploring the relationship between visual art and literature in the Romantic period, this book makes a claim for a sister-arts 'moment' when the relationship between painting, sculpture, pottery and poetry held special potential for visual artists,... more

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    Exploring the relationship between visual art and literature in the Romantic period, this book makes a claim for a sister-arts 'moment' when the relationship between painting, sculpture, pottery and poetry held special potential for visual artists, engravers and artisans. Elaborating these cultural tensions and associations through a number of case studies, Thora Brylowe sheds light on often untold narratives of English labouring craftsmen and artists as they translated the literary into the visual. Brylowe investigates examples from across the visual spectrum including artefacts, such as Wedgwood's Portland Vase, antiquarianism through the work of William Blake, the career of engraver John Landseer, and the growing influence of libraries and galleries in the period, particularly Boydell's Shakespeare Gallery. Brylowe artfully traces the shifting cultural connections between the imaginative word and the image in a period that saw new print technologies deluge Britain with its first mass media Machine generated contents note: Introduction; 1. Original copies: Wedgwood's Portland Vase in paint and poem; 2. William Blake, antiquarians, and the status of copy; 3. Literary galleries and the media ecology: painting for print in the age of anthologies; 4. Poetry against the wall: the (sister) arts in crisis; 5. Crossing the line: engraving, John Landseer and the aftermath of the Shakespeare gallery; 6. Ravaged brides: Grecian urns on romantic paper; Bibliography; Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108550949
    Other identifier:
    RVK Categories: HL 1031
    Series: Cambridge studies in romanticism ; 122
    Subjects: Romanticism; Art, English; Art, English; Romanticism; Art and literature; Art and literature; Art and literature ; England ; History ; 18th century; Art and literature ; England ; History ; 19th century; Romanticism ; England ; History ; 18th century; Romanticism ; England ; History ; 19th century; Art, English ; 18th century; Art, English ; 19th century
    Scope: 1 Online-Ressource (xii, 261 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 31 Aug 2018)

  2. William Blake in context
    Contributor: Haggarty, Sarah (HerausgeberIn)
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

    William Blake, poet and artist, is a figure often understood to have 'created his own system'. Combining close readings and detailed analysis of a range of Blake's work, from lyrical songs to later myth, from writing to visual art, this collection of... more

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    William Blake, poet and artist, is a figure often understood to have 'created his own system'. Combining close readings and detailed analysis of a range of Blake's work, from lyrical songs to later myth, from writing to visual art, this collection of thirty-eight lively and authoritative essays examines what Blake had in common with his contemporaries, the writers who influenced him, and those he influenced in turn. Chapters from an international team of leading scholars also attend to his wider contexts: material, formal, cultural, and historical, to enrich our understanding of, and engagement with, Blake's work. Accessibly written, incisive, and informed by original research, William Blake in Context enables readers to appreciate Blake anew, from both within and outside of his own idiom.

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Haggarty, Sarah (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316534946; 9781107144910; 9781316508107
    Other identifier:
    Series: Literature in context
    Subjects: Literature and society; Literature and society; Art and literature; Art and literature; Blake, William ; 1757-1827 ; Criticism and interpretation; Literature and society ; England ; History ; 18th century; Literature and society ; England ; History ; 19th century; Art and literature ; England ; History ; 18th century; Art and literature ; England ; History ; 19th century
    Other subjects: Blake, William (1757-1827)
    Scope: 1 online resource (xxii, 371 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 22 Mar 2019)

  3. Samuel Taylor Coleridge and the fine arts
    Published: 2008
    Publisher:  Oxford University Press, Oxford

    In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the... more

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    In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works. - ;Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from B

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0199233055; 1281825565; 9781281825568; 9780191552724; 9780199233052
    Subjects: Art and literature; Art appreciation; Allston, Washington ; 1779-1843; Art and literature ; England ; History ; 19th century; Beaumont, George Howland ; Sir ; 1753-1827; Coleridge, Samuel Taylor ; 1772-1834 ; Aesthetics; Coleridge, Samuel Taylor ; 1772-1834 ; Knowledge ; Art; Coleridge, Samuel Taylor ; 1772-1834 ; Relations with artists; Coleridge, Samuel Taylor ; 1772-1834 ; Travel ; Italy; Electronic books
    Other subjects: Allston, Washington (1779-1843); Beaumont, George Howland Sir (1753-1827); Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834)
    Scope: Online-Ressource (xiv, 276 p), ill, 23 cm
    Notes:

    Includes bibliographical references (p. [244]-263) and index

    Electronic reproduction; Available via World Wide Web

    Contents; List of Illustrations; List of Abbreviations; 1. Initiation; 2. Italy; 3. What Coleridge Saw; 4. Allston Redux; 5. Coleridge on the Fine Arts; 6. The Principles Common to the Fine Arts; Appendices; Bibliography; Index

  4. The demon & the damozel
    dynamics of desire in the works of Christina Rossetti and Dante Gabriel Rossetti
    Published: c2008
    Publisher:  Ohio University Press, Athens

    Intro -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1: The Transcendental Tendency in Christina Rossetti's Poetry of Love and Devotion -- 2: The Superegoic Demon in Christina Rossetti's Gothic and Fantasy Writings -- 3: Imaginary... more

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    Intro -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1: The Transcendental Tendency in Christina Rossetti's Poetry of Love and Devotion -- 2: The Superegoic Demon in Christina Rossetti's Gothic and Fantasy Writings -- 3: Imaginary Oscillation in Dante Gabriel Rossetti's Illustrations of Dante -- 4: The Symbolic Perfection of the Imaginary in Dante Gabriel Rossetti's The House of Life -- 5: Hysterical Desire in Dante Gabriel Rossetti's Narrative Poems and Portraiture -- Conclusion -- Notes -- Bibliography -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0821418165; 9780821418161
    Subjects: Aesthetics, Modern; Literature and society; Art and literature; Aesthetics, Modern ; 19th century; Art and literature ; England ; History ; 19th century; Literature and society ; England ; History ; 19th century; Rossetti, Christina Georgina ; 1830-1894 ; Criticism and interpretation; Rossetti, Dante Gabriel ; 1828-1882 ; Criticism and interpretation; Electronic books
    Other subjects: Rossetti, Christina Georgina (1830-1894); Rossetti, Dante Gabriel (1828-1882)
    Scope: Online-Ressource (ix, 202 p), ill, 24 cm
    Notes:

    Includes bibliographical references (p. 187-196) and index

    Electronic reproduction; Available via World Wide Web

    ""Contents""; ""Illustrations""; ""Acknowledgments""; ""Introduction""; ""1: The Transcendental Tendency in Christina Rossetti�s Poetry of Love and Devotion""; ""2: The Superegoic Demon in Christina Rossetti�s Gothic and Fantasy Writings""; ""3: Imaginary Oscillation in Dante Gabriel Rossetti�s Illustrations of Dante""; ""4: The Symbolic Perfection of the Imaginary in Dante Gabriel Rossetti�s The House of Life""; ""5: Hysterical Desire in Dante Gabriel Rossetti�s Narrative Poems and Portraiture""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""

  5. Metropolitan art and literature, 1810-1840
    Cockney adventures
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge

    Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to... more

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    Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to discussion of the Leigh Hunt circle, but was fast becoming a way of gesturing towards everything in modern metropolitan life that seemed discrepant and disturbing. Covering the ground between Romanticism and Victorianism, Dart presents Cockneyism as a powerful critical currency in this period, which helps provide a link between the works of Leigh Hunt and Keats in the 1810s and the early works of Charles Dickens in the 1830s. Through an examination of literary history, art history, urban history and social history, this book identifies the early nineteenth-century figure of the Cockney as the true ancestor of modernity Introduction: the Cockney moment -- 1. Leigh Hunt, John Keats and the suburbs -- 2. William Hazlitt and the Periodical Press -- 3. Liber Amoris and lodging houses -- 4. Pierce Egan and life in London -- 5. Charles Lamb and the alchemy of the streets -- 6. John Martin, John Soane and Cockney art -- 7. B.R. Haydon and debtors' prisons -- 8. Charles Dickens and Cockney adventures

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139176187
    Other identifier:
    RVK Categories: HL 1080 ; HL 1131
    Series: Cambridge studies in Romanticism ; 94
    Subjects: Romanticism; Art and literature; English literature; English literature ; 19th century ; History and criticism; Art and literature ; England ; History ; 19th century; Romanticism ; England
    Scope: 1 Online-Ressource (xi, 297 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)