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  1. The image of the Black in African and Asian art
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ; London, England

    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions....

     
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    Source: Union catalogues
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780674504394
    RVK Categories: LH 84960
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Schwarze <Motiv>; Kunst
    Scope: x, 434 Seiten, Illustrationen, Karten
    Notes:

    Includes bibliographical references and index
  2. The image of the Black in African and Asian art
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ; London, England

    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions....

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780674504394
    RVK Categories: LH 84960
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Schwarze <Motiv>; Kunst
    Scope: x, 434 Seiten, Illustrationen, Karten
    Notes:

    Includes bibliographical references and index
  3. I am built inside you
    Texts countering the art canon
    Contributor: Moore, Elke aus dem (MitwirkendeR); Grosse, Julia (MitwirkendeR); Mutumba, Yvette (MitwirkendeR)
    Published: 2017; © 2017
    Publisher:  Sternberg Press, Berlin

    Access:
    Digitalisierung (lizenzpflichtig)

    Location:
    Institut für Auslandsbeziehungen, Bibliothek
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    Source: Union catalogues
    Contributor: Moore, Elke aus dem (MitwirkendeR); Grosse, Julia (MitwirkendeR); Mutumba, Yvette (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Online
    RVK Categories: LH 61020
    Subjects: Art, African; Art, Modern; Artists
    Scope: 181 Seiten, Illustrationen
  4. The image of the Black in African and Asian art
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, in collaboration with the Hutchins Center for African an African American Research, Harvard University, Cambridge, Massachusetts

    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton --... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton -- The image of the Black in early African photography / Christraud M. Geary -- The image of the Black in modern and contemporary African art / Steven Nelson -- Part II. Asia: The image of the Black in Islamic art: the case of painting / Robert Hillenbrand -- The image of the Black in India / John McLeod and Kenneth X. Robbins -- The image of the Black in Chinese art / Don J. Wyatt -- The image of the Black in Japanese art: from the beginnings to 1850 / Timon Screech -- The image of the Black in Japanese art: nineteenth century to the present day / Alicia Volk The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674504394
    RVK Categories: LC 90330 ; LC 90465 ; LH 84960
    Edition: First printing
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Blacks in art; Art and race; Art, African; Art, Asian; Art, African; Art and race; Art, Asian; Blacks in art; Noirs dans l'art; Art et race; Art africain; Art asiatique
    Scope: x, 434 Seiten, Illustrationen, Karten, 29 cm
    Notes:

    Includes bibliographical references and index
  5. I am built inside you
    Contributor: Moore, Elke aus dem (MitwirkendeR); Grosse, Julia (MitwirkendeR); Mutumba, Yvette (MitwirkendeR)
    Published: [2017]; © 2017
    Publisher:  Sternberg Press, Berlin

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Moore, Elke aus dem (MitwirkendeR); Grosse, Julia (MitwirkendeR); Mutumba, Yvette (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783956793295
    RVK Categories: LH 61020
    Subjects: Art, African; Art, Modern; Artists
    Scope: 181 Seiten, Illustrationen
  6. Ritualkunst zwischen Kult und Museum
    dissonante Ästhetiken am Beispiel Afrikas
    Author: Reck, Hans Ulrich
    Published: [2017]; © 2017
    Publisher:  Herbert von Halem Verlag, Köln

    Am Beispiel afrikanischer Kunst zeigt Hans Ulrich Reck auf, wie von Stammeskulturen geschaffene Kunstwerke aus ihrer ursprünglichen Bedeutung als kultische Objekte herausgelöst und in das Kunstsystem der Museen nach europäischem Vorbild eingegliedert... more

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    LC 90465 R298
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 2017/1169
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    Location:
    Muthesius-Kunsthochschule, Zentrale Hochschulbibliothek
    Signature:
    FK KuWi 1116
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    Location:
    UB Weimar
    Signature:
    Ih 1400/59
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    Am Beispiel afrikanischer Kunst zeigt Hans Ulrich Reck auf, wie von Stammeskulturen geschaffene Kunstwerke aus ihrer ursprünglichen Bedeutung als kultische Objekte herausgelöst und in das Kunstsystem der Museen nach europäischem Vorbild eingegliedert werden. Die Überführung von Kunstwerken kultischen Ursprungs in Museen ist aber auch problematisch: Sie stellt immer auch einen Kunstraub an derjenigen Gesellschaft dar, der das überführte Kunstwerk entstammt und für die es mit seiner ursprünglichen, kultischen Bedeutung aufgeladen ist. Die Kunstgeschichte dieser Verschiebung wird erläutert mittels Einbezugs von Künstlertheorien, einer ästhetischen Kritik der Avantgardekunst, aber auch der Philosophie des künstlerischen wie – genereller – des kreativen Schaffens.

     
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    Source: Union catalogues
    Contributor: Bruggmann, Christine (IllustratorIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 386962230X; 9783869622309
    Other identifier:
    9783869622309
    RVK Categories: LB 60465 ; LC 90465 ; LO 90850
    Series: edition KHM ; 1
    Subjects: Arts, Modern; Art, European; Art, African; Aesthetics, Modern; Art, African; Art, Primitive
    Scope: 431 Seiten, Illustrationen
  7. The image of the Black in African and Asian art
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, in collaboration with the Hutchins Center for African an African American Research, Harvard University, Cambridge, Massachusetts

    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton --... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    LH 84960 2017 001
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 178759
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    No loan of volumes, only paper copies will be sent

    Location:
    Hochschule für Bildende Künste Dresden, Bibliothek
    Signature:
    2020/0705
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    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signature:
    N8232.I63 2017
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    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:EP:3900:::2017
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    Location:
    Badische Landesbibliothek
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    Staatliche Akademie der Bildenden Künste Karlsruhe, Bibliothek
    Signature:
    LS Ip p 185
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    Location:
    Universitätsbibliothek Leipzig
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    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    Ku 242.057
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    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    KBL S 2529-378 2
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    Location:
    Württembergische Landesbibliothek
    Signature:
    67a/2024
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    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton -- The image of the Black in early African photography / Christraud M. Geary -- The image of the Black in modern and contemporary African art / Steven Nelson -- Part II. Asia: The image of the Black in Islamic art: the case of painting / Robert Hillenbrand -- The image of the Black in India / John McLeod and Kenneth X. Robbins -- The image of the Black in Chinese art / Don J. Wyatt -- The image of the Black in Japanese art: from the beginnings to 1850 / Timon Screech -- The image of the Black in Japanese art: nineteenth century to the present day / Alicia Volk The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674504394
    RVK Categories: LC 90330 ; LC 90465 ; LH 84960
    Edition: First printing
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Blacks in art; Art and race; Art, African; Art, Asian; Art, African; Art and race; Art, Asian; Blacks in art; Noirs dans l'art; Art et race; Art africain; Art asiatique
    Scope: x, 434 Seiten, Illustrationen, Karten, 29 cm
    Notes:

    Includes bibliographical references and index
  8. I am built inside you
    Contributor: Moore, Elke aus dem (MitwirkendeR); Grosse, Julia (MitwirkendeR); Mutumba, Yvette (MitwirkendeR)
    Published: [2017]; © 2017
    Publisher:  Sternberg Press, Berlin

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:4347:
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    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 39858
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    Unlimited inter-library loan, copies and loan

    Location:
    Institut für Auslandsbeziehungen, Bibliothek
    Signature:
    37/351
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    Source: Staatsbibliothek zu Berlin
    Contributor: Moore, Elke aus dem (MitwirkendeR); Grosse, Julia (MitwirkendeR); Mutumba, Yvette (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783956793295
    RVK Categories: LH 61020
    Subjects: Art, African; Art, Modern; Artists
    Scope: 181 Seiten, Illustrationen