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Displaying results 1 to 11 of 11.

  1. Old Futures
    Speculative Fiction and Queer Possibility
    Published: [2018]; © 2018
    Publisher:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... more

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     

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  2. Old Futures
    Speculative Fiction and Queer Possibility
    Published: [2018]; © 2018
    Publisher:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... more

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     

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  3. Queering the bitch: Spike, transgression and erotic empowerment
    Published: 2005

    Abstract: According to Eve Kosofsky Sedgwick, queer exists when the constituent elements of anyone's gender or sexuality are not made (or cannot be made) to signify monolithically. By this definition Spike is the queerest character in the... more

     

    Abstract: According to Eve Kosofsky Sedgwick, queer exists when the constituent elements of anyone's gender or sexuality are not made (or cannot be made) to signify monolithically. By this definition Spike is the queerest character in the 'Buffyverse': both his gender and sexuality are fluid - neither is secure and both are based around excess. His gender switches from male to female and his sexuality from 'vanilla' to more varied and non-traditional forms of eroticism. The article argues that the character of Spike opens up opportunities for the resignification of what it means to be male or female, man or monster, dominant or submissive, ‘vanilla’ or an exponent of erotic variation - opportunities we need to seize if we are to challenge the all-pervasive binaries which govern our understanding of sex, gender and sexuality, and the interrelationship between these terms

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/22656
    DDC Categories: 070; 300
    Other subjects: (thesoz)Gender; Buffy; eroticism; femininity; liminality; masculinity; queer; sexuality; Spike; vampire
    Scope: Online-Ressource
    Notes:

    Postprint

    begutachtet (peer reviewed)

    In: European Journal of Cultural Studies ; 8 (2005) 3 ; 313-328

  4. “Like some damned Juggernaut” – The proto-filmic monstrosity of late Victorian literary figures
    Published: 2015
    Publisher:  University of Bamberg Press, Bamberg

  5. To Love A Vampire
    Dark Vampire Knight Series: Book One
    Published: 2015
    Publisher:  BookRix, München

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783730926291
    Other identifier:
    Other subjects: (Produktform)Electronic book text; (VLB-WN)9110; vampire; romance; young adult; free; paranormal; young adult romance; vampire romance; paranormal romance; (VLB-WN)9210
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig

  6. “Like some damned Juggernaut”
    the proto-filmic monstrosity of late Victorian literary figures
    Published: 2015
    Publisher:  University of Bamberg Press, Bamberg

  7. Becoming Vampire
    Difference and the Vampire in Popular Culture
    Author: Bacon, Simon
    Published: 2017
    Publisher:  Peter Lang Ltd, International Academic Publishers, Oxford

  8. The Vampirization of the New Woman
    in Joseph Sheridan Le Fanu's Carmilla and Bram Stoker's Dracula
    Published: 2018
    Publisher:  AV Akademikerverlag, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9786202214902; 6202214902
    Other identifier:
    9786202214902
    Edition: 1. Auflage
    Other subjects: (Produktform)Electronic book text; New Woman; Dracula; vampire; Stoker; Carmilla; (VLB-WN)1560: Sprachwissenschaft, Literaturwissenschaft
    Scope: Online-Ressource, 152 Seiten
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

  9. Neil Jordan, author and screenwriter
    the imagination of transgression
  10. [Rice, Anne] Anne Rice Webring
    Published: 2006

    Virtual Libraries ; ff Sites about Persons ; au This webring is devoted to the vampire/gothic writer Anne Rice. It features many original sites providing information on the author, including pictures, faqs, interviews, and more. more

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    AnglGuide

     

    Virtual Libraries ; ff Sites about Persons ; au This webring is devoted to the vampire/gothic writer Anne Rice. It features many original sites providing information on the author, including pictures, faqs, interviews, and more.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Anne Rice; 1941-; vampire; horror; gothic; fiction; popular fiction; Rice, Anne, 1941-; Authors, American; Horror tales, American; Gothic revival (Literature); Vampires in literature
    Notes:

    Source: SUB

  11. Vampirism
    A Secular, Visceral Religion of Paradoxical Aesthetics
    Published: [2018]

    Vampire stories and folklores have originated from a range of sources; however, it is rather certain that the repulsive but attractive vampiric monster images in present popular culture are primarily derived from Anne Rice's novel Interview with the... more

    Index theologicus der Universitätsbibliothek Tübingen
    No inter-library loan

     

    Vampire stories and folklores have originated from a range of sources; however, it is rather certain that the repulsive but attractive vampiric monster images in present popular culture are primarily derived from Anne Rice's novel Interview with the Vampire. That being said, it was around the end of the eighteenth century that vampires first invaded the popular literary world, with literary vampires growing noticeably more powerful and perpetual than any of their monstrous predecessors in the years since the publication of John Polidori's successful short story The Vampyre in 1819 (Punter and Byron 2004, 268). Due to associated aesthetic transformations, vampirism itself has become increasingly popular, to the extent that it now commands some followers who even worship vampiric rituals and lifestyles in spite of there being no solid, physical evidence of actual vampires, but rather only literary and imaginary examples of the creatures. In order to grasp how this fascination with vampires has turned into a quasi-religious phenomenon and ideology, a proper investigation of vampiric mechanisms and aesthetics should be empirical in nature. Utilizing Interview with the Vampire as an example due to its clearly substantial influence on current vampire imagery, this article examines how the paradoxical interchange between aversion and attraction plays its role in the visceral religion of the vampire-immersed world.

     

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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Parent title: Enthalten in: Journal for the study of religions and ideologies; Cluj : [Verlag nicht ermittelbar], 2002; 17(2018), 49, Seite 120-136; Online-Ressource

    Subjects: aesthetics; blood; disgust; paradox; religion; vampire