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  1. An alliterative-typographical device in Psalm 37
    Divine destruction of the wicked, enacted in real time
    Author: Lehmann, Michael H.; Levine, Nachman
    Published: 2021

    Addressing the problem of the prospering of the wicked, Psalm 37 uses a poetic device to enact their destruction symbolically and concretely for the reader/listener in visible and audible correspondence and semantic affinity. A pivotal alliterative... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Addressing the problem of the prospering of the wicked, Psalm 37 uses a poetic device to enact their destruction symbolically and concretely for the reader/listener in visible and audible correspondence and semantic affinity. A pivotal alliterative word series, chiastic in sound and sense, serves as an organizing pattern to subsume a system of literary devices and imagery.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Journal for the study of the Old Testament; London [u.a.] : Sage, 1976; 45(2021), 3, Seite 407-421; Online-Ressource

    Subjects: wordplay; typographic; sound; Psalm 37; literary; Alliteration
  2. Negotiating the sounds of born-again christianity: aesthetic provocations in western Ethiopia
    Author: Gidron, Yotam
    Published: 2021

    This paper discusses the role of hymns and musical practices in the articulation of Christian subjectivities among Nuer communities in western Ethiopia. It examines how the members of two fundamentalist born-again groups responded to the... more

    Location:
    Index theologicus der Universitätsbibliothek Tübingen
    Inter-library loan:
    No inter-library loan

     

    This paper discusses the role of hymns and musical practices in the articulation of Christian subjectivities among Nuer communities in western Ethiopia. It examines how the members of two fundamentalist born-again groups responded to the Pentecostalization of the local Christian soundscape over the past two decades, focusing on the distinct approaches they adopted for the production and performance of hymns and the authorization of Christian music. Born-again musical practices, it is argued, take shape through a constant process of public argumentation, fuelled by a ceaseless quest for divine authenticity. Believers from different churches are therefore engaged not in destructive conflicts over the domination of public spaces, as some accounts of tensions over religious sound from elsewhere in Africa may suggest, but in constant provocations and debates that are both of a productive nature and inherent to the endless political project of born-again subjectivation.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Material religion; Abingdon : Taylor & Francis, 2005; 17(2021), 4, Seite 490-516; Online-Ressource

    Subjects: sound; Messianic Judaism; Seventh-day Adventism; Pentecostalism; Nuer; Ethiopia