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  1. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations

    Technische Hochschule Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
    Unlimited inter-library loan, copies and loan
    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Kruse, Christiane; Schmitz, Norbert M.; Meyer, Birgit; Korte, Anne-Marie; Verrips, Jojada; Spalinger, Nika; O'Meara, Simon; Juneja, Monica; Svasek, Maruska; Becker, Tania
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846763452
    Other identifier:
    Edition: 2018
    Subjects: Postsäkularismus; post-sekular; visual culture; religious conflict; post-secularism; post-secular; populäre Ästhetik; popular aesthetics; politics of representation; offensive images; museums; Museen; Medienwissenschaft; Literaturwissenschaft; literary studies; Kunstwissenschaft; Kulturwissenschaft; Islam; imaging gender; Hinduismus; Hinduism; Glaubenskonflikt; Filmwissenschaft; cultural studies; co-existence; anstößige Bilder; artistic research; Artistic Research; Bildpolitik; Bildwissenschaft; Blasphemie; blasphemy; Christentum; Christianity
    Scope: 1 Online-Ressource (383 Seiten)
    Notes:

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency