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  1. Abenteuer in der Moderne
    Contributor: Grill, Oliver (Herausgeber); Obermayr, Brigitte (Herausgeber)
    Published: 2020
    Publisher:  Brill | Wilhelm Fink, Paderborn

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Grill, Oliver (Herausgeber); Obermayr, Brigitte (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846765166
    Other identifier:
    RVK Categories: EC 6844
    DDC Categories: 800
    Series: Philologie des Abenteuers ; Band 2
    Subjects: Abenteuer <Motiv>; Literatur; Abenteuerroman
    Other subjects: Narratologie; Psychoanalyse; Postcolonial Studies; Literaturgeschichte; Trivialliteratur; Schemaliteratur; Russischer Formalismus; Sozialistischer Realismus; narratology; psychoanalysis; postcolonial studies; history of literature; popular culture; russian formalism; socialist realism
    Scope: 1 Online-Ressource (VI, 308 Seiten), Illustrationen
  2. Architecture and Resilience : Interdisciplinary Dialogues
    Contributor: Trogal, Kim (Publisher); Bauman, Irena (Publisher); Lawrence, Ranald (Publisher); Petrescu, Doina (Publisher)
    Published: 2018
    Publisher:  Taylor & Francis

    Resilience will be a defining quality of the twenty-first century. As we witness the increasingly turbulent effects of climate change, the multiple challenges of resource depletion and wage stagnation, we know that our current ways of living are not... more

     

    Resilience will be a defining quality of the twenty-first century. As we witness the increasingly turbulent effects of climate change, the multiple challenges of resource depletion and wage stagnation, we know that our current ways of living are not resilient. Our urban infrastructures, our buildings, our economies, our ways of managing and governing are still too tightly bound to models of unrestrained free-market growth, individualism and consumerism. Research has shown that the crises arising from climate change will become increasingly frequent and increasingly severe. It is also known that the effects of climate change are not evenly distributed across places and people, and neither are the resources needed to meet these challenges. We will need specific responses in place that engage with, and emerge from, citizens ourselves.

     

    This volume takes resilience as a transformative concept to ask where and what architecture might contribute. Bringing together cross-disciplinary perspectives from architecture, urban design, art, geography, building science and psychoanalysis, it aims to open up multiple perspectives of research, spatial strategies and projects that are testing how we can build local resilience in preparation for major societal challenges, defining the position of architecture in urban resilience discourse.

     

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    Source: OAPEN
    Contributor: Trogal, Kim (Publisher); Bauman, Irena (Publisher); Lawrence, Ranald (Publisher); Petrescu, Doina (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Subjects: Architecture
    Other subjects: architecture; resilience; urban design; art; geography; building science; psychoanalysis
    Scope: 1 electronic resource (280 p.)
  3. Bathroom Songs: Eve Kosofsky Sedgwick as a Poet
    Contributor: Edwards, Jason (Publisher)
    Published: 2017
    Publisher:  punctum books, Earth, Milky Way

    Bathroom Songs: Eve Kosofsky Sedgwick as a Poet is the first book of essays to consider the poetry of one of the twentieth- and early twenty-first-century’s most important literary, affect, and queer theorists. Acclaimed as one of the “truly... more

     

    Bathroom Songs: Eve Kosofsky Sedgwick as a Poet is the first book of essays to consider the poetry of one of the twentieth- and early twenty-first-century’s most important literary, affect, and queer theorists. Acclaimed as one of the “truly innovative” poets of her generation by Maud Ellmann, Sedgwick’s work as a poet is, perhaps, less well known, but is no less compelling than her ground-breaking trilogy of queer theoretical texts: Between Men: English Literature and Male Homosocial Desire, Epistemology of the Closet, and Tendencies.

     

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    Source: OAPEN
    Contributor: Edwards, Jason (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781947447318
    Other identifier:
    Subjects: Literary studies: from c 1900 -
    Other subjects: literary studies; queer studies; Eve Kosofsky Sedgwick; psychoanalysis; autobiography
    Scope: 1 electronic resource (306 p.)
  4. MythomaniaS: Crime Scenes & Psycho Case Studies
    Contributor: Lacadée, Camille (Publisher); Roche, François (Publisher)
    Published: 2015
    Publisher:  punctum books, Brooklyn, NY

    mythomaniaS is a catalog of case studies in the form of film stills, architectural fragments, stage props, texts, and images culled from the experiments of MindMachineMakingMyths (Lab M4, part of the New Territories architecture studio, Bankgok,... more

     

    mythomaniaS is a catalog of case studies in the form of film stills, architectural fragments, stage props, texts, and images culled from the experiments of MindMachineMakingMyths (Lab M4, part of the New Territories architecture studio, Bankgok, Thailand), a collaboration begun in 2012 between Camille Lacadee and François Roche to construct environmental-architectural psycho-scapes (in the partly fabricated wilds of various countries) as laboratory-shelters for exploring and deconstructing the supposed rifts between realism and speculative fiction (myth), psyche and environment, body and mind. Bringing together architecture, Deleuze and Guatarri’s schizoanalysis and deterritorialization, and Alfred Jarry’s pataphysics (the “science of imaginary solutions which symbolically attributes the properties of objects, described by their virtuality, to their lineaments”), Lacadee and Roche (and their tribe, Ezio Blasetti, Stephan Henrich, Danielle Willems, Gwyll Jahn, and many others) enacted and filmed mise-en-abymes in which certain scripted para-psychic narratives and architectural structures merge in the pursuit of reclaiming resilience — described by Roche as a tactic for merging refusal and vitality into a schizophrenic logic able to navigate the antagonism between the bottom-up and top-down conditions of the globalized world. In these fabricated schizoid psycho-nature-machine-scapes, the human being is no longer a bio-ecological consumer but a psycho-computing animal that emerges co-dependently with its environment in a hyper-local haecceity (“this-ness”).

     

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    Source: OAPEN
    Contributor: Lacadée, Camille (Publisher); Roche, François (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Individual artists, art monographs
    Other subjects: metempsychosis; architecture; psychoanalysis; film; myth
    Scope: 1 electronic resource (118 p.)
  5. Take Her, She's Yours
    Published: 2020
    Publisher:  punctum books, Brooklyn, NY

    We say, you belong to me, or I belong to you. But is it possible to be possessed by others? And can we ever possess ourselves? In this raw and intimate account, Eva-Lynn Jagoe merges memoir with critical theory as she recounts the unraveling of... more

     

    We say, you belong to me, or I belong to you. But is it possible to be possessed by others? And can we ever possess ourselves? In this raw and intimate account, Eva-Lynn Jagoe merges memoir with critical theory as she recounts the unraveling of everything she thought she knew about selfhood, relationships, and desire. Through the story of an upbringing in a patriarchal Spanish and American household, a dissociative and painful relationship towards men and power, and a chaotic marriage and divorce, she interrogates the destructive fantasy of possessive individualism that permeates our psyches and our cultural expectations. Woven through this narrative is an account of the unique relationship that Jagoe has with her psychoanalyst, in which she works through her tendency to give herself away to others, and learns to navigate the many contradictory selves that we all hold within us. This journey leads her to an enriched understanding of self-possession. Jagoe’s account of an examined life is inseparable from her commitment to the psychoanalytic, feminist, and queer theories that sustain and nourish her in her search for an expanded definition of self.Jagoe’s unique blend of musings and reflections on literature, fairy tale, and culture; her willingness to delve into abjection and contradictory desires; and her honest portrayal of the realities of psychoanalysis allow for a timely exploration of gender, sex, and power. Take Her, She’s Yours belongs in the company of Eve Kosofsky Sedgwick’s A Dialogue on Love and the memoirs of Maggie Nelson, Rachel Cusk, and Lidia Yuknavitch. It engrossingly conveys the lived urgency of critical thinking and the pleasures and perils of embodied selfhood. Take Her, She’s Yours is a story about loss and letting go, but also about the intimacy that emerges through an expanded definition of selfhood.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Memoirs; Psychotherapy; Literary studies: general
    Other subjects: auto-ethnography; psychoanalysis; therapy; feminism; memoir; identity; relationships
    Scope: 1 electronic resource (216 p.)
  6. Critique of Fantasy, Vol. 1 : Between a Crypt and a Datemark
    Published: 2020
    Publisher:  punctum books, Brooklyn, NY

    "Critique of Fantasy, Vol. 1: Between a Crypt and a Date Mark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming... more

     

    "Critique of Fantasy, Vol. 1: Between a Crypt and a Date Mark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming when he addressed omnipotent wish fantasy as the source and resource of the aspirations and resolutions of art, which, however, the artwork can never look back at or acknowledge. By grounding his genre in the one fantasy that is true, the Gospel, J.R.R. Tolkien obviated and made obvious the ethical mandate of fantasy’s restraining order.

     

    With George Lucas’s Star Wars we entered the borderlands of the fantasy and science fiction genres, a zone resulting from and staggering a contest, which Tolkien inaugurated in the 1930s. The history of this contested borderland marks changes that arose in expectation of what the new media held in store, changes realized (but outside the box of what had been projected) upon the arrival of the unanticipated digital relation, which at last seemed to award the fantasy genre the contest prize.

     

    Freud’s notion of the Zeitmarke (datemark), the indelible impress of the present moment that triggered the daydream that denies it, already introduced the import of fantasy's historicization. Science fiction won a second prize that keeps it in the running. No longer bound to projecting the future, the former calling which in light of digitization it flunked, science fiction becomes allegorical and reading in the ruins of its failed predictions illuminates all the date marks and crypts hiding out in the borderlands it traverses with fantasy. To motivate the import of an evolving science fiction genre, Critique of Fantasy makes Gotthard Günther's reflections in the 1950s on American science fiction – as heralding a new metaphysics and a new planetary going on interstellar civilization – a mainstay of its cultural anthropology with B-genres."

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Film theory & criticism; Psychoanalytical theory (Freudian psychology); Literary studies: fiction, novelists & prose writers
    Other subjects: psychoanalysis; cultural studies; film studies; science-fiction; fantasy; Star Wars
    Scope: 1 electronic resource (254 p.)
  7. Architecture and Fire : A Psychoanalytic Approach to Conservation
    Published: 2019
    Publisher:  UCL Press, London

    Architecture and Fire develops a conceptual reassessment of architectural conservation through the study of the intimate relationship between architecture and fire. Stamatis Zografos expands on the general agreement among many theorists that the... more

     

    Architecture and Fire develops a conceptual reassessment of architectural conservation through the study of the intimate relationship between architecture and fire. Stamatis Zografos expands on the general agreement among many theorists that the primitive hut was erected around fire – locating fire as the first memory of architecture, at the very beginning of architectural evolution.

    Following the introduction, Zografos analyses the archive and the renewed interest in the study of archives through the psychoanalysis of Jacques Derrida. He moves on to explore the ambivalent nature of fire, employing the conflicting philosophies of Gaston Bachelard and Henri Bergson to do so, before discussing architectural conservation and the relationship between listed buildings, the function of archives, and the preservation of memories from the past. The following chapter investigates how architecture evolves by absorbing and accommodating fire, while the penultimate chapter examines the critical moment of architectural evolution: the destruction of buildings by fire, with a focus on the tragic disaster at London’s Grenfell Tower in 2017. Zografos concludes with thoughts on Freud’s drive theory. He argues the practice of architectural conservation is an expression of the life drive and a simultaneous repression of the death drive, which suggests controlled destruction should be an integral part of the conservation agenda.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Theory of architecture; Conservation of buildings & building materials
    Other subjects: architecture; fire; psychoanalysis; Freud
    Scope: 1 electronic resource (208 p.)
  8. Misinterest : Essays, Pensées, and Dreams
    Author: Bowker, M.H.
    Published: 2019
    Publisher:  punctum books, Brooklyn, NY

    "The term “interest” lacks a precise antonym. In English, we have “disinterested” and “uninteresting,” but we want for a term that denotes robust opposition to interest. The same appears to hold true in every other language (as far as we know).... more

     

    "The term “interest” lacks a precise antonym. In English, we have “disinterested” and “uninteresting,” but we want for a term that denotes robust opposition to interest. The same appears to hold true in every other language (as far as we know). Interest’s missing antonym reflects not merely a widespread lexical oversight, but a misrecognition of interest’s complete and exact meaning. More importantly, the idea that interest has no opposite expresses a certain refusal to acknowledge the power of the impulse to extinguish interest, for the self and for others.

     

    Why then do we foreclose interest’s possibility, degrade our (and others’) capacities to experience interest, and destroy interest’s objects? Why do we decline what interest proffers — which includes creative and subjective being, thinking, and relating — in favor of more primitive modes of survival, thoughtlessness, and nonbeing? Why do relationships — with ourselves, with others, with objects — toward which genuine interest draws us seem sometimes, if not often, unbearable?

     

    These questions are difficult. Their answers, even more so. Misinterest: Essays, Pensées, and Dreams attempts to approach them in an honest way, without making them fascinating, mysterious, boring, obscurantist, or fascinatingly mysteriously boringly obscurantist. Outwardly, Misinterest is concerned with dreams and forgetting and Eros and soaring dogs and groups and suicidal suburban teenagers and sex and jury duty and Nazis and fathers and hatred and holy parrots and fundamentalists and plagues and other things that may or may not be interesting. Ultimately, however, it seeks, like Jules Renard, “en restant exact” (in remaining true/real), to shed light on the establishment of misinterest, missingness, and mystery where and when they need not be, and, thus, on the psychic, familial, and political forces that compel us not to be when and where we ought."

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781950192304
    Other identifier:
    Subjects: Literary essays; Cultural studies; Psychoanalytical theory (Freudian psychology)
    Other subjects: psychoanalysis; hallucinogens; sex; ethical philosophy; literary essays; morality; dreams
    Scope: 1 electronic resource (166 p.)
  9. Critique of Fantasy, Vol. 2 : The Contest between B-Genres
    Published: 2020
    Publisher:  punctum books, Brooklyn, NY

    "In The Contest between B-Genres, the “Space Trilogy” by J.R.R. Tolkien’s friend and colleague C.S. Lewis and the roster of American science fictions that Gotthard Günther selected and glossed for the German readership in 1952 demarcate the ring in... more

     

    "In The Contest between B-Genres, the “Space Trilogy” by J.R.R. Tolkien’s friend and colleague C.S. Lewis and the roster of American science fictions that Gotthard Günther selected and glossed for the German readership in 1952 demarcate the ring in which the contestants face off. In carrying out in fiction the joust that Tolkien proclaimed in his manifesto essay “On Fairy-Stories,” Lewis challenged the visions of travel through time and space that were the mainstays of modern science fiction. In the facing corner, Günther recognized in American science fiction the first stirrings of a new mythic storytelling that would supplant the staple of an expiring metaphysics, the fairy-story basic to Tolkien and Lewis’s fantasy genre.

     

    The B-genres science fiction and fantasy were contemporaries of cinema’s emergence out of the scientific and experimental study and recording of motion made visible. In an early work like H.G. Wells’s The Time Machine, which Tolkien credited as work of fantasy, the transport through time – the ununderstood crux of this literary experiment – is conveyed through a cinematic–fantastic component in the narrative, reflecting optical innovations and forecasting the movies to come. Although the historical onset of the rivalry between the B-genres is packed with literary examples, adaptation (acknowledged or not) followed out the rebound of wish fantasy between literary descriptions of the ununderstood and their cinematic counterparts, visual and special effects.

     

    The arrival of the digital relation out of the crucible of the unknown and the special effect seemed at last to award the fantasy genre the trophy in its contest with science fiction. And yet, although science fiction indeed failed to predict the digital future, fantasy did not so much succeed as draw benefit from the mere resemblance of fantasying to the new relation. While it follows that digitization is the fantasy that is true (and not, as Tolkien had hoped, the Christian Gospel), the newly renewed B-genre without borders found support in another revaluation that was underway in the other B-genre. Once its future orientation was “history,” science fiction began indwelling the ruins of its faulty forecasts. By its new allegorical momentum, science fiction supplied captions of legibility and history to the reconfigured borderlands it cohabited with fantasy. The second volume also attends, then, to the hybrids that owed their formation to these changes, both anticipated and realized. Extending through the topography of the borderlands, works by J.G. Ballard, Ursula Le Guin, and John Boorman, among others, occupy and cathect a context of speculative fiction that suspended and blended the strict contest requirements constitutive of the separate B-genres"

     

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  10. Anna Freud : Gedichte. Prosa. Übersetzungen.
    Published: 2014
    Publisher:  Böhlau

    Brigitte Spreitzer makes Anna Freud’s literary texts fully accessible in this book for the first time. The detailed preface contextualises Anna Freud’s literary texts as paradigmatic sources, which are documenting the engagement of a young Austrian... more

     

    Brigitte Spreitzer makes Anna Freud’s literary texts fully accessible in this book for the first time. The detailed preface contextualises Anna Freud’s literary texts as paradigmatic sources, which are documenting the engagement of a young Austrian Jewish middle class woman with socio-historical and cultural conditions in Fin de siècle Vienna. Die Herausgeberin Brigitte Spreitzer macht die literarischen Texte von Sigmund Freuds jüngster Tochter Anna Freud zum ersten Mal vollständig zugänglich und liest sie in der Einführung zur Edition als paradigmatische Dokumente der Aus-einandersetzung einer jungen Frau aus dem assimilierten jüdischen Bürgertum mit den sozi¬alhistorischen und kulturellen Bedingungen im Wien der Jahrhundertwende. Damit werden sie als Teil eines historischen Prozesses begreifbar gemacht, der durch das Ringen von Frauen um Zutritt zu Kultur, Bildung und Wissen gekennzeichnet ist. So werden Verbindungslinien von Psychoanalyse, Konstruktionen von Weiblichkeit und individuellem Frau¬enleben nachvollziehbar.

     

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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literature & literary studies
    Other subjects: Anna Freud; psychoanalysis; literature; women’s history; Jewish history; Vienna around 1900; Anna Freud; Psychoanalyse; Literatur; Frauengeschichte; Geschichte des Judentums; Wiener Moderne; London; Lyrik; Sigmund Freud; Tagtraum
    Scope: 1 electronic resource (144 p.)
  11. On Boredom : Essays in art and writing
    Contributor: Holmboe, Rye Dag (Publisher); Morris, Susan (Publisher)
    Published: 2021
    Publisher:  UCL Press, London

    What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, whichinclude artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain... more

     

    What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, whichinclude artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automation. OnBoredom is idiosyncratic for its combination of image and text, and the artworks included in its pages – by Mathew Hale, Martin Creed and Susan Morris – help turn this volume into a material expression of boredom itself. With other contributions from Josh Cohen, Briony Fer, Anouchka Grose, Rye Dag Holmboe, Margaret Iversen, Tom McCarthy and Michael Newman, the book will appeal to readers in the fields of art history, literature, cultural studies and visual culture, from undergraduate students to professional artists working in new media.

     

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    Source: OAPEN
    Contributor: Holmboe, Rye Dag (Publisher); Morris, Susan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787359468; 9781787359475; 9781787359482; 9781787359499; 9781787359505
    Other identifier:
    Subjects: Cultural studies; Literature & literary studies
    Other subjects: boredom; cultural studies; art history; psychoanalysis; literary studies; new media; visual culture
  12. Critique of Fantasy, Vol. 3 : The Block of Fame
    Published: 2021
    Publisher:  punctum books, Brooklyn, NY

    "In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according... more

     

    "In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according to which art making rarefies daydreaming and delivers omnipotence, overlooks the underlying defense contract. We are hooked to creativity, because it offers the best defense against acknowledging the ultimate and untenable masochistic wish to be refused. Bergler’s bleak view, which Gilles Deleuze alone acknowledged in his study of Sacher-Masoch, doesn’t make any overall contribution to the aesthetics of fantasying that this critique addresses. However, it is a good fit with the centerpiece of the final volume: the wish for fame or, rather, the recoil of the wish in the wreckage that success brings.

     

    Following the opening season of mourning and the experience of phantoms, there is the second death, which is murder. In addition to the deadening end that can only be postponed – the killing off of the dead until dead dead – there is another second death that concludes the wish for fame with a ritual stripping of badges and insignia. Not only are the medals thrown to the ground and the sword broken, but a life’s work passes review. At the close of his career, Freud returned to the environs of the wish, the cornerstone of his science. While his disciples Otto Rank and Hanns Sachs carried out his 1907 insights regarding the poetics of daydreaming to illuminate, respectively, the mythic origin of the hero and the evolution of art out of the mutual daydream, Freud battened down for the end of his world by revisiting the so-called primal fantasy, the myth of the primal father, in Moses and Monotheism. The animal setting that was a given of its premier articulation in Totem and Taboo was a wrap this time around with Freud’s translation of Marie Bonaparte’s transference gift, a memoir recounting her premature mourning for her sick chow and the dog’s recovery from cancer of the jaw.

     

    In Bergler’s unconscious system, plagiarism is the conscious variation on the block basic to authorship. Theodor Adorno interpreted the ascendancy of the culture industry leading to and through the Third Reich in terms of the theft of modernism’s critical strategies for promoting the transformation of wish fantasy into the social relation of art. In the course of writing his essay “Notes on Kafka” between 1942 and 1952, Adorno was able to reclaim for aesthetic theory after Auschwitz the “constellation” that he and Benjamin had originally developed to outlast the culture industry’s depravation of the hopefulness of wishing. Adorno gives the sense or direction of the constellation’s recovery when he argues that Kafka’s work stages the final round of the contest between fantasy and science fiction by extrapolating doubling and déjà vu as the portals to a collective future.

     

    The wish for fame or to be refused it and the wish to steal this book or undo the delinquency demarcate the final movement of the third volume, which follows out, beginning with Susan Sontag and Gidget, a veritable Bildungsroman of the post-war era’s star, the teenager. Fantasying to make it big time means to be in training for big ideas and big feelings. The romance of fantasying was also reconfigured out of a station break. The Nazi elevation of youth to superego in the Heimat of the Teen Age neutralized adolescent innovation by forgoing the Hamletian stage of metabolization of the death wish. Switching to the other patient, the other teenager at heart, no longer the German but now the American or Californian, this study enters the termination phase of the analysis in the environs of a reach for the stars that is legend. It is the legend to the final volume’s mapping of our second nature as daydreamer believers."

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Film theory & criticism; Psychoanalytical theory (Freudian psychology); Literary studies: fiction, novelists & prose writers
    Other subjects: cultural studies; Edmund Bergler; fantasy; film studies; psychoanalysis; science fiction; Susan Sontag; writer's block
    Scope: 1 electronic resource (240 p.)
  13. Picturing the Invisible : Exploring interdisciplinary synergies from the arts and the sciences
    Contributor: Coldwell, Paul (Publisher); Morgan, Ruth M. (Publisher)
    Published: 2022
    Publisher:  UCL Press, London

    Picturing the Invisible presents different disciplinary approaches to articulating the invisible, that which is not known or that which is not provable. The challenge that we have seen is how to articulate these concepts, not only to those within a... more

     

    Picturing the Invisible presents different disciplinary approaches to articulating the invisible, that which is not known or that which is not provable. The challenge that we have seen is how to articulate these concepts, not only to those within a particular academic field but beyond, to other disciplines and society at large. As our understanding of the complexity of the world grows incrementally, so does our realisation that issues and problems can rarely be resolved within neat demarcations. Therefore, the importance of finding means of communicating across disciplines and fields becomes a priority. Whilst acknowledging the essential importance of the specialist academic, the capacity to understand other disciplines, their priorities, methodologies and even the language used can become crucial in being an effective instrument for change. This book brings together insights from leading academics from a wide range of disciplines including Art and Design, Curatorial Practice, Literature, Forensic Science, Fashion, Medical Science, Psychoanalysis and Psychotherapy, Philosophy, Astrophysics and Architecture with a shared interest in exploring how, in each discipline, we strive to find expression for the invisible or unknown, and to draw out and articulate some of the explicit and tacit ways of communicating those concepts that transcends traditional disciplinary boundaries.

     

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  14. Ending and Unending Agony
    On Maurice Blanchot
    Published: [2015]; © 2015
    Publisher:  Fordham University Press, New York, NY

    Published posthumously, Ending and Unending Agony is Philippe Lacoue-Labarthe’s only book entirely devoted to the French writer and essayist Maurice Blanchot (1907–2003). The place of Blanchot in Lacoue-Labarthe’s thought was both discreet and... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Published posthumously, Ending and Unending Agony is Philippe Lacoue-Labarthe’s only book entirely devoted to the French writer and essayist Maurice Blanchot (1907–2003). The place of Blanchot in Lacoue-Labarthe’s thought was both discreet and profound, involving difficult, agonizing questions about the status of literature, with vast political and ethical stakes.Together with Plato, Holderlin, Nietzsche, Benjamin, and Heidegger, Blanchot represents a decisive crossroads for Lacoue-Labarthe’s central concerns. In this book, they converge on the question of literature, and in particular of literature as the question of myth—in this instance, the myth of the writer born of the autobiographical experience of death.However, the issues at stake in this encounter are not merely autobiographical; they entail a relentless struggle with processes of figuration and mythicization inherited from the age-old concept of mimesis that permeates Western literature and culture. As this volume demonstrates, the originality of Blanchot’s thought lies in its problematic but obstinate deconstruction of precisely such processes.In addition to offering unique, challenging readings of Blanchot’s writings, setting them among those of Montaigne, Rousseau, Freud, Winnicott, Artaud, Bataille, Lacan, Malraux, Leclaire, Derrida, and others, this book offers fresh insights into two crucial twentieth-century thinkers and a new perspective on contemporary debates in European thought, criticism, and aesthetics

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823264605
    Other identifier:
    Series: Lit Z
    Subjects: Lacoue-Labarthe; Metaphysics; autobiography; birth of literature; blanchot; deconstruction; experience of death; myth; primal scene; psychoanalysis; PHILOSOPHY / Movements / Deconstruction; Fear of death
    Scope: 1 online resource (168 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  15. The Art of Adaptation in Film and Video Games
    Contributor: Thomas, Christian (Herausgeber)
    Published: 2022
    Publisher:  MDPI Books, Basel

    Hochschulbibliothek der Fachhochschule Aachen
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    Source: Union catalogues
    Contributor: Thomas, Christian (Herausgeber)
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9783036548999
    Other identifier:
    10.3390/books978-3-0365-4899-9
    Other subjects: Mulan; adaptation; Disney; Orientalism; cultural authenticity; cultural palimpsest; Chinese cinema; science fiction; The Wandering Earth; patricide; patrilineality; nationalism; media; mass culture; film; digital games; film adaptation; experimental game design; game design process documentation; T.S. Eliot; Prufrock; remediation; comic strip; animated film; split screen; video poem; YouTube dramatic monologue; photographic montage; Contagion; propaganda; pandemic; premediation; Steven Soderbergh; Scott Z. Burns; transit; migrants; empathy; liminal spaces; Bildungsroman; modernity; videogames; Shakespeare; Tale of a Forest; biodiversity; documentary; ecocriticism; environmental narrative; forest; nature photography; nostalgia; species; video games; game studies; Star Wars; George Lucas; game reviews; criticism; thematic analysis; Japanese video games; game localization; cultural adaptation; localization approaches; localization strategies; domestication; foreignization; reception; trauma; origin; psychoanalysis; repetition; impossibility; loss; representation; extremity; writing; image; failure; memoir; missed experience; creative writing studies; screenwriting; video game narrative design; interactive writing; horror film; horror video games; survival horror; character development; sci-fi; thriller; genre; tropes; methodology; n/a; Film, TV & radio
    Scope: 1 electronic resource (254 pages)
  16. Abenteuer in der Moderne
    Contributor: Grill, Oliver (Herausgeber); Obermayr, Brigitte (Herausgeber)
    Published: 07 Sep 2020
    Publisher:  Brill, Wilhelm Fink, Leiden, Niederlande ; Brill, Boston MA, USA

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    Source: Union catalogues
    Contributor: Grill, Oliver (Herausgeber); Obermayr, Brigitte (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846765166
    Other identifier:
    RVK Categories: EC 6844 ; EC 5410
    DDC Categories: 800
    Series: Philologie des Abenteuers ; Band 2
    Subjects: Abenteuerroman; Abenteuer <Motiv>; Literatur; Abenteuerliteratur
    Other subjects: Narratologie; Psychoanalyse; Postcolonial Studies; Literaturgeschichte; Trivialliteratur; Schemaliteratur; Russischer Formalismus; Sozialistischer Realismus; narratology; psychoanalysis; postcolonial studies; history of literature; popular culture; russian formalism; socialist realism
    Scope: 1 Online-Ressource (VI, 308 Seiten), Illustrationen
  17. Die Literatur der Liebesbedingungen
    Verliebtheit, Liebe und Übertragung bei Gottfried Keller
    Published: 2022
    Publisher:  Brill | Fink, Paderborn ; UTB GmbH, Stuttgart

    Die Studie beschäftigt sich erstmals dezidiert mit dem Thema Liebe bei Gottfried Keller und untersucht zu diesem Zweck kontrastierend zwei Novellensammlungen, die zusammen Früh- und Spätwerk des Autors umgreifen („Die Leute von Seldwyla“ und „Das... more

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    Die Studie beschäftigt sich erstmals dezidiert mit dem Thema Liebe bei Gottfried Keller und untersucht zu diesem Zweck kontrastierend zwei Novellensammlungen, die zusammen Früh- und Spätwerk des Autors umgreifen („Die Leute von Seldwyla“ und „Das Sinngedicht“). Damit soll nicht nur ein Beitrag zur Kellerforschung geleistet, sondern darüber hinaus auch der Versuch unternommen werden, den theoretischen Rahmen von literaturwissenschaftlichen Liebesstudien mit Hilfe der Psychoanalyse zu erweitern. Mit Freud und Lacan wird deutlich, was für ein großer Sprung es von den Verliebtheitsgeschichten der am Imaginären haftenden Seldwyler zur Liebe als symbolischer Sinnverdichtung ist. Wenn es stimmt, dass Kellers „Sinngedicht“ ein Buch über Übertragung ist, dann kann diese Studie zuletzt auch ein Licht auf die literarische Vorgeschichte der Psychoanalyse werfen, die sich für Liebesgeschichten fortan nicht nur zuständig erklärt, sondern die daraus sogar ihre Behandlungstechnik ableitet.

     

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  18. Verwicklungen des Betrachters
    Zur rezeptionsästhetischen Temporalität in den Werken von On Kawara, Roman Opałka, Bernd und Hilla Becher, Richard Prince, Cindy Sherman und Sophie Calle unter Berücksichtigung psychodynamischer Perspektiven
    Author: John, Timo
    Published: 2022
    Publisher:  Brill | Fink, Paderborn ; UTB GmbH, Stuttgart

    Die Zeitlichkeit der Werk-Betrachter-Beziehung wurde von der kunstwissenschaftlichen Rezeptionsästhetik erstaunlich lange nur wenig reflektiert. Dabei scheint unbestritten, dass sich visuelle Gestalten, Interpretationen, ästhetische Emotionen und... more

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    Die Zeitlichkeit der Werk-Betrachter-Beziehung wurde von der kunstwissenschaftlichen Rezeptionsästhetik erstaunlich lange nur wenig reflektiert. Dabei scheint unbestritten, dass sich visuelle Gestalten, Interpretationen, ästhetische Emotionen und mentale Ergänzungen nur in einer zeitlich ausgedehnten Bildbetrachtung entfalten können. Die empirische Psychologie und die Psychoanalyse besitzen dagegen eine lange Tradition der Erforschung temporaler Aspekte von Wahrnehmung und Beziehungserleben, jedoch wurden ihre Erkenntnisse bisher kaum für die kunstwissenschaftliche Forschung nutzbar gemacht. »Verwicklungen des Betrachters« erweitert die rezeptionsästhetische Methode um psychodynamische Perspektiven, die eine trennscharfe Differenzierung verschiedener Modi der zeitgebundenen ästhetischen Erfahrung ermöglichen. Neubetrachtungen bekannter Werke der 1960er bis 1980er Jahre veranschaulichen die Plausibilität und Produktivität dieser transdisziplinären Betrachtungsweise.

     

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  19. Der Riss im Subjekt und die Religion
    Author: Meyer, Guido
    Published: [2023]
    Publisher:  Ergon Verlag, Baden-Baden ; Nomos

  20. The practice of love
    lesbian sexuality and perverse desire
    Published: 1994
    Publisher:  Indiana University Press, Bloomington ; JSTOR, New York, NY

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  21. Fremde sind wir uns selbst
    Published: 1990
    Publisher:  Suhrkamp, Frankfurt am Main

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kristeva, Julia
    Media type: Book
    Format: Print
    ISBN: 3518116045
    Edition: Dt. Erstausg., 1. Aufl
    Series: Edition Suhrkamp ; 1604 = N.F., 604
    Subjects: Fremder/Xenologie; Psychoanalyse; stranger; psychoanalysis
    Scope: 212 S
  22. Tiefenpsychologische Deutung des Glaubens?
    Anfragen an Eugen Drewermann
    Published: 1988
    Publisher:  Herder, Freiburg im Breisgau [u.a.]

    Katholische Hochschule für Sozialwesen Berlin, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3451021137
    Series: Quaestiones disputatae ; 113
    Subjects: Hermeneutik; Bibel; Psychoanalyse; hermeneutics; Bible; psychoanalysis
    Other subjects: Drewermann, Eugen (1940-)
    Scope: 174 S
  23. Leitbilder im Recht: Grenzen der Ordnung – Chancen der Unordnung

    „Guiding principles“ as topoi in German juridical discourse are mainly analyzed with regard to their relation to familiar dogmatic and methodological categories. This article suggests engaging with a deconstructing, psychoanalysis-inspired approach... more

     

    „Guiding principles“ as topoi in German juridical discourse are mainly analyzed with regard to their relation to familiar dogmatic and methodological categories. This article suggests engaging with a deconstructing, psychoanalysis-inspired approach to the guiding principles of legal discourse.

     

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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
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    Parent title:
    Enthalten in: Archiv für Rechts- und Sozialphilosophie; Stuttgart : Franz Steiner Verlag, [1933]-; 104, Heft 3 (2018), 362-379; Online-Ressource
    Other subjects: Leitbilder; Rechtsdiskurs; Dogmatik; Vorverständnis; Methodenlehre; Sprachspiel; Dekonstruktion; Psychoanalyse; guiding principles; juridical discourse; legal doctrine; preconception; methodology; language game; deconstruction; psychoanalysis; ARSP 2018; 362
    Scope: Online-Ressource
  24. Das Heilige und die Gewalt
    Published: 1987
    Publisher:  Benziger, Zürich

    Literaturverz. S. 477 - [484] more

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    Literaturverz. S. 477 - [484]

     

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  25. Abenteuer in der Moderne
    Contributor: Grill, Oliver (HerausgeberIn); Obermayr, Brigitte (HerausgeberIn)
    Published: 2020
    Publisher:  Brill, Wilhelm Fink, Paderborn

    Wer in der Moderne von Abenteuern erzählt, setzt sich dem Verdacht der Trivialität aus. Doch ein stillschweigender Verzicht aufs Abenteuer fällt auch kanonischen Autoren der Moderne schwer. Der Sammelband nimmt diese Beobachtung zum Anlass einer... more

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    Wer in der Moderne von Abenteuern erzählt, setzt sich dem Verdacht der Trivialität aus. Doch ein stillschweigender Verzicht aufs Abenteuer fällt auch kanonischen Autoren der Moderne schwer. Der Sammelband nimmt diese Beobachtung zum Anlass einer Spurensuche. Er geht dem Verbleib des Abenteuers in literarischen und theoretischen Texten der Moderne nach. Neben klassischen Abenteuerautoren, wie Karl May oder Rider Haggard, stehen Texte von Goethe, Virginia Woolf, Marcel Proust u.a. im Fokus, welche das Abenteuer in einem Spannungsfeld von Integration und Zurückweisung situieren. Darüber hinaus widmet sich der Band der Bedeutung des Abenteuers im kolonialen Diskurs, in der Psychoanalyse und im Russischen Formalismus.

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Grill, Oliver (HerausgeberIn); Obermayr, Brigitte (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846765166
    Other identifier:
    RVK Categories: EC 5410
    Series: Philologie des Abenteuers ; Band 2
    Subjects: history of literature; Literaturgeschichte; Narratologie; narratology; popular culture; postcolonial studies; Postcolonial Studies; Psychoanalyse; psychoanalysis; russian formalism; Russischer Formalismus; Schemaliteratur; socialist realism; Sozialistischer Realismus; Trivialliteratur
    Scope: 1 Online-Ressource (VI, 308 Seiten), Illustrationen
    Notes:

    Wilhelm Fink. - Online resource; title from title screen (viewed May 11, 2021)

    "Anlass des Sammelbandes war eine Tagung, die im Januar 2019 im Rahmen der Münchner DFG-Forschungsgruppe ‚Philologie des Abenteuers‘ im Literaturhaus München stattfand. " - Seite 301