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  1. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

     
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  2. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane; Schmitz, Norbert M.; Meyer, Birgit; Korte, Anne-Marie; Verrips, Jojada; Spalinger, Nika; O'Meara, Simon; Juneja, Monica; Svasek, Maruska; Becker, Tania
    Published: 2018
    Publisher:  Brill | Fink, Paderborn

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Contributor: Kruse, Christiane; Schmitz, Norbert M.; Meyer, Birgit; Korte, Anne-Marie; Verrips, Jojada; Spalinger, Nika; O'Meara, Simon; Juneja, Monica; Svasek, Maruska; Becker, Tania
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846763452
    Other identifier:
    Edition: 2018
    Subjects: Postsäkularismus; post-sekular; visual culture; religious conflict; post-secularism; post-secular; populäre Ästhetik; popular aesthetics; politics of representation; offensive images; museums; Museen; Medienwissenschaft; Literaturwissenschaft; literary studies; Kunstwissenschaft; Kulturwissenschaft; Islam; imaging gender; Hinduismus; Hinduism; Glaubenskonflikt; Filmwissenschaft; cultural studies; co-existence; anstößige Bilder; artistic research; Artistic Research; Bildpolitik; Bildwissenschaft; Blasphemie; blasphemy; Christentum; Christianity
    Scope: 1 Online-Ressource (383 Seiten)
    Notes:

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency
  3. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
  4. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

     
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  5. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Hochschule Kempten, Hochschulbibliothek
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    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
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  6. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Author: Korte, Anne-Marie
    Published: 2018
    Publisher:  Verlag Wilhelm Fink, Paderborn

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