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  1. Introduction to literary interpretation - from theory to practice
    narrative strategies, discourse presentation and tropes
    Published: 2014
    Publisher:  Hartung-Gorre, Konstanz

    Universitäts- und Landesbibliothek Düsseldorf
    lite110.c967
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  2. Introduction to literary interpretation - from theory to practice
    narrative strategies, discourse presentation and tropes
    Published: 2014
    Publisher:  Hartung-Gorre, Konstanz

    Universitäts- und Landesbibliothek Düsseldorf
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  3. Food as a Literary Device in Lucy Diamond's The Beach Cafe
    Published: 2019
    Publisher:  LAP LAMBERT Academic Publishing, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9786200301550; 6200301557
    Other identifier:
    9786200301550
    Edition: 1. Auflage
    Other subjects: (Produktform)Electronic book text; food; Literary device; Literature; narration; (VLB-WN)1560: Sprachwissenschaft, Literaturwissenschaft
    Scope: Online-Ressource, 56 Seiten
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    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

  4. How Whiteness Claimed the Future
    The Always New vs The Always Now in US-American Literature
  5. Adventurers, Flâneurs, and Agitators : Travel Stories as Means for Marking and Transgressing Boundaries in 19th and Early 20th Century Finland

    The article focuses on border crossings in travel stories, which were published in hand-written newspapers in 19th- and early 20th-century Finland. These papers were a popular tradition in student organizations and popular movements. Border crossings... more

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    The article focuses on border crossings in travel stories, which were published in hand-written newspapers in 19th- and early 20th-century Finland. These papers were a popular tradition in student organizations and popular movements. Border crossings appear in travel stories in three different representations. Firstly, border crossings are repeated motifs in travel stories, both as challenging events and as small gestures and encounters. Travel stories demarcate boundaries, but they also provide a means for transgressing them. Secondly, hand-written newspapers as a literary practice highlight borders between oral and written communication. They were produced as one single manuscript copy, and published by being read out aloud in social events. Thirdly, the authors of hand-written newspapers were placed on the border of different positions in society such as class, gender and age. My analysis is based on the methodological discussion of small stories and personal experience narratives; travel stories can be defined as “local event narratives”. I have outlined four basic models for travel stories which emerge from hand-written newspapers: the great mission story, the grand tour story, the flâneur story and the retreat story. The analysis of travel stories is presented through four different case studies with a time range from the 1850s to the 1920s: these materials have been produced in two provincial student fraternities (osakunta), in the temperance society “Star” in Helsinki in the 1890s, and in the Social Democratic Youth Club in the small industrial town of Karkkila in the 1910s and the 1920s. Many parallel features can be observed in travel stories, even though the social background and ideology of the authors are quite different. Time and space are important aspects in travel stories, and they often demarcate boundaries of class and gender.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    ftgenderopen:oai:www.genderopen.de:25595/1429
    Parent title: In: Culture unbound : Journal of current cultural research, Jg. 6 (2014) Nr. 6, 1145-1164
    Datenlieferant: GenderOpen
    Other subjects: travel stories; hand-written newspapers; border crossings; class; gender; oral-literary tradition; narration
    Scope: Online-Ressource
  6. How whiteness claimed the future
    the always new vs the always now in US-American literature
  7. On Minor Universality
    Published: 2023
    Publisher:  Saarländische Universitäts- und Landesbibliothek, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: universalism; decolonisation; Mediterranean internationalism; Venice Biennale; exhibition-making; narration; microstoria; truth-procedure; Alain Badiou; Gilles Deleuze; Frantz Fanon; Giovanni Levi; Zineb Sedira
    Scope: Online-Ressource
    Notes:

    In: Minor Universality : Rethinking Humanity After Western Universalism / Messling, Markus. - 2. - Berlin : De Gruyter, 2023

  8. Introduction to literary interpretation - from theory to practice
    narrative strategies, discourse presentation and tropes
    Published: 2014
    Publisher:  Hartung-Gorre, Konstanz

  9. RAFU
    An African Story
    Author: Prym, Verena
    Published: 2020
    Publisher:  meoverlag, Vachendorf

  10. Ambiguity in Emily Brontë’s "Wuthering Heights"
    Author: Ebert, Lisa
    Published: 2020
    Publisher:  Brill Ferdinand Schöningh, Paderborn, Deutschland

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783506704955; 3506704958
    Other identifier:
    9783506704955
    Series: Beiträge zur englischen und amerikanischen Literatur ; Band 39
    Subjects: Ambiguität
    Other subjects: Brontë, Emily (1818-1848): Wuthering heights; (Produktform)Paperback / softback; (Zielgruppe)Fachpublikum/ Wissenschaft; narration; perception; Victorian; literature; linguistics; interpretation; novel; (VLB-WN)1564: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Scope: XXII, 274 Seiten, Illustrationen, 24 cm, 514 g
    Notes:

    Dissertation, University of Tübingen, 2018

  11. Diary notes of Karl-Heinz Schutzmann - Call or Trail of Cthulhu
    Life and death of a roleplaying character...
    Published: 2019
    Publisher:  BookRix, München

  12. Rafu
    an african story
    Author: Prym, Verena
    Published: [2020]
    Publisher:  [Meoverlag], [Soest]

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    Source: Union catalogues
    Contributor: Böger, Paulina (Illustrator)
    Language: English
    Media type: Book
    Format: Print
    Other subjects: (Zielgruppe)ab 6 Jahre; (BISAC Subject Heading)JUV016010; (BISAC Subject Heading)FIC067000; children´s book; kids book; friendship; Afrika; wild animals; giraffes; courage; cave drawings; secret; myth; narration; bushland; painting; watercolour
    Scope: 50 ungezählte Seiten, Illustrationen, 25 cm
  13. How Whiteness Claimed the Future
    The Always New vs The Always Now in US-American Literature
  14. Universalism (e) & …
    Conversations
    Contributor: Cohen, Elsie (Herausgeber); Deiab, Azyza (Herausgeber); Ndé Fongang, Clément (Herausgeber); Hofmann, Franck (Herausgeber); Messling, Markus (Herausgeber); Thièrard, Hèlène (Herausgeber); Tinius, Jonas (Herausgeber)
    Published: 2024
    Publisher:  De Gruyter, Berlin

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  15. The role of prose narratives in teaching language
    Published: 2017
    Publisher:  LAP LAMBERT Academic Publishing, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9786202065351; 6202065354
    Other identifier:
    9786202065351
    Edition: 1. Auflage
    Other subjects: (Produktform)Electronic book text; Language; narration; Prose; teaching; (VLB-WN)1560: Sprachwissenschaft, Literaturwissenschaft
    Scope: Online-Ressourcen, 232 Seiten
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

  16. The Shifting of Leadership in Gaines's The Autobiography of Miss Jane
    Published: 2019
    Publisher:  Éditions universitaires européennes, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9786138451686; 6138451686
    Other identifier:
    9786138451686
    Edition: 1. Auflage
    Other subjects: (Produktform)Electronic book text; histoire; fiction; oralité; narration; leadership; Héroïsme; sexisme; communauté noire; esclavage; Engagement.; (VLB-WN)1726: Soziologie/Frauenforschung, Geschlechterforschung
    Scope: Online-Ressource, 64 Seiten
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

  17. The Implied Author
    Concept and Controversy
    Author: Kindt, Tom
    Published: [2008]; ©2006
    Publisher:  De Gruyter, Berlin ; Boston

    Gegenstand des Buches ist der in den Kulturwissenschaften ebenso verbreitete wie umstrittene Begriff des implied author, der seit seiner Einführung vor einem halben Jahrhundert Anlass für literaturtheoretische Kontroversen gewesen ist. Die ersten... more

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    Gegenstand des Buches ist der in den Kulturwissenschaften ebenso verbreitete wie umstrittene Begriff des implied author, der seit seiner Einführung vor einem halben Jahrhundert Anlass für literaturtheoretische Kontroversen gewesen ist. Die ersten Kapitel der Studie untersuchen die Geschichte des Begriffs: die Prägung des Konzepts in Wayne C. Booths Rhetoric of Fiction, die vielstimmige Diskussion in Narratologie, Interpretationstheorie und Interpretationspraxis, und die bekanntesten Konkurrenzkonzepte wie Umberto Ecos Modell-Autor oder Wolfgang Isers impliziten Leser. Das Schlusskapitel widmet sich der Frage, wie mit dem implied author in Zukunft umgegangen werden sollte; im Vordergund steht dabei die Analyse und Evaluation von Vorschlägen der Klärung bzw. Ersetzung des Konzepts im Rahmen intentionalistischer Interpretationstheorien

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110201727
    Other identifier:
    Series: Narratologia ; 9
    Other subjects: Implied author (Rhetoric); Erzählen /i. d. Literatur; Erzähler; Erzähltechnik; Erzähltheorie; Literary theory; Literaturtheorie; narration technique; narration; narratology; narrator (in literature); LITERARY CRITICISM / General
    Scope: 1 online resource
  18. Ambiguity in Emily Brontë’s "Wuthering Heights"
    Author: Ebert, Lisa
    Published: 2020
    Publisher:  Brill, Ferdinand Schöningh, Paderborn

    Since its publication, Emily Brontë’s Wuthering Heights has given rise to an unusual plurality of interpretations, leading to the impression that the novel somehow resists interpretation. The author offers a new reading of the novel that takes this... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Since its publication, Emily Brontë’s Wuthering Heights has given rise to an unusual plurality of interpretations, leading to the impression that the novel somehow resists interpretation. The author offers a new reading of the novel that takes this effect into account by investigating its reason: ambiguity is a thematic focal point and structural key element of the novel. This study is concerned with the ambiguity of Wuthering Heights which arises through a complex interplay of distinct but interdependent ambiguities of perception, narration, and the narrated world. In particular, it shows how specific ambiguous utterances (e.g. a clash of implicatures and presuppositions) are linked with each other and contribute to the global ambiguity of the text. In this way, not only the function of ambiguity for understanding Wuthering Heights is explored but also the function of Wuthering Heights for understanding ambiguity. The book should thus be of interest not only to Brontë scholars and Victorianists but also to literary scholars and linguists in general.

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783657704958
    Other identifier:
    9783657704958
    RVK Categories: HL 2085
    Series: Beiträge zur englischen und amerikanischen Literatur ; Band 39
    Subjects: interpretation; linguistics; literature; narration; novel; perception; Victorian
    Scope: 1 Online-Ressource (XXII, 274 Seiten), Illustrationen
    Notes:

    Online resource; title from title screen (viewed May 11, 2021)

    Dissertation, Eberhard Karls Universität Tübingen, 2018

  19. How whiteness claimed the future
    the always new vs the always now in US-American literature
    Published: [2023]
    Publisher:  De Gruyter, Berlin

    Interested in the ideological workings of fiction, I study how major avant-garde tropes promote the potential of permanent renewal as white America’s property. Renewal ties to the capacities to create, progress, transcend, and simply be. From Black... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Interested in the ideological workings of fiction, I study how major avant-garde tropes promote the potential of permanent renewal as white America’s property. Renewal ties to the capacities to create, progress, transcend, and simply be. From Black critique we know that, within dominant discourse, all these capacities have been denied to Black bodies ever since colonization. Black work has been fetishized, appropriated, stolen, and dismissed in and by dominant culture, while Black being is construed as negativity and barred on the level of ontology. It follows then that racialization operates on multiple levels in the conceptual frame of renewal. I study this conceptualization by re-reading the works of and criticism on progressive white authors. I examine how images of renewal enable the claim on futurity, transformative potential, and movement forward as exclusively white properties. Premised on oppositions between positive capacities and a state of complete incapacitation, these images are often viewed as separate constructions. This project shows that, deriving from white ideology, such representations are symbiotic and simultaneous - the "good" story of white renewal rests on the continual transgression towards Black being

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110799996; 9783110891331
    Other identifier:
    RVK Categories: HR 1645
    Series: American Frictions ; volume 7
    Subjects: USA; Literatur; Weiße; Rassismus <Motiv>; Schwarzenbild; Erneuerung <Motiv>; Transformation <Motiv>; Zukunft <Motiv>;
    Other subjects: Antiblackness; Avant-garde; ideology; narration
    Scope: 1 Online-Ressource (184 Seiten)
    Notes:

    Dissertation, Universität Potsdam, 2020

  20. The Implied Author
    Concept and Controversy
    Author: Kindt, Tom
    Published: 2008; ©2006
    Publisher:  Walter de Gruyter, Berlin, New York

    This book addresses itself to the concept of the implied author, which has been the cause of controversy in cultural studies for some fifty years. The opening chapters examine the introduction of the concept in Wayne C. Booth’s “Rhetoric of Fiction”... more

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    This book addresses itself to the concept of the implied author, which has been the cause of controversy in cultural studies for some fifty years. The opening chapters examine the introduction of the concept in Wayne C. Booth’s “Rhetoric of Fiction” and the discussion of the concept in narratology and in the theory and practice of interpretation. The final chapter develops proposals for clarifying or replacing the concept.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3110189488
    Other identifier:
    RVK Categories: EC 4500 ; EC 1868
    Series: Narratologia ; 9
    Subjects: Implied author (Rhetoric); Implied author (Rhetoric).; Erzählen /i. d. Literatur.; Erzähler.; Erzähltechnik.; Erzähltheorie.; Literaturtheorie.; narration technique; LITERARY CRITICISM / General
    Other subjects: Literary theory; narration technique; narration; narratology; narrator (in literature)
    Scope: Online-Ressource
  21. The Implied Author
    Concept and Controversy
    Author: Kindt, Tom
    Published: [2008]; ©2006
    Publisher:  De Gruyter, Berlin ; Boston

    Gegenstand des Buches ist der in den Kulturwissenschaften ebenso verbreitete wie umstrittene Begriff des implied author, der seit seiner Einführung vor einem halben Jahrhundert Anlass für literaturtheoretische Kontroversen gewesen ist. Die ersten... more

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    Gegenstand des Buches ist der in den Kulturwissenschaften ebenso verbreitete wie umstrittene Begriff des implied author, der seit seiner Einführung vor einem halben Jahrhundert Anlass für literaturtheoretische Kontroversen gewesen ist. Die ersten Kapitel der Studie untersuchen die Geschichte des Begriffs: die Prägung des Konzepts in Wayne C. Booths Rhetoric of Fiction, die vielstimmige Diskussion in Narratologie, Interpretationstheorie und Interpretationspraxis, und die bekanntesten Konkurrenzkonzepte wie Umberto Ecos Modell-Autor oder Wolfgang Isers impliziten Leser. Das Schlusskapitel widmet sich der Frage, wie mit dem implied author in Zukunft umgegangen werden sollte; im Vordergund steht dabei die Analyse und Evaluation von Vorschlägen der Klärung bzw. Ersetzung des Konzepts im Rahmen intentionalistischer Interpretationstheorien

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110201727
    Other identifier:
    Series: Narratologia ; 9
    Subjects: Implied author (Rhetoric); Erzählen /i. d. Literatur; Erzähler; Erzähltechnik; Erzähltheorie; Literary theory; Literaturtheorie; narration technique; narration; narratology; narrator (in literature); LITERARY CRITICISM / General
    Scope: 1 online resource
  22. Ambiguity in Emily Brontë’s "Wuthering Heights"
    Author: Ebert, Lisa
    Published: 2020
    Publisher:  Brill, Ferdinand Schöningh, Paderborn

    Since its publication, Emily Brontë’s Wuthering Heights has given rise to an unusual plurality of interpretations, leading to the impression that the novel somehow resists interpretation. The author offers a new reading of the novel that takes this... more

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    Since its publication, Emily Brontë’s Wuthering Heights has given rise to an unusual plurality of interpretations, leading to the impression that the novel somehow resists interpretation. The author offers a new reading of the novel that takes this effect into account by investigating its reason: ambiguity is a thematic focal point and structural key element of the novel. This study is concerned with the ambiguity of Wuthering Heights which arises through a complex interplay of distinct but interdependent ambiguities of perception, narration, and the narrated world. In particular, it shows how specific ambiguous utterances (e.g. a clash of implicatures and presuppositions) are linked with each other and contribute to the global ambiguity of the text. In this way, not only the function of ambiguity for understanding Wuthering Heights is explored but also the function of Wuthering Heights for understanding ambiguity. The book should thus be of interest not only to Brontë scholars and Victorianists but also to literary scholars and linguists in general.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783657704958
    Other identifier:
    9783657704958
    RVK Categories: HL 2085
    Series: Beiträge zur englischen und amerikanischen Literatur ; Band 39
    Subjects: interpretation; linguistics; literature; narration; novel; perception; Victorian
    Scope: 1 Online-Ressource (XXII, 274 Seiten), Illustrationen
    Notes:

    Online resource; title from title screen (viewed May 11, 2021)

    Dissertation, Eberhard Karls Universität Tübingen, 2018

  23. Exploring fictional truth
    content, interpretation, and narration
    Published: [2021]; © 2021
    Publisher:  Vittorio Klostermann, Frankfurt

    There are ghosts. At least, in "Hamlet" there are. This is an example of a fictional truth, of something true in a fiction. Or so it seems. For, once we broaden our view to all kinds and realms of fiction our ordinary notions are challenged, and... more

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    There are ghosts. At least, in "Hamlet" there are. This is an example of a fictional truth, of something true in a fiction. Or so it seems. For, once we broaden our view to all kinds and realms of fiction our ordinary notions are challenged, and intriguing philosophical questions arise. Are there really any fictional truths? How can they be determined? Is everything just interpretation? Can anything be fictional? Could you be part of a fiction? Et cetera. The philosophical literature on fiction typically focusses on the semantics of fictional discourse and the ontology of fictional objects. In contrast, this study explores the nature of fictional truth by analyzing its conceptual structure and by unfolding some of its most important conceptual connections. After reviewing the field and identifying core elements that any theory of fictional truth must accommodate Christian Folde investigates several interrelated issues central to the on-going debates. Building on a clear account of fictional content and a wealth of examples the author offers novel solutions to various problems at the intersection of fictional truth, interpretation, and narration. The book thereby makes contributions to aesthetics, metaphysics and literary theory, among other things, and is thus both of philosophical and interdisciplinary value.

     

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    Content information
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783465145622
    Other identifier:
    RVK Categories: CC 3200
    Series: Studies in Theoretical Philosophy ; 10
    Subjects: Philosophy; fiction; Fictional Truth; Theoretical Philosophy; metaphysics; Literary Theory; Interpretation; Truth; Narration; aesthetics; ontology; Analytical Philosophy; Struktur; Literaturtheorie; Semantik; author; interpretation; Ontologie; Ästhetik; Erzählung; Wahrheit; Metaphysik; narration; structure; Analytische Philosophie; Autor; semantics
    Scope: 1 Online-Ressource (xiv, 151 Seiten)
    Notes:

    Literaturverzeichnis: Seite 141-151

    Dissertation, Universität Hamburg, 2019

  24. First-Person Narration and the Poetics of Theophany in the Deuteronomic Horeb Account
    Published: 2023

    In recent years, scholars of the Hebrew Bible have increasingly challenged entrenched dichotomies between historical criticism and literary theory. This integrative approach draws on contemporary literary studies to achieve a fuller understanding of... more

     

    In recent years, scholars of the Hebrew Bible have increasingly challenged entrenched dichotomies between historical criticism and literary theory. This integrative approach draws on contemporary literary studies to achieve a fuller understanding of biblical texts as fictive works in their ancient historical contexts. Theophany narratives invite especially fruitful application of this approach because they are both culturally specific and literarily complex. In this article, I contribute to this conversation by analyzing the fictive role of narrational voicing in Deut 4:1-40, the opening section of Moses's first-person account of the Horeb theophany in the pentateuchal Deuteronomic source. This passage famously underscores the auditory (as opposed to visual) character of the Horeb theophany in order to provide phenomenological ground for aniconism. While scholars usually treat this as a tenet of Deuteronomic theology, I argue that it is also part of the Deuteronomic poetics of first-person narration: Moses is framing the theophany in terms of his experience of the molten calf, which has already happened within the story world of D. This literary effect emerged both through Deuteronomic engagement with the earlier, Elohistic version of the story and through retrospective sapientialization of earlier material within D itself. Integrating historical-critical and literary-theoretical approaches shows how Deut 4:1-40 uses first-person narration to construct the theophany through the character development of the narrator.

     

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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Parent title: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic Biblical Association of America, 1939; 85(2023), 4, Seite 618-639; Online-Ressource

    Subjects: Deuteronomy; Horeb; Moses; literary theory; narration; source criticism; theophany
  25. Exploring Fictional Truth
    Content, Interpretation and Narration
    Published: 2021
    Publisher:  Klostermann, Frankfurt am Main

    There are ghosts. At least, in "Hamlet" there are. This is an example of a fictional truth, of something true in a fiction. Or so it seems. For, once we broaden our view to all kinds and realms of fiction our ordinary notions are challenged, and... more

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    There are ghosts. At least, in "Hamlet" there are. This is an example of a fictional truth, of something true in a fiction. Or so it seems. For, once we broaden our view to all kinds and realms of fiction our ordinary notions are challenged, and intriguing philosophical questions arise. Are there really any fictional truths? How can they be determined? Is everything just interpretation? Can anything be fictional? Could you be part of a fiction? Et cetera. The philosophical literature on fiction typically focusses on the semantics of fictional discourse and the ontology of fictional objects. In contrast, this study explores the nature of fictional truth by analyzing its conceptual structure and by unfolding some of its most important conceptual connections. After reviewing the field and identifying core elements that any theory of fictional truth must accommodate Christian Folde investigates several interrelated issues central to the on-going debates. Building on a clear account of fictional content and a wealth of examples the author offers novel solutions to various problems at the intersection of fictional truth, interpretation, and narration. The book thereby makes contributions to aesthetics, metaphysics and literary theory, among other things, and is thus both of philosophical and interdisciplinary value

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783465045625; 9783465145622
    Edition: 1. Auflage 2021
    Series: Studies in Theoretical Philosophy ; 10
    Subjects: Metaphysik; Ontologie; Ästhetik; Interpretation; Wahrheit; Erzählung; Narration; Autor; Struktur; Literaturtheorie; Semantik; author; interpretation; literary theory; truth; aesthetics; ontology; metaphysics; narration; structure; Analytische Philosophie; analytical philosophy; semantics
    Scope: 1 Online-Ressource (152 S), online resource
    Notes:

    Introduction -- Chapter 1: Against Nihilism about Fictional Truth -- Chapter 2: Poetic License, Genre, and the Fictionality Puzzle -- Chapter 3: Grounding Interpretation -- Chapter 4: Interpretation and the Hypothetico-Deductive Method: A Dilemma -- Chapter 5: Non-Fictional Narrators in Fictional Narratives -- References