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In Paris in the Dark Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Drawing on a wealth of journalistic sources, Smoodin recounts the ways films moved through the city, the favored stars, and what it was like to go to the movies in a city with hundreds of cinemas. In a single week in the early 1930s, moviegoers might see Hollywood features like King Kong and Frankenstein, the new Marlene Dietrich and Maurice Chevalier movies, and any number of films from Italy, Germany, and Russia. Or they could frequent the city's ciné-clubs, which were hosts to the cinéphile subcultures of Paris. At other times, a night at the movies might result in an evening of fascist violence, even before the German Occupation of Paris, while after the war the city's cinemas formed the space for reconsolidating French film culture. In mapping the cinematic geography of Paris, Smoodin expands understandings of local film exhibition and the relationships of movies to urban space.

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Source:	OAPEN
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781478090281; 9781478007531; 9781478006923; 9781478006114
Other identifier:	doi: 10.1215/9781478090281
Subjects:	Film theory & criticism
Other subjects:	cinematic geography; audience; film journalism; film distribution; exhibition; World War II; movie stars
Scope:	1 electronic resource (224 p.)

Frühstück im Freien – Freiräume im offiziellen Kunstbetrieb der DDR. Die Ausstellungen und Aktionen im Leonhardi-Museum in Dresden 1963 - 1990

Author: Weißbach, Angelika

Published: 2009

Publisher: Humboldt-Universität zu Berlin

The Leonhardi-Museum in Dresden belonged to one of the most legendary exhibition centers / galleries for contemporary nonconformist art in the GDR. Its peculiarity was derived from the fact that the concept and organization of the exhibitions lay in... more

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The Leonhardi-Museum in Dresden belonged to one of the most legendary exhibition centers / galleries for contemporary nonconformist art in the GDR. Its peculiarity was derived from the fact that the concept and organization of the exhibitions lay in the hands of the artists themselves – who continually formed open ad hoc working groups (Arbeitsgruppe / AG) – as well as the fact that it was not an unofficial or autonomous institution, but primarily a gallery belonging to the State Association of Artists in the Graphic Arts in the GDR (VBK) and later to the city council Dresden-East. This dissertation examines and documents more than 100 exhibitions and events held in the principal hall of the Leonhardi-Museum between 1963 and 1990. The majority were personal exhibitions by graphic artists, painters and sculptors which provoked attitudes and opinions, broadened viewing habits and which featured experiments which were stimulated by the dimensions of the room. Often it was the first opportunity at all for artists to exhibit. Especially the communal festivities and spectacular group exhibitions around the topics “doors” and “Alfresco Breakfast” made the Leonhardi-Museum famous both nationally and internationally. Ministry of “Staatssicherheit” bans contributed to the increased popularity of the Leonhardi-Museum. Comparisons with similar official exhibition venues in Berlin (Lothar Lang’s Art-Cabinet, Gallery Arkade), Leipzig (Gallery on the Sachsenplatz, Herbstsalon), Karl-Marx-Stadt (Gallery Clara Mosch) and Dresden (Galleries Kunst der Zeit, Nord, Comenius and Mitte; Puschkinhaus, Lücke frequentor, Intermedia) demonstrate that the importance of the Leonhardi-Museum changed, but that for three decades it remained the only place in the GDR in which artists were able to use official structures for their art. In doing so they created scope for freedom for the graphic arts. Das Leonhardi-Museum in Dresden gehörte in der DDR zu den legendären Ausstellungsorten für zeitgenössische, nonkonforme Kunst. Seine Besonderheit bestand darin, daß die Konzeption und Organisation der Ausstellungen in den Händen der Künstler selbst lag - die sich dafür immer wieder in einer offenen Formation, einer Arbeitsgruppe (AG) zusammenschlossen -, und daß es kein inoffizieller oder autonomer Ort war, sondern zunächst eine Galerie des staatlichen Künstlerverbandes VBK und später des Stadtbezirkes Dresden Ost. In der vorliegenden Dissertation konnten von 1963 bis 1990 über 100 Ausstellungen und Aktionen im großen Saal des Leonhardi-Museums nachgewiesen und dokumentiert werden: In der Mehrzahl Personal-Ausstellungen von Graphikern, Malern und Bildhauern, die Haltungen provozierten, Sehgewohnheiten erweiterten und sich von der Dimension des Raumes zu Experimenten anregen ließen. Nicht selten war es für sie die erste Gelegenheit, überhaupt auszustellen. Kanonbildend waren vor allem die gemeinsamen Feste und die spektakulären Gruppenausstellungen zu den Themen „Türen“ (1979) und „Frühstück im Freien“ (1982), welche das Leonhardi-Museum auch über die Stadt- und Staatsgrenze hinaus bekannt machten. Ferner trugen die durch das Ministerium für Staatssicherheit veranlassten Verbote und Schließungen zur Popularität des Hauses bei. Im Vergleich mit anderen offiziellen Ausstellungsorten in Berlin (Kunstkabinett von Lothar Lang, Galerie Arkade), Leipzig (Galerie am Sachsenplatz, Herbstsalon), Karl-Marx-Stadt (Galerie Clara Mosch) und Dresden (u.a. die Galerien Kunst der Zeit, Nord, Comenius und Mitte; Puschkinhaus, Lücke frequentor, Intermedia) konnte gezeigt werden, daß sich die Bedeutung des Leonhardi-Museums veränderte, es aber der einzige Ausstellungsort in der DDR war, an dem es Künstlern über drei Jahrzehnte gelungen ist, offizielle Strukturen (aus-) zu nutzen, um in produktiver Eigenständigkeit einen Freiraum für bildende Kunst zu schaffen.

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Source:	OAPEN
Language:	German
Media type:	Ebook
Format:	Online
Other identifier:	doi: 10.26530/OAPEN_381343
Subjects:	Art & design styles: from c 1960; European history
Other subjects:	bezirksausstellung dresden; freiraum; dresden; malerei; künstlerplakat; bildende kunst; tür; gdr; galerie-ost; staatlicher kunsthandel der ddr; ddr; stadtbezirks-galerie; door; kulturbund; verband bildender künstler der ddr (vbk); kunstausstellung der ddr; graphik; skulptur; exhibition; frühstück im freien; ausstellung; installation; poster; art; aktion; plakat; alfresco breakfast; artist; galerie; gallery; genossenschaft bildender künstler; leonhardi-museum; Berlin; Deutsche Demokratische Republik
Scope:	1 electronic resource (373 p.)

Schauplatz Archiv Objekt – Narrativ – Performanz

Contributor: Kastberger, Klaus (Publisher); Maurer, Stefan (Publisher); Neuhuber, Christian (Publisher)

Published: 2019

Publisher: De Gruyter, Berlin/Boston

While archives have traditionally attracted little publicity, this situation is in flux: things that were hidden away – from precious objects to curiosities – are now being made available not only to scholars but to a broader public audience as well.... more

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While archives have traditionally attracted little publicity, this situation is in flux: things that were hidden away – from precious objects to curiosities – are now being made available not only to scholars but to a broader public audience as well. This volume addresses questions related to the accessibility, representation, and dissemination of institutionally preserved cultural heritage.

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Source:	OAPEN
Contributor:	Kastberger, Klaus (Publisher); Maurer, Stefan (Publisher); Neuhuber, Christian (Publisher)
Language:	German
Media type:	Ebook
Format:	Online
ISBN:	9783110656725; 9783110656251; 9783110656817
Other identifier:	doi: 10.1515/9783110656725
Subjects:	Literature: history & criticism; Literary studies: general; Museology & heritage studies
Other subjects:	Archive; museum; exhibition
Scope:	1 electronic resource (173 p.)

Animism, Materiality, and Museums : How Do Byzantine Things Feel?

Author: Peers, Glenn

Published: 2021

Publisher: Arc Humanities Press

Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According... more

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Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According to well-established theological and scholarly explanations, the icon is a window onto the divine: it focuses and directs our minds to a higher understanding of God and saints. Despite their material richness, icons are understood to efface their own materiality, thereby enabling us to do the same. That the privileged relation of image to God is based on its capacity for material self-effacement is the basis for all theology of the icon and all art-historical description. It gets more complicated than this definition, to be sure, but the icon is positioned in this way in most straightforward accounts, whether devotional or scholarly. My position is to undermine the transcendentalizing determination of modern theology and aesthetics, and to lean very heavily on the materiality of these things to the point of allowing them, to the degree I can, a voice and life of their own.

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Source:	OAPEN
Language:	English
Media type:	Ebook
Format:	Online
Other identifier:	doi: 10.17302/CDH-9781942401742
Subjects:	History of art: Byzantine & Medieval art c 500 CE to c 1400; Museology & heritage studies; Early history: c 500 to c 1450/1500
Other subjects:	Byzantine; exhibition; animism; art; christian animism; museum experience; visitor experience
Scope:	1 electronic resource (167 p.)

Post-war Architecture between Italy and the UK : Exchanges and transcultural influences

Contributor: Ciccarelli, Lorenzo (Publisher); Melhuish, Clare (Publisher)

Published: 2021

Publisher: UCL Press, London

Italy and the UK experienced a radical re-organisation of urban space following the devastation of many towns and cities in the Second World War. The need to rebuild led to an intellectual and cultural exchange between a wave of talented architects,... more

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Italy and the UK experienced a radical re-organisation of urban space following the devastation of many towns and cities in the Second World War. The need to rebuild led to an intellectual and cultural exchange between a wave of talented architects, urbanists and architectural historians in the two countries. Post-war Architecture between Italy and the UK studies this exchange, exploring how the connections and mutual influences contributed to the formation of a distinctive stance towards Internationalism, notwithstanding the countries’ contrasting geographic and climatic conditions, levels of economic and industrial development, and social structures. Topics discussed in the volume include the influence of Italian historic town centres on British modernist and Brutalist architectural approaches to the design of housing and university campuses as public spaces; post-war planning concepts such as the precinct; the tensions between British critics and Italian architects that paved the way for British postmodernism; and the role of architectural education as a melting pot of mutual influence. It draws on a wealth of archival and original materials to present insights into the personal relationships, publications, exhibitions and events that provided the crucible for the dissemination of ideas and typologies across cultural borders. Offering new insights into the transcultural aspects of European architectural history in the post-war years, and its legacy, this volume is vital reading for architectural and urban historians, planners and students, as well as social historians of the European post-war period.

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Source:	OAPEN
Contributor:	Ciccarelli, Lorenzo (Publisher); Melhuish, Clare (Publisher)
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781800080836; 9781800080843; 9781800080850; 9781800080867; 9781800080874
Other identifier:	doi: 10.14324/111.9781800080836
Subjects:	History of architecture; Urban communities; Urban & municipal planning
Other subjects:	architecture; urban planning; Italy:UK; postwar; cultural exchange; built environment; urban studies; Architectur; urbanism; Italy; UK; architect; building; urban design; town; city; planning; town planning; architectural criticism; Welfare state; post-war; reconstruction; historic centre; exhibition; magazine; CIAM; Team X; AA; Abercrombie; New Towns.

The Politics of Contemporary Art Biennials : Spectacles of Critique, Theory and Art

Author: Kompatsiaris, Panos

Published: 2017

Publisher: Taylor & Francis

Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a... more

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Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity. This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.

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Source:	OAPEN
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781315645049; 9781317290834; 9781138184589; 9780367376680
Other identifier:	doi: 10.4324/9781315645049
Subjects:	History of art / art & design styles; The arts: general issues; Museology & heritage studies
Other subjects:	activism; art history; contemporary art; curating; economics; exhibition; museum studies; Occupy; politics; visual culture
Scope:	1 electronic resource (206 p.)

Bibliothek des Bischöflichen Priesterseminars Trier

Signature:

FC 1094

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Inhaltsverzeichnis

Source:	Union catalogues
Contributor:	Ricasoli, Corinna (Herausgeber)
Language:	English
Media type:	Book
ISBN:	9783506732767; 3506732765
Other identifier:	9783506732767
DDC Categories:	230; 700
Subjects:	Rezeption; Vanitas; Druckgrafik; Malerei
Other subjects:	(Produktform)Paperback / softback; influence; life; exhibition; universal ideas; (VLB-WN)1542: Hardcover, Softcover / Religion, Theologie/Christentum
Scope:	231 Seiten, Illustrationen

<<The>> Living dead

ecclesiastes through art

Contributor: Ricasoli, Corinna (Herausgeber)

Published: [2018]

Publisher: Ferdinand Schöningh, Paderborn

Köln: Erzbischöfliche Diözesan- und Dombibliothek

Location:

Erzbischöfliche Diözesan- und Dombibliothek

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Münster: Universitäts- und Landesbibliothek Münster, Zentralbibliothek

Location:

Universitäts- und Landesbibliothek Münster, Zentralbibliothek

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Inhaltsverzeichnis

Source:	Union catalogues
Contributor:	Ricasoli, Corinna (Herausgeber)
Language:	English
Media type:	Book
Format:	Print
ISBN:	9783506732767; 3506732765
Other identifier:	9783506732767
DDC Categories:	700; 230
Subjects:	Bibel; Rezeption; Malerei; Druckgrafik; Vanitas; Geschichte 1500-1800
Other subjects:	influence; life; exhibition; universal ideas
Scope:	231 Seiten, Illustrationen

La Souillure

Author: Albert, Jean-Pierre

Published: 2020

Location:

Universität Marburg, Universitätsbibliothek

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No inter-library loan

Ce volume se propose comme un atelier de réflexion sur un thème d'une complexité extrême, la Souillure, qui sollicite toutes les disciplines des sciences humaines, dans le cadre du LAPRIL propice aux regards qui se croisent et aux voix qui échangent : la création littéraire dans la longue durée, la psychanalyse et l'anthropologie, les traditions orales tout comme les arts visuels. Il s'agit d'explorer l'imaginaire de la marque douloureuse : celle qui dénonce, stigmatise et exclut, ou celle que s'inflige l'être obsédé par un événement traumatique, maintenu secret au plus profond de soi, mais toujours susceptible d'être livré aux regards. Honte, culpabilité, violence du stigmate, perception des identités blessées, tous ces affects s'associent et s'entrechoquent. Mais la Souillure se prête également au jeu du leurre, à la manipulation des mots, comme le disait Tartuffe : « Chaque instant de ma vie est chargé de souillures ». Faute prétendue, marque infligée par les mots et les gestes, purgation d'un espace communautaire dont l'Histoire fut malheureusement scandée, alors que la purification sut prendre parfois la dimension d'une quête de perfection : abordée et scrutée dans ces complexités, la notion de Souillure doit être évaluée en diachronie. Des études de cas, exposées aux côtés d'évaluations philosophiques, pourront se clore sur la force des fonctions mythique et symbolique. Tourments de l'espace intime, infamies cruellement imposées, hantise de la faute : la Souillure apparaît de tous les temps, événement paradoxal auquel nulle culture ne peut échapper.

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Source:	Union catalogues
Contributor:	Aleksić, Branko; Arino, Marc; Awad, Aziza; Belmont, Nicole; Bohler, Danielle; Bouygues, Élodie; Cambronne, Patrice; Debaisieux, Renée-Paule; Dubois, Claude-Gilbert; Džunić-Drinjaković, Marija; Estripeaut-Bourjac, Marie; Guilhamon, Élizabeth; James-Raoul, Danièle; Lam, Sandrine; Leray, Morgane; Lhermitte, Agnès; Magne, Élisabeth; Marié Liger, Fabienne; Milon, Alain; Pérez, Christophe; Peylet, Gérard; Piccione, Marie-Lyne; Puel, Bernard; Rico, Josette; Ruhe, Doris; Soron, Antony; Szerwiniack, Olivier; Vine Durling, Nancy
Language:	French
Media type:	Ebook
Format:	Online
ISBN:	9791030005226
Subjects:	Schande <Motiv>; Schuld <Motiv>; Stigmatisierung; Literatur; Art; Humanities, Multidisciplinary; Anthropology; Literature (General); répression; sanction; secret; enquête; ambivalence; auto-accusation; souillure; perte; fouiller; stade anal; impureté; exhibition; rite sacrificiel; souillure féminine; stigmate
Scope:	1 Online-Ressource (384 p.)

Schauplatz Archiv Objekt – Narrativ – Performanz

Contributor: Kastberger, Klaus (Herausgeber); Maurer, Stefan (Herausgeber); Neuhuber, Christian (Herausgeber)

Published: 2019

Location:

Hochschul- und Landesbibliothek RheinMain, Rheinstraße

Inter-library loan:

No inter-library loan

While archives have traditionally attracted little publicity, this situation is in flux: things that were hidden away – from precious objects to curiosities – are now being made available not only to scholars but to a broader public audience as well. This volume addresses questions related to the accessibility, representation, and dissemination of institutionally preserved cultural heritage.

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Source:	Union catalogues
Contributor:	Kastberger, Klaus (Herausgeber); Maurer, Stefan (Herausgeber); Neuhuber, Christian (Herausgeber)
Language:	German
Media type:	Ebook
Format:	Online
ISBN:	9783110656725; 9783110656251
RVK Categories:	ND 1420
DDC Categories:	020
Subjects:	Archiv; Museum; Exponat; Erschließung; Literaturarchiv; Literarisches Museum; Digitalisierung; Literature: history & criticism; Literary studies: general; Museology & heritage studies
Other subjects:	Archive; museum; exhibition
Scope:	1 Online-Ressource (173 p.)

Blown away

the Palace of the Republic

Published: 2024

Publisher: E. A. Seemann in E. A. Seemann Henschel GmbH & Co. KG, Leipzig

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Inhaltstext

Inhaltsverzeichnis

Source:	Union catalogues
Language:	English
Media type:	Book
Format:	Print
ISBN:	9783865025333; 3865025331
Other identifier:	9783865025333
Other subjects:	(Produktform)Hardback; (Zielgruppe)Allgemein; Blown Away – The Palace of the Republic; Palace of the Republic; GDR; DDR; East Berlin; East Germany; Humboldt Forum; Berlin; Berlin Mitte; exhibition; exhibition catalogue; English catalogue; Palast der Republik; Ausstellungskatalog; (VLB-WN)1953: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Bildende Kunst
Scope:	239 Seiten, 198 Fotografien, 72 Fotografien, 26.5 cm x 21.5 cm

Wie kommt Tanz ins Museum?

zur Tanzkunst im Ausstellungskontext bei Xavier Le Roy, Anne Teresa De Keersmaeker und Boris Charmatz

Author: Andrade Ruiz, Katharina de

Published: [2024]

Publisher: transcript, Bielefeld

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Inhaltsverzeichnis

Source:	Union catalogues
Language:	German
Media type:	Dissertation
Format:	Print
ISBN:	9783837668230; 3837668231
Other identifier:	9783837668230
Series:	TanzScripte ; 67
Subjects:	Kunstausstellung; Tanz; Ausstellung; Performance <Künste>; Ästhetik; Rezeption; Kunst
Other subjects:	(Produktform)Paperback / softback; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)PER003000; (BISAC Subject Heading)ASD; (Produktform (spezifisch))Unsewn / adhesive bound; (BIC subject category)ACX; (BIC subject category)GM; Tanz; Ausstellung; Museum; Ausstellungsgeschichte; Zeitgenössischer Tanz; Gegenwartskunst; Live Art; Xavier Le Roy; Anne Teresa De Keersmaeker; Boris Charmatz; Kunstgeschichte des 21. Jahrhunderts; Dance; exhibition; museum; exhibition history; contemporary dance; contemporary art; live art; visual art studies; dance studies; art history of the 21#u#st#e# century; (DDC Deutsch 22)700; (DDC Deutsch 22)060; (BISAC Subject Heading)PER003000; (BIC subject category)ASD; (VLB-WN)1586: Hardcover, Softcover / Kunst/Theater, Ballett; Tanz; Ausstellung; Museum; Ausstellungsgeschichte; Zeitgenössischer Tanz; Gegenwartskunst; Live Art; Xavier Le Roy; Anne Teresa De Keersmaeker; Boris Charmatz; Kunstgeschichte des 21. Jahrhunderts; Dance; exhibition; museum; exhibition history; contemporary dance; contemporary art; live art; Xavier Le Roy; Anne Teresa De Keersmaeker; Boris Charmatz; visual art studies; dance studies; art history of the 21#u#st#e# century;
Scope:	344 Seiten, Illustrationen, 23 cm, 537 g
Notes:	Dissertation, Universität Freiburg, 2022

Eine enzyklopädische Literatur der Dinge – Emile Zolas Warenhausroman Au Bonheur des Dames

Author: Vedder, Ulrike

Published: 2013

Publisher: Humboldt-Universität zu Berlin, Berlin

Emile Zola’s novel „Au Bonheur des Dames“ abounds with excessive enumeration and description of clothes. The overwhelming arrangement of these clothes in the department store does not only irresistibly attract female customers but also draws the... more

Berlin: Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum

Location:

Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum

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Emile Zola’s novel „Au Bonheur des Dames“ abounds with excessive enumeration and description of clothes. The overwhelming arrangement of these clothes in the department store does not only irresistibly attract female customers but also draws the reader’s attention to a poetics of encyclopaedic writing. Thus, the novel opens up spaces that are filled with goods, systematically organising them in various stores and exhibitions. In view of the novel’s detailed depiction of architecture, economics and customer traffic, the paper argues that Zola asks for a conjunction between the novel and encyclopaedic discourse. Peer Reviewed

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Volltext (kostenfrei)

Source:	Union catalogues
Language:	German
Media type:	Article (journal)
ISSN:	0003-7982
Other identifier:	doi: 10.1515/arcadia-2013-0024 doi: 10.18452/21808 urn: urn:nbn:de:kobv:11-110-18452/22511-0
Parent title:
Other subjects:	Emile Zola; things; department store; exhibition; Literatur und Rhetorik
Scope:	1 Online-Ressource (14 Seiten)
Notes:	Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.

Von Maiden, Monstern und Mythen

Weiblichkeitsentwürfe plastischer Frauendarstellungen auf der Großen Deutschen Kunstausstellung und der Ausstellung Entartete Kunst 1937 in München

Author: Ende, Theresa

Published: 2023

Publisher: Technische Universität Dresden, Dresden

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Resolving-System

kostenfrei

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Source:	Union catalogues
Language:	German
Media type:	Book
Format:	Online
Other identifier:	urn: urn:nbn:de:bsz:14-qucosa2-848624
Subjects:	Kunst; Frau <Motiv>; Plastik; Entartete Kunst; Nationalsozialismus; Kunstpolitik; Drittes Reich
Other subjects:	Weiblichkeit; Frauendarstellung; Entartete Kunst; Ausstellung; Femininity; representation of women; degenerate art; exhibition
Scope:	Online-Ressource
Notes:	In: GenderGraduateProjects I : Geschlecht, Fürsorge, Risiko, Herausgeber: Gudrun Loster-Schneider, Herausgeber: Maria Häusl, Herausgeber: Stefan Horlacher,Erscheinungsort: Leipzig, Verlag: Leipziger Universitätsverlag, Erscheinungsjahr: 2015, Titel Schriftenreihe: Dresdner Beiträge zur Geschlechterforschung in Geschichte, Kultur und Literatur, Bandnummer Schriftenreihe: 8, Seiten: 95-135, ISBN: 978-3-86583-887-2

Luigi & Iango - unveiled

Contributor: Loriot, Thierry-Maxime (Herausgeber)

Published: [2023]

Publisher: Phaidon, Berlin

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Source:	Union catalogues
Contributor:	Loriot, Thierry-Maxime (Herausgeber)
Language:	English
Media type:	Book
Format:	Print
ISBN:	9781838667603; 1838667601
Other identifier:	9781838667603
Corporations / Congresses:	Luigi & Iango (Fotograf)
Subjects:	Porträtfotografie; Modefotografie; Aktfotografie; Berühmte Persönlichkeit <Motiv>
Other subjects:	(Produktform)Hardback; photography; exhibition; contemporary culture; Japanese Kabuki; portraits; artists; performers; Fotografie; Ausstellung; zeitgenössische Kultur; japanisches Kabuki; Porträts; Künstler; Darsteller; Luigi & Iango; Duo; Supermodels; (VLB-WN)1587: Hardcover, Softcover / Kunst/Fotografie, Film, Video, TV
Scope:	319 Seiten, 33 cm

Trümmer, Träume, Alltag

Das Pressearchiv Höhne/ Pohl

Author: Delang, Kerstin

Published: 2007

Publisher: SLUB Dresden, Dresden

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kostenfrei

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Source:	Union catalogues
Language:	German
Media type:	Book
Format:	Online
Other identifier:	urn: urn:nbn:de:swb:14-1168855918293-75876
Parent title:	In: SLUB-Kurier 20(2006)3, S. 11-13
RVK Categories:	AN 80190
Subjects:	Fotografie; Dresden / Sächsische Landesbibliothek - Staats- und Universitätsbibliothek / Abteilung Deutsche Fotothek; Bildjournalist; Pressephotographie; Sammlung; Dresden; Alltag <Motiv>; Geschichte 1945-1990; Bildpublizistik; Photoarchiv; Ausstellung; Dresden
Other subjects:	SLUB Dresden; Pressearchiv; Erich Höhne; Erich Pohl; Pressefotografen; Saxon State and University Library Dresden; exhibition; press photographer
Scope:	Online-Ressource

Wie kommt Tanz ins Museum?

Zur Tanzkunst im Ausstellungskontext bei Xavier Le Roy, Anne Teresa De Keersmaeker und Boris Charmatz

Author: Andrade Ruiz, Katharina de

Published: 2023

Publisher: transcript Verlag, Bielefeld

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Source:	Union catalogues
Language:	German
Media type:	Dissertation
Format:	Online
ISBN:	9783839468234
Other identifier:	9783839468234 urn: urn:nbn:de:101:1-2023121003590381426555
Edition:	1. Auflage
Series:	TanzScripte ; 67
Subjects:	Kunstausstellung; Tanz; Ausstellung; Performance <Künste>; Ästhetik; Rezeption; Kunst
Other subjects:	(Produktform)Digital download; (Produktform (spezifisch))PDF; (Zielgruppe)Fachpublikum/ Wissenschaft; (VLB-WN)9586; (DDC Deutsch 22)790; (DDC Deutsch 22)700; (DDC Deutsch 22)060; (BISAC Subject Heading)PER003000; (BIC subject category)ASD; (BIC subject category)ACX; (BIC subject category)GM; Tanz; Ausstellung; Museum; Ausstellungsgeschichte; Zeitgenössischer Tanz; Gegenwartskunst; Live Art; Xavier Le Roy; Anne Teresa De Keersmaeker; Boris Charmatz; Kunstgeschichte des 21. Jahrhunderts; Dance; exhibition; museum; exhibition history; contemporary dance; contemporary art; live art; Xavier Le Roy; Anne Teresa De Keersmaeker; Boris Charmatz; visual art studies; dance studies; art history of the 21#u#st#e# century;; Tanz; Ausstellung; Museum; Ausstellungsgeschichte; Zeitgenössischer Tanz; Gegenwartskunst; Live Art; Xavier Le Roy; Anne Teresa De Keersmaeker; Boris Charmatz; Kunstgeschichte des 21. Jahrhunderts; Dance; exhibition; exhibition history; contemporary dance; contemporary art; visual art studies; dance studies; art history of the 21#u#st#e# century
Scope:	1 Online-Ressource, 346 Seiten, 21 SW-Abbildungen
Notes:	Dissertation, Albert-Ludwigs-Universität Freiburg, 2022

Eine enzyklopädische Literatur der Dinge – Emile Zolas Warenhausroman Au Bonheur des Dames

Author: Vedder, Ulrike

Published: 2020

Publisher: Humboldt-Universität zu Berlin, Berlin

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Source:	Union catalogues
Language:	German
Media type:	Book
Format:	Online
Other identifier:	doi: 10.18452/21808 urn: urn:nbn:de:kobv:11-110-18452/22511-0
Parent title:	In: Band 48, Ausgabe 2, Seite 354-367, 2013
Subjects:	Roman; Warenhaus
Other subjects:	Zola, Émile (1840-1902); Emile Zola; things; department store; exhibition
Scope:	Online-Ressource

Dizziness

navigating the unknown

Contributor: Bucher Trantow, Katrin (Herausgeber)

Published: [2017]

Publisher: Universalmuseum Joanneum GmbH, Graz

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Inhaltstext

Source:	Union catalogues
Contributor:	Bucher Trantow, Katrin (Herausgeber)
Language:	English
Media type:	Book
Format:	Print
ISBN:	9783902095855; 3902095857
Other identifier:	9783902095855
Subjects:	Kunst; Kreativität; Improvisation; Das Unbekannte
Other subjects:	(Produktform)Pamphlet; (Zielgruppe)Fachpublikum/ Wissenschaft; (Zielgruppe)Kunst- und Kulturinteressierte; (Produktform (spezifisch))A5 size Tankobon; (Produktform (spezifisch))With foldout; Dizziness; Kunsthaus Graz; Leonhard Grond; Ruth Anderwald; exhibition; (VLB-WN)1583: Hardcover, Softcover / Kunst/Bildende Kunst
Scope:	51 Seiten, 21 cm, 52 g

The Living dead

ecclesiastes through art

Contributor: Ricasoli, Corinna (Herausgeber)

Published: [2018]

Publisher: Ferdinand Schöningh, Paderborn

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Inhaltsverzeichnis

Source:	Union catalogues
Contributor:	Ricasoli, Corinna (Herausgeber)
Language:	English
Media type:	Book
Format:	Print
ISBN:	9783506732767; 3506732765
Other identifier:	9783506732767
Subjects:	Rezeption; Malerei; Druckgrafik; Vanitas
Other subjects:	(Produktform)Paperback / softback; influence; life; exhibition; universal ideas; (VLB-WN)1542: Hardcover, Softcover / Religion, Theologie/Christentum
Scope:	231 Seiten, Illustrationen, 28 cm, 1316 g

Remain(s) Scattered

Author: Parikka, Jussi

Published: 2019

Publisher: Philipps-Universität Marburg, Marburg ; meson press, Lüneburg ; University of Minnesota Press

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Source:	Union catalogues
Contributor:	Jucan, Ioana B. (Herausgeber); Parikka, Jussi (Herausgeber); Schneider, Rebecca (Herausgeber)
Language:	English
Media type:	Book
Format:	Online
Other identifier:	doi: 10.25969/mediarep/12385 urn: urn:nbn:de:101:1-2021080613594377001115
Other subjects:	Media Studies; media archaeology; history; exhibition; time; archive; Medientheorie; Medienarchäologie; Archiv; Ausstellung; Geschichte; Zeit
Scope:	Online-Ressource
Notes:	In: Jussi Parikka: Remain(s) Scattered. In: Ioana B. Jucan, Jussi Parikka und Rebecca Schneider (Hg.): Remain. Lüneburg: meson press (2019), S. 1-47. In: dx.doi.org/10.14619/1495

Klingende Denkmäler: MusikwissenschaftlicheGesamtausgaben in Deutschland

Author: Geck, Karl Wilhelm

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Source:	Union catalogues
Language:	German
Media type:	Book
Format:	Online
Other identifier:	urn: urn:nbn:de:bsz:14-qucosa-25781
Parent title:	In: BIS - Das Magazin der Bibliotheken in Sachsen 2(2009)4, S. 239 Enthalten in: BIS; Dresden : SLUB, 2008-2017; 2(2009)4, S. 239; Online-Ressource
RVK Categories:	AN 80190
Other subjects:	Dresden / Sächsische Landesbibliothek - Staats- und Universitätsbibliothek; Ausstellung; Musikwissenschaft; Gesamtausgabe; Saxon State and University Library Dresden; exhibition; musicology; complete edition
Scope:	Online-Ressource

Mise en scène de la sexualité dans Triptyque de Claude Simon

De l’ob-scène à la scène

Author: Anzoumana, Sinan

Published: 2020

Publisher: Éditions universitaires européennes, Saarbrücken

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