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  1. Communal Justice in Shakespeare’s England
    Drama, Law, and Emotion
    Author: Geng, Penelope
    Published: [2021]; ©2021
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    The sixteenth century was a turning point for both law and drama. Relentless professionalization of the common law set off a cascade of lawyerly self-fashioning – resulting in blunt attacks on lay judgment. English playwrights, including Shakespeare,... more

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    The sixteenth century was a turning point for both law and drama. Relentless professionalization of the common law set off a cascade of lawyerly self-fashioning – resulting in blunt attacks on lay judgment. English playwrights, including Shakespeare, resisted the forces of legal professionalization by casting legal expertise as a detriment to moral feeling. They celebrated the ability of individuals, guided by conscience and working alongside members of their community, to restore justice. Playwrights used the participatory nature of drama to deepen public understanding of and respect for communal justice. In plays such as King Lear and Macbeth, lay people accomplish the work of magistracy: conscience structures legal judgment, neighbourly care shapes the coroner’s inquest, and communal emotions give meaning to confession and repentance. An original and deeply sourced study of early modern literature and law, Communal Justice in Shakespeare’s England contributes to a growing body of scholarship devoted to the study of how drama creates and sustains community. Penelope Geng brings together a wealth of imaginative and documentary archives – including plays, sermons, conscience literature, Protestant hagiographies, legal manuals, and medieval and early modern chronicles – proving that literature never simply reacts to legal events but always actively invents legal questions, establishes legal expectations, and shapes legal norms.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487537432
    Other identifier:
    RVK Categories: HI 1117 ; HI 3325
    Subjects: Englisch; Drama; Recht <Motiv>; English drama; Justice in literature; Justice, Administration of, in literature; Law enforcement in literature; Law in literature; Law; Lawyers in literature; LITERARY CRITICISM / Shakespeare
    Other subjects: Shakespeare, William (1564-1616); England; English common law; King Lear; Macbeth; Protestant Reformation; Shakespeare and law; Shakespeare; communal justice; conscience; domestic tragedy; inns of court; law and emotion; law and literature
    Scope: 1 Online-Ressource (280 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
  2. Communal Justice in Shakespeare’s England
    Drama, Law, and Emotion
    Author: Geng, Penelope Hui
    Published: [2021]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Illustrations -- Preface -- Note on Texts -- Abbreviations -- Introduction: A Double Obligation -- Chapter One From Assise to the Assize at Home -- Chapter Two Judicature in Crisis: Henry IV, Part 2 -- Chapter Tree... more

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    Frontmatter -- Contents -- Illustrations -- Preface -- Note on Texts -- Abbreviations -- Introduction: A Double Obligation -- Chapter One From Assise to the Assize at Home -- Chapter Two Judicature in Crisis: Henry IV, Part 2 -- Chapter Tree Neighbourliness and the Coroner’s Inquest in English Domestic Tragedies -- Chapter Four Repairing Community: Empathetic Witnessing in King Lear -- Chapter Five Communal Shaming and the Limitations of Legal Forms: Henry VI, Part 2 and Macbeth -- Postscript -- Acknowledgments -- Notes -- Bibliography -- Index The sixteenth century was a turning point for both law and drama. Relentless professionalization of the common law set off a cascade of lawyerly self-fashioning – resulting in blunt attacks on lay judgment. English playwrights, including Shakespeare, resisted the forces of legal professionalization by casting legal expertise as a detriment to moral feeling. They celebrated the ability of individuals, guided by conscience and working alongside members of their community, to restore justice. Playwrights used the participatory nature of drama to deepen public understanding of and respect for communal justice. In plays such as King Lear and Macbeth, lay people accomplish the work of magistracy: conscience structures legal judgment, neighbourly care shapes the coroner’s inquest, and communal emotions give meaning to confession and repentance. An original and deeply sourced study of early modern literature and law, Communal Justice in Shakespeare’s England contributes to a growing body of scholarship devoted to the study of how drama creates and sustains community. Penelope Geng brings together a wealth of imaginative and documentary archives – including plays, sermons, conscience literature, Protestant hagiographies, legal manuals, and medieval and early modern chronicles – proving that literature never simply reacts to legal events but always actively invents legal questions, establishes legal expectations, and shapes legal norms

     
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  3. The Consumer Ideology and the Truth about Man
    Author: Reimers, Adrian J.
    Published: 2021

    The formation of the human conscience is a controverted question in both philosophical ethics and moral philosophy. Conscience refers to one’s conception and understanding of the moral good. An especially significant manifestation of the problem of... more

     

    The formation of the human conscience is a controverted question in both philosophical ethics and moral philosophy. Conscience refers to one’s conception and understanding of the moral good. An especially significant manifestation of the problem of conscience in the 20th and 21st centuries is the impact of ideology on the individual person’s moral sense. This article considers the impact of two 19th century philosophies―Mill’s utilitarianism and Marxism―on contemporary moral thought insofar as the interaction of these two produce a powerful materialist ideology to determine the modern European and American conscience. We then turn to the thought of Pope John Paul II (Karol Wojtyła), who in his encyclical Veritatis Splendor and in his earlier philosophical writings developed an account of moral truth by which the dangers of materialistic ideology can be overcome. It is argued, with John Paul II, that only in the context of truth can a coherent account of freedom of conscience under the moral law be developed.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Philosophy & canon law; Katowice : Wydawnictwo Uniwersytetu Śląskiego, 2015; 7(2021), 2, Seite 1-21; Online-Ressource

    Subjects: John Paul II; John Stuart Mill; Karl Marx; Marxism; conscience; morality and moral law; utilitarianism
  4. Communal Justice in Shakespeare’s England
    Drama, Law, and Emotion
    Author: Geng, Penelope Hui
    Published: [2021]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Illustrations -- Preface -- Note on Texts -- Abbreviations -- Introduction: A Double Obligation -- Chapter One From Assise to the Assize at Home -- Chapter Two Judicature in Crisis: Henry IV, Part 2 -- Chapter Tree... more

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    Frontmatter -- Contents -- Illustrations -- Preface -- Note on Texts -- Abbreviations -- Introduction: A Double Obligation -- Chapter One From Assise to the Assize at Home -- Chapter Two Judicature in Crisis: Henry IV, Part 2 -- Chapter Tree Neighbourliness and the Coroner’s Inquest in English Domestic Tragedies -- Chapter Four Repairing Community: Empathetic Witnessing in King Lear -- Chapter Five Communal Shaming and the Limitations of Legal Forms: Henry VI, Part 2 and Macbeth -- Postscript -- Acknowledgments -- Notes -- Bibliography -- Index The sixteenth century was a turning point for both law and drama. Relentless professionalization of the common law set off a cascade of lawyerly self-fashioning – resulting in blunt attacks on lay judgment. English playwrights, including Shakespeare, resisted the forces of legal professionalization by casting legal expertise as a detriment to moral feeling. They celebrated the ability of individuals, guided by conscience and working alongside members of their community, to restore justice. Playwrights used the participatory nature of drama to deepen public understanding of and respect for communal justice. In plays such as King Lear and Macbeth, lay people accomplish the work of magistracy: conscience structures legal judgment, neighbourly care shapes the coroner’s inquest, and communal emotions give meaning to confession and repentance. An original and deeply sourced study of early modern literature and law, Communal Justice in Shakespeare’s England contributes to a growing body of scholarship devoted to the study of how drama creates and sustains community. Penelope Geng brings together a wealth of imaginative and documentary archives – including plays, sermons, conscience literature, Protestant hagiographies, legal manuals, and medieval and early modern chronicles – proving that literature never simply reacts to legal events but always actively invents legal questions, establishes legal expectations, and shapes legal norms

     
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