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  1. Rosalie Gascoigne : A Catalogue Raisonné
    Author: Gascoigne, Martin
    Published: 2019
    Publisher:  ANU Press

    Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late... more

     

    Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: History of art & design styles: from c 1900 -; Art & design styles: Minimalism
    Other subjects: art history; minimalism
    Scope: 1 electronic resource (444 p.)
  2. Engaging with the Bible in Visual Culture
    Hermeneutics between Word and Image, with Broomberg and Chanarin's Holy Bible
    Author: Beaumont, Sheona
    Published: [2019]

    Increasingly articulate contemporary art practices are engaging with biblical representation, revealing new relationships with religion through the availability of the word in image. Taking as exemplary the photographic publication of Adam Broomberg... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Increasingly articulate contemporary art practices are engaging with biblical representation, revealing new relationships with religion through the availability of the word in image. Taking as exemplary the photographic publication of Adam Broomberg and Oliver Chanarin's Holy Bible (2013), this essay considers the evidence for their hermeneutics between image and word that is characterized by open awareness of and expansive participation in the (rereading of the) Bible. Discussing this engagement, I explore imagistic readings of the Bible through the artists' strategies of interpolation and repetition, as well as examining their chosen theme—catastrophe—for its revelatory power. Through the artists' self-reflexive hermeneutics of indeterminacy, I argue that the discussion of the return of religion in art needs attuning to this kind of specific practitioner experience: a hermeneutical circle of imaginative, dialogical, and dynamic interpretative positions in which the notion of indeterminacy is persuasive for interpretative grist, historical accountability, and theological horizon.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Religion and the arts; Leiden : Brill, 1996; 23(2019), 4, Seite 411-433; Online-Ressource

    Subjects: Archive of Modern Conflict; Bible; Broomberg; Chanarin; Christianity; Gadamer; Holy Bible; art history; hermeneutics; indeterminacy; photography; reception theory; theology; visual culture; visual culture criticism