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Displaying results 101 to 125 of 13861.

  1. Sirens of the Western shore
    the westernesque femme fatale, translation, and vernacular style in modern Japanese literature
    Author: Levy, Indra A.
    Published: c2006
    Publisher:  Columbia University Press, New York

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231510745
    Other identifier:
    Subjects: Japanese literature; Japanese literature; Women in literature; Japanisch; Frauenbild; Literatur
    Scope: 1 Online-Ressource (ix, 330 p)
    Notes:

    Includes bibliographical references (p. [303]-312) and index

    Indra Levy introduces a new archetype in the study of modern Japanese literature: the "Westernesque femme fatale," an alluring figure who is ethnically Japanese but evokes the West in her physical appearance, lifestyle, behavior, and, most important, her use of language. She played conspicuous roles in landmark works of modern Japanese fiction and theater.Levy traces the lineage of the Westernesque femme fatale from her first appearance in the vernacularist fiction of the late 1880s to her development in Naturalist fiction of the mid-1900s and, finally, to her spectacular embodiment by the mod
  2. Patriarchal Desire and Victorian Discourse
    A Lacanian Reading of Anthony Trollope's Palliser Novel
    Author: Walton, Priscilla
    Published: [2019]; © 1995
    Publisher:  University of Toronto Press, Toronto

    While there have been studies examining Trollope from a feminist perspective, very little work has taken into consideration the questions raised by contemporary critical theory. Patriarchal Desire and Victorian Discourse is unique in that it links... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    While there have been studies examining Trollope from a feminist perspective, very little work has taken into consideration the questions raised by contemporary critical theory. Patriarchal Desire and Victorian Discourse is unique in that it links feminist analysis with psychoanalytic theory, and brings both to bear on an examination of Trollope's writings. The feminist Lacanian analysis employed by Priscilla L. Walton offers a new perspective on the dominant Victorian cultural dynamic. She explains how the works serve as complex and ultimately double-edged exemplars of patriarchal desire and masculinist discourse. For most of his life Trollope sought to gain acceptance to a privileged social group, from which he was initially excluded as a result of his class. Walton begins with his situation as presents it in An Autobiography in order to place the author historically, as a man whose social position granted him a useful vantage point from which to comment on the implications of the hierarchical structure of Victorian culture. Walton then explores the six novels which comprise the Palliser series, a series devoted to the depiction of Victorian political life. She focuses on the portrayal of women in these texts, and explores the contradictions apparent in their characterizations. As feminist critics have argued, Trollope dramatizes strong and frequently sympathetic female character who are, nonetheless, ultimately thwarted in their desire for independence. Walton contends that Trollope's treatment of female characters reflect the ways in which conventional social orders rest upon the objectification of women in order to affirm a singular construction of male subjectivity. Informed by arguments drawn primarily from feminist psychoanalytic theory, but also from post-colonial, narrative, and deconstructive scholarship, Walton's readings demonstrate how Trollope's Victorian discourse provides insights into current attempts to disenfranchise women. She then illustrates how such writings can serve as a means of consolidating female strength through their covert revelation of the importance of women's conventional position to traditional social structures. Walton, therefore, offers an alternative perspective on Trollope's fiction, and by extension, that of other Victorian novelists, and, as she does so, she contributes to the ongoing theoretical dialogue surrounding discursive agency and feminist politics

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487574482
    Other identifier:
    Series: Heritage
    Subjects: LITERARY CRITICISM / Feminist; Women in literature
    Scope: 1 online resource (192 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  3. The Disruption of the Feminine in Henry James
    Author: Walton, Priscilla
    Published: [2019]; © 1992
    Publisher:  University of Toronto Press, Toronto

    The women of Henry James's novels have intrigued critics for a hundred years. Priscilla Walton brings a post-structuralist feminist perspective to James's work. Drawing on the theories of Jacques Derrida, Helene Cixous, Julia Kristeva, and Luce... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The women of Henry James's novels have intrigued critics for a hundred years. Priscilla Walton brings a post-structuralist feminist perspective to James's work. Drawing on the theories of Jacques Derrida, Helene Cixous, Julia Kristeva, and Luce Irigaray, she focuses on the constructed Otherness of the Feminine. Traditional critics of James have tried to unify and hence confine his works but in so doing they have ignored the polyvalent nature of his writings. Walton challenges such limited readings by opening up the texts to interpretation and tracing the ways in which the narratives resist closure. She contends that in James's texts the representations of women foreground their limitations that Realist Masculine referentiality has placed on both the Feminine text and the female characters. Because women have no singular presence within Masculine ideology, they cannot be fixed and it is their Otherness which generates the plurality that is privileged in the late works. Walton examines The Turn of the Screw, Roderick Hudson, The Portrait of a Lady, a selection of short stories, and the three novels of the Major Phase. She traces a development within these writings, and argues that, where the early works comprise efforts to confine and grasp the Feminine Other, the later texts implicitly recognize and delight in its fecundity. The texts themselves demonstrate that it is the Feminine Other which gives birth to artistic creation

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487574499
    Other identifier:
    Series: Heritage
    Subjects: LITERARY CRITICISM / Feminist; Femininity in literature; Women in literature; Frau <Motiv>; Frau
    Other subjects: James, Henry (1843-1916)
    Scope: 1 online resource (192 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  4. Wonder Woman
    New edition with full color illustrations
    Author: Berlatsky, Noah
    Published: [2017]; © 2017
    Publisher:  Rutgers University Press, New Brunswick, NJ

    William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston’s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813594514
    Other identifier:
    Series: Comics Culture
    Subjects: SOCIAL SCIENCE / General; Bondage (Sexual behavior) in literature; Comic books, strips, etc; Feminism in literature; Women in literature; Fesseln <Motiv>; Feminismus
    Other subjects: Wonder Woman Fiktive Gestalt
    Scope: 1 online resource, 32 color illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)
  5. The Glass Slipper
    Women and Love Stories
    Author: Weisser, Susan Ostrov
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Why is the story of romance in books, magazines, and films still aimed at women rather than at men? Even after decades of feminism, traditional ideas and messages about romantic love still hold sway and, in our "postfeminist" age, are more popular... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Why is the story of romance in books, magazines, and films still aimed at women rather than at men? Even after decades of feminism, traditional ideas and messages about romantic love still hold sway and, in our "postfeminist" age, are more popular than ever. Increasingly, we have become a culture of romance: stories of all kinds shape the terms of love. Women, in particular, love a love story. The Glass Slipper is about the persistence of a familiar Anglo-American love story into the digital age. Comparing influential classics to their current counterparts, Susan Ostrov Weisser relates in highly amusing prose how these stories are shaped and defined by and for women, the main consumers of romantic texts. Following a trajectory that begins with Jane Austen and concludes with Internet dating sites, Weisser shows the many ways in which nineteenth-century views of women’s nature and the Victorian idea of romance have survived the feminist critique of the 1970s and continue in new and more ambiguous forms in today’s media, with profound implications for women. More than a book about romance in fiction and media, The Glass Slipper illustrates how traditional stories about women’s sexuality, femininity, and romantic love have survived as seemingly protective elements in a more modern, feminist, sexually open society, confusing the picture for women themselves. Weisser compares diverse narratives—historical and contemporary from high literature and "low" genres—discussing novels by Jane Austen and Charlotte Brontë, Victorian women’s magazines, and D. H. Lawrence’s Lady Chatterley’s Lover; Disney movies; popular Harlequin romance novels; masochistic love in films; pornography and its relationship to romance; and reality TV and Internet ads as romantic stories. Ultimately, Weisser shows that the narrative versions of the Glass Slipper should be taken as seriously as the Glass Ceiling as we see how these representations of romantic love are meant to inform women’s beliefs and goals. In this book, Weisser’s goal is not to shatter the Glass Slipper, but to see through it

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561790
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; Love in literature; Romance fiction; Women and literature; Women in literature; Liebesdichtung; Englisch; Frau
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  6. Chivalry, Reading, and Women's Culture in Early Modern Spain
    From Amadís de Gaula to Don Quixote
    Author: Triplette, Stacey Elizabeth
    Published: [2018]; © 2018
    Publisher:  Amsterdam University Press, Amsterdam

    Access:
    Verlag (kostenfrei)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Gemeinsamer Bibliotheksverbund (GBV)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048536641
    Other identifier:
    Series: Gendering the Late Medieval and Early Modern World
    Subjects: Spanish literature; Spanish literature; Women in literature; Ritterroman; Spanisch; Geschlechterforschung; Literatur; Rezeption; Frau <Motiv>
    Other subjects: Cervantes Saavedra, Miguel de (1547-1616): Don Quijote; Bernal, Beatriz (1501-1584): Cristalián de España
    Scope: 1 online resource, 4 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  7. Dressed to Kill
    Death and Meaning in Zaya's Desengaños
    Author: Rhodes, Elizabeth
    Published: [2018]; © 2011
    Publisher:  University of Toronto Press, Toronto

    The noble wives in María de Zayas's Desengaños suffer terrible fates: one is beheaded, another poisoned, one is cemented into a chimney, while yet another is locked into a tiny wall closet where she dies. The hallmark of Zayas's aesthetics, these... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The noble wives in María de Zayas's Desengaños suffer terrible fates: one is beheaded, another poisoned, one is cemented into a chimney, while yet another is locked into a tiny wall closet where she dies. The hallmark of Zayas's aesthetics, these characters are the central reason why her fiction has increased in popularity through the ages. Yet their stories pose an apparent contradiction between the author's pro-female rhetoric and her gusto for killing model women, then beautifying their mutilated cadavers.Dressed to Kill reconciles Zayas's Desengaños with the age in which it was written, contextualizing the book in baroque poetics, the Spanish honour code, and fifteenth-century martyr saints' lives. Elizabeth Rhodes elegantly uncovers Zayas's intention to reform the Spanish nobility by displaying noble misbehaviour and its deadly consequences. Her book concludes by detailing the Desengaños' intriguing influence on the aesthetic base of Gothic literature by revealing that its authors were avid readers of Zayas

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442696242
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: DISCOUNT-B.; Death in literature; Meaning (Philosophy) in literature; Women in literature
    Other subjects: Zayas y Sotomayor, María de (1590-1650)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)
  8. Unruly Women
    Performance, Penitence, and Punishment in Early Modern Spain
    Author: Boyle, Margaret E.
    Published: [2018]; © 2014
    Publisher:  University of Toronto Press, Toronto

    In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage. Pairing historical narratives and archival records with canonical and non-canonical theatrical representations of women’s deviance and rehabilitation, Unruly Women argues that women’s performances of penitence and punishment should be considered a significant factor in early modern Spanish life.Boyle considers both real-life sites of rehabilitation for women in seventeenth-century Madrid, including a jail and a magdalen house, and women onstage, where she identifies three distinct representations of female deviance: the widow, the vixen, and the murderess. Unruly Women explores these archetypal figures in order to demonstrate the ways a variety of playwrights comment on women’s non-normative relationships to the topics of marriage, sex, and violence

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442665033
    Other identifier:
    Subjects: Spanish drama; Women in literature; Women; Women; Spanisch; Drama; Frau <Motiv>; Soziale Rolle <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  9. Sapphic Fathers
    Discourses of Same-Sex Desire from Nineteenth-Century France
    Author: Schultz, Gretchen
    Published: [2018]; © 2014
    Publisher:  University of Toronto Press, Toronto

    Literature that explored female homosexuality flourished in late nineteenth-century France. Poets, novelists, and pornographers, whether Symbolists, Realists, or Decadents, were all part of this literary moment. In Sapphic Fathers, Gretchen Schultz... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Literature that explored female homosexuality flourished in late nineteenth-century France. Poets, novelists, and pornographers, whether Symbolists, Realists, or Decadents, were all part of this literary moment. In Sapphic Fathers, Gretchen Schultz explores how these male writers and their readers took lesbianism as a cipher for apprehensions about sex and gender during a time of social and political upheaval.Tracing this phenomenon through poetry (Baudelaire, Verlaine), erotica and the popular novel (Belot), and literary fiction (Zola, Maupassant, Péladan, Mendès), and into scientific treatises, Schultz demonstrates that the literary discourse on lesbianism became the basis for the scientific and medical understanding of female same-sex desire in France. She also shows that the cumulative impact of this discourse left tangible traces that lasted well beyond nineteenth-century France, persisting into twentieth-century America to become the basis of lesbian pulp fiction after the Second World War

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442666399
    Other identifier:
    Subjects: French literature; Lesbianism in literature; Women in literature; Lesbische Orientierung <Motiv>; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  10. Allegorical Bodies
    Power and Gender in Late Medieval France
    Author: Delogu, Daisy
    Published: [2018]; © 2015
    Publisher:  University of Toronto Press, Toronto

    Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers of the period adopted the female form as the allegorical personification of France itself. Considering the role of female allegorical figures in the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, as well as in the sermons of Jean Gerson, Daisy Delogu reveals how female allegories of the Kingdom of France and the University of Paris were used to conceptualize, construct, and preserve structures of power during the tumultuous reign of the mad king Charles VI (1380–1422).An impressive examination of the intersection between gender, allegory, and political thought, Delogu’s book highlights the importance of gender to the functioning of allegory and to the construction of late medieval French identity

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442690066
    Other identifier:
    Subjects: French literature; Group identity in literature; Symbolism in literature; Women in literature; Politik; Französisch; Motiv; Gruppenidentität; Symbolismus; Literatur; Allegorese; Soziale Situation; Frankreich <Motiv>; Allegorie; Frau <Motiv>; Frau
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  11. Narrative Transvestism
    Rhetoric and Gender in the Eighteenth-Century English Novel
    Author: Kahn, Madeleine
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography"... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men?Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice.In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501721854
    Other identifier:
    Series: Reading Women Writing
    Subjects: LITERARY CRITICISM / Subjects & Themes / Women; First person narrative; Narration (Rhetoric); Sex role in literature; Women in literature; Crossdressing <Motiv>; Crossdressing
    Other subjects: Richardson, Samuel (1689-1761): Clarissa; Defoe, Daniel (1661-1731): The fortunate mistress
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  12. Woman's Body, Woman's Word
    Gender and Discourse in Arabo-Islamic Writing
    Author: Malti-Douglas, Fedwa
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    Woman's voice and body are closely entwined in the Arabo-Islamic tradition, argues Fedwa Malti-Douglas in this pioneering book. Spanning the ninth through twentieth centuries and covering a wide range of texts—from courtly anectdote to mystical and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Woman's voice and body are closely entwined in the Arabo-Islamic tradition, argues Fedwa Malti-Douglas in this pioneering book. Spanning the ninth through twentieth centuries and covering a wide range of texts—from courtly anectdote to mystical and philosophical treatises, from works of geography to autobiography—this study reveals how woman's access to literary speech has remained mediated through her body.Malti-Douglas first analyzes classical texts (both well-known works like The Thousand and One Nights and others still ignored in the West) in which the female voice, often associated with wit or trickery of a sexual nature, is subordinated to the male scriptor. Showing how early Arabo-Islamic discourse continues to influence contemporary Arabic writing, she maintains that today feminist writers of novels, short stories, and autobiography must work through this tradition, even if they subvert or reject it in the end. Whereas woman in the classical period speaks through the body, woman in the modern period often turns corporeality into a literary weapon to achieve power over discourse.Fedwa Malti-Douglas is Professor of Arabic and Comparative Literature at the University of Texas, Austin. Her books include Structures of Avarice: The Bukhala' in Medieval Arabic Literature (Leiden) and Blindness and Autobiography: Al-Ayyam of Taha Husayn (Princeton).Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691194653
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; Arabic literature; Islamic literature, Arabic; Sex in literature; Women in literature; Sexismus; Schriftstellerin; Arabisch; Erotik <Motiv>; Frauenliteratur; Geschichte; Literatur; Geschlechterrolle; Islamische Literatur; Islam; Frau <Motiv>; Frau
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  13. Woman and Modernity
    The (Life)Styles of Lou Andreas-Salomé
    Author: Martin, Biddy
    Published: [2018]; © 1991
    Publisher:  Cornell University Press, Ithaca, NY

    Woman and Modernity provides what previous studies of Salomé have in large part neglected to offer—a sustained investigation of the literariness of Salomé's texts and of Salomé as a significant reader of modernity. Focusing on key encounters in... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Woman and Modernity provides what previous studies of Salomé have in large part neglected to offer—a sustained investigation of the literariness of Salomé's texts and of Salomé as a significant reader of modernity. Focusing on key encounters in Salomé's writings, such as her exchanges with Nietzsche, Ibsen, Rilke, Freud, and late nineteenth-century middle-class German feminists such as Dohm and Stucker, Martin approaches Salomé's life and work as a series of strategic negotiations concerning the place of women and the meaning of femininity

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501732515
    Other identifier:
    Series: Reading Women Writing
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Social Scientists & Psychologists; Feminism and literature; Feminism; Psychoanalysis and feminism; Women in literature
    Other subjects: Andreas-Salomé, Lou (1861-1937)
    Scope: 1 online resource, 3 halftones
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  14. Post-Mandarin
    Masculinity and Aesthetic Modernity in Colonial Vietnam
    Author: Tran, Ben
    Published: [2017]; © 2017
    Publisher:  Fordham University Press, New York, NY

    Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of intellectuals established Vietnam’s modern anticolonial literature.The term "post-mandarin" illuminates how Vietnam’s deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about women.Post-Mandarin illustrates the significance of the inclusion of modern women in the world of letters: a more democratic system of aesthetic and political representation that gave rise to anticolonial nationalism. This conceptualization of the "post-mandarin" promises to have a significant impact on the fields of literary theory, postcolonial studies, East Asian and Southeast Asian studies, and modernist studies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823273164
    Other identifier:
    Subjects: Colonial Intellectuals; Colonial Modernity; French Colonialism; Modernism; Modernist Literature; Realism; Vietnamese Culture; gender; masculinity; postcolonial; SOCIAL SCIENCE / Gender Studies; Gender identity in literature; Masculinity in literature; Postcolonialism in literature; Vietnamese literature; Women in literature
    Scope: 1 online resource (192 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  15. Women, Love, and Power
    Literary and Psychoanalytic Perspectives
    Author: Baruch, Elaine
    Published: [1991]; © 1991
    Publisher:  New York University Press, New York, NY

    Elaine Baruch is not only among the most quiet-voiced and fair-minded of feminist writers. She is also among the most far-ranging in her scholarship, equally at ease with the writers of the Renaissance and Freud, the medieval troubadours, and our... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Elaine Baruch is not only among the most quiet-voiced and fair-minded of feminist writers. She is also among the most far-ranging in her scholarship, equally at ease with the writers of the Renaissance and Freud, the medieval troubadours, and our contemporary polemicists. . . instructive, absorbing, and persuasive.--Diana Trilling A lively mind is at work here and a keen and witty writer too.--Irving HoweThis is a fine collection of essays. . . making many imaginative conjectures and amusing connections.--Times Literary SupplementIn these essays what emerges is a history of romantic love. . . Highly recommended.--Library Journal Arguing that romantic love need not be a tool of women's oppression, feminist critic Baruch. . . contends that unacknowledged male fantasies about love motivate much literature by men. . . rewarding, provocative.--Publishers Weekly Utilizing both Freudian and non-Freudian psychoanalysis as well as feminist criticism, Baruch examines literary works by women and men from medieval and Romantic periods as well as cultural observations on the twentieth century and how they have influenced attitudes toward love

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814723371
    Other identifier:
    Subjects: LITERARY CRITICISM / General; Control (Psychology); Control (Psychology); Feminism and literature; Literature; Literature, Modern; Love in literature; Psychoanalysis and literature; Women and psychoanalysis; Women in literature
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  16. Sophia Parnok
    The Life and Work of Russia's Sappho
    Author: Burgin, Diana L.
    Published: [1994]; © 1994
    Publisher:  New York University Press, New York, NY

    The weather in Moscow is good, there's no cholera, there's also no lesbian love...Brrr! Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them--and that's marvellous."-Anton... more

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    The weather in Moscow is good, there's no cholera, there's also no lesbian love...Brrr! Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them--and that's marvellous."-Anton Chekhov, writing to his publisher in 1895 Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnok's approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence. Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life. This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgin's work is essential reading for students of Russian literature, lesbian history and women's studies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814725047
    Other identifier:
    Series: The Cutting Edge ; 13
    Subjects: LITERARY CRITICISM / LGBT.; Lesbianism in literature; Lesbians; Lesbians' writings, Russian; Women in literature
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  17. The Politics of the Female Body
    Postcolonial Women Writers
    Author: Katrak, Ketu
    Published: [2006]; © 2006
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Is it possible to simultaneously belong to and be exiled from a community? In Politics of the Female Body, Ketu H. Katrak argues that it is not only possible, but common, especially for women who have been subjects of colonial empires. Through her... more

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    Is it possible to simultaneously belong to and be exiled from a community? In Politics of the Female Body, Ketu H. Katrak argues that it is not only possible, but common, especially for women who have been subjects of colonial empires. Through her careful analysis of postcolonial literary texts, Katrak uncovers the ways that the female body becomes a site of both oppression and resistance. She examines writers working in the English language, including Anita Desai from India, Ama Ata Aidoo from Ghana, and Merle Hodge from Trinidad, among others. The writers share colonial histories, a sense of solidarity, and resistance strategies in the on-going struggles of decolonization that center on the body. Bringing together a rich selection of primary texts, Katrak examines published novels, poems, stories, and essays, as well as activist materials, oral histories, and pamphlets—forms that push against the boundaries of what is considered strictly literary. In these varied materials, she reveals common political and feminist alliances across geographic boundaries. A unique comparative look at women’s literary work and its relationship to the body in third world societies, this text will be of interest to literary scholars and to those working in the fields of postcolonial studies and women’s studies

     
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  18. Eve's Journey
    Feminine Images in Hebraic Literary Tradition
    Author: Aschkenasy, Nehama
    Published: [2015]; © 1987
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    In Eve's Journey, Nehama Aschkenasy traces the migration of several female images and feminine situations from their early appearances in Biblical writings to their incarnations in modern Hebraic literature. Focusing on the evolution of early female... more

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    In Eve's Journey, Nehama Aschkenasy traces the migration of several female images and feminine situations from their early appearances in Biblical writings to their incarnations in modern Hebraic literature. Focusing on the evolution of early female archetypes and prototypes, Aschkenasy uncovers the ancient roots of modern female characters and traces the changing cultural perceptions of women in Hebraic letters.The author draws on the vast body of Hebraic literary documents to illustrate how the female character is a mirror of her times as well as being a product of her creator''s imagination and conception of the woman's role in society and in fiction. The historical spectrum, provided by a discussion of Biblical narratives, Midrashic sources, documents of the Jewish mystics, Hasidic tales, and modern Hebrew works, allows an understanding of the metamorphosis that the female figure has experienced in her literary odyssey

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512800111
    Other identifier:
    Subjects: Jewish Studies; Religion, Jewish Studies, Theology; Theology, Jewish Studies and Religious Studies; Hebrew literature, Modern; Women in Judaism; Women in literature; Women in the Bible; Frau; Literatur; Hebräisch
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  19. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S.
    Published: [2021]; © 1994
    Publisher:  Princeton University Press, Princeton, NJ

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature
    Scope: 1 online resource (232 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  20. Recent Studies Indicate
    The Best of Sarah Bird
    Author: Bird, Sarah
    Published: [2021]; © 2019
    Publisher:  University of Texas Press, Austin

    When Sarah Bird arrived in Austin in 1973 in pursuit of a boyfriend who was "hotter than lava," she found an abundance of inspiration for storytelling (her sweetheart left her for Scientology, but she got to taste a morsel of Lynda Bird Johnson's... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    When Sarah Bird arrived in Austin in 1973 in pursuit of a boyfriend who was "hotter than lava," she found an abundance of inspiration for storytelling (her sweetheart left her for Scientology, but she got to taste a morsel of Lynda Bird Johnson's poorly preserved wedding cake as a temp worker at the LBJ Library). Sarah Bird went on to write ten acclaimed novels and contribute hundreds of articles to publications coast to coast, developing a signature voice that combines laser-sharp insight with irreverent, wickedly funny prose in the tradition of Molly Ivins and Nora Ephron Now collecting forty of Bird's best nonfiction pieces, from publications that range from Texas Monthly to the New York Times and others, Recent Studies Indicate presents some of Bird's earliest work, including a prescient 1976 profile of a transgender woman, along with recent calls to political action, such as her 2017 speech at a benefit for Annie's List. Whether Bird is hanging out with socialites and sanitation workers or paying homage to her army-nurse mom, her collection brings a poignant perspective to the experience of being a woman, a feminist, a mother, and a Texan-and a writer with countless, spectacular true tales to tell us

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781477318690
    Other identifier:
    Subjects: LITERARY COLLECTIONS / Essays; Feminism in literature; Women in literature
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  21. The Captive Woman's Lament in Greek Tragedy
    Author: Dué, Casey
    Published: [2021]; © 2006
    Publisher:  University of Texas Press, Austin

    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292796119
    Other identifier:
    Subjects: LITERARY CRITICISM / General; Greek drama (Tragedy); Laments; Prisoners of war in literature; Revenge in literature; Slavery in literature; Women and literature; Women in literature; Women prisoners in literature
    Scope: 1 Online-Ressource (199 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  22. Obscene Things
    Sexual Politics in Jin Ping Mei
    Author: Ding, Naifei
    Published: [2002]; © 2002
    Publisher:  Duke University Press, Durham

    In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China's best known... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China's best known writers of the time and subsequently was published in three major recensions. A 1695 version by Zhang Zhupo became the most widely read and it is this text in particular on which Ding focuses. Challenging the preconceptions of earlier scholarship, she highlights the fundamental misogyny inherent in Jin Ping Mei and demonstrates how traditional biases-particularly masculine biases-continue to inform the concerns of modern criticism and sexual politics.The story of a seductive bondmaid-concubine, sexual opportunism, domestic intrigue, adultery and death, Jin Ping Mei has often been critiqued based on the coherence of the text itself. Concentrating instead on the processes of reading and on the social meaning of this novel, Ding looks at the various ways the tale has been received since its first dissemination, particularly by critiquing the interpretations offered by seventeenth-century Ming literati and by twentieth-century scholars. Confronting the gender politics of this "pornographic" text, she troubles the boundaries between premodern and modern readings by engaging residual and emergent Chinese gender and hierarchic ideologies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822383444
    Other identifier:
    Subjects: LITERARY CRITICISM / Asian / General; Sex in literature; Women in literature
    Scope: 1 online resource (366 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  23. Making Girls into Women
    American Women's Writing and the Rise of Lesbian Identity
    Author: Kent, Kathryn R.
    Published: [2003]; © 2003
    Publisher:  Duke University Press, Durham

    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women's culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.Kent not only analyzes how texts represent queer erotics, but also theorizes how texts might produce them in readers. She describes the ways postbellum sentimental literature such as that written by Harriet Beecher Stowe, Louisa May Alcott, and Emma D. Kelley eroticizes, reacts against, and even, in its own efforts to shape girls' selves, contributes to the production of queer female identifications and identities. Tracing how these identifications are engaged and critiqued in the early twentieth century, she considers works by Djuna Barnes, Gertrude Stein, Marianne Moore, and Elizabeth Bishop, as well as in the queer subject-forming effects of another modern invention, the Girl Scouts. Making Girls into Women ultimately reveals that modern lesbian identity marks an extension of, rather than a break from, nineteenth-century women's culture

     
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    Source: Union catalogues
    Contributor: Barale, Michèle Aina (Publisher); Goldberg, Jonathan (Publisher); Moon, Michael (Publisher); Sedgwick, Eve Kosofsky (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822384571
    Other identifier:
    Series: Series Q
    Subjects: SOCIAL SCIENCE / General; American literature; American literature; Girls in literature; Lesbians in literature; Lesbians' writings, American; Women in literature
    Scope: 1 online resource (368 pages), 3 illus
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  24. Roughnecks, Drillers, and Tool Pushers
    Thirty-three Years in the Oil Fields
    Author: Lynch, Gerald
    Published: [2022]; © 1991
    Publisher:  University of Texas Press, Austin

    Oil, the black gold of Texas, has given rise to many a myth. Oil could turn a man overnight into a millionaire-and did, for some. But these myths have obscured what life was really like in the oil patch, a place that was neither the El Dorado of... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Oil, the black gold of Texas, has given rise to many a myth. Oil could turn a man overnight into a millionaire-and did, for some. But these myths have obscured what life was really like in the oil patch, a place that was neither the El Dorado of legend nor quite the unredeemed den of sin and iniquity that some feared. In Roughnecks, Drillers, and Tool Pushers, Gerald Lynch provides a much-needed insider's view of the oil industry, describing life in various oil fields in and around Texas. He also chronicles changes in drilling methods and oil-field technology and how these changes affected him and his fellow oil-field workers. No one else has written a working-class history of the oil fields as colorful and articulate as this one

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292790568
    Other identifier:
    Subjects: BUSINESS & ECONOMICS / Industries / General; Women in literature
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
  25. The Matter of Virtue
    Women's Ethical Action from Chaucer to Shakespeare
    Author: Crocker, Holly A.
    Published: [2019]; © 2019
    Publisher:  University of Pennsylvania Press, Philadelphia

    If material bodies have inherent, animating powers-or virtues, in the premodern sense-then those bodies typically and most insistently associated in the premodern period with matter-namely, women-cannot be inert and therefore incapable of ethical... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    If material bodies have inherent, animating powers-or virtues, in the premodern sense-then those bodies typically and most insistently associated in the premodern period with matter-namely, women-cannot be inert and therefore incapable of ethical action, Holly Crocker contends. In The Matter of Virtue, Crocker argues that one idea of what it means to be human-a conception of humanity that includes vulnerability, endurance, and openness to others-emerges when we consider virtue in relation to modes of ethical action available to premodern women. While a misogynistic tradition of virtue ethics, from antiquity to the early modern period, largely cast a skeptical or dismissive eye on women, Crocker seeks to explore what happened when poets thought about the material body not as a tool of an empowered agent whose cultural supremacy was guaranteed by prevailing social structures but rather as something fragile and open, subject but also connected to others.After an introduction that analyzes Hamlet to establish a premodern tradition of material virtue, Part I investigates how retellings of the demise of the title female character in Chaucer's Troilus and Criseyde, Lydgate's Troy Book, Henryson's Testament of Cresseid, and Shakespeare's Troilus and Cressida among other texts structure a poetic debate over the potential for women's ethical action in a world dominated by masculine violence. Part II turns to narratives of female sanctity and feminine perfection, including ones by Chaucer, Bokenham, and Capgrave, to investigate grace, beauty, and intelligence as sources of women's ethical action. In Part III, Crocker examines a tension between women's virtues and household structures, paying particular attention to English Griselda- and shrew-literatures, including Shakespeare's Taming of the Shrew. She concludes by looking at Chaucer's Legend of Good Women to consider alternative forms of virtuous behavior for women as well as men

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296273
    Other identifier:
    Subjects: Cultural Studies; Gender Studies; Literature; Medieval and Renaissance Studies; Women's Studies; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English poetry; Virtue in literature; Women in literature; Mittelenglisch; Englisch; Tugend <Motiv>; Frau <Motiv>; Literatur
    Scope: 1 online resource (360 pages), 11 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)