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Displaying results 1 to 18 of 18.

  1. Violence's fabled experiment
    Published: [2018]; © 2018
    Publisher:  August Verlag, Berlin ; Köln

    Universitäts- und Landesbibliothek Bonn
    W 2018/2022
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783941360570; 3941360574
    Other identifier:
    9783941360570
    Series: Kleine Edition ; 27
    Subjects: Film; Gewalt <Motiv>
    Other subjects: (Produktform)Book; Human nature; Violence; Werner Herzog; (VLB-WN)2745: Taschenbuch / Medien, Kommunikation/Kommunikationswissenschaft
    Scope: 148 Seiten, Illustrationen, 16 cm
  2. Raum/Akteure
    Inszenierte Landschaften in den frühen Filmen von Wim Wenders
    Published: [2019]; © 2019
    Publisher:  Herbert von Halem Verlag, Köln

    Ruhr-Universität Bochum, Universitätsbibliothek
    MPA12089
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    U 2019/35
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    Universität Bonn, Kunsthistorisches Institut, Bibliothek
    R 9299/205
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    FILM19/40
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    KNLW127
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    3L 24463
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  3. Raum/Akteure
    inszenierte Landschaften in den frühen Filmen von Wim Wenders
    Published: [2019]
    Publisher:  Herbert von Halem Verlag, Köln

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783869623061; 3869623063
    Other identifier:
    9783869623061
    RVK Categories: AP 51384
    DDC Categories: 300
    Edition: 1. Auflage
    Subjects: Landschaft <Motiv>; Film; Raum <Motiv>
    Other subjects: Wenders, Wim (1945-); Autorenfilm; Heimatfilm; Werner Herzog; Wim Wenders
    Scope: 344 Seiten, Illustrationen
    Notes:

    Dissertation, Universität Bonn, 2016

  4. Animal Narratology
    Contributor: Jacobs, Joela (Herausgeber)
    Published: 2020
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel, Switzerland ; OAPEN FOUNDATION, The Hague

    Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual... more

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    Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.

     

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    Source: Union catalogues
    Contributor: Jacobs, Joela (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783039283491; 9783039283484
    Subjects: Research & information: general; Biology, life sciences; Animals & society
    Other subjects: animal narrators; anthropocentrism; cultural ontologies; discourse analysis; fiction–nonfiction distinction; framing and footing; life writing; narratology; politeness; self-narratives; animal studies; human-animal studies; speaking animals; Tolstoy; Bulgakov; trauma theory; Russian literature; allegory; humanism; literary theory; film studies; George Orwell; Animal Farm; Chicken Run; Uwe Timm; ‘Morenga’; African history; colonialism; postcolonial German literature; animal narratology; multi-perspective narration; animal agency; The Plague Dogs; Richard Adams; unreliability; talking animal stories; non-human focalizer; Pincher Martin; non-human narrators; intradiegetic narration; Gerard Genette; anthropomorphism; Eric Linklater; The Wind on the Moon; direct speech; characterization; posthumanism; inter-species comprehension; Hindi cinema; Bollywood; animal narrator; world literature; empathy; Cartesian dualism; Maurice Merleau-Ponty; animal poetry; ‘Inventing a Horse; ‘Spermaceti’; eco-humanities; eco-criticism; eco-philosophy; Industrial Farm Animal Production; narrative; plot; conflict; environmental crisis; catastrophe; play theory; Franz Kafka; manuscripts; speaking-for; narrative representation; literary representation; animal autobiography; fictional autobiography; meta-autobiography; contextualist narratology; cultural and literary animal studies; poetics of knowledge; zoology; natural history; equine autozoography; horse-science; narrative voice; inoperativity; singing mice; zoopoetics; anthropological machine; community; music; Cervantes; Novelas ejemplares; El coloquio de los perros; Novela del casamiento engañoso; Siglo de Oro; Early Modern Age; cynicism; Diogenes of Sinope; Montaigne; Derrida; Animal Studies; rhetoric; animal narration; fable; Aesopic fables; Greek fable; antagonistic fables; comics; animals; cinema; sound effects; science fiction; Achilles; Archilochus; fox; Gryllus; Hesiod; Homer; Lucian; pig; Plutarch; Pythagoras; rooster; Xanthus; talking dogs; agency; animal; dystopia; Marie Darrieussecq; human; non-human; Truismes; Kafka studies; adaptation studies; intertextuality; intermediality; mimesis; emulation; imitation; repetition; parody; autobiography; genre; entanglement; Cixous; dogs; earth; worldviews; indigenous wisdom traditions; relationality; ecology; language; more-than-human geography; multispecies ethnography; ecopsychology; anthropology; environmental philosophy; decolonization; intuition; instinct; myth; non-verbal communication; IK; TEK; animality; film; White God; filmic representation of animals; material ecocriticism; Moby-Dick; Werner Herzog; Hans Sahl; lyric poetry; mole; space; time; species; metamorphosis; transformation; exile; n/a
    Scope: 1 Online-Ressource (454 p.)
  5. Animal Narratology
    Contributor: Jacobs, Joela (Herausgeber)
    Published: 2020
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel, Switzerland

    Hochschulbibliothek der Fachhochschule Aachen
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    Source: Union catalogues
    Contributor: Jacobs, Joela (Herausgeber)
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9783039283491
    Other identifier:
    10.3390/books978-3-03928-349-1
    Other subjects: animal narrators; anthropocentrism; cultural ontologies; discourse analysis; fiction-nonfiction distinction; framing and footing; life writing; narratology; politeness; self-narratives; animal studies; human-animal studies; speaking animals; Tolstoy; Bulgakov; trauma theory; Russian literature; allegory; humanism; literary theory; film studies; George Orwell; Animal Farm; Chicken Run; Uwe Timm; 'Morenga'; African history; colonialism; postcolonial German literature; animal narratology; multi-perspective narration; animal agency; The Plague Dogs; Richard Adams; unreliability; talking animal stories; non-human focalizer; Pincher Martin; non-human narrators; intradiegetic narration; Gerard Genette; anthropomorphism; Eric Linklater; The Wind on the Moon; direct speech; characterization; posthumanism; inter-species comprehension; Hindi cinema; Bollywood; animal narrator; world literature; empathy; Cartesian dualism; Maurice Merleau-Ponty; animal poetry; 'Inventing a Horse; 'Spermaceti'; eco-humanities; eco-criticism; eco-philosophy; Industrial Farm Animal Production; narrative; plot; conflict; environmental crisis; catastrophe; play theory; Franz Kafka; manuscripts; speaking-for; narrative representation; literary representation; animal autobiography; fictional autobiography; meta-autobiography; contextualist narratology; cultural and literary animal studies; poetics of knowledge; zoology; natural history; equine autozoography; horse-science; narrative voice; inoperativity; singing mice; zoopoetics; anthropological machine; community; music; Cervantes; Novelas ejemplares; El coloquio de los perros; Novela del casamiento engañoso; Siglo de Oro; Early Modern Age; cynicism; Diogenes of Sinope; Montaigne; Derrida; Animal Studies; rhetoric; animal narration; fable; Aesopic fables; Greek fable; antagonistic fables; comics; animals; cinema; sound effects; science fiction; Achilles; Archilochus; fox; Gryllus; Hesiod; Homer; Lucian; pig; Plutarch; Pythagoras; rooster; Xanthus; talking dogs; agency; animal; dystopia; Marie Darrieussecq; human; non-human; Truismes; Kafka studies; adaptation studies; intertextuality; intermediality; mimesis; emulation; imitation; repetition; parody; autobiography; genre; entanglement; Cixous; dogs; earth; worldviews; indigenous wisdom traditions; relationality; ecology; language; more-than-human geography; multispecies ethnography; ecopsychology; anthropology; environmental philosophy; decolonization; intuition; instinct; myth; non-verbal communication; IK; TEK; animality; film; White God; filmic representation of animals; material ecocriticism; Moby-Dick; Werner Herzog; Hans Sahl; lyric poetry; mole; space; time; species; metamorphosis; transformation; exile; n/a; Research & information: general; Biology, life sciences; Animals & society
    Scope: 1 electronic resource (454 pages)
  6. Animal Narratology
    Contributor: Jacobs, Joela (Herausgeber)
    Published: 2020
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel, Switzerland

    Hochschulbibliothek der Fachhochschule Aachen
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    Source: Union catalogues
    Contributor: Jacobs, Joela (Herausgeber)
    Media type: Ebook
    Format: Online
    ISBN: 9783039283491
    Subjects: Research & information: general; Biology, life sciences; Animals & society
    Other subjects: animal narrators; anthropocentrism; cultural ontologies; discourse analysis; fiction-nonfiction distinction; framing and footing; life writing; narratology; politeness; self-narratives; animal studies; human-animal studies; speaking animals; Tolstoy; Bulgakov; trauma theory; Russian literature; allegory; humanism; literary theory; film studies; George Orwell; Animal Farm; Chicken Run; Uwe Timm; 'Morenga'; African history; colonialism; postcolonial German literature; animal narratology; multi-perspective narration; animal agency; The Plague Dogs; Richard Adams; unreliability; talking animal stories; non-human focalizer; Pincher Martin; non-human narrators; intradiegetic narration; Gerard Genette; anthropomorphism; Eric Linklater; The Wind on the Moon; direct speech; characterization; posthumanism; inter-species comprehension; Hindi cinema; Bollywood; animal narrator; world literature; empathy; Cartesian dualism; Maurice Merleau-Ponty; animal poetry; 'Inventing a Horse; 'Spermaceti'; eco-humanities; eco-criticism; eco-philosophy; Industrial Farm Animal Production; narrative; plot; conflict; environmental crisis; catastrophe; play theory; Franz Kafka; manuscripts; speaking-for; narrative representation; literary representation; animal autobiography; fictional autobiography; meta-autobiography; contextualist narratology; cultural and literary animal studies; poetics of knowledge; zoology; natural history; equine autozoography; horse-science; narrative voice; inoperativity; singing mice; zoopoetics; anthropological machine; community; music; Cervantes; Novelas ejemplares; El coloquio de los perros; Novela del casamiento engañoso; Siglo de Oro; Early Modern Age; cynicism; Diogenes of Sinope; Montaigne; Derrida; Animal Studies; rhetoric; animal narration; fable; Aesopic fables; Greek fable; antagonistic fables; comics; animals; cinema; sound effects; science fiction; Achilles; Archilochus; fox; Gryllus; Hesiod; Homer; Lucian; pig; Plutarch; Pythagoras; rooster; Xanthus; talking dogs; agency; animal; dystopia; Marie Darrieussecq; human; non-human; Truismes; Kafka studies; adaptation studies; intertextuality; intermediality; mimesis; emulation; imitation; repetition; parody; autobiography; genre; entanglement; Cixous; dogs; earth; worldviews; indigenous wisdom traditions; relationality; ecology; language; more-than-human geography; multispecies ethnography; ecopsychology; anthropology; environmental philosophy; decolonization; intuition; instinct; myth; non-verbal communication; IK; TEK; animality; film; White God; filmic representation of animals; material ecocriticism; Moby-Dick; Werner Herzog; Hans Sahl; lyric poetry; mole; space; time; species; metamorphosis; transformation; exile; n/a
    Scope: 1 electronic resource (454 pages)
  7. Violence's fabled experiment
    Published: [2018]; © 2018
    Publisher:  August Verlag, Berlin

    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783941360570; 3941360574
    Other identifier:
    9783941360570
    Series: Kleine Edition ; 27
    Subjects: Film; Gewalt <Motiv>
    Other subjects: Human nature; Violence; Werner Herzog
    Scope: 148 Seiten, Illustrationen, 16 cm
  8. Raum/Akteure
    Inszenierte Landschaften in den frühen Filmen von Wim Wenders
    Published: [2019]; © 2019
    Publisher:  Herbert von Halem Verlag, Köln

    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783869623061; 3869623063
    Other identifier:
    9783869623061
    DDC Categories: 300
    Subjects: Wenders, Wim; Film; Landschaft <Motiv>; Raum <Motiv>; Geschichte 1968-1982
    Other subjects: Autorenfilm; Heimatfilm; Landschaft; Werner Herzog; Wim Wenders
    Scope: 344 Seiten, Illustrationen, Karten
    Notes:

    Dissertation, Rheinische Friedrich-Wilhelms-Universität Bonn, 2016

  9. Raum/Akteure
    inszenierte Landschaften in den frühen Filmen von Wim Wenders
    Published: [2019]
    Publisher:  Herbert von Halem Verlag, Köln

    Bibliothek des Bundesarchivs
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783869623061; 3869623063
    Other identifier:
    9783869623061
    RVK Categories: AP 51384
    DDC Categories: 300
    Edition: 1. Auflage
    Subjects: Landschaft <Motiv>; Film; Raum <Motiv>
    Other subjects: Wenders, Wim (1945-); Autorenfilm; Heimatfilm; Werner Herzog; Wim Wenders
    Scope: 344 Seiten, Illustrationen
    Notes:

    Dissertation, Universität Bonn, 2016

  10. Rezension zu Laurie Ruth Johnson: Forgotten Dreams. Revisiting Romanticism in the Cinema of Werner Herzog
    Published: 2019
    Publisher:  Friedrich-Schiller-Universität Jena, Jena

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    Source: Union catalogues
    Contributor: Kerschbaumer, Sandra (Herausgeber); Langeheine, Romy (Herausgeber); Pappe, Alexander (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Romantik; Film; Rezeption; Literatur; Ästhetik
    Other subjects: Johnson, Uwe (1934-1984); Romantik; Werner Herzog
    Scope: Online-Ressource, 3 Seiten
    Notes:

    In: Modell Romantik

    In: Friedrich-Schiller-Universität, Jena

  11. Whiteout: animal traces in Werner Herzog’s Grizzly man and encounters at the end of the world
    Published: 2017
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: In: Humanities, 6.2017, Nr. 89; doi:10.3390/h6040089
    Other subjects: animal agency; filmic representation of animals; material ecocriticism; Moby-Dick; Werner Herzog
    Scope: Online-Ressource
  12. Raum, Akteure
    inszenierte Landschaften in den frühen Filmen von Wim Wenders
    Published: [2019]
    Publisher:  Herbert von Halem Verlag, Köln

  13. Ethos und Pathos
    Mediale Wirkungsästhetik im 20. Jahrhundert in Ost und West
  14. Erzählen in einer anderen Dimension
    Zeitdehnung und Zeitraffung im Spielfilm
  15. Ethos und Pathos
    mediale Wirkungsästhetik im 20. Jahrhundert in Ost und West
  16. Erzählen in einer anderen Dimension
    Zeitdehnung und Zeitraffung im Spielfilm
  17. Ethos und Pathos
    mediale Wirkungsästhetik im 20. Jahrhundert in Ost und West
    Contributor: Nicolosi, Riccardo (Publisher); Zimmermann, Tanja (Publisher)
    Published: 2017
    Publisher:  Böhlau Verlag, Köln

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    Source: Union catalogues
    Contributor: Nicolosi, Riccardo (Publisher); Zimmermann, Tanja (Publisher)
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 9783412224318; 3412224316
    Other identifier:
    9783412224318
    RVK Categories: LH 61045
    DDC Categories: 300
    Series: Osteuropa medial ; Band 7
    Subjects: Ethos; Pathos; Rezeptionsästhetik; Geschichte 1900-1999;
    Other subjects: Filmtheorie; Kriegsrhetorik; Lev Tolstoj; Marina Abramovic; Medial inszenierte Gewalt; Sergej Ejzenstejn; Sowjetische Massenmedien; Werner Herzog; Wirkungsästhetik
    Scope: 441 Seiten, Illustrationen, 24 cm
    Notes:

    "Die Beiträge dieses Bandes gehen mehrheitlich auf eine Konferenz zurück ... "Ethos und Pathos der Medien. Wirkungsästhetische Strategien zwischen Rhetorik und Politik im 20. Jahrhundert ...", Oktober 2012, Konstanz

  18. Ethos und Pathos
    mediale Wirkungsästhetik im 20. Jahrhundert in Ost und West
    Contributor: Nicolosi, Riccardo (HerausgeberIn); Zimmermann, Tanja (HerausgeberIn)
    Published: [2017]
    Publisher:  Böhlau Verlag, Köln

    Das dynamische Wechsel- und Spannungsverhältnis von Ethos und Pathos in den Medien des 20. Jahrhunderts, von der Literatur über die bildende und die Körperkunst bis hin zu Radio und Film, steht im Zentrum dieses Buches. Als komplementäre Kategorien... more

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    Das dynamische Wechsel- und Spannungsverhältnis von Ethos und Pathos in den Medien des 20. Jahrhunderts, von der Literatur über die bildende und die Körperkunst bis hin zu Radio und Film, steht im Zentrum dieses Buches. Als komplementäre Kategorien der antiken Affektenlehre, die auf eine lange rhetorische und bildliche Tradition zurückblicken, haben Ethos und Pathos einen zentralen Anteil an der Formierung unterschiedlicher Wirkungsästhetiken in den modernen Medien. In ihrem Zusammenwirken, aber auch im Konflikt miteinander prägen sie die medialen Modellierungen politischer Ziele, Ideologien und ästhetischer Programme. Die Beiträge beleuchten in komparatistischer Perspektive verschiedene Ausprägungen medialer Wirkungsästhetik in den Kulturen Ost- und Westeuropas sowie Nordamerikas

     

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    Source: Union catalogues
    Contributor: Nicolosi, Riccardo (HerausgeberIn); Zimmermann, Tanja (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783412218850
    Other identifier:
    RVK Categories: AP 44950 ; AP 94250 ; AP 33250 ; KD 5035 ; EC 5410
    Corporations / Congresses: Konferenz Ethos und Pathos der Medien. Wirkungsästhetische Strategien Zwischen Rhetorik und Politik im 20. Jahrhundert (2012, Konstanz)
    Series: Osteuropa medial ; 7
    Subjects: Sergej Ejzenstejn; Werner Herzog; Lev Tolstoj; Wirkungsästhetik; Filmtheorie; Kriegsrhetorik; Sowjetische Massenmedien; Sergej Ejzenstjn; Medial inszenierte Gewalt; Marina Abramovic
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- Vorwort zum Dank -- -- Inhalt -- -- Einleitung -- -- Kritik und Faszination des Pathos Überlegungen zu Lev Tolstoj -- -- Slavische Bewegungsbilder Die tschechische Sokol-Bewegung und ihre mediale Wirkungsästhetik -- -- Physiologischer Materialismus Raoul Hausmann und Russland -- -- Über Jurij Olešas Neid -- -- Das Ethos und Pathos der E-Stimme Sowjetische Hörgemeinschaft zu Beginn der elektrischen Sound-Reproduktion -- -- Der sanfte Zwang der Persuasion Zum CBS War Bond Day, 1943 -- -- The Art of Hatred The ‘Noble Wrath’ and Violence in Soviet Wartime Culture -- -- The Pathos of Soviet Thanatology A Case of Alexander Fadeev’s The Young Guard -- -- Pathosformel ‚tote Mutter‘ -- -- Ėjzenštejns Pathos Verweltlichtes Wunder und ekstatische Dialektik -- -- Pathos und Ekstase Zum filmischen Werk Werner Herzogs -- -- Affekttherapie durch die Form? Zu Texten von Karl Steiner/Karlo Štajner und Danilo Kiš -- -- Minus-Pathos Das mediale Gedächtnis der Leningrader Blockade in Aleksandr Sokurovs Wir lesen das Blockadebuch -- -- Between Ethos and Pathos Missing and Lasting Exposures in Marcel Beyer’s Spione (Spies) and Paweł Huelle’s Mercedes-Benz. Z listów do Hrabala (Mercedes-Benz. From Letters to Hrabal) -- -- The Magnitofon and the Rhetoric of Soviet Broadcasting -- -- Wissenschaftspathos und Wissenschaftsethos im sowjetischen Science-Faction-Film -- -- Spur der Steine und Spur der Wahrheit Ethos und Pathos in der filmischen Inszenierung von Achtungskommunikation -- -- Vom historischen Pathos zum politischen Ethos Kazimierz Dejmeks Inszenierung der Dziady (Ahnenfeier) 1967 und die polnische Generation ’68 -- -- Pathetische Ethik des Körpers Marina Abramovićs Lips of Thomas -- -- Unoriginal Pedagogies Didactic Art as Edification and Repetition (Robert Morris, Walter Benjamin) -- -- Spiritualität, neues Leben, Vaterland! Existenzielles Pathos bei Sergej Minaev, Natan Dubovickij und Zachar Prilepin