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  1. Popular imperialism and the military
    1850-1950
    Contributor: MacKenzie, John M. (Publisher)
    Published: 01 Mar 2017
    Publisher:  [Manchester University Press], [Manchester]

    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified... more

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    Universitätsbibliothek Bayreuth
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    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified in Kipling's 'Tommy Atkins'. This more positive attitude towards the military was also accompanied by greater popular support for warfare itself. This book examines the military and cultural background to the shift in popular reactions and traces the manner in which new values were inculcated through a variety of media. 'Popular imperialism and the military' demonstrates forcefully how changing attitudes towards the military were inseparably bound up with the dominant ethos of imperialism. Perceptions of warfare became shaped by the predominantly colonial location of British war in the late nineteenth century, with these 'small wars' against 'unequal' foes being greeted by contemporaries with heightened enthusiasm and greater confidence in success. This ideological current of imperialism, together with Social Darwinian thought and the Victorian rediscovery of military chivalry combined to transform the relationship between war and society. Changing ideologies did not develop spontaneously, however, and this volume traces the ways in which new images were conveyed to the public through popular culture. The chapters cover media as diverse as music and ceremony, the music hall, juvenile literature, military art, open-air theatrical displays and RAF pageants. The contributors show how these media established a tradition that was to survive until the mid-twentieth century. This inter-disciplinary study will appeal to students and specialists interested in imperial history, literary and cultural studies and military history

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: MacKenzie, John M. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526123602
    Other identifier:
    RVK Categories: NQ 9410
    Series: Studies in imperialism
    Subjects: Colonialism & Imperialism / bicssc; Cultural studies / bicssc; Warfare & Defence / bicssc; HISTORY / Military / General / bisach; HISTORY / Military / World War I. / bisach; HISTORY / Military / World War II. / bisach; Warfare & defence / Colonialism & imperialism / Cultural studies / thema; Popular culture / Great Britain / History / 19th century; Popular culture / Great Britain / History / 20th century; Public opinion / Great Britain / History / 19th century; Public opinion / Great Britain / History / 20th century; Imperialism / Public opinion; War / Public opinion; Imperialism in art; Arts, British; War in art; Image; Imperialismus; Englisch; Militär <Motiv>; Öffentliche Meinung; Alltagskultur; Militär; Literatur; Krieg; Kultur
    Scope: 1 Online-Ressource (ix, 228 Seiten), Illustrationen
    Notes:

    Auf der Landingpage (Manchester Hive): "Online Publication Date: 01 Mar 2017"

    Introduction : popular imperialism and the military / John M. MacKenzie -- Delusive seduction : pride, pomp, circumstance and military music / Robert Giddings -- 'We carved our way to glory' : the British soldier in music hall song and sketch, c. 1880-1914 / Dave Russell -- Popular imperialism and the image of the army in juvenile literature / Jeffrey Richards -- Heroic myths of empire / John M. MacKenzie -- War correspondents and colonial war, c. 1870-1900 / Roger T. Stearn -- Officer material : representations of leadership in late nineteenth-century British battle painting / Paul Usherwood -- The world on fire ... : pyrodramas at Belle Vue Gardens, Manchester, c. 1850-1950 / David Mayer -- The Hendon Air Pageant, 1920-37 / David Enrico Omissi -- Postscript / John M. MacKenzie
  2. Posthumous images
    contemporary art and memory politics in post-civil war Lebanon
    Author: Elias, Chad
    Published: 2018
    Publisher:  Duke University Press, Durham ; London

    "For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In 'Posthumous Images', Chad Elias analyzes a generation of contemporary artists who have sought, in... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In 'Posthumous Images', Chad Elias analyzes a generation of contemporary artists who have sought, in different ways, to interrogate the contested memory of those years of civil strife and political upheaval. In their films, photography, architectural projects, and multimedia performances, these artists appropriate existing images to challenge divisive and violent political discourses. They also create new images that make visible individuals and communities that have been effectively silenced, rendered invisible, or denied political representation. As Elias demonstrates, these practices serve to productively unsettle the distinctions between past and present, the dead and the living, official history and popular memory. In Lebanon, the field of contemporary art is shown to be critical to remembering the past and reimagining the future in a nation haunted by a violent and unresolved war"--Back cover

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780822347101; 0822347105; 9780822347668; 0822347660
    Series: Art history publication initiative
    Subjects: Nachkriegszeit; Bürgerkrieg <Motiv>; Denkmal; Dokumentarfilm; Politische Kunst
    Other subjects: Zaʿatarī, Akram (1966-); Raad, Walid (1967-); Hadjithomas, Joana (1969-); Joreige, Khalil (1969-); Joreige, Lamia (1972-); Khoury, Bernard (1968-); Civil War (Lebanon : 1975-1990); Art / Political aspects / Lebanon; Lebanon / History / Civil War, 1975-1990 / Art and the war; War in art; Social conflict in mass media; Social conflict in art; Art / Political aspects; Social conflict in art; Social conflict in mass media; War in art; Lebanon; 20.30 history of art: general; 1975-1990; Art; History
    Scope: xvi, 243 pages, illustrations, map, 24 cm
    Notes:

    Introduction -- Captive subjects : on the geopolitics of sex and translation in Walid Raad's Hostage: the Bachar tapes -- Resistance, video martyrdom, and the afterlife of the Lebanese left -- Latent images, buried bodies : mourning Lebanon's disappeared -- Suspended spaces : the void and the monument in post-civil war Beirut -- Images of futures past : the Lebanese Rocket Society -- Coda: time bomb
  3. Watching war on the twenty-first century stage
    spectacles of conflict
    Author: Delijani, Clare Finburgh
    Published: 2019
    Publisher:  Bloomsbury Methuen Drama, London ; New York ; Oxford ; New Delhi ; Sydney

    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing... more

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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions-including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre-Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited-at a safe distance, from the comfort of our sofas or our desktops-to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. Among the many 21st-century plays and productions analysed are: Headlong Theatre Company's site-specific series of nineteen short plays Decade, Mark Ravenhill's play cycle Shoot/Get Treasure/Repeat, Simon Stephens's Pornography, Lone Twin's Alice Bell, Howard Barker's The Dying of Today, Roy Williams' Days of Significance, Gregory Burke's Black Watch, David Hare's Stuff Happens, Martin Crimp's The City, Nicholas Kent and Richard Norton-Taylor's Justifying War: Scenes from the Hutton Enquiry, Jonathan Lichtenstein's Memory, and DV8's Can We Talk About This? The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces. "...

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781350099418
    RVK Categories: HN 1274
    Edition: Paperback edition
    Series: Methuen drama engage
    Subjects: PERFORMING ARTS / Theater / History & Criticism / bisacsh; Geschichte; Gesellschaft; Politik; Theater; War and theater; Violence in the theater; Theater; War in art; PERFORMING ARTS / Theater / History & Criticism; Theater; Krieg <Motiv>
    Scope: xv, 355 Seiten, Illustrationen
  4. War as spectacle
    ancient and modern perspectives on the display of armed conflict
    Contributor: Bakogianni, Anastasia (Publisher); Hope, Valerie M. (Publisher)
    Published: 2015; © 2015
    Publisher:  Bloomsbury Academic, London ; New Delhi ; New York ; Sydney

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Bakogianni, Anastasia (Publisher); Hope, Valerie M. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474219617; 9781472524539
    Other identifier:
    RVK Categories: FB 5875 ; NH 5275 ; MK 3000
    Series: Bloomsbury classical studies monographs
    Subjects: War in literature; War in art; War; War in mass media; Krieg; Literatur; Antike; Massenmedien; Rezeption; Krieg <Motiv>; Spektakel; Kunst
    Scope: 1 Online-Ressource (xiv, 454 Seiten), Illustrationen, Karten
  5. On art and war and terror
    Author: Danchev, Alex
    Published: ©2009
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748641386; 9780748641383
    RVK Categories: AP 52700 ; MB 3450 ; MK 3100
    Subjects: Fine Arts; ART / Reference; ART / Performance; Art; Art and war; Arts and morals; Literature; War; War and literature; War films; Kunst; Literatur; Art and war; War and literature; War in art; War in literature; War films; Arts and morals; Künste; Terrorismus <Motiv>; Kunst; Krieg <Motiv>; Terrorismus; Krieg
    Scope: 1 Online-Ressource (xi, 242 pages)
    Notes:

    Includes bibliographical references and index

    Introduction: out of the marvellous, or, scholarship and the magic arts --- 1. The artist and the terrorist, or, the paintable and the unpaintable: Gerhard Richter and the Baader-Meinhof group --- 2. The face, or, senseless kindness: war photography and the ethics of responsibility --- 3. Provenance, or, authenticity: the guitar player and the arc of a life --- 4. Broomstick horrors, or, the fog-walker in the wood: keeping up appearances in the Great War --- 5. The strategy of still life, or, art and current affairs: Georges Braque and the occupation --- 6. All this happened, or, the real Waugh: sword of honour and the literature of the Second World War --- 7. The secret life, or, the soldier's tale: military diaries --- 8. Like a dog, or, animal house on the night shift: Kafka and Abu Ghraib --- 9. It's all fucked up, or, the non-fiction horror movie: the cinema and the War on Terror --- 10. Waiting for the barbarians, or, the hospitality of war: civilization and barbarism in the War on Terror

    "This book, a collection of Alex Danchev's essays on the theme of art, war and terror, offers a sustained demonstration of the way in which works of art can help us to explore the most difficult ethical and political issues of our time: war, terror, extermination, torture and abuse. It takes seriously the idea of the artist as moral witness to this realm, considering war photography, for example, as a form of humanitarian intervention. War poetry, war films and war diaries are also considered in a broad view of art, and of war. Kafka is drawn upon to address torture and abuse in the war on terror; Homer is utilised to analyse current talk of 'barbarisation'. The paintings of Gerhard Richter are used to investigate the terrorists of the Baader-Meinhof group, while the photographs of Don McCullin and the writings of Vassily Grossman and Primo Levi allow the author to propose an ethics of small acts of altruism. This book examines the nature of war over the last century, from the Great War to a particular focus on the current 'Global War on Terror'. It investigates what it means to be human in war, the cost it exacts and the ways of coping. Several of the essays therefore have a biographical focus."--Publisher's description
  6. War as spectacle
    ancient and modern perspectives on the display of armed conflict
    Contributor: Bakogianni, Anastasia (Publisher)
    Published: 2015
    Publisher:  Bloomsbury Academic, London ; New Delhi ; New York ; Sydney

    "War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and... more

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and Latin sources? How has this view of war been adapted in post-classical contexts and to what purpose? This collection of essays engages with the motif of war as spectacle through a variety of theoretical and methodological pathways and frameworks. They include the investigation of the portrayal of armed conflict in ancient Greek and Latin Literature, History and Material Culture, as well as the reception of these ancient narratives and models in later periods in a variety of media. The collection also investigates how classical models contribute to contemporary debates about modern wars, including the interrogation of propaganda and news coverage. Embracing an interdisciplinary approach to the study of ancient warfare and its impact, the volume looks at a variety of angles and perspectives, including visual display and its exploitation for political capital, the function of internal and external audiences, ideology and propaganda and the commentary on war made possible by modern media. The reception of the theme in other cultures and eras demonstrates its continued relevance and the way antiquity is used to justify as well as to critique later conflicts"..

     
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    Source: Union catalogues
    Contributor: Bakogianni, Anastasia (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781472522290; 9781472527554; 9781472524539
    RVK Categories: MK 3000 ; NH 5275
    Series: Bloomsbury classical studies monographs
    Subjects: Geschichte; HISTORY / Ancient / General; War in literature; War in art; War; War in mass media; HISTORY / Ancient / General; Antike; Literatur; Krieg; Krieg <Motiv>; Spektakel; Massenmedien; Rezeption; Kunst
    Scope: xiv, 454 Seiten, Illustrationen, 1 Karte
    Notes:

    Includes bibliographical references and index
  7. Art and the war at sea
    1914-1945
    Contributor: Riding, Christine (Publisher)
    Published: 2015
    Publisher:  Lund Humphries, London

    While many publications have engaged with the events, artists and poets associated with war fought on land, the cultural history of the war at sea has been neglected. This original book redresses this imbalance by being the first study to focus on... more

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    Bayerisches Armeemuseum, Bayerische Armeebibliothek
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    While many publications have engaged with the events, artists and poets associated with war fought on land, the cultural history of the war at sea has been neglected. This original book redresses this imbalance by being the first study to focus on the art of war in the first half of the 20th century from a distinctly naval and maritime perspective. Drawing on the first-class collections of paintings, works on paper (including drawings, photography and posters) and archival material, such as private papers, journals and memoirs, held at the National Maritime Museum, London, the artistic response to the war at sea is analysed in the context of specific focus points such as the major arenas of naval conflict; life on board ships, aircraft carriers and submarines; the experiences of prisoners of war and the response of artists to the commemoration and legacy of key maritime events. Featuring the work of established and lesser known artists, this publication will make an invaluable contribution to war art scholarship while also presenting a little known aspect of a major museum collection

     
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  8. Follow the flag
    Australian artists and war 1914 - 1945
    Published: 2015
    Publisher:  National Gallery of Victoria, Melbourne

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    Bayerische Staatsbibliothek
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  9. Nothing but the clouds unchanged
    artists in World War I ; [accompanies a related exhibition titled "World War I: war of images, images of war", on view at the Getty Research Institute from 18 November 2014 to 19 April 2015 and the Mildred Lane Kemper Art Museum at Washington University in St. Louis from 11 September 2015 to 4 January 2016]
    Contributor: Hughes, Gordon (Publisher); Blom, Philipp (Publisher)
    Published: 2014
    Publisher:  Getty Research Inst., Los Angeles, Calif.

    Location:
    Universitätsbibliothek Bayreuth
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Contributor: Hughes, Gordon (Publisher); Blom, Philipp (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781606064313
    RVK Categories: LH 84380
    Subjects: Weltkrieg (1914-1918); World War, 1914-1918; World War, 1914-1918; War artists; War in art; Krieg <Motiv>; Kunst; Erster Weltkrieg
    Scope: 198 S., zahlr. Ill., graph. Darst.
  10. The Great War and the death of God
    cultural breakdown, retreat from reason, and rise of neo-Darwinian materialism in the aftermath of World War I
    Author: O'Connor, Charles A., III
    Published: 2014
    Publisher:  New Academia Publ., Washington, DC.

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: NP 4410
    Subjects: World War, 1914-1918; War in art; Religion; World War, 1914-1918 / Influence; Weltkrieg (1914-1918); Kunst; Erster Weltkrieg; Kulturverfall; Nachkriegszeit; Theologie; Literatur; Philosophie
    Scope: XII, 332 S., Ill., 1 Portr. (des Verf.), 23 cm
    Notes:

    Includes index

    Bibliography: p. [303]-315
  11. Theater of cruelty
    art, film, and the shadows of war
    Author: Buruma, Ian
    Published: 2014
    Publisher:  New York Review Books, New York

    Theater of Cruelty has three main themes that frequently overlap: war, film, and the visual arts. Many of the movies discussed are about war and violence, often related to World War II, and more specifically deal with the two nations that unleashed... more

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    Bayerische Staatsbibliothek
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    Theater of Cruelty has three main themes that frequently overlap: war, film, and the visual arts. Many of the movies discussed are about war and violence, often related to World War II, and more specifically deal with the two nations that unleashed the war, Germany and Japan: why they did what they did, and how they came to terms with it afterward or didn't. Other essays in the collection, about the diaries of Harry Kessler and Anne Frank, the bombing of German cities, Japan's kamikaze pilots further explore these themes. Many of the artists discussed by Buruma were German or Japanese, including Max Beckmann, George Grosz, Ernst Ludwig Kirchner, and Tsuguharu Foujita, as were the filmmakers Werner Herzog, Rainer Werner Fassbinder, Kiyoshi Kurosawa, and Hans-Jürgen Syberberg, all of whom were affected in one way or another by fascism and its terrible consequences. Theater of Cruelty is less about war itself than the way people deal with violence and cruelty, in the arts and in life....Amazon.com

     
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  12. Art from contemporary conflict
    Author: Bevan, Sara
    Published: 2015
    Publisher:  Imperial War Museums, London

    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781904897743; 9781904897668
    RVK Categories: LH 35290 ; LO 50097 ; LO 50098
    Subjects: Art and war; War in art; Art, British / 21st century; Art, British / 20th century; Krieg <Motiv>; Sammlung; Kunst
    Other subjects: Imperial War Museum (Great Britain) / Art collections
    Scope: 80 S., zahlr. Ill., 23 cm
  13. War imagery in women's textiles
    an international study of weaving, knitting, sewing, quilting, rug making and other fabric arts
    Author: Deacon, Deborah A.; Calvin, Paula E.
    Published: 2014
    Publisher:  McFarland, Jefferson, NC

    "Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. In each case traditional women's work served to document the upheaval in their lives. By... more

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    Bayerische Staatsbibliothek
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    "Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. In each case traditional women's work served to document the upheaval in their lives. By creating textiles that responded to the chaos of war, women created a vehicle to express their feelings"..

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780786474660
    Subjects: Textile crafts; Textile design; War in art; Art and war; Women and war; Textilien; Design; Frauenkleidung; Krieg <Motiv>
    Scope: VII, 239, 12 S., Ill., 26 cm
    Notes:

    Includes bibliographical references (pages 221-233) and index
  14. War as spectacle
    ancient and modern perspectives on the display of armed conflict
    Contributor: Bakogianni, Anastasia (Publisher); Hope, Valerie M. (Publisher)
    Published: 2016
    Publisher:  Bloomsbury Academic, London

    Location:
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Bakogianni, Anastasia (Publisher); Hope, Valerie M. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781350005884
    Other identifier:
    9781350005884
    RVK Categories: FB 5875
    Edition: This paperback edition published 2016
    Subjects: Literatur; Krieg; Rezeption; Kunst; Krieg <Motiv>; Spektakel; Antike; Massenmedien
    Other subjects: War -- History; War in art; War in literature; War in mass media
    Scope: xiv, 454 Seiten, Illustrationen, Karten
  15. To paint a war
    the lives of the Australian artists who painted the Great War, 1914 - 1918
    Author: Travers, Richard Lawrence
    Published: 2017
    Publisher:  Thames & Hudson Australia, Port Melbourne, Vic

    "To Paint a War follows artists such as Tom Roberts, Grace Cossington Smith, Hilda Rix Nicholas, Arthur Streeton and George Coates; detailing how they left Australia in search of inspiration and fame in London and Paris. It shows how their enviable... more

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    Bayerische Staatsbibliothek
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    "To Paint a War follows artists such as Tom Roberts, Grace Cossington Smith, Hilda Rix Nicholas, Arthur Streeton and George Coates; detailing how they left Australia in search of inspiration and fame in London and Paris. It shows how their enviable lives were suddenly interrupted by the outbreak of war. This is the story of their response to the crisis. Their work, in all its richness and variety, is a sweeping painterly chronicle of the war, and a vital part of Australia's heritage." -- Provided by publisher

     
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  16. Guerres et conflits récents
    la représentation de la guerre dans les conflits récents : enjeux politiques, éthiques et esthétiques
    Contributor: Dalipagic, Catherine (Publisher)
    Published: [2015]
    Publisher:  Université Charles de Gaulle-Lille III, Villeneuve d'Ascq

    Location:
    Bayerische Staatsbibliothek
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  17. Art and war
    Author: Brandon, Laura
    Published: 2007
    Publisher:  I.B. Tauris, London

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1845112369; 9781845112370; 1845112377
    Series: Art and--
    Subjects: War in art; Art and war; Kunst; Krieg <Motiv>; Geschichte
    Scope: xii, 179 p.
    Notes:

    Includes bibliographical references and index
  18. İran-Türk minyatüründe savaş ve mücadele sahneleri
    Author: Deveci, Abdurrahman
    Published: 2017
    Publisher:  Kriter, İstanbul

    Iran -- Iranischer Kulturkreis -- Islam -- Malerei -- Illumination -- Miniatur -- Miniaturmalerei -- Handschrift -- Krieg (Motiv) -- Kriegsszene -- Kampf (Motiv) -- Kampfszene -- Timuriden -- Akkoyunlu -- Osmanisches Reich more

    Location:
    Bayerische Staatsbibliothek
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    Iran -- Iranischer Kulturkreis -- Islam -- Malerei -- Illumination -- Miniatur -- Miniaturmalerei -- Handschrift -- Krieg (Motiv) -- Kriegsszene -- Kampf (Motiv) -- Kampfszene -- Timuriden -- Akkoyunlu -- Osmanisches Reich

     
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    Source: Union catalogues
    Language: Turkish
    Media type: Book
    ISBN: 9786059336468
    Edition: Birinci baskı
    Series: Sanat tarihi serisi ; 1
    Subjects: Handschrift; Miniatur; Buchkunst; Illumination; Malerei; Kampf <Motiv>; Krieg <Motiv>; Islamische Kunst; Islam
    Other subjects: War in art; Miniature painting, Turkish; Miniature painting, Iranian; Illumination of books and manuscripts, Turkish; Illumination of books and manuscripts, Iranian; Illumination of books and manuscripts, Turkish
    Scope: 227 Seiten, Illustrationen, 23.5 cm x 15.7 cm
    Notes:

    Literaturverzeichnis Seite 141-149. - Bildquellen ("Resim ve fotoğraf listesi") Seite 150-157. - Index

    Der aus Iran (Bandar-e Torkaman) stammende Verfasser turkmenischer Abstammung (jetzt Trakya Üniversitesi, Edirne) analysiert Kriegsszenen und Kampfszenen in der iranischen Miniaturmalerei und Buchkunst. -- Kriegsszenen und Kampfszenen in der Miniaturmalerei und Buchkunst des iranischen Kulturkreises (Timuriden, Akkoyunlu) und des Osmanischen Reiches.
  19. Watching war on the twenty-first century stage
    spectacles of conflict
    Author: Finburgh Delijani, Clare
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, London ; Oxford ; New York ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472598684; 9781472598677
    RVK Categories: HN 1274
    Series: Methuen drama engage
    Subjects: PERFORMING ARTS / Theater / History & Criticism / bisacsh; Geschichte; Gesellschaft; Politik; Theater; War and theater; Violence in the theater; Theater; War in art; PERFORMING ARTS / Theater / History & Criticism; Theater; Krieg <Motiv>
    Scope: 1 Online-Ressource (xv, 355 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index. - Angekündigt als: Waging war on the twenty-first century stage
  20. Watching war on the twenty-first century stage
    spectacles of conflict
    Author: Finburgh Delijani, Clare
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, London

    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing... more

    Location:
    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions-including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre-Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited-at a safe distance, from the comfort of our sofas or our desktops-to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. Among the many 21st-century plays and productions analysed are: Headlong Theatre Company's site-specific series of nineteen short plays Decade, Mark Ravenhill's play cycle Shoot/Get Treasure/Repeat, Simon Stephens's Pornography, Lone Twin's Alice Bell, Howard Barker's The Dying of Today, Roy Williams' Days of Significance, Gregory Burke's Black Watch, David Hare's Stuff Happens, Martin Crimp's The City, Nicholas Kent and Richard Norton-Taylor's Justifying War: Scenes from the Hutton Enquiry, Jonathan Lichtenstein's Memory, and DV8's Can We Talk About This? The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces. "...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472598660
    RVK Categories: HN 1274
    Series: Methuen drama engage
    Subjects: PERFORMING ARTS / Theater / History & Criticism / bisacsh; Geschichte; Gesellschaft; Politik; Theater; War and theater; Violence in the theater; Theater; War in art; PERFORMING ARTS / Theater / History & Criticism; Theater; Krieg <Motiv>
    Scope: xv, 355 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index. - Angekündigt als: Waging war on the twenty-first century stage
  21. Kriegs/Bilder in Mittelalter und Früher Neuzeit
    Contributor: Emich, Birgit (Publisher); Signori, Gabriela (Publisher)
    Published: [2019]; © 2009
    Publisher:  Duncker & Humblot, Berlin

    Location:
    Universitätsbibliothek Bamberg
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Emich, Birgit (Publisher); Signori, Gabriela (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783428529445
    Other identifier:
    RVK Categories: NK 7010 ; NK 7015
    DDC Categories: 900
    Series: Zeitschrift für historische Forschung. Beihefte ; 42
    Subjects: Krieg; Kriegsdichtung; Art, Medieval; Art, Renaissance; War in art; Mittelalter; Krieg <Motiv>; Kunst; Ortsansicht; Medien; Bildliche Darstellung; Geschichte; Krieg
    Scope: 1 Online-Ressource (349 Seiten), Illustrationen
  22. Insurgent aesthetics
    security and the queer life of the forever war
    Author: Kapadia, Ronak K.
    Published: 2019
    Publisher:  Duke University Press, Durham ; London

    "In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a... more

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    Bayerische Staatsbibliothek
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    "In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US War on Terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms "the sensorial life of empire." In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781478004011; 1478004010; 9781478003717; 1478003715
    Series: Art history publication initiative
    Subjects: Militär <Motiv>; Muslim; Künstler; Krieg <Motiv>; Einwanderer; Araber; Südasiaten
    Other subjects: Militarism / Social aspects / Middle East / In art; Militarism / Social aspects / South Asia / In art; Multimedia (Art) / Middle East / 21st century; Multimedia (Art) / South Asia / 21st century; Drone aircraft / Social aspects / In art; War in art; Art, Modern / 21st century; United States / Foreign relations / Middle East / In art; Art, Modern; Multimedia (Art); War in art; Middle East; South Asia; United States; 2000-2099
    Scope: xiii, 334 Seiten, 16 ungezählte Seiten Bildtafeln, 23 cm
    Notes:

    Sensuous affiliations: security, terror, and the queer calculus of the forever war -- Up in the air: US aerial power and the visual life of empire in the drone age -- On the skin: drone warfare, collateral damage, and the human terrain -- Empire's innards: conjuring 'warm data' in archives of US global military detention -- Palestine(s) in the sky: visionary aesthetics and queer cosmic utopias from the frontiers of US empire -- Scaling empire: insurgent aesthetics in the wilds of imperial decline
  23. The artist and the warrior
    military history through the eyes of the masters
    Author: Rabb, Theodore K.
    Published: 2011
    Publisher:  Yale University Press, New Haven

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300126372; 9780300177510
    Subjects: War in art; Kunst; Soldat <Motiv>; Krieg <Motiv>
    Scope: xviii, 228 p.
    Notes:

    Includes bibliographical references and index
  24. On art and war and terror
    Author: Danchev, Alex
    Published: c2009
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748639151; 0748639152
    RVK Categories: AP 52700 ; MB 3450 ; MK 3100
    Subjects: Art and war; War and literature; War in art; War in literature; War films; Arts and morals; Künste; Terrorismus <Motiv>; Kunst; Krieg <Motiv>; Terrorismus; Krieg
    Scope: xi, 242 p.
    Notes:

    Includes bibliographical references and index
  25. Bearing witness
    perspectives on war and peace from the arts and humanities
    Published: c2012 (2012)
    Publisher:  McGill-Queen's University Press, Montreal [Que.]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773587632; 9780773587632
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; LITERARY CRITICISM / Canadian; Art and war; Peace in art; Peace in literature; War and literature; War in art; War in literature; War and literature; War in literature; War in art; Art and war; Peace in literature; Peace in art; Kunst; Friede <Motiv>; Krieg <Motiv>; Literatur
    Scope: 1 Online-Ressource (xii, 272 p.)
    Notes:

    Includes bibliographical references and index

    Preface : bearing witness / Aritha van Herk -- Warplay : spectacle, performance, and (dis)simulation of combat / Alan Filewod -- Understanding the motivation to enlist / Jonathan F. Vance -- Canadian poets on war / Sandra Djwa -- Metaphor, metalepsis, and the colonial library : deconstructing Inyenzi and Ubuhake metaphors in Gil Courtemanche's A Sunday at the pool in Kigali and Julien Pierce's Speak, Rwanda / Lauren Lydic -- The Georgics of war and peace : following Claude Simon, Nobel Laureate / Mireille Calle-Gruber -- "Expressionist-artillerist" : "poet" and "soldier" as conflicting role models in German avant-garde poetry from the First World War / Martin Löschnigg -- Above or below ground? Depicting corpses in First and Second World War official Canadian war art / Laura Brandon -- Bearing witness and cultural memory : The wreckage, Burning vision, and war in the Pacific / Sherrill Grace -- Emmy Andriesse, Dutch wartime photographer : the hunger winter of 1945 / Christl Verduyn and Conny Steenman Marcusse -- Underlining the lies surrounding the "holy war" and "infinite justice" / Patrick Imbert -- Comparing South Africa's negotiated settlement with elusive peacemaking in Israel/Palestine / Heribert Adam -- Northern war stories : the Dene, the archive, and Canada's atomic modernity / Peter C. van Wyck -- Perspectives on war / Anne Wheeler -- On active service, and Let us wake from this dream : a poem and a string quartet / Janet Henshaw Danielson