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  1. To paint a war
    the lives of the Australian artists who painted the Great War, 1914-1918
    Author: Travers, Richard
    Published: 2017
    Publisher:  Thames & Hudson, Port Melbourne,

    "To Paint a War follows artists such as Tom Roberts, Grace Cossington Smith, Hilda Rix Nicholas, Arthur Streeton and George Coates; detailing how they left Australia in search of inspiration and fame in London and Paris. It shows how their enviable... more

     

    "To Paint a War follows artists such as Tom Roberts, Grace Cossington Smith, Hilda Rix Nicholas, Arthur Streeton and George Coates; detailing how they left Australia in search of inspiration and fame in London and Paris. It shows how their enviable lives were suddenly interrupted by the outbreak of war. This is the story of their response to the crisis. Their work, in all its richness and variety, is a sweeping painterly chronicle of the war, and a vital part of Australia's heritage." -- Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780500500903; 0500500908
    Subjects: Australien; Künstler; Kunst; Weltkrieg <1914-1918, Motiv>; Geschichte;
    Other subjects: Australian; War artists / Australia; Painters / Australia; World War, 1914-1918 / Art and the war; War in art; Art, Australian / 20th century; World War (1914-1918); Art, Australian; Painters; War artists; Australia; 1900-1999; Art
    Scope: vii, 240 Seiten, Illustrationen, 26 cm
    Notes:

    Literaturverzeichnis: Seite 232-234
  2. Watching war on the twenty-first century stage
    spectacles of conflict
    Author: Finburgh Delijani, Clare
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc, London

    "What do we watch when we watch war? At a time when spectacle and conflict have joined forces via audio-visual technologies in ways that are more powerful than ever, who now manages public perceptions of war and how? Watching War on the Twenty-First... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 12693
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    "What do we watch when we watch war? At a time when spectacle and conflict have joined forces via audio-visual technologies in ways that are more powerful than ever, who now manages public perceptions of war and how? Watching War on the Twenty-First Century Stage: Spectacles of Conflict examines how theatre in the UK has staged, debated and challenged the ways in which spectacle is habitually weaponized in times of war. In this original and interdisciplinary interrogation Clare Finburgh provides a richly provocative account of the structuring role that spectacle plays in warfare, engaging with the works of philosopher Guy Debord, cultural theorist Jean Baudrillard, visual studies specialist Marie-José Mondzain, and performance scholar Hans-Thies Lehmann. Throughout her study, Finburgh offers coherence to a large and expanding field of theatrical war representations by analysing a wide spectrum of works, including expressionist drama, documentary theatre, comedy, musical satire and dance theatre: among the productions considered are Nigel Jamieson's Honour Bound, Lola Arias's MINEFIELD, Mark Ravenhill's Shoot/Get Treasure/Repeat, Hayley Squires's Vera Vera Vera, Lone Twin's Alice Bell, Richard Norton-Taylor's verbatim tribunal play Tactical Questioning, and Dennis Kelly's Osama the Hero. Through her analysis, Finburgh demonstrates how features unique to the theatrical art--the construction of a fiction in the presence of the audience--can present possibilities for a more informed engagement with how spectacles of war are produced and circulated."-- By way of an introduction -- An introduction to war and/as spectacle -- Helmets--soldiering as spectacle -- Headscarves--'terrorism' as spectacle -- Hoods--human rights abuses omitted from spectacle -- Conclusiviolenceiolece without violence'

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472598660
    RVK Categories: EC 5410 ; HN 1274
    Series: Methuen drama engage
    Subjects: Theater; War and theater; Violence in the theater; Theater; War in art
    Scope: xv, 355 pages, illustrations, 23 cm
    Notes:

    Includes bibliographical references (pages 330-346) and index
  3. Visual culture and the Revolutionary and Napoleonic Wars
    Contributor: Padiyar, Satish (Herausgeber); Shaw, Philip (Herausgeber); Simpson, Philippa (Herausgeber)
    Published: 2017
    Publisher:  Routledge, London

    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 67560
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    Source: Union catalogues
    Contributor: Padiyar, Satish (Herausgeber); Shaw, Philip (Herausgeber); Simpson, Philippa (Herausgeber)
    Language: English
    Media type: Conference proceedings
    ISBN: 9781472447111
    Corporations / Congresses: Contested Views: Visual Culture and the Revolutionary and Napoleonic Wars (Veranstaltung) (2012, London)
    Series: An Ashgate book
    Subjects: War in art; First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; War memorials; War and society; Art and society; Malerei; Napoleonische Kriege <Motiv>; Koalitionskriege; Napoleonische Kriege; Kollektives Gedächtnis; Koalitionskriege <Motiv>
    Scope: x, 252 Seiten, Illustrationen
    Notes:

    Enthält Register
  4. War and art
    a visual history of modern conflict
    Contributor: Bourke, Joanna (Herausgeber)
    Published: 2017
    Publisher:  Reaktion Books, London

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/CUD 2017 D
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    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3C 42032
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    Source: Union catalogues
    Contributor: Bourke, Joanna (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781780238463
    Subjects: War in art; Art and war; Krieg; Kunst; Krieg <Motiv>
    Scope: 391 Seiten
  5. War and art
    a visual history of modern conflict
    Contributor: Bourke, Joanna (Publisher)
    Published: 2017
    Publisher:  Reaktion Books, London

    In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which armed conflict has been represented by artists. Covering the last two centuries, from the Crimean War to the present day, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, troubled, and perhaps truthful depiction of warfare and its consequences. The book investigates broad patterns as well as specific genres and themes of war art, and features more than 400 color illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Marc Chagall, Francis Bacon, Käthe Kollwitz, Joseph Beuys, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix, and many others. The volume also highlights the work of often overlooked artists, including children, non-Europeans, and prisoners of war. A wide range of subjects, from front-line combat to behind-the-lines wartime experiences are represented in paintings, etchings, photography, film, digital art, comics, and graffiti

     
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    Source: Union catalogues
    Contributor: Bourke, Joanna (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781780238463
    RVK Categories: LH 84380
    Subjects: Kunst; Krieg <Motiv>
    Other subjects: War in art; Art and war; Art, Modern / Themes, motives; Illustrated books
    Scope: 391 Seiten, Illustrationen, 29 cm
  6. Popular imperialism and the military
    1850-1950
    Contributor: MacKenzie, John M. (Publisher)
    Published: 01 Mar 2017
    Publisher:  [Manchester University Press], [Manchester]

    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified... more

    Location:
    Universitätsbibliothek Bayreuth
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    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified in Kipling's 'Tommy Atkins'. This more positive attitude towards the military was also accompanied by greater popular support for warfare itself. This book examines the military and cultural background to the shift in popular reactions and traces the manner in which new values were inculcated through a variety of media. 'Popular imperialism and the military' demonstrates forcefully how changing attitudes towards the military were inseparably bound up with the dominant ethos of imperialism. Perceptions of warfare became shaped by the predominantly colonial location of British war in the late nineteenth century, with these 'small wars' against 'unequal' foes being greeted by contemporaries with heightened enthusiasm and greater confidence in success. This ideological current of imperialism, together with Social Darwinian thought and the Victorian rediscovery of military chivalry combined to transform the relationship between war and society. Changing ideologies did not develop spontaneously, however, and this volume traces the ways in which new images were conveyed to the public through popular culture. The chapters cover media as diverse as music and ceremony, the music hall, juvenile literature, military art, open-air theatrical displays and RAF pageants. The contributors show how these media established a tradition that was to survive until the mid-twentieth century. This inter-disciplinary study will appeal to students and specialists interested in imperial history, literary and cultural studies and military history

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: MacKenzie, John M. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526123602
    Other identifier:
    RVK Categories: NQ 9410
    Series: Studies in imperialism
    Subjects: Colonialism & Imperialism / bicssc; Cultural studies / bicssc; Warfare & Defence / bicssc; HISTORY / Military / General / bisach; HISTORY / Military / World War I. / bisach; HISTORY / Military / World War II. / bisach; Warfare & defence / Colonialism & imperialism / Cultural studies / thema; Popular culture / Great Britain / History / 19th century; Popular culture / Great Britain / History / 20th century; Public opinion / Great Britain / History / 19th century; Public opinion / Great Britain / History / 20th century; Imperialism / Public opinion; War / Public opinion; Imperialism in art; Arts, British; War in art; Image; Imperialismus; Englisch; Militär <Motiv>; Öffentliche Meinung; Alltagskultur; Militär; Literatur; Krieg; Kultur
    Scope: 1 Online-Ressource (ix, 228 Seiten), Illustrationen
    Notes:

    Auf der Landingpage (Manchester Hive): "Online Publication Date: 01 Mar 2017"

    Introduction : popular imperialism and the military / John M. MacKenzie -- Delusive seduction : pride, pomp, circumstance and military music / Robert Giddings -- 'We carved our way to glory' : the British soldier in music hall song and sketch, c. 1880-1914 / Dave Russell -- Popular imperialism and the image of the army in juvenile literature / Jeffrey Richards -- Heroic myths of empire / John M. MacKenzie -- War correspondents and colonial war, c. 1870-1900 / Roger T. Stearn -- Officer material : representations of leadership in late nineteenth-century British battle painting / Paul Usherwood -- The world on fire ... : pyrodramas at Belle Vue Gardens, Manchester, c. 1850-1950 / David Mayer -- The Hendon Air Pageant, 1920-37 / David Enrico Omissi -- Postscript / John M. MacKenzie
  7. To paint a war
    the lives of the Australian artists who painted the Great War, 1914 - 1918
    Author: Travers, Richard Lawrence
    Published: 2017
    Publisher:  Thames & Hudson Australia, Port Melbourne, Vic

    "To Paint a War follows artists such as Tom Roberts, Grace Cossington Smith, Hilda Rix Nicholas, Arthur Streeton and George Coates; detailing how they left Australia in search of inspiration and fame in London and Paris. It shows how their enviable... more

    Location:
    Bayerische Staatsbibliothek
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    "To Paint a War follows artists such as Tom Roberts, Grace Cossington Smith, Hilda Rix Nicholas, Arthur Streeton and George Coates; detailing how they left Australia in search of inspiration and fame in London and Paris. It shows how their enviable lives were suddenly interrupted by the outbreak of war. This is the story of their response to the crisis. Their work, in all its richness and variety, is a sweeping painterly chronicle of the war, and a vital part of Australia's heritage." -- Provided by publisher

     
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  8. İran-Türk minyatüründe savaş ve mücadele sahneleri
    Author: Deveci, Abdurrahman
    Published: 2017
    Publisher:  Kriter, İstanbul

    Iran -- Iranischer Kulturkreis -- Islam -- Malerei -- Illumination -- Miniatur -- Miniaturmalerei -- Handschrift -- Krieg (Motiv) -- Kriegsszene -- Kampf (Motiv) -- Kampfszene -- Timuriden -- Akkoyunlu -- Osmanisches Reich more

    Location:
    Bayerische Staatsbibliothek
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    Iran -- Iranischer Kulturkreis -- Islam -- Malerei -- Illumination -- Miniatur -- Miniaturmalerei -- Handschrift -- Krieg (Motiv) -- Kriegsszene -- Kampf (Motiv) -- Kampfszene -- Timuriden -- Akkoyunlu -- Osmanisches Reich

     
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    Source: Union catalogues
    Language: Turkish
    Media type: Book
    ISBN: 9786059336468
    Edition: Birinci baskı
    Series: Sanat tarihi serisi ; 1
    Subjects: Handschrift; Miniatur; Buchkunst; Illumination; Malerei; Kampf <Motiv>; Krieg <Motiv>; Islamische Kunst; Islam
    Other subjects: War in art; Miniature painting, Turkish; Miniature painting, Iranian; Illumination of books and manuscripts, Turkish; Illumination of books and manuscripts, Iranian; Illumination of books and manuscripts, Turkish
    Scope: 227 Seiten, Illustrationen, 23.5 cm x 15.7 cm
    Notes:

    Literaturverzeichnis Seite 141-149. - Bildquellen ("Resim ve fotoğraf listesi") Seite 150-157. - Index

    Der aus Iran (Bandar-e Torkaman) stammende Verfasser turkmenischer Abstammung (jetzt Trakya Üniversitesi, Edirne) analysiert Kriegsszenen und Kampfszenen in der iranischen Miniaturmalerei und Buchkunst. -- Kriegsszenen und Kampfszenen in der Miniaturmalerei und Buchkunst des iranischen Kulturkreises (Timuriden, Akkoyunlu) und des Osmanischen Reiches.
  9. Watching war on the twenty-first century stage
    spectacles of conflict
    Author: Finburgh Delijani, Clare
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, London ; Oxford ; New York ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472598684; 9781472598677
    RVK Categories: HN 1274
    Series: Methuen drama engage
    Subjects: PERFORMING ARTS / Theater / History & Criticism / bisacsh; Geschichte; Gesellschaft; Politik; Theater; War and theater; Violence in the theater; Theater; War in art; PERFORMING ARTS / Theater / History & Criticism; Theater; Krieg <Motiv>
    Scope: 1 Online-Ressource (xv, 355 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index. - Angekündigt als: Waging war on the twenty-first century stage
  10. Watching war on the twenty-first century stage
    spectacles of conflict
    Author: Finburgh Delijani, Clare
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, London

    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing... more

    Location:
    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions-including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre-Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited-at a safe distance, from the comfort of our sofas or our desktops-to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. Among the many 21st-century plays and productions analysed are: Headlong Theatre Company's site-specific series of nineteen short plays Decade, Mark Ravenhill's play cycle Shoot/Get Treasure/Repeat, Simon Stephens's Pornography, Lone Twin's Alice Bell, Howard Barker's The Dying of Today, Roy Williams' Days of Significance, Gregory Burke's Black Watch, David Hare's Stuff Happens, Martin Crimp's The City, Nicholas Kent and Richard Norton-Taylor's Justifying War: Scenes from the Hutton Enquiry, Jonathan Lichtenstein's Memory, and DV8's Can We Talk About This? The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces. "...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472598660
    RVK Categories: HN 1274
    Series: Methuen drama engage
    Subjects: PERFORMING ARTS / Theater / History & Criticism / bisacsh; Geschichte; Gesellschaft; Politik; Theater; War and theater; Violence in the theater; Theater; War in art; PERFORMING ARTS / Theater / History & Criticism; Theater; Krieg <Motiv>
    Scope: xv, 355 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index. - Angekündigt als: Waging war on the twenty-first century stage
  11. Visual culture and the Revolutionary and Napoleonic Wars
    Contributor: Padiyar, Satish (Herausgeber); Shaw, Philip (Herausgeber); Simpson, Philippa (Herausgeber)
    Published: 2017
    Publisher:  Routledge, London

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Contributor: Padiyar, Satish (Herausgeber); Shaw, Philip (Herausgeber); Simpson, Philippa (Herausgeber)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9781472447111
    Corporations / Congresses: Contested Views: Visual Culture and the Revolutionary and Napoleonic Wars (2012, London)
    Series: <<An>> Ashgate book
    Subjects: War in art; First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; War memorials; War and society; Art and society
    Scope: x, 252 Seiten, Illustrationen
    Notes:

    Enthält Register
  12. War and art
    a visual history of modern conflict
    Contributor: Bourke, Joanna (Herausgeber)
    Published: 2017
    Publisher:  Reaktion Books, London

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
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    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Contributor: Bourke, Joanna (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780238463
    Subjects: War in art; Art and war
    Scope: 391 Seiten
  13. War and art
    a visual history of modern conflict
    Contributor: Bourke, Joanna (Herausgeber)
    Published: 2017
    Publisher:  Reaktion Books, London

    Location:
    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    Signature:
    A VIII 212/15
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    Source: Union catalogues
    Contributor: Bourke, Joanna (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780238463
    Other identifier:
    9781780238463
    RVK Categories: LH 65020 ; LH 84380
    Subjects: Kunst; Krieg <Motiv>; War in art; Art and war; Art, Modern; Illustrated books
    Scope: 391 Seiten, Illustrationen, 29 cm
  14. Visual culture and the Revolutionary and Napoleonic Wars
    Contributor: Padiyar, Satish (Publisher); Shaw, Philip (Publisher); Simpson, Philippa (Publisher)
    Published: 2017
    Publisher:  Routledge, London ; New York

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Padiyar, Satish (Publisher); Shaw, Philip (Publisher); Simpson, Philippa (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781472447111
    RVK Categories: LH 84380
    Edition: First published
    Series: An Ashgate book
    Subjects: War in art; First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; War memorials; War and society; Art and society; Revolution <Motiv>; Krieg <Motiv>; Napoleonische Kriege; Kunst
    Scope: x, 252 Seiten, Illustrationen
    Notes:

    Based on papers from the 2012 conference "Contested views: visual culture and the Revolutionary and Napoleonic Wars", hosted by Tate Britain. - Includes bibliographical references and index
  15. Gino Barbieri artista in trincea
    Author: Malmerendi, Giannetto
    Published: [2017]
    Publisher:  Società editrice "Il Ponte Vecchio", Cesena

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2019 R 243
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    Source: Union catalogues
    Contributor: Spazzoli, Franco (HerausgeberIn)
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788865416952; 8865416955
    Series: Mirabilia imaginis
    Subjects: War in art; World War, 1939-1945
    Other subjects: Barbieri, Gino (1885-1917)
    Scope: 63 Seiten, Illustrationen, 21 cm
    Notes:

    Publ. for the first time

    G. Barbieri (1885-1917), painter and engraver

    Includes bibliographical references
  16. The propaganda front
    postcards from the era of World Wars : the Leonard A. Lauder Postcard Archive
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Published: [2017]
    Publisher:  MFA Publications, Museum of Fine Arts, Boston, Boston

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were designed to change minds and inspire actions. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans and biting caricatures -- and in a uniquely personal form. The more than 350 cards reproduced in full color in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of their time. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design." -- Book jacket

     
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    Source: Union catalogues
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780878467631
    Other identifier:
    9780878467631
    RVK Categories: AP 15440 ; AP 17340
    Edition: First edition
    Corporations / Congresses:
    Museum of Fine Arts, Boston (VerfasserIn)
    Subjects: Propaganda in art; Postcards; World War, 1939-1945; Postcards; Postcards; War in art; World War, 1914-1918; Postcards; Postcards; Postcards; Postcards; Propaganda in art; War in art; War in art; World War, 1914-1918; Lauder, Leonard A.; World War (1914-1918); Catalogs; Catalogs; Pictorial works; 1914-1918
    Other subjects: Lauder, Leonard A
    Scope: 271 Seiten, 24 cm
  17. War and art
    a visual history of modern conflict
    Contributor: Bourke, Joanna (HerausgeberIn)
    Published: 2017
    Publisher:  Reaktion Books, London

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bourke, Joanna (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780238463
    Other identifier:
    9781780238463
    RVK Categories: LH 65020 ; LH 84380
    Subjects: War in art; Art and war; Art and war; Art, Modern; Illustrated books; War in art
    Scope: 391 Seiten, Illustrationen, 29 cm
  18. Watching war on the twenty-first century stage
    spectacles of conflict
    Author: Finburgh Delijani, Clare
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, London

    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    " Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions-including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre-Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited-at a safe distance, from the comfort of our sofas or our desktops-to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. Among the many 21st-century plays and productions analysed are: Headlong Theatre Company's site-specific series of nineteen short plays Decade, Mark Ravenhill's play cycle Shoot/Get Treasure/Repeat, Simon Stephens's Pornography, Lone Twin's Alice Bell, Howard Barker's The Dying of Today, Roy Williams' Days of Significance, Gregory Burke's Black Watch, David Hare's Stuff Happens, Martin Crimp's The City, Nicholas Kent and Richard Norton-Taylor's Justifying War: Scenes from the Hutton Enquiry, Jonathan Lichtenstein's Memory, and DV8's Can We Talk About This? The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces. "...

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781472598660
    RVK Categories: HN 1274
    Series: Methuen drama engage
    Subjects: PERFORMING ARTS / Theater / History & Criticism / bisacsh; Geschichte; Gesellschaft; Politik; Theater; War and theater; Violence in the theater; Theater; War in art; PERFORMING ARTS / Theater / History & Criticism; Theater; Krieg <Motiv>
    Scope: xv, 355 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index. - Angekündigt als: Waging war on the twenty-first century stage
  19. War and art
    a visual history of modern conflict
    Contributor: Bourke, Joanna (Publisher)
    Published: 2017
    Publisher:  Reaktion Books, London

    In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which armed conflict has been represented by artists. Covering the last two centuries, from the Crimean War to the present day, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, troubled, and perhaps truthful depiction of warfare and its consequences. The book investigates broad patterns as well as specific genres and themes of war art, and features more than 400 color illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Marc Chagall, Francis Bacon, Käthe Kollwitz, Joseph Beuys, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix, and many others. The volume also highlights the work of often overlooked artists, including children, non-Europeans, and prisoners of war. A wide range of subjects, from front-line combat to behind-the-lines wartime experiences are represented in paintings, etchings, photography, film, digital art, comics, and graffiti

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Bourke, Joanna (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781780238463
    RVK Categories: LH 84380
    Subjects: Kunst; Krieg <Motiv>
    Other subjects: War in art; Art and war; Art, Modern / Themes, motives; Illustrated books
    Scope: 391 Seiten, Illustrationen, 29 cm
  20. Popular imperialism and the military
    1850-1950
    Contributor: MacKenzie, John M. (Publisher)
    Published: 01 Mar 2017
    Publisher:  [Manchester University Press], [Manchester]

    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified in Kipling's 'Tommy Atkins'. This more positive attitude towards the military was also accompanied by greater popular support for warfare itself. This book examines the military and cultural background to the shift in popular reactions and traces the manner in which new values were inculcated through a variety of media. 'Popular imperialism and the military' demonstrates forcefully how changing attitudes towards the military were inseparably bound up with the dominant ethos of imperialism. Perceptions of warfare became shaped by the predominantly colonial location of British war in the late nineteenth century, with these 'small wars' against 'unequal' foes being greeted by contemporaries with heightened enthusiasm and greater confidence in success. This ideological current of imperialism, together with Social Darwinian thought and the Victorian rediscovery of military chivalry combined to transform the relationship between war and society. Changing ideologies did not develop spontaneously, however, and this volume traces the ways in which new images were conveyed to the public through popular culture. The chapters cover media as diverse as music and ceremony, the music hall, juvenile literature, military art, open-air theatrical displays and RAF pageants. The contributors show how these media established a tradition that was to survive until the mid-twentieth century. This inter-disciplinary study will appeal to students and specialists interested in imperial history, literary and cultural studies and military history

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: MacKenzie, John M. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526123602
    Other identifier:
    RVK Categories: NQ 9410
    Series: Studies in imperialism
    Subjects: Colonialism & Imperialism / bicssc; Cultural studies / bicssc; Warfare & Defence / bicssc; HISTORY / Military / General / bisach; HISTORY / Military / World War I. / bisach; HISTORY / Military / World War II. / bisach; Warfare & defence / Colonialism & imperialism / Cultural studies / thema; Popular culture / Great Britain / History / 19th century; Popular culture / Great Britain / History / 20th century; Public opinion / Great Britain / History / 19th century; Public opinion / Great Britain / History / 20th century; Imperialism / Public opinion; War / Public opinion; Imperialism in art; Arts, British; War in art; Image; Imperialismus; Englisch; Militär <Motiv>; Öffentliche Meinung; Alltagskultur; Militär; Literatur; Krieg; Kultur
    Scope: 1 Online-Ressource (ix, 228 Seiten), Illustrationen
    Notes:

    Auf der Landingpage (Manchester Hive): "Online Publication Date: 01 Mar 2017"

    Introduction : popular imperialism and the military / John M. MacKenzie -- Delusive seduction : pride, pomp, circumstance and military music / Robert Giddings -- 'We carved our way to glory' : the British soldier in music hall song and sketch, c. 1880-1914 / Dave Russell -- Popular imperialism and the image of the army in juvenile literature / Jeffrey Richards -- Heroic myths of empire / John M. MacKenzie -- War correspondents and colonial war, c. 1870-1900 / Roger T. Stearn -- Officer material : representations of leadership in late nineteenth-century British battle painting / Paul Usherwood -- The world on fire ... : pyrodramas at Belle Vue Gardens, Manchester, c. 1850-1950 / David Mayer -- The Hendon Air Pageant, 1920-37 / David Enrico Omissi -- Postscript / John M. MacKenzie
  21. Visual culture and the Revolutionary and Napoleonic Wars
    Contributor: Padiyar, Satish (Publisher); Shaw, Philip (Publisher); Simpson, Philippa (Publisher)
    Published: 2017
    Publisher:  Routledge, London ; New York

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Contributor: Padiyar, Satish (Publisher); Shaw, Philip (Publisher); Simpson, Philippa (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781472447111
    RVK Categories: LH 84380
    Edition: First published
    Series: An Ashgate book
    Subjects: War in art; First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; War memorials; War and society; Art and society; Revolution <Motiv>; Krieg <Motiv>; Napoleonische Kriege; Kunst
    Scope: x, 252 Seiten, Illustrationen
    Notes:

    Based on papers from the 2012 conference "Contested views: visual culture and the Revolutionary and Napoleonic Wars", hosted by Tate Britain. - Includes bibliographical references and index
  22. War paintings of the irresistible Jat King Surajmal
    Contributor: Tripāṭhī, Satyavrata (VerfasserIn von ergänzendem Text)
    Published: 2017
    Publisher:  National Museum, New Delhi, [India]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Tripāṭhī, Satyavrata (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 8185832390; 9788185832395
    Edition: First edition
    Subjects: War in art; Rajput painting; Painting, Indic
    Other subjects: Suraj Mal 1707-1763; Suraj Mal Maharaja of Bharatpur (1707-1763); Suraj Mal Maharaja of Bharatpur (1707-1763)
    Scope: 84 Seiten, 34 cm
  23. La vittoria di Guernica
    dalla guerra civile spagnola alla guerra civile mondiale
    Author: Bonanate, Luigi
    Published: [2017]
    Publisher:  Nino Aragno editore, Torino

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788884199010
    RVK Categories: LI 67059
    Series: Biblioteca Aragno
    Subjects: War in art
    Other subjects: Picasso, Pablo (1881-1973): Guernica
    Scope: XXVIII, 225 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  24. The propaganda front
    postcards from the era of World Wars : the Leonard A. Lauder Postcard Archive
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Published: [2017]
    Publisher:  MFA Publications, Museum of Fine Arts, Boston, Boston

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2018:4316:
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2019 C 1981
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    Location:
    Germanisches Nationalmuseum, Bibliothek
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    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    KGC G 6248-950 4
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    Württembergische Landesbibliothek
    Signature:
    68a/955
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    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were designed to change minds and inspire actions. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans and biting caricatures -- and in a uniquely personal form. The more than 350 cards reproduced in full color in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of their time. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design." -- Book jacket

     
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    Source: Union catalogues
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780878467631
    Other identifier:
    9780878467631
    RVK Categories: AP 15440 ; AP 17340
    Edition: First edition
    Corporations / Congresses:
    Museum of Fine Arts, Boston (VerfasserIn)
    Subjects: Propaganda in art; Postcards; World War, 1939-1945; Postcards; Postcards; War in art; World War, 1914-1918; Postcards; Postcards; Postcards; Postcards; Propaganda in art; War in art; War in art; World War, 1914-1918; Lauder, Leonard A.; World War (1914-1918); Catalogs; Catalogs; Pictorial works; 1914-1918
    Other subjects: Lauder, Leonard A
    Scope: 271 Seiten, 24 cm
  25. The art of war
    Contributor: Barnstone, Deborah Ascher (HerausgeberIn); McCloskey, Barbara (HerausgeberIn)
    Published: [2017]
    Publisher:  Peter Lang, Oxford

    "The central concerns of the volume are the multivalent aspects of art that respond to war. It begins by considering art conceived of and executed in response to the First World War on the centennial anniversary of that event. The volume goes on to... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2018:3813:
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    Universitätsbibliothek Heidelberg
    Signature:
    2018 A 10379
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    Universitätsbibliothek Leipzig
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    Württembergische Landesbibliothek
    Signature:
    69/3472
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    "The central concerns of the volume are the multivalent aspects of art that respond to war. It begins by considering art conceived of and executed in response to the First World War on the centennial anniversary of that event. The volume goes on to examine art in the wake of the Holocaust and artistic responses to more recent conflict, such as the Vietnam War. The essays in this volume explore a variety of media--including paintings by Otto Dix and Gerhard Richter, Holocaust photography by Heimrad Bäcker, and sculpture by Emy Roeder, Gela Forster, and Renée Sintenis--to chart the complex relationship between art and war in both its documentary and analytical functions."--Page [4] of cover

     
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    Source: Union catalogues
    Contributor: Barnstone, Deborah Ascher (HerausgeberIn); McCloskey, Barbara (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1787073831; 9781787073838
    Other identifier:
    9781787073838
    RVK Categories: LK 10350
    Series: German Visual Culture ; Volume 5
    Subjects: Art, German; Art and war; War in art; Art, German
    Scope: xii, 304 Seiten, Illustrationen, 22.5 cm x 15 cm
    Notes:

    Barbara McCloskey: Introduction: What Can Art Do?

    Robert C. Kunath ; Max Liebermann's Kriegszeit Lithographs: Pro-war or Anti-war?: Part I. Artistic Responses to World War I. World War I, German Art, and Cultural Trauma: The Birth of the "Degenerate Art" Exhibition from the "Spirit of 1914"

    Katrin Dettmer ; Heimrad Bäcker: Photography at the Limits of Understanding the Holocaust and its Violence: Part II. World War II and Holocaust Memory. "All of a sudden, there was this split": Heiner Müller's Poetics of Trauma

    Annette Vowinckel ; This Sum of Catastrophes: Excavating the History of Joseph Beuys's 7000 Oaks: Part III. Reverberations of the Traumatic Past in Recent German Visual Culture. Horst Faas, Thomas Billhardt, and the Visual Vietnam War in the Two Germanys