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Displaying results 1 to 4 of 4.

  1. <<Das>> Leiden anderer betrachten
    Author: Sontag, Susan
    Published: 2003
    Publisher:  Hanser, München

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3446203966
    RVK Categories: AP 94500 ; HU 8504 ; HU 8503 ; AP 94900 ; AP 36080
    Subjects: War and society; Array; Array; Array; Atrocities; Violence
    Scope: 150 S., 21 cm
  2. Regarding the pain of others
    Author: Sontag, Susan
    Published: 2003
    Publisher:  Farrar, Straus and Giroux, New York

    Watching the evening news offers constant evidence of atrocity--a daily commonplace in our "society of spectacle." But are viewers inured--or incited--to violence by the daily depiction of cruelty and horror? Is the viewer's perception of reality... more

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    Universitätsbibliothek Bayreuth
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    Watching the evening news offers constant evidence of atrocity--a daily commonplace in our "society of spectacle." But are viewers inured--or incited--to violence by the daily depiction of cruelty and horror? Is the viewer's perception of reality eroded by the universal availability of imagery intended to shock? In this investigation of the role of imagery in our culture, Susan Sontag cuts through circular arguments about how pictures can inspire dissent or foster violence as she takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and Dachau and Auschwitz to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, and New York City on September 11, 2001. Sontag's new book, a startling reappraisal of the intersection of "information", "news," "art," and politics in the contemporary depiction of war and disaster, will forever alter our thinking about the uses and meanings of images in our world.

     
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  3. Regarding the pain of others
    Author: Sontag, Susan
    Published: 2003
    Publisher:  Farrar, Straus and Giroux, New York

    Watching the evening news offers constant evidence of atrocity--a daily commonplace in our "society of spectacle." But are viewers inured--or incited--to violence by the daily depiction of cruelty and horror? Is the viewer's perception of reality... more

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    Watching the evening news offers constant evidence of atrocity--a daily commonplace in our "society of spectacle." But are viewers inured--or incited--to violence by the daily depiction of cruelty and horror? Is the viewer's perception of reality eroded by the universal availability of imagery intended to shock? In this investigation of the role of imagery in our culture, Susan Sontag cuts through circular arguments about how pictures can inspire dissent or foster violence as she takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and Dachau and Auschwitz to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, and New York City on September 11, 2001. Sontag's new book, a startling reappraisal of the intersection of "information", "news," "art," and politics in the contemporary depiction of war and disaster, will forever alter our thinking about the uses and meanings of images in our world.

     
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  4. Das Leiden anderer betrachten
    Author: Sontag, Susan
    Published: 2003
    Publisher:  Hanser, München

    Sontag (zuletzt BA 5/02) dürfte in Deutschland als Schriftstellerin, Filmemacherin und Theaterregisseurin wie als Kritikerin amerikanischer Aussenpolitik bekannt sein. 2003 erhält sie den Friedenspreis des Deutschen Buchhandels. 1978 veröffentlichte... more

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    Sontag (zuletzt BA 5/02) dürfte in Deutschland als Schriftstellerin, Filmemacherin und Theaterregisseurin wie als Kritikerin amerikanischer Aussenpolitik bekannt sein. 2003 erhält sie den Friedenspreis des Deutschen Buchhandels. 1978 veröffentlichte sie das Essay "Über Fotografie" (BA 6/79, 323). Hier geht es um die Kriegsfotografie. Inspiriert ist dieses Essay durch die enorme quantitative Ausbreitung der Kriegsbilder und die immer schamlosere Zurschaustellung menschlichen Leidens. Um die aktuelle Debatte zu bereichern, analysiert sie aber nicht allein die gegenwärtige Situation, sondern untersucht grundsätzlich die Entstehung grausamer Bilder, ihre Wirkung auf die Betrachter und die Reaktion der Öffentlichkeit seit Goya und den frühen Anfängen der Fotografie im amerikanischen Bürgerkrieg (1861-65). Bis auf das Titelbild gibt es keine Illustrationen. Das versachlicht ihre Argumentation und unterstreicht ihre Betrachtungen über den Voyeurismus der Bilderkonsumenten. Sie konstatiert dennoch den aufklärerischen Charakter der guten Kriegsfotografie. Für die öffentliche Medienkritik sehr wertvoll. (2)

     
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