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Displaying results 51 to 56 of 56.

  1. The wars we took to Vietnam
    cultural conflict and storytelling
    Published: (c)1996
    Publisher:  University of California Press, Berkeley

    Introduction: wars and rumors of wars --The frontier war --The race war --The class war --The sex war --The generation war --Toward a politico-poetics of the war story. What Americans refer to as the Vietnam War embraces much more than the conflict... more

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    Introduction: wars and rumors of wars --The frontier war --The race war --The class war --The sex war --The generation war --Toward a politico-poetics of the war story. What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period

     
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  2. The Great War in post-memory literature and film
    Contributor: Löschnigg, Martin (HerausgeberIn); Sokołowska-Paryż, Marzena (HerausgeberIn)
    Published: [2014]
    Publisher:  De Gruyter, Berlin

    The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these... more

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    The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations. Marzena Soko?owska-Pary?,University of Warsaw, Poland; Martin Löschnigg, University of Graz, Austria. The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations

     
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    Source: Union catalogues
    Contributor: Löschnigg, Martin (HerausgeberIn); Sokołowska-Paryż, Marzena (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 311036302X; 9783110363029; 9783110391527; 311039152X
    Other identifier:
    9783110391527
    Series: Media and cultural memory / medien und kulturelle erinnerung ; volume 18
    Subjects: World War, 1914-1918; Literature, Modern; World War, 1914-1918; War films; Collective memory and literature; Collective memory and motion pictures; World War, 1914-1918; World War, 1914-1918; War films; Literature, Modern; World War, 1914-1918; War films; Collective memory and motion pictures; Collective memory and literature; World War, 1914-1918; Literature, Modern; Literature, Modern; War films; World War, 1914-1918; World War, 1914-1918; Collective memory and literature; Collective memory and motion pictures; Weltkrieg; Literatur; Criticism, interpretation, etc; Literature, Modern; War and literature; War and motion pictures; War films; BIOGRAPHY & AUTOBIOGRAPHY ; Literary
    Scope: Online Ressource (vii, 459 pages.)
    Notes:

    Includes bibliographical references and index. - Description based on print version record

    Marzena Sokolowska-Paryz and Martin Löschnigg: Introduction: "Have you forgotten yet?""Entrenched" Perspectives: The Legacy of the Great War. Margot Norris: Revisiting All Quiet on the Western Front -- Caroline Perret: Wilfred Owen and His War Poetry in Wilfred Owen: A Remembrance Tale and Regeneration/Behind the Lines -- Ross J. Wilson: It Still Goes On: Trauma and the Memory of the First World War -- Marlene A. Briggs: Working Through the Working-Class War: The Battle of the Somme in Contemporary British Literature by Alan Sillitoe and Ted Hughes -- Paul Skrebels: A Poisonous Paradox: Representations of Gas Warfare in Post-Memory Films of the Great War -- Ty Hawkins: The Great War, the Iraq War, and Postmodern America -- Kevin Powers: The Yellow Birds and the Radical Isolation of Today's U.S. Veterans -- The Challenge of Form: How to "Remember" the Great War. Thomas F. Schneider: The Two "All Quiets": Representations of Modern Warfare in the Film Adaptations of Erich Maria Remarque's Im Westen nichts Neues -- Marek Paryz: "I shall lie broken against this broken earth": William March's Company K on the Screen -- Michael Paris: The Great War and British Docudrama: The Somme, My Boy Jack and Walter's War -- Martin Löschnigg: "Like dying on a stage": Theatricality and Remembrance in Anglo-Canadian Drama on the First World War -- David Malcolm:The Great War Re-Remembered: Allohistory and Allohistorical Fiction -- Phil Fitzsimmons and Daniel Reynaud: Comics/Graphic Novels/Bandes Dessinées and the Representation of the Great War -- Jean Anderson: What Price Justice? French Crime Fiction and the Great War -- Identities: The Great War and National Post-Memories. Sherrill Grace: Remembering The Wars -- Hanna Teichler: Joseph Boyden's Three Day Road: Transcultural (Post-)Memory and Identity in Canadian World War I Fiction -- Christina Spittel: Nostalgia for the Nation? The First World War in Australian Novels of the 1970s and 1980s -- Clare Rhoden: Even More Australian: Australian Great War Novels in the Twenty-First Century -- Daniel Reynaud: National Versions of the Great War: Modern Australian Anzac Cinema -- Richard Slotkin: The "Lost Battalion" of the Argonne and the Origin of the Platoon Movie: Race, Ethnicity, and the Transformation of American Nationality -- Maurizio Cinquegrani: Place, Time and Memory in Italian Cinema of the Great War -- Marzena Sokolowska-Paryz: The Great War and the Easter Rising in Tom Phelan's The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland -- Angela Brintlinger: The Great War through "Great October": 1914/1917 in Russian Memory -- Interrogations: Cross-Cultural and Trans-Historical (Re) Interpretations of the Great War. Geert Buelens: They wouldn't end it with any of us alive, now would they?: The First World War in Cold War Era Films -- Richard Smith: Post-Colonial Melancholia and the Representation of West Indian Volunteers in the British Great War Televisual Memory -- Anne Samson: Fictional Accounts of the East Africa Campaign -- Alicia Fahey: Voices From the Edge: De-Centering Master Narratives in Jane Urquhart's The Stone Carvers -- Brigitte Johanna Glaser : Women and World War I: "Postcolonial" Imaginative Rewritings of the Great War.
  3. "Kogda my byli na vojne ..."
    ėsse i statʹi o stichach, pesnjach, proze i kino Velikoj Pobedy
    Author: Minakov, Stanislav Aleksandrovič
    Published: 2019
    Publisher:  Aletejja, Sankt-Peterburg

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    3 A 271429
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    Source: Staatsbibliothek zu Berlin
    Language: Russian
    Media type: Book
    Format: Print
    ISBN: 9785907189874; 5907189878
    Series: Nezavisimyj alʹjans
    Subjects: World War, 1939-1945; World War, 1939-1945; World War, 1939-1945; Russian literature; Russian literature; War and literature; War and motion pictures; Art; Criticism, interpretation, etc
    Scope: 276 Seiten, 22 cm
  4. Film Front Weimar
    Representations of the First World War in German Films from the Weimar Period (1919-1933)
    Author: Kester, Bernadette
    Published: 2002
    Publisher:  Amsterdam University Press, Amsterdam

    Chapter 6: 'Neid, Leid, Tränen -- das ist der Krieg' -- Gender and war filmsEpilogue; Notes; Credits Weimar War Films; Archives and Libraries; Bibliography; Index of names; Index of subjects Contents; Preface and Acknowledgements; Introduction;... more

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    Chapter 6: 'Neid, Leid, Tränen -- das ist der Krieg' -- Gender and war filmsEpilogue; Notes; Credits Weimar War Films; Archives and Libraries; Bibliography; Index of names; Index of subjects Contents; Preface and Acknowledgements; Introduction; Chapter 1: 'Lehrreich und amüsant' -- Historical films in the period 1896-1933; Chapter 2: 'Die Legende von der Unschuld' -- Films about the run-up to the war, especially 1914. Die letzten Tage vor dem Weltbrand; Chapter 3: 'Das Dokumentarische gewinnt die Oberhand' -- Archival footage and constructions in war films; Chapter 4: 'Wenn wir Helden wären, wären wir schon längst daheim' -- Realism and anti-war tendencies in four films; Chapter 5: 'Auf dem Meere, da ist der Mann noch etwas wert' -- Films about the German navy during the First

     
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  5. The great war in American and British cinema, 1918-1938
    art amidst the ashes
    Author: Copping, Ryan
    Published: [2020]
    Publisher:  Palgrave Macmillan, Cham

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 118884
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    Universitätsbibliothek Freiburg
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783030606701; 3030606708
    Series: Palgrave studies in the history of the media
    Subjects: World War, 1914-1918; Motion pictures; Motion pictures; World War, 1914-1918; World War, 1914-1918; Motion pictures; Public opinion; War and motion pictures; History
    Scope: xiii, 196 Seiten, 21 cm
  6. Han heroes and Yamato warriors
    competing masculinities in Chinese and Japanese war cinema
    Author: Weiss, Amanda
    Published: [2023]
    Publisher:  Hong Kong University Press, Hong Kong

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789888754274
    Series: Transnational Asian masculinities
    Subjects: World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Collective memory and motion pictures; Masculinity in motion pictures; Collective memory and motion pictures; Masculinity in motion pictures; Motion pictures; War and motion pictures; History
    Scope: xiv, 163 Seiten, illustrations (black and white), 23 cm