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  1. Nordic war stories
    World War II as history, fiction, media, and memory
    Contributor: Stecher-Hansen, Marianne (Publisher)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

    Universitätsbibliothek Augsburg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Institut für Zeitgeschichte München-Berlin, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
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  2. Nordic war stories
    World War II as history, fiction, media, and memory
    Contributor: Stecher-Hansen, Marianne (Publisher)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Stiftung Topographie des Terrors, Bibliothek
    No inter-library loan
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  3. The legacy of World War II in European arthouse cinema
    Published: [2021]; © 2021
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European films made about the war between 1945 and... more

    Bibliothek des Bundesarchivs
    Unlimited inter-library loan, copies and loan
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself. Many of these films were banned, censored, or sharply criticized at the time of their release for the radical ways they reframed the war and rejected the mythologizing of war experience as a heroic battle between the forces of good and evil. The particular films examined, made by arthouse directors like Pier Paolo Pasolini, Rainer Werner Fassbinder, and Larisa Shepitko, among many more, deviate from mainstream cinematic depictions of the war and instead present viewpoints and experiences of WWII which are often controversial or transgressive. They explore the often-complicated ways that participation in war and genocide shapes national identity and the ways that we think about bodies and sexuality, trauma, violence, power, justice, and personal responsibility--themes that continue to resonate throughout culture and global politics"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781476683522
    Subjects: Zweiter Weltkrieg <Motiv>; Film
    Other subjects: Experimental films / Europe / 20th century / History and criticism; World War, 1939-1945 / Motion pictures and the war; Holocaust, Jewish (1939-1945), in motion pictures; Collective memory and motion pictures / Europe; Auteur theory (Motion pictures); PERFORMING ARTS / Film / History & Criticism; HISTORY / Military / World War II.; Auteur theory (Motion pictures); Collective memory and motion pictures; Experimental films; Holocaust, Jewish (1939-1945) in motion pictures; War and motion pictures; Europe; 1900-1999; Criticism, interpretation, etc
    Scope: viii, 229 Seiten, Illustrationen, Portraits (schwarz-weiß), 26 cm
    Notes:

    Introduction: Memories that scar -- Collaboration and survival in Italian neo-realism -- Memory beyond consolation : French cinema in the '50s -- Out of the rubble : the emergence of new German cinema -- French cinema in the '60s and the myth of resistance -- Postwar perversion : Italian cinema in the '70s -- The punishment begins : the films of Rainer Werner Fassbinder -- Pasolini's Salò and Nazisploitation -- Innocent children and Kafkaesque doubles : Jewish identity in French cinema -- Apocalyptic visions : the Holocaust on screen in Poland -- The world gone mad : Czech and Slovak cinema -- Ordinary fascism World War II films behind the Iron Curtain -- Conclusion: The trauma of remembrance

  4. The legacy of World War II in European arthouse cinema
    Published: [2021]; © 2021
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European films made about the war between 1945 and... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    "World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself. Many of these films were banned, censored, or sharply criticized at the time of their release for the radical ways they reframed the war and rejected the mythologizing of war experience as a heroic battle between the forces of good and evil. The particular films examined, made by arthouse directors like Pier Paolo Pasolini, Rainer Werner Fassbinder, and Larisa Shepitko, among many more, deviate from mainstream cinematic depictions of the war and instead present viewpoints and experiences of WWII which are often controversial or transgressive. They explore the often-complicated ways that participation in war and genocide shapes national identity and the ways that we think about bodies and sexuality, trauma, violence, power, justice, and personal responsibility--themes that continue to resonate throughout culture and global politics"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781476683522
    Subjects: Zweiter Weltkrieg <Motiv>; Film
    Other subjects: Experimental films / Europe / 20th century / History and criticism; World War, 1939-1945 / Motion pictures and the war; Holocaust, Jewish (1939-1945), in motion pictures; Collective memory and motion pictures / Europe; Auteur theory (Motion pictures); PERFORMING ARTS / Film / History & Criticism; HISTORY / Military / World War II.; Auteur theory (Motion pictures); Collective memory and motion pictures; Experimental films; Holocaust, Jewish (1939-1945) in motion pictures; War and motion pictures; Europe; 1900-1999; Criticism, interpretation, etc
    Scope: viii, 229 Seiten, Illustrationen, Portraits (schwarz-weiß), 26 cm
    Notes:

    Introduction: Memories that scar -- Collaboration and survival in Italian neo-realism -- Memory beyond consolation : French cinema in the '50s -- Out of the rubble : the emergence of new German cinema -- French cinema in the '60s and the myth of resistance -- Postwar perversion : Italian cinema in the '70s -- The punishment begins : the films of Rainer Werner Fassbinder -- Pasolini's Salò and Nazisploitation -- Innocent children and Kafkaesque doubles : Jewish identity in French cinema -- Apocalyptic visions : the Holocaust on screen in Poland -- The world gone mad : Czech and Slovak cinema -- Ordinary fascism World War II films behind the Iron Curtain -- Conclusion: The trauma of remembrance